Digital Commons Network^™

Vaya Con Dios, Russ Allison Loar

Bryant Literary Review

I could kill you with this little finger,

He says,

Jutting the scabrous thing out into the shivering night,

Pointed menacingly toward the enemy

Dog Whistle, Tina Cane

Bryant Literary Review

It begins with a tweet the bird kind in which a friend of mine

deems the hummingbird her spirit animal delicate engine

The Bush Burned With Fire And The Bush Was Not Consumed, Peter Munro

Bryant Literary Review

Skin draws gaunt to his skull, deflating

jowls he has borne across eight decades.

The Help, J. Tarwood

Bryant Literary Review

In the morning, the radio

praises God while the maid

cracks eggs.

God And God's, Sandy Weisman

Bryant Literary Review

God ran our house, decided what

we could or could not do.

Night Shadows, Jimmie Pennington

Bryant Literary Review

Night shadows

lie on empty walls

like the silhouettes

of yesterday's dreams

Copy Cat Music, John Krumberger

Bryant Literary Review

I never asked his name

-no suitable pause between the torrent

of New York accented syllables that flowed

Outsider's Shovel, Mark Taksa

Bryant Literary Review

An insider promises smoke will never

pollute the flag.

Lachrimae, Allen Strous

Bryant Literary Review

The man whose tears are often,

out of nowhere

the open-up

breakdown,

The Wandering Buddha, Cate Gable

Bryant Literary Review

for chef Jimella Lucas

Entering the Bardo or another set

of bones, you cannot know

we mourn your knife skills,

Only Touch Is Impossible, So We Touch, John Sibley Williams

Bryant Literary Review

Silence enters us.

These once familiar faces go strange

over time.

Tiny Bills, Susan Johnson

Bryant Literary Review

Mist nets catch the fall migration,

catch my hands numb and slow as

The Book Of Bad Faith, Noel Sloboda

Bryant Literary Review

Back when Mom first swore

Dad rated an entire chapter

Learning From Her, Emily Madapusi Pera

Bryant Literary Review

A lot you could learn from her,

you thought.

Object Permanence, Jacob Nelson

Bryant Literary Review

When the sheet is pulled over

your father's face is still there,

his mustache, too, for you to tug.

Chicago - 1966, Michael Walls

Bryant Literary Review

I remember you well. Sidewalks were slush,

snow piled along the edges.

Another Gen-X Icon Dead, Ace Boggess

Bryant Literary Review

Why are we the waning crowd,

grayest cloud, shattered vase

that once held crocuses & hope?

Mastery, Ken Victor

Bryant Literary Review

And the experience of the failed

work is a prod to practice: think of

Constructing Border Quilts, Martha Brenckle

Bryant Literary Review

looking for justice with thread, pins, needle

and scissors, cutting shirts and dungarees abandoned

Is It Alice, Amy Or Anne?, George Longenecker

Bryant Literary Review

Huddled with four other nameless people,

who sleep on cardboard and blankets,

in the entry of a garage alcove,

The Demands Of Poetry: A Review Of Collections Published In 2018 By Latter-Day Saint Authors, Susan Elizabeth Howe, Casualene Meyer

BYU Studies

During the nineteenth century, poets had the celebrity status of today’s most famous singers. Most of today’s educated readers (including educated Latter-day Saint readers), however, can’t name five poets who are highly regarded in our generation. But readers may not be completely to blame for this shift. Early in the twentieth century, poets such as T. S. Eliot and Ezra Pound, poets later grouped under the term Modernist, took poetry, which had been one of the most popular genres of literature, and made it so difficult—so full of allusions, voices, and fragments of thought not necessarily connected to each …

Soot & Shadow, Christa Crawford

Open Access Theses & Dissertations

Soot & Shadow is a creative nonfiction-based collection of poetry that focuses on the themes of freedom and loss. The manuscript delves into the lives of immigrant women, specifically those affected by the 1911 Triangle Shirtwaist Factory Fire and those who came to America as the brides of American servicemen following WWII. Based on eyewitness testimony, the poetry attempts to capture the essence of the events, the devastating tragedy, love, loss, and the freedom these women sought as they discovered Truth through adversity. The poetry itself explores various poetic genres while attempting to push against the confines of the page. …

