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Architectural History and Criticism Commons

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Articles 1 - 4 of 4

Full-Text Articles in Architectural History and Criticism

The Beers-Ely House, Susie Van Kirk Aug 1987

The Beers-Ely House, Susie Van Kirk

Susie Van Kirk Papers

It was during Bertha Averell's ownership that the house was remodeled with Craftsman features. The tax assessment for 1924 shows an increase in assessed value for improvements which could indicate the new construction.

The Ely-Ioelu family ownership spanned more than forty years. Paul and Anna Ely were well-known Arcata residents who owned the Varsity Sweet Shop/Restaurant on the east side of the Plaza from 1945 until 1968. They lived in the house until their daughter and her husband purchased it in 1965.


Llewellyn Park, Suburban Idyll, Susan Henderson Jan 1987

Llewellyn Park, Suburban Idyll, Susan Henderson

School of Architecture - All Scholarship

Llewellyn Park, created by a group of progressive entrepreneurs and garden enthusiasts in 1850, was the first romantically planned suburb in the USA. Susan Henderson's article provides a comprehensive study of the history and planning of Llewellyn Park in West Orange, New Jersey.


Form And Meaning, John K. Jespersen Jan 1987

Form And Meaning, John K. Jespersen

Faculty Publications

As did Owen Jones, Bloomer argues for a modern style of ornament to decorate a modern architechture. Based on formal laws rather than theories of classical or naturalism imitation, conventionalization can be seen as being explicitly modern. More-over, deriving from the work of ornament, these laws are dependent on intrinsic rather than extrinsic principles.


Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen Dec 1986

Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen

Kresten Jespersen

As did Owen Jones, Bloomer argues for a modern style of ornament to decorate a modern architecture. Based on formal laws rather than theories of classical or naturalistic imitation, conventionalization can be seen as being explicitly modern. Moreover, deriving from the work of ornament, these laws are dependent on intrinsic rather than extrinsic principles.