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Architectural History and Criticism Commons™
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Articles 31 - 60 of 144
Full-Text Articles in Architectural History and Criticism
The Museum As Object Of Display: Experiencing The Ashmolean, Jack Z. Chen
The Museum As Object Of Display: Experiencing The Ashmolean, Jack Z. Chen
Armstrong Undergraduate Journal of History
Conventionally, museums are most often considered as a series of objects displayed, but I argue that the museum itself should be seen, first and foremost, as the object on display. The Ashmolean Museum in Oxford, built at the high tide of British Imperialism, is a very interesting case study. Interested in its engagement with its own past, I do not seek to investigate the actions it takes as an institution, for instance, as regards to the politics of repatriation. Instead, I want to explore the whole experience it facilitates as an object in its own right.
This experience begins with …
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
Commonwealth, Clare Van Loenen
Jordan Nassar: The Field Is Infinite, Megan Bickel
Jordan Nassar: The Field Is Infinite, Megan Bickel
Art Inquiries
No abstract provided.
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
Art Inquiries
No abstract provided.
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Art Inquiries
No abstract provided.
Julie Mehretu, Jessica Stephenson
Frank Duveneck: American Master, D. Bryan Schaeffer
Frank Duveneck: American Master, D. Bryan Schaeffer
Art Inquiries
No abstract provided.
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Art Inquiries
No abstract provided.
An Interview With Tony M. Bingham, Mysoon Rizk
Iconoclasm And The Museum, Catherine Chastain-Elliott
Iconoclasm And The Museum, Catherine Chastain-Elliott
Art Inquiries
Book review of Iconoclasm and the Museum, by Stacy Boldrick.
Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley
Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley
Art Inquiries
No abstract provided.
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:2-3, Full Issue
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Art Inquiries
Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Art Inquiries
Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
Art Inquiries
No abstract provided.
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi
Art Inquiries
No abstract provided.
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy
Art Inquiries
No abstract provided.
Kim Gordon: The Bonfire, Annie Dell’Aria
Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn
Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn
Art Inquiries
No abstract provided.
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris
Art Inquiries
No abstract provided.
Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle
Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle
Art Inquiries
Book review of Against Our Will: Sexual Trauma in American Art Since 1970, by Vivien Green Fryd.
An Interview With Adrian Rhodes, Kerr Houston
Art Inquiries, Xviii:1, Full Issue
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo
Art Inquiries
No abstract provided.
The Avant-Garde Networks Of Amauta: Argentina, Mexico, And Peru In The 1920s, Michele Greet
The Avant-Garde Networks Of Amauta: Argentina, Mexico, And Peru In The 1920s, Michele Greet
Art Inquiries
No abstract provided.