Architectural History and Criticism Commons^™

Minoru’S Mecca: The World Trade Center, 9/11, And The End Of Architectural Modernism, Henry D. Senters

Anthós

From 1966 until 2001, the World Trade Center complex and its skyscraper Twin Towers were a defining architectural feature of New York City and a landmark in architectural modernism. Minoru Yamasaki, the project’s architect, intended the massive complex to be a “mecca” that drew in and inspired urban workers, exemplifying the Islamic architectural language that he incorporated into his architecture. In this article, Senters examines how architectural criticism evolved while the towers stood and after they were destroyed in the 9/11 terrorist attack. Tracking early reviews, hopeful about the complex’s trade-promoting purpose, and the perennial—though limited—negative reception of the complex’s …

Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson

Theses and Dissertations

At the 1939/40 New York World’s Fair, the Peruvian government installed a multimedia display of objects and products in a foreign pavilion. An examination of the building and its contents provides a basis to understand how art and commerce work together to construct narratives of authenticity, nationalism and modernity.

Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso

Dissertations, Theses, and Capstone Projects

This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …

Review: Saving Place: 50 Years Of New York City Landmarks, Jeffrey A. Kroessler

Publications and Research

This piece is a review of "Saving Place: 50 Years of New York City Landmarks" at the Museum of the City of New York from April 2015 to January 2016. It discusses the presentation of the history of preservation in New York City and how the landmarks law has been implemented and challenged over its first half century.

Article of record is at http://jsah.ucpress.edu/content/75/1/119.abstract

The City As Palimpsest, Jeffrey A. Kroessler

Publications and Research

“Palimpsest preservation” suggest the necessity of keeping the successive layers of urban form alive rather than simply effacing and rebuilding, for that keeps a city’s history alive. No city without a tangible, tactile history, without the capacity for denizens and visitors to reach into the past while experiencing the present, can be truly vital. But this is a contested approach. George Orwell’s 1984 offers a warning in the guise of a party slogan: “Who controls the past controls the future: who controls the present controls the past.” Preservationists may advocate on historical, architectural, or cultural grounds, but the final decision …

Cultural Landscapes Of Rochester New York, Joanne Rapone

Historic Preservation Final Projects

No abstract provided.

Spatial Reconfigurations: Bodily Terrains And Their Suppression On The New York Waterfront: The Greenwich Village Piers 40-53 1936-1998, Mark Curley

Masters

There has been seismic change on the New York waterfront since World War II. The shipping industry of longshoremen on the rough docks, has given way to mothers with babies in a bucolic landscape. The former condition existed within Kristeva's theories of abjection (1982), and today we have a suppression of that abjection through the municipal authority of the Hudson River Park Act (1998). This control of space is integral to gentrification. The abject condition existed as a changing zone of spatial occupiers and colonies, who demarcated their territories as bodily terrains on the edge of the city. Due to …

In Defense Of Preservation, Jeffrey A. Kroessler, Eric W. Allison, Dorothy Minor, Anthony C. Wood

Publications and Research

"In Defense of Preservation" is the transcript of a presentation at the Gotham History Festival at the CUNY Graduate Center, October 6, 2001. The discussants argued that historic preservation is vital to New York City's economic and cultural health, and countered arguments that preservation was elitist and hindered the city's growth. Dorothy Minor discussed the legal basis for preservation and reviewed the Penn Central decision and other court cases. Anthony C. Wood discussed the history of historic preservation in New York. And Eric W. Allison presented the intersection of preservation with the liveable cities movement.