Digital Commons Network^™

« Tramontane (Rabih) » De Vatché Boulghourjian, Joseph Korkmaz

Regards

The story of a blind Lebanese musician confronting an unforgiving bureaucracy and the traumas of a violent past – the Lebanese Civil War – Vatché Boulghourjian’s Tramontane (Rabih) explores questions of memory and the lingering ghosts of war through the struggles of a war orphan seeking to obtain a passport. The article examines the trials he endures in his quest to uncover his identity, along with decades-old family and political secrets, adopting a historical perspective that draws parallels between the protagonist’s journey and society’s broader struggle to confront a troubled chapter in the nation’s history.

Résumé

L’histoire d’un …

Entretien Avec Vatché Boulghourjian, Joseph Korkmaz

Regards

Interview with Vatché Boulghourian, director of the movie Tramontane (Rabih), 2016, around the difficulties of representing the memory of civil war through the trials of a blind orphan.

Résumé

Entretien avec Vatché Boulghourian autour de son film Tramontane (Rabih), 2016, et des défis de traiter la mémoire de la guerre à travers les tracas bureaucratiques d'un orphelin aveugle.

الفنون المعاصرة من خلال أعمال ربيع مروة, Hana Kaaki

Regards

The article deals with the works of Rabih Mroué and its place in contemporary artistic practices in the Middle East region. The question of the study centers on the specificity of contemporary practices and the creative process of the artists in question, and the redefinition of Aesthetics – at least the traditional meaning of the concept – in light of the transformations of artistic thought and achievements.

Résumé

L’article traite des travaux de Rabih Mroué et de la place qu’il occupe dans les pratiques artistiques contemporaines au Moyen-Orient. Cette étude se concentre sur les spécificités du processus créatif de l’artiste, …

The Lumberjack, January 31, 2018

Cal Poly Humboldt's Student Newspaper

The student newspaper of Humboldt State University.

Entretien Avec Ziad Doueiri, Joseph Korkmaz

Regards

Entretien avec Ziad Doueiri, réalisateur du film L’Insulte (2017), sur les défis de la mise en scène et de la production d’un drame libanais à forte teneur politique.

La « Mimèsis » Dans Le Théâtre Et La Peinture, Joanna Raad

Regards

Le terme mimésis vient du verbe mimisthai qui signifie imiter, ou plus précisément suivre un exemple ou faire une « représentation ». Ainsi, l’imitation, ou mimésis, est un principe académique qui impose un culte de la représentation fondé sur la reconnaissance. Cet article voudrait discuter la manière dont la mimésis et l’illusion au théâtre interagissent avec l’art, et plus particulièrement la peinture.

La Prédominance Des Techniques Audiovisuelles Et Numériques Au Théâtre, Marcel Ghosn

Regards

The evolution of technologies in the audiovisual and theatre fields has succeeded in breaking the separation between actors and digital bodies. What is an actor today? Is he still essential on stage or in film? And what about digital bodies and their ability to produce and convey emotions and performances in the same way as a human actor?

Résumé

L'évolution des technologies dans les domaines du théâtre et de l’audiovisuel a permis d’effacer la frontière entre le corps de l’acteur et les corps numériques. Cela nous amène à poser la question : qu’est-ce qu’un acteur aujourd’hui ? Est-il toujours central …

Entretien Avec Le Producteur Georges Schoucair, Joseph Korkmaz

Regards

Interview with Georges Schoucair, producer of the movie Tramontane (Rabih, 2016).

فسيفولد إيميلوفيتش مايرخولد العبقري المشاغب, Michel Jabre

Regards

Meyerhold, dubbed “the people’s artist” by the Soviet regime, led a tumultuous artistic life and carried out provocative experiments in unconventional theatre settings. After cofounding the Moscow Art Theatre with renowned colleagues such as Stanislavski and Danchenko, he left the company to regain his independence as an actor and stage director. He then developed his theoretical concept of “conditional theatre,” reinterpreting classical plays in innovative ways and reimagining them within a renewed contemporary theatrical context.

