Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Art and Design

Mixed media

Institution
Publication Year
Publication
Publication Type
File Type

Articles 31 - 60 of 71

Full-Text Articles in Arts and Humanities

House Of God: Ma Thesis, Michael James Cimino Jan 2016

House Of God: Ma Thesis, Michael James Cimino

All Graduate Theses, Dissertations, and Other Capstone Projects

What I tried: I considered the viewer more in this exhibition that any other prior. I created this work specifically to provoke response. I strategically exhibited objects deeply rooted in personal meaning, and mass culture in the Midwest. I intended to illicit a broad range of interpretation without any supplementary didactic. I wanted to observe the reaction of the view when no answer is given. I wanted to hear your interpretation without my own influencing yours. What happens with the responsibility falls on the view to make up their own mind, rather than simply responding to a predicated statement.

Why …


Lithic, Megan Nelle Moriarty Jan 2016

Lithic, Megan Nelle Moriarty

All Graduate Theses, Dissertations, and Other Capstone Projects

The creative works of Lithic employ nature as a visual meeting place to investigate the connection of art objects to the human spirit, explore a balance between scientific naturalism and spiritual abstraction, and work to expand on the use and craftsmanship of consumer and post-consumer materials.

The goal of any art work is to connect with the viewer on a spiritual level and, as an artist, the search for that relationship always brings me back to nature. The natural world is a place for moments of shared ‘awe’ and wonder. It is in nature that questions of human origin and …


Material Steps, David Versluis Dec 2015

Material Steps, David Versluis

Pro Rege

No abstract provided.


Suspended Sentence, Clark Lunberry Oct 2015

Suspended Sentence, Clark Lunberry

Clark Lunberry

Assemblage of books, lacquer, and metal

Gift of the Artist

Listen to an interview of Dr. Lunberry discussing the installation here: https://soundcloud.com/user-452927030/unf-on-the-record-september-24-2012/s-NQ8SY


Continued Remembrance, Abbigail Mehnert Feb 2015

Continued Remembrance, Abbigail Mehnert

Geifman Prize in Holocaust Studies

I always found great interest in learning about the Holocaust and how it has affected society even to this day. Through my winter LSFY course “Ashes to Immortality” I got the opportunity to discover a greater empathy for those who suffered, lost their lives, and survived this historic event. I wanted to insure that my piece represented the importance of passing on experiences and knowledge of the Holocaust in hopes that a similar event will never happen again. In my piece, I painted the entrance of Auschwitz converted in red splatters to represent the lives lost. The concentration camp is …


Stonehouse Residency: Koszut Artist Residency, Cas Grant, Mary Beth Koszut Jun 2014

Stonehouse Residency: Koszut Artist Residency, Cas Grant, Mary Beth Koszut

Faculty Scholarship and Creative Work – Art

Objective

I was looking to create a new series of artworks to push myself past my current habits of production to reach a new level in my artistic practice. During a focused period of study, I hoped to overcome the struggles that comes with developing a new concept for a new series of images. As my artwork is inspired by nature, I was looking to research new plant forms, (specifically those that grow air roots in order to sustain themselves), experiment with new media to begin an abstracted mixed media, air root series, and gather resource images for further work …


And The Road Will Take You There: What The Cartographer Said, Cassandra Sharri Labairon Jan 2014

And The Road Will Take You There: What The Cartographer Said, Cassandra Sharri Labairon

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis of mixed-media pieces, The Cartographer series, combines, with stitches and rough lace work, miniature acrylic paintings, weavings, and various other elements. The materials come from three different spheres: traditional fine art materials, such as canvas and paint; handiwork materials, such as cross-stitch or needlepoint; reclaimed materials, such as burlap, wire, or string. Thread is used to both draw and connect. Stitches not only lock each element in place, they create links and relationships between painted pieces, thread, and empty space.

The mixed-media pieces were made in conjunction with chapbook of poetry titled, _And the Road Will Take You …


Fragmented, Max Rebel Jan 2014

Fragmented, Max Rebel

Electronic Theses and Dissertations

This thesis, Fragmented, outlines Rebel’s explorations with materials and techniques that led to the creation of his current work that was presented in his MFA Exhibition. Fragmented focuses on elements of abandoned and ignored structures found in both urban and rural communities. Rebel is interested in the visual characteristics directly related to manufactured landscapes that have been reshaped by neglect, specifically, surfaces that appear old and weathered. The assemblages he makes in reference to these deserted sites do not comment on specific architectural locations. Instead, they are meant to emphasize common traits found at multiple sites. By working with …


Indefinability2013c.E., Clayton T. Ehman Dec 2013

Indefinability2013c.E., Clayton T. Ehman

CGU MFA Theses

I am a multidisciplinary artist; because I am committed to art that engages a broad array of subjects and ideas. This is reflected in my works which consist of diverse mediums and processes including graphic design, digital imagery, printmaking, painting, sculpting, poetry, song composition, clothing, website design, drawing, video, lighting, installation art, abstract art, Op art, conceptual art, political art, black light art, maximalist art, and various combinations of these.


