Digital Commons Network^™

Korean Division Trauma And Mourning Communities, Kim Seok, Kim Jong Gon

Kritika Kultura

Division trauma is marked by traits specific to the Korean context, including extreme ideological polarization and a complex mix of superiority and inferiority. Our research introduces the concept of “mourning communities” as a framework for collective healing. It synthesizes the psychoanalytic theory of mourning with Turner’s notion of Communitas, understood here as an evolving mode of social engagement. While previous studies have attributed division trauma to the collapse of the “Nation≠State” caused by colonial rule and the Korean War, they have not fully accounted for its enduring impact on Korean society. We argue that division trauma was internalized within the …

New Music And New Instruments: The Development Of The Electric Bass Guitar, Braxton Algood

Student Scholar Symposium

The sound of the modern electric bass has become ubiquitous in music across multiple genres. With the emergence of jazz music in the 1930s, upright bassists like Jimmy Blanton sought to create a sonic space that exploited the resonance in the low register of the traditional double bass, but was more rhythmic and percussive than the instrument’s traditional role. This desire for a percussive string instrument that had the sound of the upright bass—and might also be more portable—led to the creation of Leo Fender’s first electric bass guitar in 1951. By the end of the 1950s, the electric bass …

Post-Tonal Pedagogy In The Music Of György Ligeti, Easton Ball

Student Scholar Symposium

Post-tonal piano literature remains unpopular with many modern performers due to a perceived lack of technical approachability. As a result, a wealth of post-tonal keyboard music passes into obscurity, never reaching modern audiences. Despite the preconception that post-tonal music lacks formal and harmonic structure, one can assign order to elements within these compositions both for purposes of improving pedagogy and engendering familiarity with the literature. My research aims to demonstrate one process of elucidating the relative accessibility of post-tonal literature for keyboard by means of an analysis of a selection of György Ligeti’s Études pour piano. Because this material often …

Objects Of Power: Female Instrumentalists In Medieval To Early Modern Europe, Emma Scherrer

Undergraduate Research Symposium

Women are difficult to locate in traditional histories of western music, especially performers and particularly instrumentalists. The relationship between a female performer, the instrument she played, and her audience was especially fraught, constituting a complicated web of gendered relations and power dynamics. An examination of the contexts in which women played instruments in medieval to early modern Europe elucidates how women in these societies interacted with music and musical institutions. While women were generally excluded from musical institutions and discouraged from playing most musical instruments, many women nevertheless chose to take up an instrument outside of professional contexts. From the …

The Politics Of Musical Time: Expanding Songs And Shrinking Markets In Bengali Devotional Performance, Jaime Jones

Yale Journal of Music & Religion

A book review is presented for The Politics of Musical Time: Expanding Songs and Shrinking Markets in Bengali Devotional Performance, authored by Eben Graves, by Jaime Jones.

Byzantine Theories Of Scale And Arab-Byzantine Chant Practices: A Comparative Analysis Proposing A New Resolution To The Theoretical System Of Chrysanthos Of Madytos, Rosy Azar

Yale Journal of Music & Religion

In 2015, Amine Beyhom published a book on Byzantine chant, in which he summarised all the existing theories, paying particular attention to the problematic reform of the Byzantine chant theory in 1881, and guiding the reader through the steps that led to that reform. Driven by the first ever comparison between Byzantine and Arabic modes that he had found in Mīkhāʾīl Mashāqa’s epistle, Beyhom first studied Chrysanthos of Madytos’ insight. He documented this research in detail and followed it with a practical comparison to demonstrate if theory is indeed applied or it acts only as prescriptive guide. He recorded and …

Review Of Snow Hill: In The Shadows Of The Ephrata Cloister, Walter A. Brumm

Communal Societies

No abstract provided.

Contributors - The Crown, Vol. 2, The Crown

The Crown: Syracuse Honors Research Journal

No abstract provided.

Schemata Of Barbershop Tags, Brian A. Cromer

Electronic Theses and Dissertations

This thesis explores the genre of barbershop tags, brief musical compositions in the barbershop style. After the introduction in Chapter 1, Chapter 2 describes the barbershop style and outlines a modified roman numeral system that reflects barbershop norms. Chapter 3 analyzes the 125 entries of the Classic Book of Tags based on two features: the harmonic point of interest (HPI) and the penultimate chord. Patterns emerging from these two criteria include eleven primary schemata along with a few secondary schemata accounting for the harmonic design for a majority of tags. Chapter 4 analyzes two barbershop arrangements: “Come Fly With Me” …

Gypsy Spirit Suite: An Original Jazz Manouche Composition For Large Ensemble, Nicholas Knirk

