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Articles 2671 - 2700 of 101415
Full-Text Articles in Entire DC Network
Ilocano Immigrant' Renegotiation Of Space In Gumil Hawaii Fiction (Circa 80s), Ma. Socorro Q. Perez
Ilocano Immigrant' Renegotiation Of Space In Gumil Hawaii Fiction (Circa 80s), Ma. Socorro Q. Perez
Kritika Kultura
Migration, transportation, overseas labor, globalization, etc., have spawned complex and overdetermined consequences—among them the unprecedented migration of Filipinos, particularly Ilocanos, to Hawaii. The Philippines’ colonial history and neo-colonial realities often figure in the Filipinos’ construction of their identity in Hawaii, resulting in their essentialization as unskilled, uneducated, and unassimilable plantation laborers. The decline of the plantation era, however, led to the reconstitution of the Ilocano labor force into the “new plantations” of the tourism industry’s hotel and restaurant sectors. The new set-up is nonetheless rooted in what E. San Juan calls the “integration of Filipinos into US society on the …
Intellectual Portrait Gallery: Agusto Fauni Espiritu's Five Faces Of Exile, Gerald Burns
Intellectual Portrait Gallery: Agusto Fauni Espiritu's Five Faces Of Exile, Gerald Burns
Kritika Kultura
Espiritu writes a book which may be described as a “collective intellectual biography” of five figures in Philippine letters whose lives and texts were influenced by their expatriation in America: Carlos P. Romulo, Carlos Bulosan, Jose Garcia Villa, N.V.M. Gonzalez, and Bienvenido Santos. With a biographer’s touch, Espiritu identifies the themes that are more or less common and played out differently among them: performativity, ambivalence, nationalism in their self-representation, cultural hybridity, and patronage relations—leading to what may be called a genuine “transnational” perspective for Asian American intellectual history. However, his use of other big terms such as “exile,” “nation,” “Filipino” …
Killing Time: The Condition Of Exile In The Fiction Of Jose Y. Dalisay, Jr., Cyan Abad-Jugo
Killing Time: The Condition Of Exile In The Fiction Of Jose Y. Dalisay, Jr., Cyan Abad-Jugo
Kritika Kultura
The exilic condition extends not only to the Filipino who has chosen to study or live abroad, or is forced to leave the Philippines, but also the Filipino who, though he resides and works in his own country, feels himself in a state of rootless suspension brought about by the circumstances of history and colonization. In this light, all Filipinos—belonging to one or the other geographic, economic, tribal or social group—could be considered exiles, and this could be reflected in our literature. Dolores Feria states: “our literature has always been a consequence of exile.” A Filipino writer’s works could be …
Ang Mga Pinagdaanang Buhay Ng Ibong Adarna: Narrativity And Ideology In The Adarna's Corrido And Filmic Versions, Francisco Benitez
Ang Mga Pinagdaanang Buhay Ng Ibong Adarna: Narrativity And Ideology In The Adarna's Corrido And Filmic Versions, Francisco Benitez
Kritika Kultura
Through a consideration of narrativity, the paper explores different structures of recognition in the corrido and 1941 filmic versions of the Ibong Adarna. The paper compares the chapbook’s context and narrative techniques with that of the film’s capacity to address an audience and creating subject-forms. It explores the applicability of James Siegel’s concept of the lingua franca’s communicative power to the Philippine situation, and suggests that different textual technologies contain different though overlapping grammars that affect their ideological functions.
Scenes Of Translation: Responses To Responses, Vicente L. Rafael
Scenes Of Translation: Responses To Responses, Vicente L. Rafael
Kritika Kultura
In his “Response to Responses,” Vicente Rafael thanks and answers the questions raised during the forum. To Gary Devilles’s comment of his “remaining silent” in the way translation can be “radicalized into an ethical technology or a strategic pedagogy,” Rafael offers the trope of revenge—a desire for justice, which results from the Spanish misrecognition of Filipino attempts at translation—and the language of secrecy and solidarity of the 1896 Revolution—which results from the failure of Castilian to become lingua franca—as political technics in themselves. To Ramon Guillermo’s comment of the book’s impoverished, restrictive, and imprecise notions of translation, Rafael reiterates and …
A Book Review Of Vicente L. Rafael's The Promise Of The Foreign, Gary C. Devilles
A Book Review Of Vicente L. Rafael's The Promise Of The Foreign, Gary C. Devilles
Kritika Kultura
The book The Promise of the Foreign is without doubt well-written and contributes to our understanding of the fundamental assumptions informing nationalist discourse, as well as the contradictions and complex realities at work in Philippine society. However, the book is arguably silent on how such translation can also be radicalized into an ethical technology or strategic pedagogy such that the foreign within various socio-political sites of analysis like the natives, masses, the Chinese are not just regarded as contaminations between the Philippines and the outside but rather as ambiguities that create the conditions of possibility of the nation-state and its …
A Book Review Of The Promise Of The Foreign, Ramon Guillermo
A Book Review Of The Promise Of The Foreign, Ramon Guillermo
Kritika Kultura
Primarily taking issue with Rafael’s definition of translation as “that double process of appropriating and replacing what is foreign while keeping its foreignness in view,” this review attempts to show the unusually restrictive nature of this definition and proposes a more empirical approach to the study of translation and lexicalization.
