Architectural History and Criticism Commons^™

A Fine Arts Program For No. 1 Chase Manhattan Plaza, Paul Richert-Garcia

Theses and Dissertations

This thesis reads Chase Manhattan's 1959 art program as a reconstitution of ornament. The spatial and affective work historically performed by murals, carved stone, and mosaic was now performed by collecting—contemporary art, ethnographic holdings, folk art—deployed by committee across a corporate modernist master plan stripped of the handcraft tradition.

The Other Tradition Of Modernism: Writing Contemporary Chinese Architecture, Guanghui Ding Dr

Publications and Research

The Other Tradition of Modernism emerges from a pedagogical experiment at the City College of New York, where the editor taught a course on modern and contemporary Chinese architecture to upper-level undergraduates and graduate students. Combining thematic lectures, student presentations, writing workshops, and intensive editorial mentoring, the course sought to illuminate an alternative trajectory of architectural modernism. Geographically, it introduced modern Chinese architectural practices that developed outside Western modernist paradigms; culturally, it foregrounded context-based approaches that resist the hegemony of iconic, spectacle-driven architecture under contemporary neoliberal market logics.

This edited volume, composed of student contributions, articulates several key insights. First, …

Building Black Manhattan: Architecture, Art, And The Politics Of Respectability, 1857–1914, Jessica Larson

Dissertations, Theses, and Capstone Projects

“Building Black Manhattan” is the first study to examine the architectural contributions of Black women reformers to the urban development of New York City between the Civil War and the Great Migration. Through the construction of charitable and reform institutions throughout Manhattan, they articulated a strategy of racial uplift through deliberate spatial construction.

As reform work was one of the very few arenas in the nineteenth and early twentieth centuries in which women had a significant public voice, the buildings constructed to facilitate reformers’ work encoded the social, racial, and gendered demands of women into their designs. These institutions included …

A Municipal Modernity: Women, Architecture, And Public Health In Working-Class New York, 1913–1950, Jessica Fletcher

Dissertations, Theses, and Capstone Projects

“A Municipal Modernity” is the first study to analyze the architectural history of the district health centers in New York City that women reformers and their allies founded to address poor health in working-class communities. It reveals that women’s philanthropic adaptive re-use was foundational to the architecture of the public health care in New York and led to a program of municipal district health centers. Philanthropic reformers adapted buildings in the 1910s and 1920s to provide affordable health care for low-income women and children in European immigrant and Black neighborhoods. During the New Deal, municipal officials followed the example set …

Scattered Fragments: Art, Architecture, And Archives In Revolutionary Urban Cairo, Mounira M. Makar

Theses and Dissertations

This thesis analyzes how revolutions impact urban Cairo and its communities, specifically within artistic, architectural and archival practice while acknowledging the central role of public spaces in giving way to such revolutionary practices. Fundamentally, this paper highlights the foundational nature of such practices in developing urban communities.

Mimar Sinan, Aleesha Hafeez

Publications and Research

Fifteenth-Century Sienese Art In Its International Setting: A Case Study Of Cross-Cultural Exchange In Italy And Beyond, Maria Lucca

Dissertations, Theses, and Capstone Projects

Scholars often frame the Republic of Siena as isolationist and inward-looking, yet from its beginning in 1262 the city-state was internationally vital, sending artists to work in foreign cities and calling upon foreign artists to do significant work in Siena. Although Siena temporarily retreated from this internationalism to a period of relative cultural autonomy in the mid-Trecento, in the early Quattrocento it re-opened the gates of its medieval walled city to artistic interchange between Sienese and Florentine sculptors, setting in motion the dramatic shift that occurred in the mid-Quattrocento. Sienese sculptors embraced the Renaissance artistic humanism flourishing in Florence and …

