Digital Commons Network^™

Isu Symphony Orchestra Concert: February 14, 2025, Dr. Useon Choi, Dr. Geoffrey Duce

School of Music Programs

Center for the Performing Arts

February 14, 2025

Friday Evening

8:00 p.m.

The Economy, Emotions, And Japanese City Pop In The 1980s, Paige Drummond

CAFE Symposium 2025

This project contains research about the topics of economy, emotions, music, urbanization, and Japanese City Pop all during the 1980s. It shows the connections between all of these subjects and how they relate back to the City Pop genre. Common themes of City Pop songs are also explored and delved into by comparing songs and analyzing their lyrics, melodies, and topics.

Symphonic Winds: February 12, 2025, Dr. F. Mack Wood, Christopher Bulding

School of Music Programs

Center for the Performing Arts

February 12, 2025

Wednesday Evening

8:00 p.m.

The Power Of Music To Empower Health And Wellbeing: In Support Of A Music Therapy Discipline At Lehman College, City University Of New York, Felicity A. Howlett

Dissertations, Theses, and Capstone Projects

This project seeks to encourage the development of a music therapy curriculum at the City University of New York (CUNY) and specifically at Lehman College. The following paper presents the case and highlights the contents of three data collections that support this goal: 1) The Zotero Digital Music Therapy Reference Collection is a custom-designed index of over 1600 items containing references to published material highlighting significant aspects of the profession. Zotero, a free, open-source reference management software for organizing research, houses the collection and functions as a living library; 2) Music Therapy Degree Programs in New England and the Mid-Atlantic …

Beyond The Song: Authorship And Production In Australian Independent Music, Matthew Giovannangelo

Staff Scholarship - Australia & Dubai

This thesis examines authorship and copyright complexities in the Australian independent music industry, focusing on the evolving roles of producers in music creation. As advancements in technology and shifts in industry practices reshape the music production landscape, traditional definitions of authorship, centred on melody and lyrics, increasingly fail to capture the scope of producers’ contributions. Through qualitative interviews with industry professionals, the study highlights the significant yet often unrecognised influence of producers, examining how their input shapes music and its implications for intellectual property and copyright frameworks. The findings reveal that current systems for allocating and managing remuneration fail to …

Wind Symphony: January 26, 2025, Mark Iwinski, Anthony C. Marinello Iii, Darius Botley, Isabella Greene, Deshawn Mckinney, Nia Scott

School of Music Programs

Center for Performing Arts

January 26, 2025

Sunday Afternoon

3:00 p.m.

The Mariner (And His Wife): Rethinking Aldarion's (A)Sexuality, Rory M. Queripel

Mythopoeic Society Seminar Proceedings

“Aldarion and Erendis” (Unfinished Tales) is a rare example in Tolkien’s work of a marriage gone severely awry. Many readings of the tale apportion blame to Aldarion, who is seen as “unwilling” to make the marriage work, and cruel and unfeeling towards Erendis, who herself is characterised as resentful and unaccepting. However, these readings rely on an assumption of a cisheteronormative and, more importantly, allosexual relationship between the couple. This paper proposes an alternate view of Aldarion and his role in the story, suggesting the possibility that he is asexual and/or aromantic (i.e., he does not experience sexual …

Ripples Across Time And Space: The Malaysian Rancho Folclórico Tradition, Margaret Sarkissian

Perspectives in the Arts and Humanities Asia

No abstract provided.

Lee Konitz’S Use Of Standards’ Melody In Improvisation, Gonçalo Pazeres, Ricardo Pinheiro

The IASJ Journal of Applied Jazz Research

The main goal of this article is to examine the mechanisms through which Lee Konitz uses the melody of jazz standards in his improvisation process. Beginning with the transcription and comprehensive analysis of five improvised solos, and using the thematic analysis method, we identified melodic ideas coming from the songs on which the saxophonist builds some of his solos. Our conclusion is that Lee Konitz, besides clearly quoting the melody of jazz standards on which he improvises, also frequently uses some of its notes as target-notes, and develops melodic motifs inspired by that same melody.

