Digital Commons Network^™

Sustaining Sampradaya: Carnatic Music, Pedagogy, And Devotion At The Cleveland Thyagaraja Festival, Rachel Schuck

Open Access Theses

Every year in Cleveland, Ohio, members of the South Indian community participate in the Cleveland Thyagaraja Festival, the largest event of its kind outside of India. This event features the performance of classical South Indian Carnatic music, and is hosted in honor of Saint Thyagaraja, a renowned nineteenth-century composer of Carnatic songs. As a shared project of long-distance cultural nationalism, this festival brings together artists from India and students from the United States and Canada, allowing Carnatic community members to contest cultural identities in a recontextualized space outside of the homeland. In this ethnography, I expand on the existing Carnatic …

Waus Thank You Concert, Department Of Music

Concerts and Event Programs 2018-2019

Andrews University Symphony Orchestra under the direction of Dr. Crhis Wild, featuring works by Rachmaninoff, Bartok, Guizar, and Borodin.

Piano, Dr. Chi Yong Yun.

2018-2019 Philharmonia No. 6, Lynn University Philharmonia, Guillermo Figueroa, Rebecca Robinson

Philharmonia

Concert Date & Time: April 13, 2019 at 7:30 PM & April 14, 2019 at 4:00 PM

Program

• Leonore Overture No. 3, Op. 72b / Ludwig van Beethoven
• Cléopâtre: Scène lyrique / Hector Berlioz
• Rebecca Robinson, mezzo-soprano
• Concerto for Orchestra / Béla Bartók

Musical And Social Trends In Twentieth-Century Colombia, Miranda Rojas

[Archive] Belmont University Research Symposium (BURS)

There has been only limited research into the musics of Latin America as a whole, and the amount of musicological investigation decreases when referring to any specific country. This presentation will provide a glimpse into the rich and diverse musical output of Colombian composers in the twentieth century. It begins with a brief overview of Latin American society and Colombian musical influences and social structures. Important Colombian composers such as Guillermo Uribe Holguín are discussed, as well as general trends in classical composition at the time. The musical output in Colombia is astounding and at least rivals, if not surpasses, …

Kenyon Collegian - April 11, 2019

The Kenyon Collegian

No abstract provided.

Symphony Orchestra Spring Concert, Chris Wild

Andrews Agenda: Campus News

No abstract provided.

Praise Of Mahakala, Anthony Elia

Bridwell Library Research

Praise of Mahakala is a chamber work based on the Mongolian language text of a traditional Buddhist prayer, which is scored for tenor (who will sing in Mongolian), oboe, violin, and violoncello. The work was inspired by the work of Italian scholar and sinologist Dr. F. Fiaschetti. Tempi (not indicated) may be at a pace reminiscent of the actual Mahakala chant on which the work is based.

University Of Richmond Jazz Combos, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Women's, Gender, And Sexuality Studies Newsletter Spring 2019, Sandra L. Faulkner

Women’s, Gender and Sexuality Studies Newsletters

No abstract provided.

Cseas Weekly Bulletin (April 1, 2019), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Adventure, Intrigue, And Terror: Arabs And The Middle East In Hollywood Film Music, Grant Woods 19

Honor Scholar Theses

No abstract provided.

The Singing Conductor: Interviews On The Benefits And Limitations Of Choral Conductors And Teachers Continuing To Sing, Anne Carissa Gassmann

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

It is our duty as musicians, conductors, and teachers to continue developing our teaching and musicianship. One of the ways growth can occur is by singing regularly in ensembles outside of teaching. As one balances career and personal life, continuing to sing is a choice each must make. It is through this document that one may see the relevance of pursuing opportunities to sing, as it may inform and elevate one’s teaching and conducting. Eleven interviews were conducted with elementary, high school, and collegiate teachers and conductors, only half of them still singing in an ensemble. This document is intended …

Music As A Cultural Gateway: A Short-Term Folk Music Program In Albania, Catherine Pierattini

Capstone Collection

Folk songs have been described as a musical representation of a society’s entire culture. The field of ethnomusicology combines aspects of music and anthropology, and the study of folk music can give considerable insight into worldviews, histories, and traditions. Yet there are few study abroad program providers using this discipline as an approach to cultural analysis and exploration.