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift

Publications and Research

From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …

Limpieza De Asbestos En La Ciudad De Nueva York, Ariana G. Perez-Castells

Capstones

This is the story of how asbestos is removed in New York City, and who carries out the work. It's unclear how much more asbestos abatement is left in the county, and the U.S. has not completely banned the dangerous material, unlike over 50 other countries across the world. Both of these things could change soon. A new study that the U.S. Environmental Protection Agency will carry out by December 2024 would give us a better picture of how much asbestos there is still in buildings and how much more removal work is to be done. At the same time, …

The Beehive, The Favela, The Castle, And The Ministry: Race And Modern Architecture In Rio De Janeiro, 1811–1945, Luisa Valle

Dissertations, Theses, and Capstone Projects

This dissertation deploys a multidisciplinary and decolonial framework to investigate the architecture of cortiços, the Favela Hill, the Castelo Hill, and the Ministry of Education and Public Health (MES) building as constitutive of the history of modernization and modernity in the Centro (city center) of Rio de Janeiro, 1811-1945. The first three chapters investigate the distinct geographies, formal and material qualities, and populations of cortiços, the Favela Hill, and the Castelo Hill, as well as their racialization and essentialization by the “unsanitary” and “degenerate” labels bestowed upon these landscapes by the state. Traditional narratives and practices of modern architecture and …

Building For A New National Body: The Architecture Of Manuel Amábilis And Neomaya Modernity, Emily A. Cocco

Theses and Dissertations

In the history of architecture following the Mexican revolution, Yucatecan architect Manuel Amábilis (1889-1966) has often been passed over in favor of discussions of architects working in the nation’s cultural and political center, Mexico City, many of whom engaged in neocolonial and functionalist modern style to envision a modern Mexico transformed by the revolution. This omission is short-sighted, since Amábilis’s Maya revivalist architecture provides an iteration of postrevolutionary Mexican architecture that visually and ideologically manifests the socialist and proindingenous aims of the revolution while imagining a paradigm of modern nationalism that was not rooted in Western ideals. Amábilis’ neomaya architecture, …

Hudson Yards: Hybrid Capital's New Home, Massimo D. Scoditti

Dissertations, Theses, and Capstone Projects

This thesis focuses on the material and metaphysical aspects of the Hudson Yards, the largest private development in US History. With its roots in the administration of Michael Bloomberg, the site is representative of neoliberal ideology. It is also one in which cultural production is central. This is in terms of the rationalization and mythos of the building of the space itself and the dreamworlds created to obscure the mechanisms of extraction and accumulation that make such a complex possible. The Hudson Yards is particularly interesting because, as Cindi Katz might suggest, topography lines connect it to transnational capital. And …

Contextualizing Britain’S Holocaust Memorial And Museums: Form, Content, And Politics, Rebecca D. Pollack

Dissertations, Theses, and Capstone Projects

The quantity of Holocaust memorials in Britain and their prominence in public debates beseeches the question: Why does a country with a modest Jewish population, that was neither occupied by the Nazis nor lost its citizens in the horrors of the Holocaust, devote large quantities of resources and time to memorializing the events of the Holocaust? While there are private and synagogue-based Holocaust memorials in Britain, this dissertation centers on Britain’s statefunded Holocaust memorials and museums, a substantial network of memorials that is often left out of the abundant literature on Holocaust memory. Each memorial project is examined through the …

"Never Forget": Embodied Absence And Extended Relations Of Care After 9/11, Sophie L. Riemenschneider

Dissertations, Theses, and Capstone Projects

This dissertation is a reflection on how loss was articulated in the wake of 9/11. The terror attacks engendered a memorial style that sought to give shape to grief, acknowledging it without filling it in or erasing it. This new style, which I term embodied absence, exists across a range of mediums, from literature to architecture. It is such a potent memorial form because it also captures the traumatic process, which is prolonged, layered, and potentially open-ended. However, despite their ability to mirror the nature of trauma, instances of embodied absence never verbalize the attacks’ root trauma—the disconnect between our …

The Integration Of Art, Architecture, And Identity: Alfred Kastner, Louis Kahn, And Ben Shahn At Jersey Homesteads, Daniel S. Palmer