The Hand That Finds, The Hand That Feeds, The Hand That Fails: An Installation Of Sketchbook Drawings By Nathan Lewis, Andries Fourie Aug 2012

The Hand That Finds, The Hand That Feeds, The Hand That Fails: An Installation Of Sketchbook Drawings By Nathan Lewis, Andries Fourie

Nathan Lewis

This installation of the sketchbook pages of painter Nathan Lewis provides us with a valuable opportunity to observe the evolution of his work firsthand.

Exhibition, Roger W. Rogers Gallery, Willamette University, August 28-December 7, 2012.


Parts Of The Sum, Andrew Cho Aug 2011

Parts Of The Sum, Andrew Cho

Art and Design Theses

Parts of the Sum is an installation of ceramic, wood, and drawn components which examines the symbiosis of individual and cultural identity: a recursive relationship which engenders unceasing diversity. The installation uses patterns and rule-based compositions as vehicles to address the development of complexity from compounded simplicity as it relates to personality. An immersive meta-network that emulates the complexity underlying identity, Parts of the Sum ultimately relies on the active participation and inclusion of the viewer for completion.


The Feminine Ideal, Rosalena L. Miller May 2010

The Feminine Ideal, Rosalena L. Miller

Scripps Senior Theses

While footwear was originally meant to protect the feet and enable the wearer to span larger distances and rough materials, today shoes are often seen as a fashion statement and a sex symbol for women. In his book, Of Cigarettes, High Heels, and Other Interesting Things, Marcel Danesi examines how high heels have moved away from the original purpose of shoes and now “seem to contravene this function. They are uncomfortable and yet millions of women wear them." They have moved from practicality to a sign of femininity, sexuality, and power.


Black, White, Brown, Aisha S. Harrison Apr 2010

Black, White, Brown, Aisha S. Harrison

School of Art, Art History, and Design: Theses and Student Creative Work

BLACK, WHITE, BROWN Aisha Shani Harrison, M.F.A University of Nebraska, 2010

Adviser: Gail Kendall

I address emotions and perceptions that are complex and multifaceted. My goal is for the work to communicate these emotions in a way that makes them accessible to others. Most people have felt disconnected, longing, anticipation, relief, anger, frustration and have experienced internal conflict. While this work touches on these emotions, there is, because of who I am, a set of questions I am asking regarding racial identity.

This autobiographical work is a series of ceramic figures that are engaged with symbolic objects which together form …


Khwaam Jam : Memory, Keith Lee Crane Dec 2009

Khwaam Jam : Memory, Keith Lee Crane

Art and Design Theses

Khwaam Jam is an introspective installation of works that explore the perceptions of identity based on memory. Created through the exploration of my past and present, the works of Khwaam Jam utilize the principles and techniques of textile design and production while involving mixed media and new materials in a site-specific installation. This installation is intended to represent my memory on a large scale. The hanging pieces are the focal point of the exhibition and are the physical manifestation of my perception of the categorization and storage of my memories. Memories are the vessels through which we create our identity. …


Bounded Surface, Emilie Sayward Brown Jan 2008

Bounded Surface, Emilie Sayward Brown

Theses and Dissertations

The relationship between surface, perception, and structure has occupied my graduate studies. Locating, transforming, and transcending the surface requires play with perceptive abilities not only of vision, but of touch, hearing, and the other senses as well. How do the interactions of sense with the qualities of a surface determine our perception of the world? What role does the extension of the senses play in one's ability to perceive surface and structure? Using sense information gleaned from surfaces, the tectonics of our world are made visible. Might this relationship be played backwards as well? Composed structures produce surfaces upon which …


Reunion: A Journey Through History, Symbolism, And Fear, Vanessa Laure Fassie Jan 2007

Reunion: A Journey Through History, Symbolism, And Fear, Vanessa Laure Fassie

Theses and Dissertations

The contents here in examine the artistic process undertaken by Vanessa Fassie to create the mixed media work, reunion. The subjects of fear, archetypal symbolism, personal and collective histories were examined through research, archival evidence, video, sound, movement, and installation. reunion, examines not only the powers of personal and collective histories through the symbolic language of archetypes, but also how fear manifests and evolves through time. The culmination of this work was the creation of an installation within the Anderson Gallery at Virginia Commonwealth University. This Thesis was created through the use of Microsoft Word 2004.


