Digital Commons Network^™

“Listen To The Angels Shouting”: Witnessing, Erasure, And The Legacy Of John Wesley Work Iii, Kennedy Uselton

Electronic Theses and Dissertations

Questions surrounding the relationship between erasure, music, and memory are deeply embedded within contemporary academic discourse. Music and its makers are continually remembered, forgotten, rediscovered, and lost. How we frame these conversations about memory is especially critical when considering the legacy and cultural remembrance of the Blues. This includes acknowledging that the truth of musical memory extends beyond the artists themselves—it includes those who document, study, and shape how the Blues is archived, interpreted, and narrated. This thesis addresses these questions of memory and erasure through a reconsideration of the figure of John Wesley Work III (1901–1967), a Black scholar, …

Musical Analysis Of Chanting Melodies In The Teochew Chinese Yoga Tantra Ritual In Thailand, Rachan Sornchai, Narongchai Pidokrajt, Poonpit Amatyakul

Journal of Urban Culture Research

This study explores the musical elements of the Dharma Sankhita chants in the Mahayana Teochew Chinese Yoga Tantra ritual at Kak Hang Niam Huk Lim Monastery, Bangkok, Thailand. It examines the ritual’s background and musical analysis. Practiced by both Teochew and Cantonese Chinese, the ritual known in Teochew as “Bang Iem Kao” is a profound act of filial piety and ancestor veneration, rooted in the Eight Cardinal Virtues of Chinese ethics. The ceremony is held to dedicate merit to deceased ancestors and preserve cultural traditions. It can be performed at both family and community levels, encouraging intergenerational participation and solidarity. …

An Initial Report On The Search For The Missing Gamelan Heritage Of The Sumenep Palace, Madura, East Java-Indonesia, Aris Setiawan, Zulkarnain Mistortoify

Journal of Urban Culture Research

This research endeavors to locate the long-lost heirloom gamelan from the Sumenep Palace. Since the abolition of aristocratic status in 1883, the Sumenep Palace has lost political and economic legitimacy. To maintain the luxurious lifestyle of the aristocratic court, valuable items, including gamelans, were sold. The heirloom gamelans in the Sumenep Palace are believed to have been gifts from the Mataram Palace, often exchanged during various events, such as marriages. Employing an investigative ethnographic approach, this study gathered data through in-depth interviews with cultural practitioners, palace descendants, and private collectors; direct observation of remaining artifacts; and analysis of historical documents …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Musicking And Identities In And From Religious Places Of Thai Diasporas In Chicagoland, Matthew Werstler

Journal of Urban Culture Research

Thai Americans are constantly imagining, sustaining, and performing their Thai identity to varying degrees, and this can be seen in the Chicagoland area. Regardless of the differences in musical genre or form, Thai diaspora communities perform and negotiate identity within sacred spaces through musicking. The act of musicking is important for Thai Americans to share their life with one another. With the onset of the Covid-19 Pandemic, Thai musicking communities of religious spaces in the Chicagoland area turned to virtual and outdoor mediums to perform and create. While changes were needed so that musicking opportunities could continue during the pandemic, …

Lakhon Rong Songs Of The Nakhon Bantoeng Troupe (Mae Bunnak Kanlayanamit) & The Phenomenon Of Music In Siam, Tharanat Hin-On, Poonpit Amatayakul, Narongchai Pidokrajt, Anak Charanyananda, Nachaya Natchanawaku

Journal of Urban Culture Research

This study examines the evolution of lakhon rong, a form of Thai musical theater, within the context of Siam’s socio-political and cultural changes during the early 20th century, particularly under the influence of Western modernization. The research focuses on the Nakhon Bantoeng Troupe, exploring how adaptations in lakhon rong performances reflected and contributed to the broader societal efforts towards crafting a modern Thai identity. The integration of Western musical elements with traditional Thai forms exemplifies strategic cultural negotiation, aligning with theories of adaptation and appropriation. Through an analysis of play scripts and historic recordings, this study highlights how cultural practices …

Afrissippi, Peter Muvunyi

Electronic Theses and Dissertations

This thesis examines how Guelel Kumba, a Senegalese Fulani griot, chef, and musician currently residing in Oxford, Mississippi, incorporates West African cuisine and music into his daily life in the South. This profile study asks: How does Kumba's performances and cooking translate Fulani heritage into Mississippi's blues and soul-food scenes? The research employed observation, secondary sources, purposeful semi-structured interviews, and a documentary.

Kumba views tradition as an arsenal, preserving its essential rhythms and flavors while reworking family recipes and tunes to suit local tastes. Customers can eat, listen, and interact their way into shared history at his food truck and …

The Sociological Engagement In John Coltrane's A Love Supreme: Examining The Impacts Of Race, Music, And Culture In Video-Based Learning Amongst College Students, Kinyel K. Ragland Sr.