Audiotactile Music Theory And Jazz Education: Historical And Pedagogical Perspectives, Stéphane Audard

The IASJ Journal of Applied Jazz Research

The Audiotactile Music Theory offers new perspectives for considering the issues associated with the institutionalization of jazz education and the gradual transition from informal transmission situations to formalized curricula. The aim of this article is to show how certain central the concepts of the ‘Audiotactile Music Theory’ can be used in a dual historical and pedagogical perspective, to overcome certain dichotomies that structure discourses on jazz teaching at different times: written/oral, formal/informal and art/popular music. The Audiotactile Music Theory also allows us to question the place of jazz in music teaching institutions today, and our own pedagogical practice.

Circular Commoning: Sustaining Dayak Bahau Agency Amid Political And Ecological Change, Jonathan Irene Sartika Dewi Max, Nurhady Sirimorok, Yofi Irvan Vivian, Dahri Dahlan, Alamsyah Alamsyah, Bayu Aji Nugroho, Octamarsela Leonela Huan, Vinsensius Ferrer Hilah

Forest and Society

Swidden practices create distinctive agricultural systems deeply situated in local culture, but many of these systems are experiencing transformation and demise around the tropical world. Through varied types of commoning, however, Indigenous groups continue swidden practices as part of their identity and livelihoods. In this article, we explore how the Bahau communities in Indonesia negotiate with the state and private institutions, enabling them to maintain their agricultural traditions as fundamental to their standing as Indigenous People. We apply a commoning framework that prioritizes historical context, adaptation, and collective decision-making in managing the commons. We focus on the Bahau communities residing …

Activism Within The Music And Recorded Sound Archive, Julius Tanner

Theses and Dissertations

This thesis explores the integration of applied ethnomusicology within the recorded sound archive of the New York Public Library. The process of repatriating recorded sound through community engagement lead to the development and eventual reparative work of outdated subject headings and other descriptive language within the archive. This thesis also explores how cultural preservation of similar non-physical fields such as naming conventions within linguistics and the development of gastronationalism combats globalization and ultimately colonization.

This Needs More Time!: Considerations For Improving Partnerships Between Communities And Institutions In Folklore, Sarah M. Gordon, Jasper Waugh-Quasebarth, Junious Lee Brickhouse, Ashley Minner Jones, Naomi Sturm-Wijesinghe

Art Faculty Publications

From 2021 to 2023, the authors convened a series of discussion forums at the annual meetings of the American Folklore Society to discuss the challenges of community-institutional partnerships in the field of folklore. This perspectives piece presents the outcomes of that series of panels with the goal of advancing adaptability in institutional practices to better support community-engaged work. We seek to promote practices that better respond to community needs in collaborative partnerships through disciplinary norms and institutional bureaucratic mechanisms.

Undergraduate Catalog Of Studies, University Of Arkansas, Fayetteville

Undergraduate Catalog of Studies

No abstract provided.

Sts-325-104: St: Music & Revolution, Adam See

Humanities Syllabi

No abstract provided.

Mediated Sufi Singing And Its Popularization In Pakistan’S National Culture In The Founding Years (1947-1979), Shumaila Hemani

World Music Textbook

Following the path of a sacred musical practice into the public sphere, this chapter explores the relationships between regional identity, nationalism, and the media.

Introduction: Beyond Hollow Materialism, Jasper Waugh-Quasebarth, Zada Komara

Art Faculty Publications

This introduction to the special issue, “Transformative Approaches to Materiality in Appalachian Studies,” provides theoretical background and examples that demonstrate applications of new material culture and materiality theory to key Appalachian studies themes. It offers new directions for the study of material entanglement in social relationships by reviewing the history of material culture studies in the Appalachian context, fundamental theoretical propositions emerging from the “material turn” in social theory, and examples drawn from ethnographic and archaeological research into the patterns of use of material culture in the timber country of West Virginia and coalfields of eastern Kentucky. Finally, this introduction …

The Youth Music Institute At The University Of Wisconsin, Summer 1969, Phillip Hash