The proposed Middlebury Music Studies in Albania program would introduce diverse folk music traditions in three distinct cities, giving students the chance to learn the basics of the Albanian language, understand the historical, geographical, and social influences on the music in the …

Vol. 42 No. 1/2 (2019): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

A Study Of Stambeli In Digital Media, Nneka Mogbo

Independent Study Project (ISP) Collection

This research paper explores stambeli, a traditional spiritual music in Tunisia, by understanding its musical and spiritual components then identifying ways it is presented in digital media. Stambeli is shaped by pre-Islamic West African animist beliefs, spiritual healing and trances. The genre arrived in Tunisia when sub-Saharan Africans arrived in the north through slavery, migration or trade from present-day countries like Mauritania, Mali and Chad. Today, it is a geographic and cultural intersection of sub-Saharan, North and West African influences.

Traditional Vs. Tagaq: Exploring The First Nations Relations In Canada Through Punk Inuk Throat Singer, Tanya Tagaq, Bridget S. Haines

Student Publications

This research essay will be situated within the throat singing traditions of the Inuit First Nations people of Canada. As both Paula Conlon’s entry in the Grove Music Refernce and Elaine Keillor’s book describe, Inuit throat singing began as a tradition for women and children to play as a game for when the men are away hunting. This tradition has evolved into quite a complex art form as Claude Charron describes in “Toward Transcription and Analysis of Inuit Throat-Games: Microstructure”. In 2005, Inuk throat singer Tanya Tagaq released her first album which began her career of a solo throat singer …

Vol. 42 No. 1/2 (2019): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 42, No 1/2-April/August 2019 edition of the Pacific Studies Journal.

La Preservación Y Evolución De La Música Tradicional Andina Y Una Modernización De La Identidad Indígena, Evan Tannenbaum

Independent Study Project (ISP) Collection

La música es una componente clave de la cultura, y en los andes la música siempre ha constituido un gran identificador y definidor del espíritu indígena y autóctona. Pero la música no es estática: es un ser vivo que cambia en conjunto con la sociedad que se representa. Por lo tanto, por estudiar la música, podemos aprender sobre la cultura y como ha cambiado—como ha transformado, modernizando con una globalización de la identidad. Entonces, en esta investigación, exploro la música indígena en los andes, hablando con músicos y musicólogos, además de leyendo y estudiando sobre la música para aprender cómo …

Tracing The Genesis Of The English Requiem Through Selected Works, V. Dwight Dockery, Jr.

Theses and Dissertations

This document investigates the “English Requiem,” coined by the present author as a subgenre of the broader compositional genre of the Requiem. This subgenre demonstrates certain characteristics including grandeur in scale, implementation of non- standard religious text(s), especially the English Burial Service, and/or the utilization of (often secular) English poetry. The subgenre’s genesis is found in English composers’ response to the dead from the First World War (1914-1918), which coincided with the English Musical Renaissance of the late-nineteenth and early-twentieth centuries. The purpose of this document is to provide a clear understanding of the development of the English Requiem within …

An Examination Of Lukas Ligeti’S Thinking Songs: An Analysis Of Compositional Techniques For Ligeti’S Contemporary Solo Marimba Composition, Caitlin Jones

Theses and Dissertations

Thinking Songs by Lukas Ligeti is a contemporary solo five-octave marimba work containing five movements. Thinking Songs is expansive in terms of length, content, and marimba technique. This study explores compositional influences throughout the piece and unveils influences in both Western Classical music and African music. This document contains seven chapters and a bibliography. Each movement unveils unique compositional influences that will be explored. Movement One, “Dance,” reveals the music of the Chopi people and timbila xylophones to be a compositional influence. The standard lamento bass line, as well as György Kurtág are stylistic influences in movement II, “Lamento.” Movement …

Perceived Extrinsic Factors Affecting Music Performance Anxiety In Undergraduate Musicians, Gianna E. Carrasco

