Arts and Humanities Commons^™

Signed In Silk And Silver: Examining An Eighteenth-Century Torah Ark Curtain And Its Maker, Genevieve Cortinovis, Miriam Murphy

Textile Society of America: Symposium Proceedings

Around 1755, Simhah Viterbo (c. 1739-1779) completed a luxurious Torah ark curtain, or parokhet, in Ancona, an important port city on Italy’s Adriatic coast. The base fabric, a bright blue silk satin, is appliqued with gold and silver guipure embroidery, vellum sections covered with metal-wrapped threads, spiral wound wires, and flattened strips of metal. Paillettes punctuate the Hebrew inscription, which runs across the curtain’s lower edge. The central grotesque composition, a series of stacked, diapered cartouches in the vein of Daniel Marot (1661-1752), fans out towards the enclosed borders. Florist flowers—blousy carnations, roses, and campanula—delicately embroidered in blush-colored silk threads, …

Glitched Metaphors: Dysfunction In Hand-Woven Digital Jacquard, Gabe Duggan

Textile Society of America: Symposium Proceedings

This presentation demonstrates various ways in which the TC1 has supported my work’s exploration of tension, balance, and precarity. By embracing and pushing expectations of traditional fiber work, these weavings question inequalities within contemporary performances of gender and exhibitions of power. My work on the TC1/TC2 digital jacquard loom has been primarily tethered to one specific machine with which I have shared a personal past and future for just over a decade. Through this technology I have built and negated tension, challenging a broad range of power dynamics. My work with this TC1 seeks to exploit and balance this technology …

A Tale Of Two Sisters: Invisibility, Marginalization And Renown In A 20th Century Textile Arts Revitalization Movement In New Mexico, Suzanne P. Macaulay

Textile Society of America: Symposium Proceedings

While this presentation does not address oppression in the global textile industry and injustices to leagues of anonymous enslaved women workers, it does raise questions about the vicissitudes of fame and obscurity of two women relative to artistic creation and textile arts revitalization efforts. This is the story of two Varos sisters, who married two Graves brothers, and lived in Carson, New Mexico. In the early 1930s Frances and Sophie Graves with their extended families repaired Spanish colonial textiles for the Santa Fe market. At some point they began to recreate traditional Spanish colonial-type colcha embroideries from recycled materials salvaged …

Between Craft And Design: Lucienne Day And Eszter Haraszty, Kevin Kosbab

Textile Society of America: Symposium Proceedings

Lucienne Day and Eszter Haraszty were leaders in both the design and business of mid-century textiles, Day through prominent commissions with Heal Fabrics and other firms in Britain, and Haraszty as director of Knoll’s textile division in the United States. Later, each designer turned from design for commercial production toward needlework-derived textile art, but their attitudes and methods were strikingly different. Both designers’ commercial work is well documented in scholarly design literature (Day’s especially), but their needlework is relatively neglected. This paper will shed deserved light on their textile art at a time when the studio craft movement was solidifying, …

Shared Provenance: Investigating Safavid-Mughal Cultural Exchange Through Luxury Silks In The Sixteenth And Seventeenth Centuries, Nazanin Hedayat Munroe

Textile Society of America: Symposium Proceedings

When examining silk textiles attributed to the early modern Persianate world, there is always some uncertainty as to whether they were produced in Safavid Iran or Mughal India. The confusion is warranted: the two courts share many of the same ideas, images, and even family connections, creating a broad cultural overlap. This becomes apparent in the arts from the mid-sixteenth century onwards, as politics and patronage prompted the migration of key Safavid artists, including weavers, from Iran to Mughal India. As Persian painting was developed in the royal atelier, luxury silks were also produced with Safavid techniques.

Examining these imported …

Colcha Circle: A Stitch In Northern New Mexico Culture, Olimpia Newman, Rebecca Abrams

Textile Society of America: Symposium Proceedings

Colcha embroidery is folk art, characteristic of northern New Mexico history, traditions, and a form of cultural expression that has not been researched and documented sufficiently. It has been practiced in private homes and small circles as a result of commissions or economic development programs, as has also been the case in the San Luis Valley, Colorado. Despite the exposure offered by local markets and demonstrations during events in New Mexico, the embroidery is in many ways an unknown technique, even to the next generation.