Electronic Theses and Dissertations

This thesis presents an original jazz manouche musical composition, Gypsy Spirit Suite, arranged for a large ensemble comprising winds, horns, strings, guitar, cimbalom, vibraphone, and percussion. The composition integrates jazz manouche (gypsy jazz) elements, such as chromatic passing chords, virtuosic melodic runs, and la pompe rhythm, into a large ensemble. Modal interchange, extended harmonies, and fusion with genres like latin and funk generate interest and reflect contemporary jazz manouche evolution. The written thesis supports the composition through a detailed analysis of jazz manouche harmonic schema, instrumental techniques, idiomatic passages, and orchestration techniques that blend jazz and classical genres. By …

Heroes By The Score, Owen J. Eastman

Honors Projects

Historians have increasingly examined how media other than yellow journalism helped manufacture consent for American imperialism during the Spanish-American War, yet commercial sheet music—despite its ubiquity at the time—remains overlooked. This study addresses that gap by analyzing fifty pieces of sheet music published around the period, employing a mixed-methods approach that combines quantitative, qualitative, and comparative media analysis. The corpus reveals four dominant themes: memorializing the sinking of the Maine; Cuban “liberation” rhetoric that often referenced American ownership or influence over the island; military hero worship that personalized and justified expansion; and messages of national unity that permitted overseas territorial …

Learning To Play Drums: Rote Learning Versus Note Approach, Jacob R. Brumback

Masters Theses

The purpose of this qualitative historical study is to determine whether rote-learned drummers perform better than formally trained drummers. The issue is that some drummers may excel by watching and developing aural skills exclusively, while others perform well by only reading sheet music. The goal is to decide if drummers with strong aural skills or those who rely on note-reading performed better. The rationale explained how the applicability of rudiments, complex timing, creative fills, and improvisational soloing skills influences the performances of both rote-learned and note-approach drummers. Data collection methods for this research included oral history traditions and analyzing secondary …

The Interpretation And Historical Performance Practices Of Black Choral Music: The Spiritual And Gospel Music, A Comparative Study, Travis Terrence Kornegay

Dissertations

African American spirituals and gospel music are two foundational folk traditions that have profoundly shaped the American musical landscape and continue to influence cultural identity and sacred expression. Emerging from the resilience and faith of enslaved African Americans, spirituals often carried coded messages of liberation. Meanwhile, gospel music developed in the early twentieth-century urban Black church, blending elements of spirituals, blues, and jazz to communicate collective and personal religious experiences. Although linked by shared cultural lineage, the genres diverge in their historical development, linguistic expression, and performance practices, necessitating comparative scholarly inquiry. This dissertation investigates the similarities and key differences …

Visualizing The Fretboard: Arpeggiated Patterns, Muscle Memory, And Neurocognitive Strategies For The 5-String Electric Bass, Matthew Alexander Woisin

Electronic Theses and Dissertations

Proficient navigation of the 5-string electric bass requires a comprehensive mastery of various techniques and a solid understanding of music theory. This includes a detailed grasp of arpeggios, chord extensions, and the development of deeply ingrained muscle memory for precise execution. This thesis introduces a structured methodology that refines existing fretboard visualization techniques and applies a unique manner of fretboard mapping, offering a more precise framework for comprehending and unlocking the full range of the instrument. By drawing insights from music theory, music education, cognitive science, neuroscience, and technology this approach is achieved by synthesizing research on visual pattern recognition, …

Ethnomusicologically Augmented French Diction Course, Jake Larcqua

Doctoral Scholarly Projects & Capstones

Modern diction pedagogy in university vocal performance education largely depends on a combination of International Phonetic Alphabet transcription study and the application of those systems to Western-Classical vocal repertoire. However, recent research in related fields suggests we may be able to expand our diction teaching methods to better meet the needs of our students. Using a combination of second-language pedagogic principles, folksong structure, self-efficacy concepts, modeling structures, and ethnomusicological perspectives on classroom culture, I have drafted a French diction course that should improve not only students’ performance within university vocal music education, but also students’ confidence in their ability to …

Community Approaches To Digitally Documenting And Sharing Conjunto Music In The South Texas Borderlands, René Antonio Ballesteros

Theses and Dissertations

This thesis explores the rich tradition of conjunto music within the South Texas borderlands, examining how integrating community engagement and digital humanities methodologies can effectively enhance the documentation, conservation, and presentation of this place-based expressive culture. Recognizing existing archival gaps, the research employed community-engaged programming to gather and preserve valuable cultural data. A key methodology outcome involved creating digital maps utilizing place-based data related to conjunto music sites and activities, subsequently integrating these maps into an ArcGIS Online story map for public online access. The findings demonstrate the significant potential of community collaboration and digital humanities tools in amplifying cultural …

Music Post-Westernism: From Tonal And Post-Tonal Hegemony To Multipolar Decolonization, Mark Jericho Y. Pacia

Social Transformations Journal of the Global South

Post-Westernism is a transformation in which the West is no longer the hegemonic center but rather projects a new era of music. This research proposes Post-Westernism as the fundamental shift after the post-tonal (contemporary) era in art (classical) music. While the post-tonal era emerged from the rebellion toward tonality, Post-Westernism calls for critiquing the Western nature of both tonality and post-tonality. Through this, Post Westernism investigates the current musical hegemony and proposes a multipolar system via the decolonization and transculturation of music and scholarship. It answers the question: How will composers innovate when innovation is institutionalized and the avant-garde is …