American Globality And The Us Prison Regime: State Violence And White Supremacy From Abu Ghraib To Stockton To Bagong Diwa, Dylan Rodriguez
American Globality And The Us Prison Regime: State Violence And White Supremacy From Abu Ghraib To Stockton To Bagong Diwa, Dylan Rodriguez
Kritika Kultura
What do we make of the abiding significance of state-sanctioned human captivity and imprisonment on a massive, unprecedented scale as a primary American modality of civilization? Democracy? Modernity and (postmodern) Nation-building? The American prison intertwines as it animates two structural logics: 1) white supremacy as a historical modality of social (dis)organization, and 2) the circulation, militarization, and mobilization of allegedly local or domestic US social formations across global geographies, including and beyond the Philippines. This paper considers the formation of the United States prison industrial complex as an epochal global regime that is integral to the fabric of an incipient …
Modernist Poetic Practices In English Poetry From Southeast Asia: A Comparison Between Jose Garcia Villa And Arthur Yap, Rajeev S. Patke
Modernist Poetic Practices In English Poetry From Southeast Asia: A Comparison Between Jose Garcia Villa And Arthur Yap, Rajeev S. Patke
Kritika Kultura
The paper develops a comparison between Jose Garcia Villa (1908-97) and Arthur Yap (1943-2006) as the principal Modernists of English poetry from Southeast Asia. Though they wrote from very dissimilar backgrounds, and in very different circumstances, each represents for his time and place a radical assimilation of Western poetic practices into a new form of experimental writing. The comparison delineates the various ways in which their example reveals the scope and limits of what can be achieved through a systematic subversion of traditional modes of poetic writing in Southeast Asia.
Writing Fiction: Imagination, History, And Voice In Singapore Fiction, Suchen Christine Lim
Writing Fiction: Imagination, History, And Voice In Singapore Fiction, Suchen Christine Lim
Kritika Kultura
No abstract provided.
Ameica Is In The Heart As A Colonial-Immigrant Novel Engaging The Bildungsroman, Gabriel Jose Gonzales S.J.
Ameica Is In The Heart As A Colonial-Immigrant Novel Engaging The Bildungsroman, Gabriel Jose Gonzales S.J.
Kritika Kultura
Carlos Bulosan’s America is in the Heart, the first Filipino American novel, has held a special place as one of the first of Asian American literary writing, but its craft has also been questioned because of the plainness of its language and its repetitious, tortuous plot. Through an evaluation and analysis of the novel as a Bildungsroman, this paper argues that the seeming failure of the plot to provide a coherent narrative of development is in itself the literary manifestation of the frustrating socio-economic realities in which the first Filipinos in America lived. Bulosan’s novel is therefore not so much …
Fungibility, Dead Souls, And Filipino Ocws, José Edmundo Ocampo Reyes
Fungibility, Dead Souls, And Filipino Ocws, José Edmundo Ocampo Reyes
Kritika Kultura
This self-reflective essay investigates the unimportance of the individual in a capitalist economy. Drawing from his working experience in investment banking, the author recognizes that individuals are not recognized as unique persons but are, instead, absorbed into a system that is more concerned with trade and profit. This reflection informs his reading of Nikolai Gogol’s Dead Souls: the transaction of buying and selling souls and the realization of individuality. His reading then brings Ocampo Reyes to the final reflection that it is all too common to treat Filipino overseas contract workers (OCWs) as fungible objects lacking individuality.
Caveats On The Problem Of Understanding Peirce's Semiotics And Pragmatism, E. San Juan Jr.
Caveats On The Problem Of Understanding Peirce's Semiotics And Pragmatism, E. San Juan Jr.
Kritika Kultura
“Caveats” is San Juan’s response to “Addendum” in which he praises Stecconi’s focus on Peirce’s theory of knowledge rather than merely on his linguistic paradigm. San Juan, however, disagrees with Stecconi for “conflating the various pragmatisms into one lump.” San Juan prefers to regard Peirce as “a moderate realist” and reiterates the potential relevance of Pierce’s semiotics to the global war on terrorism and the Sri Lankan civil war.