This video captures a candid discussion among eleven colcha artists, some of whom are entering …

Scandal And Imprisonment: Gold Spinners Of 17th Century England, Tricia Wilson Nguyen

Textile Society of America: Symposium Proceedings

When looking at seventeenth-century silk- and gold-embroidered jackets or heavily wrought cabinets, most people focus on the embroiderer’s skill. Instead, my interest rests with the makers of the thread used to create such luxuries—silk thread, gold thread, and silver thread. Perhaps surprisingly, many early thread makers were women, owners, and managers of home-based industries in which spinning gold and silver was their business and livelihood.

Unfortunately, the history of gold spinning in seventeenth-century England is one of “scandal and imprisonment,” with women’s prominent role neglected by history. Beginning in the 1620s, women gold spinners were thrown in jail for refusing …

Wild Things To Make Your Heart Sing, Molly Mcclain

History: Faculty Scholarship

The article describes the collaboration between philanthropist Ellen Browning Scripps (1836-1932) and artist Albert R. Valentien (1862-1926) that produced an exceptional collection of watercolors depicting the wildflowers of California, now in the collection of the San Diego Natural History Museum.

Defining Montréal: An Exploration On The Evolution Of Montréal’S Brand And Cultural Representations Since 1930, Liliane Lai

Masters Theses

Spaces contain and create meanings through the interplay of their surrounding physical and mental landscape i.e., geography, social activity, and representation. Like many defined spaces, Montréal is not only a social and spatial manifestation of a singular community, but an ideal conceived and constructed through interpretation, objectives, and media portrayal— a mosaic or assemblage. Conceptualising Montréal as a brand being one of the cultural capitals of Canada is deeply tied to an assemblage of its diverse roots and identity beyond its history. This thesis explores the notion of city branding to understand how a city’s image and reputation evolves in …

Several Houses, Anthony L. Cudahy

Theses and Dissertations

Within the context of the COVID-19 pandemic, the thinking that informed my painting practice fixated on the purgatorial temporal space of waiting, a questioning of utopian and apocalyptic impulses, and the preservation of deceased artists' archives.

For The Love Of Existence, Paul Joseph Vogeler

Theses and Dissertations

In this thesis, artist Paul Joseph Vogeler discusses his influences and current art practice. He covers topics like Catholicism and mortality, BDSM and erotic art, Tarot, spirits and the afterlife, photography and painting, and bones and relics.

Photography & Visual Perception, Rachel Leigh Bell

Open Educational Resources

This online class introduces students to the basic materials, terms and methods of digital photography. Students will be introduced to the digital camera, including camera settings and controls, but can also work with any photographing device. This is a hands-on class and students will photograph subjects indoors and outdoors, upload, edit, and print image files. Students will complete photo assignments throughout the semester as well as a final project that incorporates the techniques and themes covered in the course.

Hidden Stories/Human Lives: Proceedings Of The Textile Society Of America 17th Biennial Symposium, October 15-17, 2020--Full Program With Abstracts & Bios

Textile Society of America: Symposium Proceedings

The theme Hidden Stories/Human Lives presents opportunities to reveal complex and hidden stories of global textile making and coincides with the 100th anniversary of the 19th Amendment to the United States Constitution. Yet, just as the voices of women of color, marginalized by the suffrage movement, are only now being recognized, the stories of the many human lives that have contributed—directly and indirectly—to textile making, including enslaved people, immigrant entrepreneurs, and industrial laborers, remain untold. With this symposium, we hope to get “behind the curtain” to explore the wider human network engaged in textile production, bringing to light hidden stories …

Inscription, Iconography, And The Individual: A Late Antique Textile From The Harvard Art Museums In Context, Katherine M. Taronas

Textile Society of America: Symposium Proceedings

A small but distinct group of early Byzantine textiles from Egypt (dating between the fourth and sixth centuries) uses woven words and textual symbols for their primary decoration. Ornamented with bold letterforms created in brilliant colors, these objects are all inscribed with personal names—the names of individual men and women for whose lives we possess no other certain evidence. Far from simple labels indicating ownership, these names are integral parts of the textiles’ design and function both as text and as image. Investigating the epigraphic nuances, iconography, styles, and formats of these textiles will allow us to make some inferences …

Minecrafting Bar Mitzvah: Two Rabbis Negotiating And Cultivating Learner-Driven Inclusion Through New Media., Owen Gottlieb