Graduate Thesis and Dissertation post-2024

This project consists primarily of the interest in Video Based Learning (VBL) and understanding the impacts of a video based on the connections between John Coltrane’s song Acknowledgement on the Jazz suite A Love Supreme to the Civil Rights movement and systemic racism. Research confirms that VBL has an impact on student learning, yet this project finds that because of the content of the video, it fits into scholarship where there are gaps. The methodological approach, which was qualitative, found that students were overall enlightened, entertained, and were interested in learning more. Other findings include suggestions and recommendations for future …

The Effects Of Operatic Voice Type On Singer Identity, Adelaide J. Mcdonald

Graduate Theses, Dissertations, and Problem Reports (ETD)

Within Western art music, voices are typically classified using the Fach system, which is based upon vocal characteristics and separates singers into the categories of soprano, mezzo soprano, contralto, counter tenor, tenor, bass, and baritone. Over time, these categories have become embedded with social and cultural meaning within the operatic world, leading to the development of stereotypes and expectations surrounding singers, as well as social categories and identities, referred to in this study as “sociocultural vocal categories” and “sociocultural vocal identity,” respectively. Currently, there are limited explorations of the sociocultural vocal categories and their associated stereotypes, with research on singer …

Music, Terror, Disaster, Healing, Zuzana Jurková, Oldrich Podebradský, Zuzana Gulová

Journal of Urban Culture Research

On December 21, 2023, a student of Charles University in Prague, one of the safest places in the world, shot dead 14 academics and students. Amidst omnipresent grief and mourning, the process of coping and “healing” started immediately, manifested in particular through a series of events called the “Month for the Faculty.” This text is based on participation in and research of these activities. The theoretical part uses the Durkheim's concept of piacular rites, the aim of which is to “reconfirm [a] community's solidarity.” Following the recommendations of Bin Xu (2016), we investigated who the main agents were in the …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

A Comparison Of Informal Choral Singing Experiences, Christopher Powell

Theses and Dissertations--Music

A traditional choir relies on the interest and participation of the population in communal singing. However, drawing willing participants into a traditional choir program can often prove challenging to music educators, community choir directors, and leaders of religious music programs. One of the most prevalent informal singing groups in the USA is Sacred Harp. Sacred Harp “singings” have been around since the early years of The Sacred Harp itself. These singings occur regularly in multiple locations across the country and around the world. These events have an open atmosphere and, despite the mostly Christian material, have no expectation of a …

You Just Haven't Earned It Yet, Baby: Authenticating Popular Music Tribute Shows, Colin James Outhwaite

Research outputs 2022 to 2026

This article forwards an alternative perspective on how authenticity can be constructed through popular music tribute show performances. It adopts Edward Bruner's (1994, American Anthropologist, 96, 397-415) categorisation of authenticity in relation to the replication of 'historical sites' in museum exhibitions. It argues that rather than focusing on sonic and historical 'accuracy', tribute musicians strive to curate their history and personal experiences with the music they play to prove their 'authority' as cultural ambassadors. Drawing on ethnographic fieldwork conducted in Perth, Western Australia, and a case study of a UK-based international touring tribute to The Smiths, this article highlights how …

Comusichiamo. First Language, Life-Soundtracks And Storytelling To Support The Cultural Wellbeing Of Migrants Living With Dementia, Simone Marino, Loretta Baldassar

Research outputs 2022 to 2026

This study, located at the intersection of anthropology, ageing, music therapy and dementia, explores the value of music, life-storytelling and first language, to support the cultural identity and wellbeing of people from culturally and linguistically diverse backgrounds living with dementia in Australia. It uses participant observation, the collection of oral histories and ‘life soundtracks’ to co-create a song with older Italian migrants and their families. This paper presents the first case study which informed the development of the music engagement program we call Comusichiamo (let’s make music together). The case study shows that the co-creation of a culturally tailored song, …

Floating Signifiers: Ai, Semiotics, And The Crisis Of Meaning In Music, Kehinde Aruwajoye

Dartmouth College Master’s Theses

This thesis examines how AI-generated music disrupts traditional meaning-making processes in musical expression. Through semiotic analysis (Saussure, Peirce) and cultural theory (Hall), I demonstrate how AI produces technically proficient but culturally hollow compositions, what I term "floating signifiers." Case studies reveal AI's inability to replicate the lived experiences that give music its depth, despite accurate stylistic reproductions. The work identifies three fundamental losses: contextual grounding, authentic hybridity, and historical consciousness. I propose ethical frameworks for human-AI collaboration that preserve music's essential humanity while leveraging algorithmic capabilities. Ultimately, this research shifts the debate from technical possibility "Can AI compose?" to cultural …

