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Articles 31 - 60 of 297737
Full-Text Articles in Entire DC Network
Scénographier La Mémoire : Le Costume Théâtral Comme Archive Vivante. Retour Sur L’Exposition « Tisser Le Temps », Mohammed Amin Boudrika
Scénographier La Mémoire : Le Costume Théâtral Comme Archive Vivante. Retour Sur L’Exposition « Tisser Le Temps », Mohammed Amin Boudrika
Regards
This article examines the role of theatre costume in constructing and transmitting the memory of the performing arts, drawing on the exhibition Tisser le Temps: Histoire et Création du Costume Théâtral Marocain (Weaving Time: History and Creation of Moroccan Theatre Costume), presented in 2024 as part of the National Theatre Festival of Tetouan. Given the ephemeral nature of theatrical performance, costume emerges as a material trace capable of preserving the memory of the production, of the actor's body and of the creative process. In this sense, it can be regarded as a genuine "living archive". The article also analyses the …
Archiver Le Théâtre Algérien : Itinéraire D’Un Chercheur, Ahmed Cheniki
Archiver Le Théâtre Algérien : Itinéraire D’Un Chercheur, Ahmed Cheniki
Regards
Undertaking research on theatre in Algeria, the Arab world or sub-Saharan Africa is by no means an easy task; it is closer to an obstacle course. It is far from the simple "intellectual adventure" it is so often imagined to be. It is a gruelling experience, patiently built up over time: the outcome of a long and delicate process, a lengthy journey made up of rewarding moments, to be sure, and genuine discoveries, but also of trial and error, self-questioning, refusals, closed doors and, at times, decisive encounters.
Résumé
Entreprendre une recherche sur le théâtre en Algérie, dans le monde …
رحلة في أرشيفات المسرح العربي مقابلة مع أ.د سيد علي إسماعيل, Ons Trabelsi
رحلة في أرشيفات المسرح العربي مقابلة مع أ.د سيد علي إسماعيل, Ons Trabelsi
Regards
This interview looks back on the career of theatre researcher and historian Sayed Ali Ismail and on his distinctive journey through the forgotten and marginalised documents of Arab theatre. The historian highlights the importance of archives in building a reinterpretation of the history of the performing arts in the Arab world, particularly in Egypt.
ملخّص
تتناول هذه المقابلة المسيرة المهنية للباحث والمؤرخ المسرحي سيد علي إسماعيل، بالإضافة إلى رحلته الفريدة مع الوثائق المنسية والمهمشة في مجال المسرح العربي. ويؤكد الباحث على أهمية الأرشيفات في إعادة قراءة تاريخ الفنون المسرحية في العالم العربي، ولاسيما في مصر
كلمات مفتاحية
الأرشيف، التوثيق، التاريخ، …
Palestinian Theatre Studies: The Emergence Of A Field, Noor Shihadeh
Palestinian Theatre Studies: The Emergence Of A Field, Noor Shihadeh
Regards
This article analyses the emergence of Palestinian theatre studies, a field of research bound to the modern history of Palestine and to the settler colonial violence that marks it. This violence strikes people, their cultural production and the very possibility of preserving it, shaping in turn how scholarship circulates and where it can be conducted. Studies on Palestinian theatre have nonetheless appeared since the 1960s. The article examines them through a multilingual literature review (Arabic, English, French, Italian, Hebrew) and identifies three main lines of research: a historical-documentary approach, a socio-political and anthropological approach, and a body of studies devoted …
Héritages, Mémoires Et Transmissions Dans « Augures (LaʿAllā Wa ʿAsā) » De Chrystèle Khodr, Najla Nakhlé-Cerruti
Héritages, Mémoires Et Transmissions Dans « Augures (LaʿAllā Wa ʿAsā) » De Chrystèle Khodr, Najla Nakhlé-Cerruti
Regards
This article examines how Augures (Laʿallā wa ʿasā), a play created by Chrystèle Khodr in 2021 in Beirut and then presented in France, constructs an alternative historiography of the Lebanese civil war through theatre and its history. While the history of theatrical practice during this period remains largely unwritten in Lebanese historiography, the play draws on the intertwined memories of two iconic actresses, Hanane Hajj Ali and Randa Asmar had never converged before this production. Drawing on textual analysis, observation of the performance, and secondary sources, the article shows how Augures turns the stage into a space where history is …
L’Archive, Enjeu Et Miroir De La Structuration Du Mouvement Théâtral Indépendant En Égypte, Pauline Donizeau
L’Archive, Enjeu Et Miroir De La Structuration Du Mouvement Théâtral Indépendant En Égypte, Pauline Donizeau
Regards
This article examines the link between the archives of the independent theatre movement in Egypt and the movement’s difficult journey towards structuring itself, from its formation in the late 1980s to the present day. For the artists involved in this movement, who create outside the structures and funding of official institutions, the archives represent a major challenge in political, economic and aesthetic terms.