Faculty Publications - Music

The purpose of this historical study was to examine the planning, implementation, participants, and activities associated with the Youth Music Institute (YMI) held at the University of Wisconsin from July 7 to August 1, 1969. Organizers hoped this event would bridge the communication gap between society, educational institutions, and youth through a collaborative learning environment involving students, music educators, guidance counselors, and professional recording artists. Participants used the term “youth music” to encompass multiple genres that captured the interest of young people, including various forms of rock, blues, soul, country western, jazz, and ethnic styles. The program consisted of lectures …

The Devil Sounds Out: Affect And Intentionality In Conservative Evangelical Anti-Rock Discourse, 1965-1990, Philip Bixby

Yale Graduate School of Arts and Sciences Dissertations

Scholars have often described the evangelical reception of rock music as a discourse that changes in a positive direction, from the full-sail rejection of rock in the 1960s to the cautious acceptance of the genre as legitimate worship music throughout the 1970s, '80s, and '90s. This dissertation surveys anti-rock texts written by conservative evangelicals from the mid-1960s to the early 1990s, observing an alternative trajectory of the discourse. The dissertation shows that an uncompromising trend of anti-rock criticism persists well into the 1980s, especially promoted by preachers and writers (for example, Jeff Godwin and Jimmy Swaggart) who sought to deny …

Islamic Themes In Us Hip-Hop Culture, Anders Ackfeldt

Music & Performance in Muslim Contexts

Explores how Islam is produced in American hip-hop culture by both Muslims and non-Muslims

Islam has been a part of hip-hop culture since it sprang from New York’s street culture in the 1970s. Today hip-hop has evolved into a global artform with a diversity of Muslim Islamic discourses expressed. Using tools from the field of social semiotics, this book examines how Islamic themes feature in US hip-hop culture, maintaining a particular awareness that both Muslims as well as non-Muslims participate in their production.

Anders Ackfeldt analyses a collection of lyrics, sounds and images to show how Islamic themes are featured …

The Local Recording Industry And Chinese Songs In Singapore, 1950s And 1960s, Song Wei Goh

Manusya, Journal of Humanities

This paper argues that the local Chinese recording industry in post-Second World War Singapore functioned as a discursive sphere, which reflected the different understandings between the state and the people about what constituted “local Chinese culture”, during the formative years of the newly independent Singapore. In the 1950s and 1960s, technological advancement and state policies motivated the establishment of numerous local record companies with many singers discovered and recordings produced. Following Singapore’s independence, the local Chinese song recordings were employed by different agencies into narratives of nation-building and portrayed as the formation of “local Chinese culture”. This was notwithstanding the …

Commodification Of Kecak Ramayana As Tourism Art In Melasti Beach, Ungasan Village, District Of Kuta Selatan, Badung, Bali, Robby Hidajat, Ew. Suprihatin Dp., Surasak Jamnongsarn, Muhammad Afaf Hasyimy

Manusya, Journal of Humanities

This research examines the integration of Kecak Ramayana into Balinese traditional tourism art, focusing on the tourism art industry in the Beach of Melasti, Ungasan, Bali. The central theme explores the commodification of art’s role in attracting tourists and enhancing their imaginative experiences, delving into its impact on the ritual values and spiritual aspects of Kecak Ramayana. Utilizing a qualitative approach with interviews, observation and content analysis, the study addresses how this integration unfolds. Findings reveal that commodification causes a dissociation from ritual contexts, leading to the erosion of spiritual values due to a strong consumer-centric emphasis. This phenomenon also …

“Women Who Don’T Know How To Stay Married”: The Poetic Afterlives Of The 1927 Bristol Sessions, Aubrey R. Adkins

Honors Theses

This project begins from the understanding that song lyrics can have lasting impacts on the poetic work that proceeds from them, and can and should, therefore, be read as literature. In the cultural context of Southern Appalachia, a historically underserved and academically underrepresented region, this understanding is intertwined with Audre Lorde’s idea that “For women...[poetry] is a vital necessity of our existence.” The women of Southern Appalachia, denied access to particular modes of expression as a result of external circumstances such as poverty and sexism, need poetry, according to Lorde, to take “tangible action” in their lives. What came before …

Guide To The William T. Dargan Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

William Thomas Dargan is a published ethnomusicologist and an elder in the United Methodist Church, retired from teaching Music at Fisk University and St. Augustine’s College. Dargan grew up listening to Dr. Isaac Watts' hymn singing as well as rhythm and blues. His collection holds audio musical examples that accompany the written text in his book, Lining Out The Word, and field recordings of spirituals and hymns discussed in his work. The term “lining out” is a form of a cappella hymn-singing where a leader sings or chants each line of a hymn before the congregation sings it together.

