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Center For Art & Theater News, Georgia Southern University Oct 2019

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

  • Interdisciplinary artist Raheleh Filsoofi visits Georgia Southern; exhibition opens Oct. 21 in Statesboro


The George-Anne Daily, Georgia Southern University Oct 2019

The George-Anne Daily, Georgia Southern University

George-Anne Media Group: Newsletters & Magazines

No abstract provided.


Dialogue Of Theater Cultures, Mukhabbat Tulyakhodjaeva Oct 2019

Dialogue Of Theater Cultures, Mukhabbat Tulyakhodjaeva

Culture and Arts of Central Asia

The article investigates the relevance of the international development of teatrical cultures in terms of the contemporary state of the art of Uzbekistan. The interrelationships and interaction of national cultural groups, countries and territories were examined. The main directions of development of modern theatre art in the world cultural sphere are defined.


Dialogue Of Theater Cultures, Mukhabbat Tulyakhodjaeva Oct 2019

Dialogue Of Theater Cultures, Mukhabbat Tulyakhodjaeva

Culture and Arts of Central Asia

The article investigates the relevance of the international development of teatrical cultures in terms of the contemporary state of the art of Uzbekistan. The interrelationships and interaction of national cultural groups, countries and territories were examined. The main directions of development of modern theatre art in the world cultural sphere are defined.


Little Shop Of Horrors (October 9-12, 2019), Howard Ashman Oct 2019

Little Shop Of Horrors (October 9-12, 2019), Howard Ashman

Student Theatre Programs

Program for Little Shop of Horrors (October 9-12, 2019).

To view the photos from this production of Little Shop of Horrors, please click here.


The George-Anne Daily, Georgia Southern University Oct 2019

The George-Anne Daily, Georgia Southern University

George-Anne Media Group: Newsletters & Magazines

No abstract provided.


The Curious Incident Of The Dog In The Nighttime: A Tenure Project, Drew Schmidt Oct 2019

The Curious Incident Of The Dog In The Nighttime: A Tenure Project, Drew Schmidt

Faculty Tenure Papers

No abstract provided.


Fall/Winter 2019: Standout Student: Nicholas Surprise ’20, Nicholas Surprise Oct 2019

Fall/Winter 2019: Standout Student: Nicholas Surprise ’20, Nicholas Surprise

St. Norbert College Magazine 2019-2023

St. Norbert gives students the opportunity to experience the richness of college life, pursue their dreams and expand their knowledge of the world. Every quarter, the St. Norbert Fund profiles a Standout Student who is making the most of that opportunity.


Poster, Thrice To Mine, September 14, 2019, Roxanne Fay, Studio At 620 Sep 2019

Poster, Thrice To Mine, September 14, 2019, Roxanne Fay, Studio At 620

Poster Collection

An event poster for Thrice to Mine, a theatrical performance written and performed by Roxanne Fay at The Studio@620. The show runs on October 25–26, 2019, at 8:00 PM, with tickets available for $25 and a discounted rate for members. An opening reception takes place on September 14, 2019, from 5:00 PM to 9:00 PM. The design includes a theatrical scene with a performer on stage.


An Open Spot For All: Theatre Within Disabled Communities, Kailey Kyle Aug 2019

An Open Spot For All: Theatre Within Disabled Communities, Kailey Kyle

Undergraduate Honors Theses

This essay describes tools for unlocking accessibility in theatre, specifically for those within the disabled community. Throughout my own research in accessible theatre, and the research reviewed within this paper, it is seen that inclusive theatre yields a multitude of positive benefits for those involved, both emotionally and socially. Throughout my experience with OpenSpot Theatre, an accessible theatre company that teaches drama classes in areas throughout the United States, I learn methods to implement accessibility in theatrical settings using devised theatre, affinity therapy, and applied theatre techniques. Within this thesis, I describe my experience with accessible theatre, OpenSpot theatre, and …


Rewriting Greek Tragedies As Immigrant Stories, Daniel Pollack-Pelzner Jul 2019

Rewriting Greek Tragedies As Immigrant Stories, Daniel Pollack-Pelzner

Faculty Publications

In this piece originally published in the New York Times, Daniel Pollack-Pelzner writes about Mojada, Luis Alfaro's adaptation of the Greek tragedy, Medea. Mojada is part of a trilogy from Alfaro that attempts to bring his Latino community into modern theater by writing them into classical plays.


Theatre & Performance, Crisis & Survival, Kim Solga Jul 2019

Theatre & Performance, Crisis & Survival, Kim Solga

Department of English Publications

In this introduction, guest editor Kim Solga reflects on the origins of the issue, details its scope, offers grounding definitions of ‘neoliberalism’ and ‘the neoliberal university’, and charts one possible way forward, in hope.


Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd Jun 2019

Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Reseña de Historia de la ciencia ficción en la cultura española, editada por Teresa López-Pellisa. Madrid: Iberoamericana, Vervuert, La Casa de la Riqueza, Estudios de la Cultura de España 44, 2018. 523p; la cual aborda la historia de la literatura, el teatro, el cine, la televisión, la poesía y la narrativa gráfica en España


Conceiving A “Veneration For Clowns ”: Popular Amusement And Social Subversion In The Novels Of Charles Dickens, Abigail Palmisano May 2019

Conceiving A “Veneration For Clowns ”: Popular Amusement And Social Subversion In The Novels Of Charles Dickens, Abigail Palmisano

Theses and Dissertations

Despite the immense popularity of common street amusements in the Victorian era, the allocation of leisure time to the venue of ribald diversions was often deprecated by moralists. In argument that theatrics depicting bawdy and often violent scenes would invite undesirable

behavior into the habits of their audience, moralists decried the participation of such amusements amongst the common people. In the Oxford Reader’s Companion to Dickens, Peter Schlicke states that “in the anxious debates in much of Victorian middle-class and religious world about the moral legitimacy of this or that form of leisure the underlying assumption was that leisure should …


Love The Art In Yourself: Empowering Actors To Honestly, Comfortably, And Successfully Embody Their Characters, Alyssa Germaine May 2019

Love The Art In Yourself: Empowering Actors To Honestly, Comfortably, And Successfully Embody Their Characters, Alyssa Germaine

Honors Program Theses and Projects

As an actor, I have performed in more than twenty plays and worked with ten different directors over the years. The outcomes of these performances have varied, and so has the effectiveness of the different approaches I have experienced. As an early career director, I am working to find my own creative voice as well as my personal style of directing and communicating with actors. The purpose of this process is to address the relationship between the actor and the director and how this can best serve a production from the rehearsal process and into performances. A director’s initial role …


Decolonizing Playwriting Through Indigenous Ceremonial Performances, Jay B. Muskett May 2019

Decolonizing Playwriting Through Indigenous Ceremonial Performances, Jay B. Muskett

Theatre & Dance ETDs

This dissertation attempts to express the importance of storytelling within the Indigenous Theater framework. It does so by first analyzing the progression of the writer’s unique upbringing and analyzing the influences of story upon an indigenous identity. I will also attempt to describe the aesthetics of Native Theater along two lines of methodology which includes praxis described and developed by Hanay Geiogamah and Rolland Meinholtz. I will also explain how the script 1n2ian tries to follow those concepts of Native Theater to create a ceremonial performance that uses a blending of both methodologies.


The Relationship To Architecture Is Not Insignificant, Rachel Hillery May 2019

The Relationship To Architecture Is Not Insignificant, Rachel Hillery

Theses and Dissertations

Working with writing, psychology, photography, and architecture, I develop texts that are performed with custom-built furniture and objects in unexpected spatial conditions. The paper traces the development of my writing and performance and my explorations of power and gender dynamics.


Center For Art & Theater News, Georgia Southern University May 2019

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

  • 'BFA 2019: Senior Exhibition' on view at Center for Art & Theatre


"Playhouse Creatures:" A Study Of Restoration Actresses, Emily Laplante May 2019

"Playhouse Creatures:" A Study Of Restoration Actresses, Emily Laplante

Senior Honors Projects, 2010-2019

Creatures. Women. Actresses. We are here because of women like Mary Betterton, Doll Common, Nell Gwyn, Elizabeth Farley, and Rebecca Marshall. Theatre is about telling stories. Their story is a timeless one: of suffering, resilience, dedication, love, and comradery. Actresses were first permitted by royal decree to act upon the stage in 1669 by King Charles II of England. This decree created a spark within the playhouses to see actresses in the flesh perform. With this came a ripple effect of a host of expectations and suppression. This Honors Capstone is a comprehensive look into the themes of April De …


Center For Art & Theater News, Georgia Southern University May 2019

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

  • Betty Foy Sanders Department of Art announces 'Juried 2019' winners


What It Means To Be A Man: A Character Study Of Macduff, Justin Alexander Mackey May 2019

What It Means To Be A Man: A Character Study Of Macduff, Justin Alexander Mackey

Graduate Theses and Dissertations

In this thesis I will be discussing my process as an actor when approaching a role, specifically the role of Macduff in William Shakespeare’s, Macbeth. I will include a character/script/event analysis as well as a journal of my experiences during the rehearsal process. I will also include production photos, programs, a link to my website, and my headshot and resume at the end.


To Be Thus Is Nothing, But To Be Safely Thus: Applying The Michael Chekhov Technique To The Character And Fight Direction Of "Macbeth", Scott Nicholas Russell May 2019

To Be Thus Is Nothing, But To Be Safely Thus: Applying The Michael Chekhov Technique To The Character And Fight Direction Of "Macbeth", Scott Nicholas Russell

Graduate Theses and Dissertations

This thesis is an exploration of the Michael Chekhov technique as it was applied to the role of Macbeth, as well as the Fight Direction of the play. This production of Macbeth ran from February 1, 2019 to February 10, 2019 at the Global Campus Theatre at the University of Arkansas in downtown Fayetteville; this thesis includes documentation of the show. Additionally, this thesis includes documentation on my self-created one-person show, Forte and Foible, my headshot and resume, and link to my website.