Résumé
L’article s’intéresse au lien entre les archives du mouvement théâtral indépendant en Égypte et sa difficile structuration, depuis sa formation à la fin des années 1980 jusqu’à maintenant. Pour les artistes de ce mouvement, qui créent …
نقد معاوية نور لمسرح أحمد شوقي (1929-1932): قراءة في أرشيف مجهول, Essam Abu Elgasim Abdel Wahid
نقد معاوية نور لمسرح أحمد شوقي (1929-1932): قراءة في أرشيف مجهول, Essam Abu Elgasim Abdel Wahid
Regards
Critiques of Ahmad Shawqi’s drama formed a prominent feature of the Sudanese critic Muawiya Muhammad Nur’s theatrical scholarship. Among the six articles he dedicated to analyzing theatrical works, Nur authored three pivotal essays on Shawqi’s theater published during the "Prince of Poets" life- time. The significance of these articles today lies in the fact that they remained "unknown" and absent from foundational references, leading to the omission of Nur’s contributions from studies documenting Arabic theatrical criticism in the pre-Mohamed Mandour era. This study serves as a call to re-read the history of Arabic theatrical criticism through a more precise and …
Introduction, Marianne Noujaim, Ons Trabelsi
Introduction, Marianne Noujaim, Ons Trabelsi
Regards
L’histoire du théâtre arabe est une histoire traversée par des silences, des lacunes, et des discontinuités qui relèvent autant des conditions de préservation des spectacles que des modalités de la mise en place d’une historiographie rigoureuse. D’aucuns infèrent de ces lacunes la carence de production des arts du spectacle dans le monde arabe. Dans la préface de son ouvrage Al-Masraḥ al-munawwaʿ, Tawfīq Al- Ḥakīm (1966) déplorait ainsi le fait que « notre création théâtrale contemporaine surgît ainsi de rien ou de presque rien, de quelques rares expériences […], œuvrant par-delà un abîme vertigineux que les efforts fournis au fil …
Spartan Daily, October 27, 2026, San Jose State University, School Of Journalism And Mass Communications
Spartan Daily, October 27, 2026, San Jose State University, School Of Journalism And Mass Communications
Spartan Daily, 2026
Volume 167, Issue 28
Konstruksi Identitas Nasional Melalui Bahasa Visual Animasi Dalam Trailer Film Merah Putih: One For All, Deva Alviana, A. Syaifuddin Rohman
Konstruksi Identitas Nasional Melalui Bahasa Visual Animasi Dalam Trailer Film Merah Putih: One For All, Deva Alviana, A. Syaifuddin Rohman
Journal of Language, Literature, and Arts
This study aims to analyze the application of the 12 principles of animation, the construction of national identity, and audience interpretations of the animated film trailer Merah Putih: One for All. A qualitative approach was employed through scene-by-scene audiovisual analysis of the 2-minute, 2-second trailer published on the YouTube channel @perfikitv and reception analysis of 15 comments purposively selected from X. The analytical framework combines Thomas and Johnston’s 12 principles of animation with Stuart Hall’s encoding/decoding theory. The evaluation indicates that one principle was applied effectively, two were partially applied, four were inadequately applied, and five were not adequately …
The Shorthorn: August 12, 1988
The Shorthorn: August 12, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: August 11, 1988
The Shorthorn: August 11, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shortorn: August 4, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: August 2, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: July 19, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: July 21, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: July 12, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: July 14, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: July 7, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: June 30, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: June 21, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: June 16, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: June 9, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: May 31, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: June 2, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: May 3, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: April 28, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: April 29, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: April 26, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.
The Shorthorn: April 27, 1988
The Shorthorn Newspaper Collection: 1980s
No abstract provided.