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Ua68/6/1 Zephyrus, Western Kentucky University
Ua68/6/1 Zephyrus, Western Kentucky University
Student Creative Writing
The fine arts magazine of Western Kentucky University at Bowling Green.
Reflections 1994, Markell Lynch, Scott Lesley, Brad Southend
Reflections 1994, Markell Lynch, Scott Lesley, Brad Southend
Reflections
The 1994 issue of Reflections was edited by Markell Lynch and Scott Lesley with Brad Southend serving as faculty adviser. Award winners of the student writing contest include: Ensley F. Guffey, Gary T. Mitchem, and Heather Love. Award winners of the student art contest include: Scott Goforth, Yoshi Shinaro, and Sabrina Barnes.
Camas, Winter 1993-1994
Camas
Standing / Karin Schalm -- Water / Tom Watts -- Words on the Way / Alec Cargile -- We Think of the Living / Bette Tomlinson -- The Name of the Sky / Alec Cargile -- The Journey / Molly Miller -- East of the Divide / Laulette Malchik -- Grant Creek, October Nineteen / Leslie Ryan -- Under the Lilans / Laulette Malchik -- Iowa City / David Harrison -- eidolon / Joel Thomas-Adams -- Dependency / Ed Chaberek -- Symphony in Early Winter / Beth Ann Cogswell -- South of Chinook / David E. Thomas -- Cedar Waxwings …
Productive Destruction: Torture, Text, And The Body In The Old English 'Andreas', Christopher R. Fee
Productive Destruction: Torture, Text, And The Body In The Old English 'Andreas', Christopher R. Fee
English Faculty Publications
Writing in the Old English Andreas is at once both a productive and a destructive activity. We first become aware of the dangerous power of the written word quite early in the poem, when we learn that the Mermedonians have subverted the normally productive activity of writing into a tool for calculating the execution dates of their prisoners (134-37). Later, the words uttered by the devil to incite the Mermedonians against Andreas illuminate the lexical relationship between the destructive nature of writing and the productive nature of torture in the semiotic context of the poem. Finally, in a sort of …
I Remember Rilke, Dara Wier
Enough Said, Dara Wier
For A Fifteenth Century Zen Master, Norman Dubie
Autumn Pastoral, M. Earl Craig
A Story About Ramirez, M. Earl Craig
Abundance, Lisa Fishman
Something Like Blood, Kevin Goodan
Being Late, Mark Levine
Reno To Wendover, Gerri Jardine
The Nitrogen Cycle, James Tate
The Documentary We Were Making, James Tate
Andes From Strangers, Walid Bitar
Farther Down, Christy Beatty
Yaw, John Starkey
Faces, Mark Levine
Introducing Thy Salt Bride, Christopher Davis
Mission District Sunrise, Christopher Davis
Camera, Sarah Davis
Our Lady Of The Iguanas, Walid Bitar
The Female Language Barrier: A Close Reading Of The Poetry Of Emily Dickinson And Adrienne Rich, Annmarie Faiella
The Female Language Barrier: A Close Reading Of The Poetry Of Emily Dickinson And Adrienne Rich, Annmarie Faiella
Honors Theses
Historically, the First Amendment right to free speech was limited to certain groups. Language, although constitutionally guaranteed since 1776, has not always been a freedom for everyone. Among those at language's mercy are immigrants, slaves, and women. Women's speech was limited not by a lack of knowledge, but by a societal acceptance of women as inferior.
What then do women do to overcome this ever-present chasm? What women did in the nineteenth century, the 1960s, and are still doing today is: write more creatively. The tighter the restraint of language, the more inventive the woman must be to use it …
Nursing Jehovah, Trenton L. Hickman
Detour, Dixie Partridge
Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums
Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums
Exhibition Brochures
Ephraim Rubenstein: The Rilke Series
January 28 to February 27, 1994
Marsh Art Gallery
Introduction: Rilke and Rubenstein
The first time I met Ephraim Rubenstein, some eight years ago, and looked at his early paintings I immediately sensed a powerful poetic quality coming out of his paintbrush. This ambitious exhibition not only confirms my initial feeling, but surpasses anything I could have thought of at that time. It is rare these days to find a young artist inspired, not by pop culture or the mass media, but by a classic of literature. I find it interesting and refreshing to …
Lights And Shadows - 1994, University Of North Alabama
Lights And Shadows - 1994, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Revelations, Janet B. Rex
Brilliance, Pamela Hamblin