Résumé

Meyerhold, surnommé « l’artiste du peuple » par le régime soviétique, a eu une vie artistique tumultueuse et a mené des expérimentations provocantes dans …

Éditorial, Joseph Korkmaz

Regards

Le cinéma libanais s’illustre par son dynamisme manifeste dans le nombre de films tournés. Des comédies légères épinglent quelques caractéristiques et travers de la société et des mœurs libanaises. Des feuilletons télévisés engourdissent une frange importante de la population, avide de romantisme et d’aventures rocambolesques.
De ce lot de productions émergent des œuvres qui méritent considération et encouragement, surtout quand il s’agit de premiers films [...]

مسـرح شـوشـو للأطفال, Rana Azzaz

Regards

Theatre for children is grounded in imaginative creativity and forms an educational, intellectual, and aesthetic tradition that refines a child’s spirit while developing taste, a sense of beauty, and openness. In Lebanon, plays designed for children began appearing in professional theatre venues in the late 1960s. The “Chouchou Children’s Theatre” was among the earliest and most significant initiatives, drawing a strong response from young audiences. In this article, I examine this phenomenon – which emerged spontaneously and without a clear methodology – with particular attention to audience reception.

Résumé

Le théâtre pour enfants est une tradition éducative, intellectuelle et esthétique …

Africa Has A Need For Higher Education, Aldemaro Romero Jr.

Publications and Research

One of the oldest words in the English language is bigotry. Although it has an obscure origin, everybody knows its meaning: intolerance toward the opinions, lifestyles, or identities of people who are different from the person expressing those opinions. The bigot bases such rejection of others on ignorance and usually takes such bigoted positions to insult.

In one of the many scandals that we are witnessing on a weekly basis, Donald Trump referred to all the countries of Africa, as well as Haiti and El Salvador, as “s***hole countries.” The problem with this statement is that it not only reflects …

Isu Concerto-Aria Competition Finals, January 31, 2018, School Of Music

School of Music Programs

Center for the Performing Arts
January 31, 2018
Wednesday Evening
7:00 p.m.

The Justinian

The Justinian

No abstract provided.

The Justinian

The Justinian

No abstract provided.

The Justinian

The Justinian

No abstract provided.

The Justinian

The Justinian

No abstract provided.

The Justinian

The Justinian

No abstract provided.

The Justinian

The Justinian

No abstract provided.

Spartan Daily, January 30, 2018, San Jose State University, School Of Journalism And Mass Communications

Spartan Daily, 2018

Volume 150, Issue 2

Independent - Jan. 30, 2018, Robin Bridges

The Independent (1988-present)

No abstract provided.

Guest Artist Recital: Durward Ensemble, January 30, 2018, School Of Music

School of Music Programs

Kemp Recital Hall
January 30, 2018
Tuesday Evening
7:30 p.m.

Annual Best Medicine Show Set For Feb. 23, Uab Heersink School Of Medicine

Browse All News

No abstract provided.

Yakov Kasman To Perform Rachmaninoff As Soloist With Aso, Shannon Thomason

Browse All News

No abstract provided.

01-30-2018 High School And Middle School Jazz Bands Performing At Swosu Festival, Southwestern Oklahoma State University

THE BARK ARCHIVE 2018

Twenty high school, college and middle school jazz bands will participate in the Southwestern Oklahoma State University Jazz Band Festival on Friday, February 9, as part of the 48 annual SWOSU Jazz Festival activities on the Weatherford campus.

The Prospector, January 30, 2018, Utep Student Publications

The Prospector

Headline: Students Can Report Crimes Anonymously Through Maps Initiative

Civilizing The Metropole: The Role Of The 1889 Parisian Universal Exposition's Colonial Exhibits In Creating Greater France, Michael D. Brooks

The Pegasus Review: UCF Undergraduate Research Journal

During the era of New Imperialism, the French state had the daunting task of convincing the French public of the need to support and to sustain an overseas empire. Stemming from its defeat in the Franco-Prussian War and hoping to regain its former global position, the French state set out to demonstrate the importance of maintaining an empire. Since the vast majority of the French people were apathetic towards colonial ventures, the French state used the 1889 Parisian Universal Exposition not only to educate the French about the economic benefits of the empire, but to entertain them simultaneously so that …

Commonwealth Times 2018-01-29

Commonwealth Times, 1969-

No abstract provided.

Rotunda - Vol 96, No. 13 - Jan. 19, 2018, Longwood University

Rotunda

Issue is labeled as 12, but is actually the 13th issue in this Volume.

The Daily Gamecock, Monday, January 29, 2018, University Of South Carolina, Office Of Student Media

January

No abstract provided.