Dissidence And Displacement : Translation Theory Through The Work Of Natalya Gorbanevskaya, Darren Smith

Legacy Theses & Dissertations (2009 - 2024)

The purported thesis is intended to aptly discuss the ways in which the particular work of Natalya Gorbanevskaya is able to be translated through the lens of a Daniel Weissbort and how through a full understanding of certain theories allow for certain notions of displacement and loss to traverse cultural boundaries through the act of translation. After a brief introduction, it is important to discuss the necessary background information and its relation to the task of translation before moving into an in-depth analysis of the poet’s work to argue how this displacement is visible through her translated work, before concluding …

The Bridge, Volume 16, 2019, Bridgewater State University

the bridge

Editor-in-Chief: Mialise Carney and Alex Everette

Design:
John Davey, Cover Artist
Seth Jefferson
Lindsey MacMurdo, Photography Editor
Hailey Mulvey

Editors:
Sydney Cabral
John Cahill
Jake Camara
Kellie Delaney
Erica Devonish
Gabriel Hazeldine
Katie McPherson
Ian Mello
Erin Ryan
Becca Todd
Hannah White
John Wilson

Faculty Advisor: Evan Dardano

Graduate Assistant: Jill Boger

Consultant: Cady Parker, Design

"Free Indirect Suicide: An Unfinished Fugue In H Minor", Seo-Young J. Chu

Publications and Research

In this lyric essay/work of creative nonfiction (listed among “Notable Essays & Literary Nonfiction” in Best American Essays 2020), Seo-Young Chu uses poetry, autotheory, and creative nonfiction to explore the generational trauma/postmemory han she inherited from her parents and the importance of destigmatizing mental illness through dialogue.

Black Box 2019, Shane C. Baskit, Jon Haass, Alan Malnar, Ryan Mahoney, Eileen Landis-Groom, Tom Perkins, Gary L. Griffith, Patricia Watkins, Courtney Turner-Rathbone, Hugo Fonck, Kelvin Russell, Martin Kurkchubasche, Jordan King

Black Box

The Black Box is a student based creative publication serving the Embry-Riddle Prescott campus. It is our goal to provide a showcase for the creativity and talent of the Embry-Riddle students. Creative works by members of Embry-Riddle's faculty and staff are included.

Erasure Poetry Flyer (National Poetry Month - April), Megan M. Haught

Libraries' Documents

No abstract provided.

Durability Of Bone, Blake Lapin

CMC Senior Theses

Blake Lapin's senior thesis, Durability of Bone, is a five-part collection of poems written, edited, and compiled under the mentorship of Henri Cole. Themes include loss, love, travel, disability, and home.

Only One Went Through The Green Door, Rachel Sahaidachny

Graduate Thesis Collection

Written in three parts, Only One Went through the Green Door, explores abandonment, homelessness, childhood, womanhood, and choices made or unmade that create the complicated and winding path of life. The poems use narrative and lyric to examine the effects of childhood trauma on the development of a persona, and its shadow. Emotional realities explored through natural landscapes, and at times through child-like language, create an unsettled speaker who quests for some final understanding that might lead to peace.

"Woven Into The Deeps Of Life": Death, Redemption, And Memory In Bob Kaufman's Poetry, Peter Davis

Pomona Senior Theses

The scholars who have taken up the task of writing about Bob Kaufman have most often done so in response to a perceived demand: the lack of Kaufman scholarship, readership, anthology, publicity, canonization. The basis of this need is clear: Kaufman is almost never included as even a third-string Beat, a fringe Surrealist, or an underappreciated Jazz performer. To the committed readers of Kaufman – and almost all of his readers seem to be committed ones – it’s unforgivable. These various canons, major (mid-century American poets, Beat poets) and minor (Jazz poets, American Surrealists), are clearly missing one of their …