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Articles 3061 - 3090 of 193011
Full-Text Articles in Entire DC Network
The Catholic Church In The Philippine Public Sphere, Ranilo B. Hermida
The Catholic Church In The Philippine Public Sphere, Ranilo B. Hermida
Kritika Kultura
Whether religion has a place in the public sphere is a complex issue. Many thinkers believed that the rationalization process of modernity would result in secularization and banish religion into the private sphere. Religion has not only survived; it has even taken an active role in the political affairs of the state. This has been the case in countries like the Philippines where the publicity and activism of the Catholic hierarchy in the political public sphere of the country have been sustained and to some extent dominant. Said publicity and activism are carried out in the name of religion and …
Global Exchange: Glimpses Of An 18th Century Colonial Kitchen In Manila, Rene B. Javellana Sj
Global Exchange: Glimpses Of An 18th Century Colonial Kitchen In Manila, Rene B. Javellana Sj
Kritika Kultura
It seems self-evident that Spanish cuisine influenced Philippine cuisine. The similarity in nomenclature, some with toponyms, suggests such connection. To imagine that Spanish- influenced dishes that Filipinos consume in today were exactly the same in the 18th century is to be oblivious of the complex evolution of Hispanic dishes, the result of colonial exchange and negotiation. The 1768 inventory of the Colegio de San José’s kitchen, an otherwise laconic list, is interpreted and brought to life with help of other studies, like that on food migrants by scholars, the late Doreen G. Fernandez, Dr. Isagani Medina and Corazon Alvina, which …
Translation Politics In Ilocano-Hawaiian Writing, Ma. Socorro Q. Perez
Translation Politics In Ilocano-Hawaiian Writing, Ma. Socorro Q. Perez
Kritika Kultura
The essay explains the translation process of three GUMIL Hawaii (Gunglo Dagiti Mannurat iti Ilocano ti Hawaii) Ilocano short fiction into English, as the receptor language. Three concerns come to configure in the deployment of postcolonial translation: first, that the exilic sensibility (concerned with rootlessness, departure, leave-takings, nostalgia, etc.) is addressed; second, that the materiality of Ilocano-Hawaiian diasporic culture as distinct from other Asian ethnicities in Hawaii and the Whites is clear; third, that the register of the original is approximated. The translation, therefore, offers a hybridized and syncretic Ilocano-Hawaiian English variety that is at once familiar, estranging and different.
Front Matter, Kritika Kultura
“We Were War Surplus, Too”: Nick Joaquin And The Im/Possibilities Of Filipino Historical Becoming, Josen Masangkay Diaz
“We Were War Surplus, Too”: Nick Joaquin And The Im/Possibilities Of Filipino Historical Becoming, Josen Masangkay Diaz
Kritika Kultura
This article reads Nick Joaquin’s 1983 novel Cave and Shadows alongside his persistent engagement with Filipino identity and history to argue that an investigation of Philippine historiography reveals the colonial entrapments of Filipino subjectivity. A mystery novel set in the period immediately preceding Ferdinand Marcos’s 1972 declaration of martial law, it contextualizes Marcos authoritarianism within the scope of post-World War II concerns about national politics in the wake of independence. It also simultaneously grapples with overarching ideas about the legacies of colonial conquest and their effects on the Filipino common sense. Jack Henson’s traversals through Manila find him grappling with …
There Is No Emergency, Conchitina Cruz
Three Poems, Ned Parfan
Fragments Of Impossibility, B. B. P. Hosmillo
Four Poems, Shane Carreon
Four Poems, Francis Paolo Quina
A Bet With My Uncle Luis (A Translation Of "Una Apuesta Con Mi Tio Luis"), Ma. Luisa P. Young
A Bet With My Uncle Luis (A Translation Of "Una Apuesta Con Mi Tio Luis"), Ma. Luisa P. Young
Kritika Kultura
No abstract provided.
"She Hates Elmo's Voice" And Other Poems, Jim Pascual Agustin
"She Hates Elmo's Voice" And Other Poems, Jim Pascual Agustin
Kritika Kultura
No abstract provided.
Two, Erika M. Carreon
Madrid 1884 & Tondo 1892, Arbeen Acuña, Dennis S. Aguinaldo
Madrid 1884 & Tondo 1892, Arbeen Acuña, Dennis S. Aguinaldo
Kritika Kultura
No abstract provided.
Poems From "What Comes After", Eliza Victoria
Small Talk, Kristine Reynaldo
Four Poems, Mikael De Lara Co
How Can I Get There?, Laurel Fantauzzo
Poems From "Morpo", Jose Perez Beduya, Allan Popa
Poems From "Morpo", Jose Perez Beduya, Allan Popa
Kritika Kultura
No abstract provided.
Voice, John Bengan
Poems From “Post-Something”, Franz Joel Libo-On
The Nigerian Diaspora And National Development: Contributions, Challenges, And Lessons From Other Countries, Sharkdam Wapmuk, Oluwatooni Akinkuotu, Vincent Ibonye
The Nigerian Diaspora And National Development: Contributions, Challenges, And Lessons From Other Countries, Sharkdam Wapmuk, Oluwatooni Akinkuotu, Vincent Ibonye
Kritika Kultura
The paper, in general terms, clarifies and discusses the link between the Diaspora and the issue of development in general, and, in specific terms examines the role as well as the huge potential of the Nigerian Diaspora in national development. Drawing lessons from the historical as well as contemporary experiences of some countries such as India, China, Philippines, Italy, and Ghana, the paper argues that the Diaspora can be an agent of national development. In analyzing the different Diasporas and remittances from Diasporas from the different countries, the paper took cognizance of the fact that they are not similar to …
Not Language Alone: Translation And Culture, Bienvenido Lumbera
Not Language Alone: Translation And Culture, Bienvenido Lumbera
Kritika Kultura
Rendering a literary work into another language requires more than plain profi- ciency in the original language of the piece. Culture and history are so meshed in language that translation requires the translator to delve into the context that went into the creation of the literary text. This paper is based on the work that went into the making of my translation into Tagalog of four plays coming from differ- ent countries and climes. The plays confronted me with four different cultural and historical contexts that required to be clarified to make the translations reasonably faithful to the original works.