Dissertations, Theses, and Capstone Projects

During the New Deal, the United States government created the Jersey Homesteads co-operative in order to help a group of Jewish immigrant garment workers from New York City during the economic downturn of the Great Depression. This dissertation examines how a 1930s utopian enclave utilized modernist art and architecture to express the radical back-to-the-land agrarian idealism and socialist ideology of its settlers. The flat-roofed, concrete buildings that housed these Jewish garment workers were designed by German architect Alfred Kastner (1900-1975), with his then unknown assistant Louis I. Kahn (1901-1974). These unornamented, functionalist buildings adapted avant-garde European architectural forms into an …

Environmental Cues And The Sociospatial Imaginary: An Examination Of Spatial Perception And Meaning-Making In A Gentrifying Neighborhood, Todd Levon Brown

Dissertations, Theses, and Capstone Projects

What could be more ordinary or pedestrian than two people walking down an urban street and talking about what we see and what we make of it? Yet this simple, quotidian act of walking a street—seeing, perceiving and experiencing physical spaces, places and objects—and making meaning of what is encountered, is the basis of my dissertation. It is also my basis for claiming that I have learned a great deal—and much unexpectedly—about how differently different people see and interpret the urban streetscape. What are the various environmental cues that stand out to different individuals? What are the psychosocial imaginaries that …

Building Pedagogy: Studying Architecture And Preservation In American Art And Architectural History, Kate Kocyba

Art History Pedagogy & Practice

In this essay I discuss how my course attempts to broaden the definition of the American architectural canon by bringing in the discipline of preservation and, by extension the discussion of vernacular architecture. Throughout the course students are given assignments meant to engage with all levels of Bloom’s Taxonomy. By highlighting specific assignments such as a National Register of Historic Nomination Form, and a student led class discussion on Colonial Williamsburg I will show how students engage with the upper levels of Bloom’s Taxonomy. At the same time this essay demonstrates how a course on architecture of the United States …

Making Connections In The Evolution Of Panamanian Architecture, Cheriyah Wilmot

Publications and Research

Panama is an isthmus in Central America that has been influenced by a multitude of cultures ever since its Spanish colonization. This diversity is reflected in its architectural forms. The modern form seen in Panamanian architecture will be investigated to find its historical roots. Common themes were extracted that link to the past vernacular: Indigenous and Colonial. Building case studies will be looked at to develop an architectural vocabulary that summarizes recurring architectural elements

At Home In The World — The Architecture And Life Of Frank Lloyd Wright, Anthony Romeo, Dale Laurin

Publications and Research

This article shows how the enduring admiration people have for the architecture of
Frank Lloyd Wright (1867–1959) is explained by this principle of Aesthetic Realism, stated by the founder of this philosophy, the great American poet and critic, Eli Siegel: “All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves.” Scholars have written of Wright’s contradictions: his charm and his arrogance, the warmth of his interior designs and his coldness to persons near to him. The authors show that like people everywhere, Wright was trying in his life …

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …

Modernity In Miniature: Maoism And The Beijing Department Store, Samuel M. Hellmann

Dissertations, Theses, and Capstone Projects

This thesis examines the Beijing Department Store as a contradictory structure embedded in the world’s largest Communist revolution. By looking at the urban planning decisions behind constructing a colonial form in the center of the socialist capital, I attempt to unravel the complex intersection of economic development and egalitarian mass action in the early Maoist period. Constructed in 1955 during the first Five Year Plan, the Department Store sheds light on the specific parameters of post-revolution modernization campaigns. Furthermore, by looking at the conceptualizations of the building by the Party, architects, and the workers inside the store, I examine how …

The International Rise Of Afro-Brazilian Modernism In The Age Of African Decolonization And Black Power, Abigail Lapin Dardashti