Expanding The Bibliographic Palette: Diversifying The Binghamton University Libraries Fine Arts Collection, Ari Hoffman

Research Days Posters 2025

The classical music canon, often emphasizing Western Art Music, remains the primary focus of academic music curricula. As a result, academic library collections may omit materials presenting diverse global musical traditions and cultures. In light of the emphasis on inclusion, diversity, equity, and accessibility in 21st century academic libraries, it is crucial to decolonize fine arts collections to allow exposure to underrepresented composers and marginalized musical communities. This research project explores strategies for diversifying the Fine Arts Collection at Bartle Library, aiming to reflect a broader range of cultural, historical, and artistic perspectives. Providing access to materials relating to African …

Playing Through Music History: The Contextualizing Function Of Western Historical Music In Fantasy Role-Playing Video Games, Laney Abigail Sheehan

Wayne State University Theses

This thesis focuses on the presence of Western historical music in contemporary video games. Through a combination of music-theoretical analysis, iconography, and Peircean semiotics, the author demonstrates that the nondiegetic soundtracks of fantasy role-playing video games utilize elements of major style periods in music history—including the Middle Ages, Renaissance, Baroque, and Classical eras—to enhance existing representations of time and place in their visual environments. This phenomenon is particularly apparent in three games, which serve as case studies: Baldur’s Gate 3 (2023), The Legend of Zelda: Breath of the Wild (2017), and Elden Ring (2022). Ultimately, the project contributes research to …

Review Of Historia De La Cumbia Peruana: De La Música Tropical A La Chicha, By Jesús Cosamalón, Juan Suárez Ontaneda

Spanish Faculty Research and Scholarship

No abstract provided.

Popularizing Autogestión: Punk, Zapatismo, And Anarchist Ethics In Mexico City, Livia K. Stone

Faculty Publications – Sociology and Anthropology

Autogestión (self-management), has been a popular articulation of radical politics since its emergence in the 1960s. This article examines how Mexico City's anarcho-punk scene transformed autogestión in the 1990s from an anarcho-syndicalist principle into a unique ethical practice detached from industrial material production. It was then popularized and made more mainstream through university rock festivals. As these were Zapatista benefit concerts, autogestión became inadvertently attached to Zapatismo and detached from anarchism and punk. This history is a crucial one for understanding the political development of an entire generation of the political left in Mexico City who were young in the …

2025 Asia-Pacific Symposium For Music Education Research: Conference Proceedings, Jason Goopy, Jason Boron, Emily Wilson, Han Meng, Cynthia Howard, Philippa Chapman

Research outputs 2022 to 2026

The 2025 Asia-Pacific Symposium for Music Education Research (APSMER) was held from 9 – 11 July at Edith Cowan University in partnership with the School of Education and the Western Australian Academy of Performing Arts (WAAPA). APSMER is the official regional conference of the International Society for Music Education (ISME), and in 2025, it was proudly supported by the Australian Society for Music Education (ASME). The symposium was last held in Australia in Launceston, Tasmania, in 1999. APSMER 2025 welcomed over 300 international delegates to Perth, Western Australia, for scholarly and cultural exchange. The theme, “Being and becoming musical in …

“Single Girl, Married Girl:” Female Perspectives On Marriage, Maidenhood, And Motherhood In English-Language Folk Music, Avery Schanbacher

Libraries Award for Undergraduate Scholarship

In 1928, the Carter Family released “Single Girl, Married Girl.” The recording featured only Sara and Maybelle Carter, and in three short stanzas, highlighted the vastly differing lives of the single girl, who dressed fine and went where she pleased, and the married girl, with a baby on her knee, who rocked the cradle and cried. Sara and Maybelle Carter weren’t the only people who knew this song – before they recorded it for Ralph Peer at the famous Bristol sessions, it was alive as a part of musical traditions not just in their home in Scott County, Virginia, but …