Selected Honors Theses

The researcher explored existing literature on music performance anxiety (MPA) that addressed the physiological effects of MPA, its causes, and various methods of mitigating its effects. The influence of self-efficacy and cognitive factors, such as the concepts of focus-of-attention and flow, were researched as they relate to MPA. The music culture and pedagogical approach utilized in institutions providing music education may affect the levels of MPA experienced by music students. Thus, the role of the music educator in reducing MPA in students was also explored. Furthermore, there may be a need for pedagogy within music education curricula that addresses MPA …

Towards A Philosophy Of The Musical Experience: Phenomenology, Culture, And Ethnomusicology In Conversation, J. Tyler Friedman

Dissertations (1934 -)

This dissertation engages the questions and methodologies of phenomenology, the philosophy of culture, the philosophy of music and ethnomusicology in order to investigate the significance of music in human life. The systematic orientation of Ernst Cassirer’s philosophy of symbolic forms provides the overarching framework that positions the approach in chapter one. Following Cassirer, art in general and music in particular are not regarded as enjoyable yet dispensable pastimes, but rather as fundamental ways of experiencing the world as intuitive forms and sensations. Establishing the ontological significance of music entails unpacking the sui generis experience of time, space and subjectivity that …

Stewart, Karen (Fa 1273), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1273. Student paper titled “Negro Gospel Music at Barnes Chapel Methodist Church” in which Karen Stewart describes a singular all-day “singing” held at the church in Beaver Dam, Kentucky, in February 1971. Stewart offers a brief description of her fieldwork methods including research and recording and provides an abbreviated background on each of her musical informants. Stewart also recounts the songs that were sung and notes recurrent themes throughout the music. The paper also includes the words to each hymn, a black and white photograph of the performers, and two reel-to-reel audiotapes.

Music, Institutions, And Responsibilities In Kosovo, Syzana Jakupi, Alba Muçolli – Dehiri

International Journal on Responsibility

The purpose of the paper aims at informing the present situation of the music and art in Kosovo by highlighting relevant cultural related institutions which include music within and as a part of art. Initially, an explanation was provided in regard to what this paper consists of in its core, as well as through the chapters mentioned above. It provides the real situation of the art of music in Kosovo, as well as it provides explanation in regard to the institutions that deal with the management and administration of the art of Music. However, the nature of the art of …

Proceedings Of The Cuny Games Conference 5.0, Robert O. Duncan, Joe Bisz, Julie Cassidy, Kathleen Offenholley, Carolyn Stallard, Deborah Sturm, Anders A. Wallace

Publications and Research

The CUNY Games Network is an organization dedicated to encouraging research, scholarship and teaching in the developing field of games-based learning. We connect educators from every campus and discipline at CUNY and beyond who are interested in digital and non-digital games, simulations, and other forms of interactive teaching and inquiry-based learning. The CUNY Games Conference distills its best cutting-edge interactive presentations into a two-day event to promote and discuss game-based pedagogies in higher education, focusing particularly on non-digital learning activities that faculty can use in the classroom every day. The conference will include workshops lead by CUNY Games Organizers on …

Grime And Spirit: On A Hype!, Monique Charles

Sociology Faculty Articles and Research

Grime is a genre of Black British music originating from London at the turn of the twenty-first century. In this article, I explore responses to moments of Grime music making and engagement in live performance settings. I make connections between Grime, Black music streams (Lena), Black Atlantic (Gilroy) practices, the Black Public Sphere (Baker) AND how engagements at these intersections are connected to spiritual practice in the context of live performance. The power in Grime live performance settings; where the spiritual is found, connects to the sonic characteristics deployed, embodied and emotive responses and cultural practice. Spirituality, through cultural practice, …

Cseas Weekly Bulletin (March 18, 2019), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Cseas Weekly Bulletin (March 11, 2019), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2019 IGGAD Conference: Tracing the African Diaspora: Places of Suffering, Resilience, and Reinvention.

Cseas Weekly Bulletin (March 4, 2019), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.