In Search Of The Ooey Gooey Good, Lauren Ashley Clay Jan 2007

In Search Of The Ooey Gooey Good, Lauren Ashley Clay

Theses and Dissertations

This thesis explores ideas of everydayness, the mundane, and the repetitive emptiness of consumer culture. It looks at the malaise that plagues everyday life and examines several attempts throughout history to break from its grips which revolve around a search for a more ideal state. This research includes utopias of modernism, the transcendental, the communal living of Shakers and Early Christians, ascetic monks and The Desert Fathers. These ideas have shaped my studio practice as I construct installations based on worlds which allude to the eternal, the otherworldly, and the fragility of our physical world when compared to more eternal …


Toward A New Kinship Constellation, Nellie Helen Frances Appleby Jan 2007

Toward A New Kinship Constellation, Nellie Helen Frances Appleby

Theses and Dissertations

This thesis attempts to elaborate on my artwork during my graduate studies, while contextualizing it within the framework of the art world and the works of other artists. A main project during this time was to minimize the singular interpretation and framing of a fine art photographic print, while expanding its possibilities of meaning through the addition of important ephemera and objects such as plants, drawings, moving imagery, conversation and the unknown.


Through My Eyes, Candace B. Conklin Jan 2006

Through My Eyes, Candace B. Conklin

Theses and Dissertations

I am the one my friends call the creepy one. My art is not pretty or happy. It is an expression of my inner feelings and thoughts. I don't make pretty pictures because I find them void of true emotional substance. I developed my point of view when I photographed my eyes, which have become a consistent theme in my work. Eyes are the window to the soul and the key to my inner emotions. I have since expanded my work to include other images. I continue to seek ways to help my viewers experience my work both emotionally and …


From The Edge, Leslie Corder Rousseau Jan 2006

From The Edge, Leslie Corder Rousseau

Theses and Dissertations

Paintings and drawings are the physical representations of my dialogue with the world around me. Art is how I connect to what is too large, or too vague, or too personally meaningful to express in any other way. Space and its transformation by light and color have always been central to this dialogue. I am particularly intrigued by spatial ambiguity. Space exists for us only in how it relates to us and so, space changes. One viewpoint or state of mind might make space seem freeing, while another makes the same space feel confining. Barriers are sometimes delineated, sometimes obscured. …


Innate, Kiara Pelissier Jan 2006

Innate, Kiara Pelissier

Theses and Dissertations

I often think of life as a tight rope stretching across an expanse. Our inner strength enables us to walk forward across it. When this fails us, we fall. But in those moments when we prevail, we soar and float as though weightless and timeless. As a gymnast I learned that control of one's insecurities results in a powerful and balanced presence of body. Give into them and the body becomes uncertain and clumsy. Rarely is life this transparent. Many forms of tension manifest themselves in physical, spiritual, and emotional unrest. How does the physical contour of the skin reflect …


Everyday Haunting, Thomas John Condon Jr. Jan 2006

Everyday Haunting, Thomas John Condon Jr.

Theses and Dissertations

This document outlines a journey of self-exploration, discovery, construction and destruction. It is a story of learning, a testament to impermanence, and a proposal for possibility. The words and work contained in this document are exclusive to the thoughts and actions of one man that hopes to share with others.


Undone, Julie J. Johnson Jan 2006

Undone, Julie J. Johnson

Theses and Dissertations

My art has become rooted in a process of layering. I layer materials to explore technique and to express the concept of inside versus outside. The evidence of multiple layers of materials is symbolically connected to what is happening within my own life. I want the viewer to see an indication of deeper layers of process and materials rather than just the polished surface of an artwork. This layering process can also be seen as a metaphor for human nature, what we see on the outside is not always what is on the inside.


Kick Me, Jennifer Stackpole Jan 2006

Kick Me, Jennifer Stackpole

Theses and Dissertations

Human experience, particularly the trials and tribulations of growing up, is the foundation on which I build. In this body of work, I represent these somewhat unsettling times. I use flattened space, strong diagonals, and vibrant color to add energy to the compositions. An underlying structure of fragmented shapes suggests the incomplete nature of adolescence.


Codes Of Interaction, Timothy Michael Martin Jan 2005

Codes Of Interaction, Timothy Michael Martin

Theses and Dissertations

The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my observations of day-to-day experiences. Isolated events provide found compositions which I then manipulate: a seemingly …


Space Between, Susan Van Geest Dec 2004

Space Between, Susan Van Geest

Pro Rege

Permanent Collection Commission for Dordt College's Jubilee 2005


Ways Of Mercy, Susan Van Geest Dec 2003

Ways Of Mercy, Susan Van Geest

Pro Rege

No abstract provided.


Book Series, Susan Van Geest Dec 2001

Book Series, Susan Van Geest

Pro Rege

No abstract provided.


Logicion's Intuition Ii, Susan Van Geest Dec 2000

Logicion's Intuition Ii, Susan Van Geest

Pro Rege

No abstract provided.


Moments, Susan Van Geest Dec 2000

Moments, Susan Van Geest

Pro Rege

No abstract provided.