Liner Notes On Black Trans Girlhood: Afrofuturist Affect & Black Popular Music As A Praxis Of Self-Fashioning, Shawn J. Williams

Theses and Dissertations

Liner Notes on Black Trans Girlhood: Afrofuturist Affect & Black Popular Music as a Praxis of Self-Fashioning interprets Black musical performance in identity-making, with a focus on how music and Black trans identity intersect and informs Black trans girlhood. As such, Black trans girls render ourselves legible, i.e. understood without shame or judgment, by constructing our identities through the music by Black women we listen and dance to, or watch and sing. These musical connections affirm the possibilities of Black femme expression. This expression of Black femininity is due to what I call an Afrofuturist affect, by which I refer …

The Violin Through Centuries And Nations Scholarly Program Notes For A Graduate Violin Recital, Iasmim Bonfim De Carvalho

Research Papers

No abstract provided.

Transformation Of Buddhist Musical Practices From The 7th-13th Centuries As A Response To Political And Social Disorder In Medieval India, Stephan Duran

Monsoon: South Asian Studies Association Journal

This article gives an account of the development of Buddhist musical practices on the Indian subcontinent from their earliest, datable instances, to the disappearance of Buddhist institutions from India proper, demonstrating the persistence of descendant traditions of Sanskrit Buddhist chant and song in contemporary Japanese, Tibetan, and Newar esoteric Buddhist communities. It is argued that the Buddhist musical theory and praxis of these three cultural spheres both preserve features of ancient and medieval Indian Buddhist music and sonically illustrate the transition from political and social order to de-centralized social organization, a shift that took place between the 7^th and …

Rhythm Against Poethics, Jayvyn Dacas

Honors Undergraduate Theses

This thesis stages an auto-poetic ethnography that listens to, and moves with, the anterior spaces of Black life. Those murmurs, hums, musical hesitations, and infrastructural vibrations that refuse capture by dominant epistemic regimes. Drawing from Ramon Amaro’s reading of Sylvia Wynter, Katherine McKittrick and Alexander Weheliye’s reflections on sound, Fred Moten’s insights on displacement, and Tendayi Sithole’s attention to the phonographic, the project situates music production as method and unworlding. Through engagements with the 808, sampling, sound systems, and embodied listening across Florida. Spaces like the warehouse, the party, record stores, and community become the work of Black voices, and …

Cultural Immersion And Practices: Ellie Mannette’S Steel Pan Building Processes In Morgantown, West Virginia., Timothy Clark Friedhaber

Graduate Theses, Dissertations, and Problem Reports (ETD)

Ellie Mannette, among others, was one of the first builders of the modern steel pan. Born and raised in Trinidad, Mannette started building steel pans at a young age. Eventually, he gained employment with the United States Naval Steel Band, which opened opportunities for him to grow in his field. Through these opportunities and connections, Mannette arrived in the United States permanently in 1967. In the later part of his life, he moved to Morgantown, West Virginia, where he continued building, teaching his building processes, and tuning steel pans. The study aims to serve as an aid for other scholars …

No Sweeter Sound: Musicking, Transformative Pedagogy, And Collaborative Social Justice In Choral Settings, Natalie N. Shaffer

Graduate Theses, Dissertations, and Problem Reports (ETD)

Choral music and its conductors occupy a tenuous space in the 21st century. In a new cultural atmosphere influenced by Gen Z’s expectation of welcomed diversity and intolerance for injustice, TikTok’s rapid global dissemination of information and entertainment, and society’s desire for authentic connection following the Covid-19 pandemic, the dichotomies present in choral music are no longer being glossed over. Difficult conversations about race, gender, ableism, social location, and other intersectional identifiers are at the forefront of academic writing and conference presentations. Evidence of transformative pedagogy and culturally responsive practices are beginning to appear in classroom syllabi and rehearsal techniques …

Commissioning And Recording Project Of New Works For Saxophone Focused On Promoting Mexican Composers And Educating Future Commissioning Saxophonists, Andres Efrain Santana

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document chronicles my process of commissioning and recording five new works by Mexican composers. To contextualize this experience, I provide a brief introduction of Mexican contemporary music history, an overview of second-hand accounts of the commissioning process, my personal experience of this process, and my assessment of the impact these works could have on the classical saxophone repertoire. As I have reflected on my own experience with historical and contemporary accounts of the commissioning process, it has become clear that personal connections between composers and performers and the patronage or funding linked to those relationships are just as important …