Arts and Humanities Commons^™

Purple Eva, Chelsea A. Anspach

The Mercury

No abstract provided.

Angelina, Silvia Chon

The Mercury

No abstract provided.

Tree Of Life, Nathaniel H. Fitch

The Mercury

No abstract provided.

Hazard Tsunami, Lisa R. Del Padre

The Mercury

No abstract provided.

Lincoln, Megan E. Zagorski

The Mercury

No abstract provided.

London, Taylor L. Andrews

The Mercury

No abstract provided.

Past And Personal, Jarret M. Wasko

The Mercury

No abstract provided.

Hidden Scars: The Art Of Ptsd, Gabriel Gonzalez

Electronic Theses and Dissertations

Through the use of mixed media, I explore imagery that reveals the trauma of returning combat veterans, of which I am one, as we try to reintegrate into a society that does not understand the war that still lingers within us. In my work, I depict emotional disturbances that are related to my personal encounters with war. My working process starts by referencing mainstream media imagery, which I juxtapose against harsh images inspired by veterans' drug and alcohol use, trauma and death. My black-and-white pixelated paintings feature the fragmented memories of a hostile combat environment, and although "Out of My …

Coca: An Andean Daily Chew, Robert C. Bradley

School of Art & Design Faculty Publications

“Coca: An Andean Daily Chew” distinctly separates the benign tradition of coca chewing in South America, an 8,000 year old practice, from the modern plague of cocaine addiction. The article specifically addresses Western misconceptions about coca. The text goes on to detail many aspects of the process of coca chewing, from the fields of the Andes to the mouths of the chewer. Coca is chewed with quick lime and this process is compared to the preparation of corn tortillas in Mexico. The most celebrated variety of coca, Erythroxylum novogranatense var. truxillense, or Tupa Coca in Quechua, is positioned as the …

Manual / Issue 1 / Hand In Hand, Amy Pickworth, Editor, S. Hollis Mickey, Editor, Sarah Ganz Blythe, Editor, Robert Brinkerhoff, Maureen O'Brien, Sheila Bonde, James Mcshane, Elizabeth Williams, Kate Irvin

Journals

Manual, a journal about art and its making. Hand in Hand. The inaugural issue of The Manual, a twice-yearly publication by the RISD Museum. The theme of this first issue is “hand in hand,” a phrase first recorded in the 16th century. Its early usage described the clasping of palm to palm, but the term has since come to encompass more than this literal meaning. To be hand in hand is also to be connected, joined, concurrent, well matched. Thumb through these pages to find rigorous, imaginative musings as artists and academics make solid contact, gesture wildly, and put their …

Letter From The Visual Editors, Dana Shiroma, Sheng Moua

Calliope

No abstract provided.

Synchronicity, Calliope

Calliope

No abstract provided.

Cycles, Jonel Imutan

Calliope

No abstract provided.

Of Growth And Decay, Emily Grant

Calliope

No abstract provided.

Plants Not For Sale, Eric Koester

Calliope

No abstract provided.

Milky Way Stars, Eric Koester

Calliope

No abstract provided.

Uk Arts In Healthcare: A Study In The Aesthetics Of Community, Liz Schaller

Gaines Fellow Senior Theses

No abstract provided.

Threads Of Identity: Marisol's Exploration Of Self, Emily Williams

HIM 1990-2015

Marisol Escobar, known in the 1960s as the "Latin Garbo," is a sculptor famous for showing with the Pop art greats. However, Marisol holds a curious position in art history, stranded between the formalism of the fifties' and sixties' male-dominated Pop movement and the conceptual experimentation and radicalism that followed. Trained as a draftsman and painter early in her career, Marisol's main body of work mostly consists of large-scale wooden and mixed-medium sculpture. Lesser known, her lithographs, drawings, collages and small figurines further prove her technical and artistic validity. Preferring to go by surname only, Marisol’s quiet yet intense observation …

The Birth Of Mass Media: Printmaking In Early Modern Europe, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

In the digital age, when images and films can be streamed with lightning speed onto computers at the press of a button, it is hard to fathom the society-altering impact the new printed image had when it first appeared in Europe around 1400. The introduction of printed images or repeatable pictorial statements irrevocably changed the practice of manually producing images one by one, by making them available in identical form, as multiple examples printed onto paper, a material that was newly available in Europe. Such multiples appeared first as independent images, then as book illustrations, but either way, this process …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 34 (2013), Lynne Zacek Bassett, Hallie E. Bond, Cheryl Cheek, Sharon Fulton Pinka, Merikay Waldvogel, Sarah Bliss Wright

Uncoverings Journal

Preface by Lynne Zacek Bassett

Adirondack Quilts and Comforters: A Regional Study by Hallie E. Bond

The "Cooish" Rescue of the Quilt in Harry Kelly's Cottage by Cheryl Cheek

Lowcountry Chintz: The Townsend/Pope Quilt Legacy by Sharon Fulton Pinka

Printed Panels for Chintz Quilts: Their Origin and Use by Merikay Waldvogel

Alabama Cotton and Bemis Bags: Pieced into Quilt History by Sarah Bliss Wright

Contributors

Index

Joseph Wright Of Derby: Illustrating Scientific Progress, Hannah Lewis

Honors Program Theses

None available.

2013 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

“Francisco Del Río Cuenca.”, Jo Farb Hernandez

Faculty Publications

No abstract provided.

Annual Report Of The Risd Fleet Library 2012-2013, Fleet Library, Carol Terry

Annual Reports

No abstract provided.

Welcome To The Doll House, Francie Latour, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

From the Barbie dresses he made as a boy to his first splash in the New York art world, Martín Gutierrez 12 PR is working to perfect what he has always done naturally.

Rediscovering The Wheel, Brooke Hodge, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

What does architecture have to do with pottery? For Adam Silverman BArch 88, these two seemingly disparate creative practices are inextricably intertwined.

Brooke Hodge, director of exhibitions and publications at the Hammer Museum in Los Angeles, writes frequently about architecture and design for major publications. This text is excerpted from a longer essay in the new book Adam Silverman Ceramics, published this fall by Skira/Rizzoli.

Risd Xyz Fall/Winter 2013/14: Out Of Bounds | Full Issue, Liisa Silander

RISD XYZ Fall/Winter 2013: Out of Bounds

ARTISTS AND DESIGNERS TEND TO QUESTION, PUSH, CHALLENGE, take risks—as part of the pure pleasure of making. These are things you’re expected to do, just as you’re expected to think outside the box, color outside the lines, question the rules, defy expectations. The freedom of thought art and design offer may be what has inspired people to make objects of beauty and wonder since well before we began writing and recording our own history. Yet, as liberating as it sounds, that freedom is also a challenge. As alums you know how to probe and ponder, and deliberately work with materials …

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 2 Of 2), Sarah Aponte, Dania Diag

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

An Imperial Collection: Exploring The Hammers' Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Changing hands one last time, in the 1950s, for many years the icons at BJU lived as it were incognito, the details of their glamorous origins largely forgotten. Reuniting this core group-the cream of the Hammers' imperial icons--with others that passed into American museums in the 1930s allows us to appreciate the full significance of Armand and Victor Hammer's foray into marketing icons Americans.Viewed in isolation, most of their "imperial icons" are perhaps no mo than a poignant reminder of the vast destruction and dislocation of Orthodox culture during the Soviet Cultural Revolution. Taken together, however, they paint a vivid …

2013 Risd Wintersession Schedule Of Courses, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.