Articles

In 2013, a boy with special needs used the video game Minecraft to deliver the sermon at his bar mitzvah at a Reform synagogue, an apparently unique ritual phenomenon to this day. Using a narrative inquiry approach, this article examines two rabbis’ negotiations with new media, leading up to, during, and upon reflection after the event. The article explores acceptance, innovation, and validation of new media in religious practice, drawing on Campbell’s (2010) framework for negotiation of new media in religious communities. Clergy biography, philosophy, and institutional context all impact the negotiations with new media. By providing context of a …

Grace Hughes: 1918 & 2020 Pandemic Poster, Grace Erin Hughes

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Cayley King: 1918 & 2020 Pandemic Poster, Cayley King

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Yamilet Perez Aragon: 1918 & 2020 Pandemic Poster, Yamilet Perez Aragon

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 x 24 inches, vertical

Devan Moses: 1918 & 2020 Pandemic Poster, Devan Moses

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Tash Nelson: 1918 & 2020 Pandemic, Tash Nelson

COVID-19 Graphic Design: Posters

• Illustration, Digital Collage
• 18 inches wide, 24 inches high

Brooke Baker: 1918 & 2020 Pandemic Poster, Brooke Baker

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Mary Connor: 1918 & 2020 Pandemic Poster, Mary Connor

COVID-19 Graphic Design: Posters

• Mixed-media digital collage

• 18 inches wide, 24 inches high

Valerie Connor: 1918 & 2020 Pandemic Poster, Valerie Connor

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Noah Gangloff: 1918 & 2020 Pandemic Poster, Noah Gangloff

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Leah Ramspott: 1918 & 2020 Pandemic Poster, Leah Ramspott

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

On Top Of The World, Elias Makhoul

be Still

Elias Makhoul felt like he was on top of the world at his medical school’s white coat ceremony, where he was dressed in his white coat for the first time. His fellow classmates and he officially became recognized for becoming student physicians. More than that, it was also a call for celebration, as each of them has endured hardships and overcame numerous obstacles to be there that day. He took the MCAT three times, applied in two application cycles, and was rejected by over 60 schools. Now, he is studying in his second year at NSU-KPCOM. His white coat ceremony …

Uprising, Issue 10 [Fall 2020], University Of Northern Iowa. Northern Iowa Student Government.

Uprising

Contents:

Y2K.20 --- 6
Vintage Reimagined --- 10
A Moment Away --- 12
Revival in Rights --- 18
Still Here --- 20
Small Businesses --- 24
Sunday Best --- 26
Powwow Ways, Frybread Days --- 36
The World Looked at Me --- 38
Artist to Watch --- 39
Simply Sustainability --- 40
Pattern Play --- 42
The Great Conjunction --- 48
Great-Grandfather Clock --- 51

Marching Through The Floating World: Processions In Ukiyo-E Prints (2020), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"Marching through the Floating World is a book that accompanies a student curated virtual exhibition of the same title. This exhibition is dedicated to images of processions in ukiyo-e woodblock prints.

Ukiyo-e or “pictures of the floating world” was a vibrant style of urban art that flourished in Japan in the 17th- 19th century, predominantly in the form of mass-produced woodcuts. Steeped in everyday pleasurable pastimes of townspeople, ukiyo-e prints reflected contemporary culture to its fullest, whether fact or fiction, often the two amalgamated in a witty way.

Processions constituted a noticeable theme in ukiyo-e prints as they were an …

John B. Bachelder’S Artistic Vision For The Gettysburg Battlefield, Shannon R. Zeltmann

Student Publications

John Bachelder was an important artist and historian to Gettysburg, shaping the early interpretation of the battle during the Gettysburg Battlefield Memorial Association period (1863-1895). While he is mainly discussed as the first park historian, it is important to look at his career as an artist and how it influenced his career at Gettysburg. Looking at Bachelder’s entire career, one can see how Bachelder’s vision for the battlefield changed over time. Bachelder wanted to create a grand history painting of the battle, which ultimately became his Isometric Map of Gettysburg. He corresponded with veterans to get their accounts, leading Bachelder …

Vintage Fashion Line, Robyn Denise Grier

Theses

This project focuses is on the history, description and current trends of lingerie fashion. The goal is to create a vintage fashion line that would appeal to today’s woman. The project not only reviews historical fashion, but looks at current lingerie fashion trends and lingerie companies.