Carlos Bulosan And A Collective Outline For Critical Filipina And Filipino Studies, Michael Viola, Valerie Francisco, Amanda Solomon Amorao
Carlos Bulosan And A Collective Outline For Critical Filipina And Filipino Studies, Michael Viola, Valerie Francisco, Amanda Solomon Amorao
Kritika Kultura
As an activist-scholar formation called the Critical Filipina and Filipino Studies Collective (CFFSC) we take the position that Carlos Bulosan is indispensable for an emerging multidisciplinary field that is equipped in defying the neoliberal onslaught against ethnic studies in the United States and the unbridled racism most evident in the ongoing US “wars of terrorism” that haunt people of color throughout the world. We take seriously Bulosan’s insight that “[I]f the writer has any significance, [s]he should write about the world in which [s]he lives: interpret his [her] time and envision the future through his [her] knowledge of historical reality” …
Manuel Blanco’S El Indio And The History Of A Rumor, Resil B. Mojares
Manuel Blanco’S El Indio And The History Of A Rumor, Resil B. Mojares
Kritika Kultura
The paper explores the social meanings that can be elicited from tracking the history of a rumor. It takes as its example the nineteenth-century apocryphal story of an Augustinian friar who labored for years on a treatise on the character of the Philippine native (indio) only to leave behind, upon his death, a book of blank pages. Tracing the origins and passage of the rumor and unpacking the various interpretations of the story, the paper demonstrates what can be gained from the study of rumors in Philippine history.
Beyond The Innocence Of Globalization: The Abiding Necessity Of Carlos Bulosan’S Anti-Imperialist Imagination, Tim Libretti
Beyond The Innocence Of Globalization: The Abiding Necessity Of Carlos Bulosan’S Anti-Imperialist Imagination, Tim Libretti
Kritika Kultura
This essay analyzes Carlos Bulosan’s writing in terms of the way he works to develop an aesthetic that comprehends and cognitively maps the repetitive dynamics of US and global colonial capitalism. More precisely, the essay examines how Bulosan’s aesthetic practice both grapples with the question of how an individual and collective consciousness can grasp the systemic processes that condition experience and also how it fosters that consciousness in the way it represents the relationships among experience, the larger class and colonial dynamics that produce that experience, and the ideological processes that intervene in our comprehension of those dynamics. In developing …
Organic And Multicultural Ways Of Reading Bulosan, John Streamas
Organic And Multicultural Ways Of Reading Bulosan, John Streamas
Kritika Kultura
This essay argues that students in introductory classes read America Is in the Heart more perceptively than most professional “multicultural” critics. Students’ indifference to the book’s genre, for example, allows them to see clearly the meaning and value of its Part One, and to read the closing paragraph not as a postmodern refusal of closure but as a step on the way toward reconciling “America” with the work of “becoming Filipino.” Such engagement with the book is an example of “organic” reading.
The Manong’S “Songs Of Love”: Gendered And Sexualized Dimensions Of Carlos Bulosan’S Literature And Labor Activism, Amanda Solomon Amorao
The Manong’S “Songs Of Love”: Gendered And Sexualized Dimensions Of Carlos Bulosan’S Literature And Labor Activism, Amanda Solomon Amorao
Kritika Kultura
This article takes the 2013 passage of California Assembly Bill 123, which mandates instruction on the Filipino contribution to the state’s farm workers movement in public education curriculum, as an occasion to analyze the gendered and sexualized dimensions of Carlos Bulosan’s literature and labor activism. The article considers the texts and contexts of America is in the Heart and Bulosan’s short story “As Long as the Grass Shall Grow” to demonstrate how Bulosan’s materialist, dialectical analysis also involves an incisive critique of the intersections of class, race, gender, and sexuality. As Bulosan narrates the proletariat struggles of the manong generation, …
Carlos Bulosan On Writing: The Role Of Letters, Marilyn C. Alquizola, Lane Ryo Hirabayashi
Carlos Bulosan On Writing: The Role Of Letters, Marilyn C. Alquizola, Lane Ryo Hirabayashi
Kritika Kultura
Two themes from Gilles Deleuze and Felix Guattari’s study, Kafka Toward a Minor Literature, serve as an inspiration for this rumination on Carlos Bulosan’s 1955 letter to Florentino B. Valeros about writing and the responsibilities of the writer. Because Bulosan was an inherently political writer, his correspondence is part-and-parcel of his writing machine, inclusive of his poetry, short stories, novels, and expository essays. In this, Bulosan’s case is parallel to that of Kafka. In contradistinction to Kafka, however, Bulosan’s letters are not easily categorized in terms of thematics such as those Deleuze and Guattari identify in the cases of Kafka …
Writers And Exile: Carlos Bulosan And Dolores Stephens Feria, Monica Feria
Writers And Exile: Carlos Bulosan And Dolores Stephens Feria, Monica Feria
Kritika Kultura
This paper explores the links between two writers in exile – Carlos Bulosan, a Filipino migrant in the United States, and Dolores Stephens Feria, an American migrant in the Philippines. Its aim is to gather more insight into the “condition of exile” as a framework for understanding writers and literary traditions. For the author, being the daughter of Dolores, this is both a personal and academic exploration.