Black On Black Sounds: Music, Migration, And The ‘Nu-K Blak’ Identity Formation In Early 21st Century Britain, Monique Charles

Sociology Faculty Articles and Research

Examining literature on the under researched areas of Afrobeats and African migration to Britain, this article identifies significant internal shifts in the ethnic diversity of Black Britain —i.e., from Caribbean (predominantly Jamaican) to West African (Nigerian, Ghanaian) (ONS 2011). Interpreting literature and applying to the British context, it highlights how Afrobeats reshapes Blackness in Britain, particularly the incorporation of desirable Africanness through Afrobeats music. It argues that demographic and musical shifts in Britain result in a renegotiation of the Caribbean and US dominant 20th century Black Britishness — ‘UK Blak’ identity (as identified by Bradley 2013, Gilroy 1993 & Palmer …

Approved Programs 11-18-25, Angela Brock

Programs Committee (PC)

No abstract provided.

Program Agenda 11-18-25, Angela Brock

Programs Committee (PC)

No abstract provided.

Ucc Minutes 11-18-25, Angela Brock

UCC Agendas/Minutes

No abstract provided.

Isu Philharmonia String Orchestra: November 17, 2025, Samuel Chen

School of Music Programs

This is the seventy-third program of the 2025-2026 season.

Center for the Performing Arts

November 17, 2025

Monday Evening

8:00 p.m.

A Lost Culture Of Touch And Sound: The Contribution Of Visually Impaired Musicians To The Evolution Of The Spanish Guitar, Marco Ramelli

Soundboard Scholar

In the story of music-making, blind musicians have played an intrinsic role, helping to drive the development not only of musical styles but also of instruments, instruction, and aesthetics. Many musical practices were cultivated first within blind communities and adopted only later by sighted musicians, often with a gradual erasure of their original context. The history of the Spanish guitar offers a compelling case study of this progression, demonstrating how the contribution of blind musicians could be both wide-reaching and yet, over time, forgotten. The history of this contribution is challenging to recover, for in Spain as elsewhere, blind musicians …

Isu Jazz Ensemble I And Ii: Lewis, Conductor And Williams, Conductor; November 14, 2025, Dr. Reginald Lewis, Noah Berkshier, Glenn Williams

School of Music Programs

This is the fifty-fourth program of the 2025-2026 season.

Center for the Performing Arts

November 14, 2025

Friday Evening

7:00 p.m.

Jazz & Contemporary Combos, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Civic Chorale Fall Concert: November 9, 2025, John M. Koch, Dennis Gotkowski, Dan Forrest, Elaine Hagenberg, Morten Laurdsen, John Rutler

School of Music Programs

This is the forty-fourth program of the 2025-2026 season.

November 9, 2025

Sunday Afternoon

3:00 p.m.

Clacls Reportage, Vol. 2, Tatiana Bertolucci Peixoto, Marcela Joya, Oscar Aponte, Ana María Granados Romero

Center for Latin American, Caribbean, and Latino Studies

This second volume of the CLACLS Reportage Series is a testament to our ongoing commitment to public-facing scholarship that bridges academic research and the lived experiences of Latinx communities in New York and beyond. This edition brings together three distinct yet interconnected stories that speak to belonging, migration, and cultural transformation across generations.

Tatiana Bertolucci Peixoto follows the legacy of Marielle Franco, the Black, queer, favela-born activist whose political assassination in Rio de Janeiro reverberated around the world galvanizing a global network of resistance—from Brazil’s favelas to New York’s diasporic communities—turning her name into a living emblem of feminist, anti-racist, …

Isu Symphony Orchestra: Chen, Director; November 2, 2025, Samuel Chen

School of Music Programs

This is the thirty-seventh program of the 2025-2026 season.

Cetner for the Performing Arts

November 2, 2025

Sunday Afternoon

3:00 p.m.

A Neutrosophic Communication Influence Model For International Dissemination Effectiveness Analysis Of Traditional Chinese Ethnic Music Culture In The New Media Era, Minjie Liu

Neutrosophic Sets and Systems

No abstract provided.

Introduction – Musiques Au Proche-Orient Après Le Tournant Numérique, Amr Abdelrahim, Thomas Michel, Nicolas Puig

Regards

Le développement des pratiques du do it yourself, l’avènement des home studios et la multiplication des circulations sonores (samples, échantillons sonores, etc.) grâce aux supports numériques et aux plateformes d’écoute ont modifié en profondeur la production musicale au Machreq. Cette introduction dresse le tableau des études produites sur la musique au Proche-Orient depuis l’avènement du numérique au début des années 2000 ; elle passe en revue les différents paradigmes mobilisés et propose une approche centrée notamment sur les Science and Technology Studies pour comprendre le sens des évolutions en cours.
Elle décrit ensuite les différentes contributions qui alimentent ce …