Dissertations, Theses, and Capstone Projects

Two competing artistic representations of Brazilian blackness emerged from 1966 to 1988. The first began in 1966 when the Brazilian government positioned itself as a leading diplomatic partner for newly independent African nations by showcasing black Brazilian art in West Africa. Through exhibitions, the Brazilian Foreign Ministry aimed to highlight the country’s presumed homogeneous identity and absence of racism. The second definition arose through the work of artists inspired by U.S. social rights activism, who founded Brazil’s civil rights movement in 1975. Brazilian artist-activists combined symbolism from U.S. Black Power, African liberation movements, and Afro-Brazilian culture to denounce racism in …

Beyond The Market: A “Public-Commons-Partnership” For Housing, Arielle Lawson

Publications and Research

The commodification of housing has led to new levels of unaffordability for tenants all over the country. With skyrocketing rents and an explosion of homelessness, we are faced with the glaring failures of our capitalist housing system to meet people’s most basic human needs. Recognizing the inherent limitations of “affordable housing” within a profit-driven system, we need a paradigm shift around housing that can change the terms of the debate, and advance a real alternative to the speculative market. A growing housing justice movement — combined with a renewed politicization of tenants — is leading the way. From new rent …

Recording Studios Since 1970, Eliot Bates

Publications and Research

Like many other specialty, purpose-built spaces, we tend to think of recording studios in instrumental terms, meaning that the space is defined in relation to the nominal type of work that the space is instrumental towards. While audio recordings have been made in spaces since 1877, not all of these spaces tend to be regarded as recording studios, partly since so many recordings were made in environments designed for other types of work; indeed, much of the first seventy years of US and UK recorded music history transpired at radio stations, concert halls and lightly treated mixed-use commercial spaces (e.g. …

Mapping Urban Performance Culture: A Common Ground For Architecture And Theater, Ting Chin, Christopher B. Swift

Publications and Research

Our co-taught course focuses on theater history, with an emphasis on performance architecture. Assignments are designed to illuminate the ways in which architectural design and technology inform performance practices and audience reception. The pivotal assignment for exploring interdisciplinarity is a three-week module on mapping historical theaters in New York City. Open-source Global Information Systems (GIS) software serves as a common mechanism for students to situate theatrical productions in the context of the built urban environment, deepening their understanding of the social, economic, and artistic forces that contributed to performance culture. Mapping is a shared pedagogy for analyzing and presenting research …

A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato

Dissertations, Theses, and Capstone Projects

In 1952, Chilean architect Alberto Cruz (1917–2013) and Argentine poet Godofredo Iommi (1917–2001) launched one of the most idiosyncratic experiments in postwar art and architectural pedagogy in the industrial port of Valparaíso, Chile. Founded on the premise that architecture must be “co-generada” with poetry, the so-called Valparaíso School developed an expanded conception of the discipline that encompassed ephemeral forms, from urban drifting to performative and ludic actions. This dissertation examines four specific “acts” in the Valparaíso School’s corpus: the exhibition, the poetic act, the journey, and the game. Across these different forms, I identify a tendency toward openness, improvisation, indeterminacy, …

Mapping In The Humanities: Gis Lessons For Poets, Historians, And Scientists, Emily W. Fairey

Open Educational Resources

User-friendly Geographic Information Systems (GIS) is the common thread of this collection of presentations, and activities with full lesson plans. The first section of the site contains an overview of cartography, the art of creating maps, and then looks at historical mapping platforms like Hypercities and Donald Rumsey Historical Mapping Project. In the next section Google Earth Desktop Pro is introduced, with lessons and activities on the basics of GE such as pins, paths, and kml files, as well as a more complex activity on "georeferencing" an historic map over Google Earth imagery. The final section deals with ARCGIS Online …

Defense In Desolation, Dounia Bendris

Theses and Dissertations

This paper discusses different forms of defense strategies in architecture throughout history as well as how a building’s function morphs over time in relation to the political and social climate that surrounds it. Both of these concepts provide a framework for understanding my thesis drawing, “Defense in Desolation,” which uses bunkers in abandonment as a reference to the psychological impact of architecture outside of functionality.