Seven Ways To Say I Love You, A Ba Showcase, Erika R. Dampier May 2019

Seven Ways To Say I Love You, A Ba Showcase, Erika R. Dampier

Honors Capstones

Entirely performed and directed by May and December 2019 Bachelor of Arts candidates, Seven Ways to Say I Love You showcases the talents within Northern Illinois University’s School of Theatre and Dance. The Bachelor of Arts candidates have a truly unique degree program in the School of Theatre and Dance with the ability to receive a general degree with the choice of an emphasis in performance, directing, playwriting, and more. This allowed each individual involved in the creation and production of this performance to choose an area of theatre that related heavily to the path they want to pursue, and …


An Act Of God:Let There Be Light, Jaime Mancuso May 2019

An Act Of God:Let There Be Light, Jaime Mancuso

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis describes the research and production processes of the lighting design for the play An Act of God by David Javerbaum performed in the Johnny Carson Theater at the Lied Center for Performing Arts from September 28th through October 14th 2018. The play was directed by guest artist Michael Mendelson with scenic design by Jill Hibbard, costume design by Haley Williams, lighting design by Jaime Mancuso, sound design by Emily Callahan, projection design by Greyson McCown technical direction by Daniel d’Egnuff, and master electrician Adam Sikorski.

This thesis documents the lighting design process for An Act of …


Memories: The Lighting Design For “The Glass Menagerie”, Catherine Blencowe May 2019

Memories: The Lighting Design For “The Glass Menagerie”, Catherine Blencowe

Graduate Theses and Dissertations

This thesis presents new ways of looking at an old classic by illuminating the emotions and hardship of the Wingfield family through the use of color and texture. The Glass Menagerie by Tennessee Williams was presented at the University of Arkansas in September of 2017. The challenges of this production will be addressed as well as the achievements and areas of improvement of this production. Finally, this document will answer the question: How does color, texture, and the angle of stage lighting help heighten the emotions of the characters and engage an audience in the play?

Included are all the …


Privileged Eyes: How A Look In The Mirror Informed The Creation Of Marilyn And Desiree, Halley Electra Mayo May 2019

Privileged Eyes: How A Look In The Mirror Informed The Creation Of Marilyn And Desiree, Halley Electra Mayo

Graduate Theses and Dissertations

This thesis is for the performance of Desiree in A Little Night Music, by Stephen Sondheim and Hugh Wheeler; the development, writing, and performance of the one-person-show Privileged Eyes; and development of a website and statement of artistry.


Forcing Perspective: Selected Projects In Areas Of Scenic Design And Technical Direction, Dwight Camillucci May 2019

Forcing Perspective: Selected Projects In Areas Of Scenic Design And Technical Direction, Dwight Camillucci

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Selected projects in areas of scenic design and technical direction.


Costume Design And Execution Of The Nebraska Repertory Theatre’S Mother Courage And Her Children By Bertolt Brecht, Translated By William Grange, Adapted By Andy Park, Heather Mae Striebel May 2019

Costume Design And Execution Of The Nebraska Repertory Theatre’S Mother Courage And Her Children By Bertolt Brecht, Translated By William Grange, Adapted By Andy Park, Heather Mae Striebel

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The information, documentation and analysis found within this thesis highlights the design and execution of The Nebraska Repertory Theatre’s fall production of Mother Courage. This production was originally written by Bertolt Brecht, translated by William Grange of The University of Nebraska – Lincoln and then adapted by The Nebraska Repertory Theatre’s Artistic Director Andy Park. Mother Courage was a part of the 2018-2019 Nebraska Repertory Theatre’s 50thanniversary season and was performed in the Howell Theatre located within the Johnny Carson School of Theatre and Film. Information found within this thesis showcases the research, production, development, design and …


Dramaturgies Of Democracy: Performance, Cultural Policy, And Citizenship In Chile, 1979–Present, Jennifer J. Thompson May 2019

Dramaturgies Of Democracy: Performance, Cultural Policy, And Citizenship In Chile, 1979–Present, Jennifer J. Thompson

Dissertations, Theses, and Capstone Projects

This dissertation examines the relationship between performance, cultural policy, and citi­zenship in Chile (1979-present). Through emblematic case studies of key performance interventions (including the work of the Colectivo Acciones de Arte [CADA], Andrés Pérez, Manuela Infante, and Guillermo Calderón), intertwined with analyses of cultural policy and political discourse, I ask how Chilean performance dramaturgically enacts forms of democratic citizenship—first during Pinochet’s dictatorship as a hoped-for future and later, fol­lowing the democratic transition, as a present, if incomplete, reality. Re­sponding to the vexed transitions to democracy, scholarship on Latin American theatre and performance has emphasized its resistance to the state. I …


Center For Art & Theater News, Georgia Southern University Apr 2019

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

  • Senior Graphic Design students unveil portfolios at Center for Art & Theatre