The Case Of The Disappearing Filipino American Houseboy: Speculation On Double Indemnity And The United States Imperialism, Victor Bascara
The Case Of The Disappearing Filipino American Houseboy: Speculation On Double Indemnity And The United States Imperialism, Victor Bascara
Kritika Kultura
The creations of a new cultural formation, US imperialism, development, and globalization are traced in this article by the use of James M. Cain’s 1936 pulp novella-turned-film Double Indemnity. Representations of the Fil-Am houseboy, his disappearance and re-appearance in the texts, provide an impetus for discovering the cultural transitions from the colonial to the postcolonial periods.
Indonesian Literature After Reformasi: The Tongues Of Women, Harry Aveling
Indonesian Literature After Reformasi: The Tongues Of Women, Harry Aveling
Kritika Kultura
The end of the Suharto regime in May 1998 unleashed a flood of free speech in Indonesian literature and the popular press, which had long been suppressed during the “New Order” period. In literature, this new freedom was signified by the theme of “Sastra Reformasi,” a literature of “Reformation.” This writing was socially committed to changing the regime and promoting new and more democratic values. This paper discusses works by three major writers of this new era, all of them women: Helvi Tiana Rosa, Ayu Utami, and Dewi Lestari. Each of these writers deals with this period of rapid social …
Three Poems, Mabi David
En-Gendering Desire In Aida Santos's Lesbian Poetry, Danicar Mariano
En-Gendering Desire In Aida Santos's Lesbian Poetry, Danicar Mariano
Kritika Kultura
Lesbian feminist literary criticism seeks to deconstruct the essential categories of male and female and their “natural” link to the production of desire, enabling an insightful criticism that formalism and feminism alone cannot fully venture in. Thus, this lesbian feminist literary reading of Aida Santos’s poetry critiques heteropatriarchy in language, desire and gender by questioning the binary assumption operative in them. A binary logic defines women and men by what each are not, highlighting one sex over the other, and presenting them as in need each other. This patriarchal assumption intersects with compulsory heterosexuality to marginalize lesbian existence in the …
Going To Yale, Charlie Samuya Veric
Allied Forces, Forced Alliances: A Reaction To Gerald T. Burns's "Enemies And Friends: A Consideration Of The Burnham Kidnapping", J. P. Jacobo
Kritika Kultura
No abstract provided.
Bending English For The Filipino Stage, Binevenido L. Lumbera
Bending English For The Filipino Stage, Binevenido L. Lumbera
Kritika Kultura
Through representative examples of Filipino plays in English that were written during the American colonial regime, the article traces how playwriting and the theater were instrumental in teaching the English language to Filipinos educated in the American educational project. To make the transition from the local languages to the newly acquired English easier to contextualize, the English in the colonial-period plays was consciously stylized to sound “as though [the characters] were speaking in their own tongues”—thus the phrase ‘bending English’. Having “bent English” indeed does make reading easier for Filipinos, however the performances of plays with “bent English” provide a …
Enemies And Friends: A Consideration Of The Burnham Kidnapping, Gerald T. Burns
Enemies And Friends: A Consideration Of The Burnham Kidnapping, Gerald T. Burns
Kritika Kultura
The relationships between the political and the spiritual, hostage-taker and victim, friends and enemies, the US and the Philippines are shaped and contested in the light of journalistic accounts of the Burnhams’ hostage crisis in 2001, and in particular Gracia Burnham’s reconstruction of it in her memoir. The following four distinct but related contexts are used as lens to explore the binarisms: 1) the psychosocial dynamics and literary traditions of captivity; 2) what used to be billed the “special” but has more recently and perhaps more accurately been called the “entangled” relationship between the United States and the Philippines; 3) …
The "Chinaman" Question: A Conundrum In Us Imperial Policy In The Pacific, Richard Chu
The "Chinaman" Question: A Conundrum In Us Imperial Policy In The Pacific, Richard Chu
Kritika Kultura
When the US took over the Philippines from Spain in 1898, it faced the dilemma of how to deal with the “Chinaman” question. While it applied the same Chinese exclusion law in the Philippines as it did in the mainland, the situation in the colony differed in a significant way—the Chinese had long been part of the Philippine economy and society. Faced with the task of constructing a “Filipino” nation in its own image, the US therefore had to find ways to separate the Chinese from the rest of the population. One of the ways by which it accomplished this …
Feminism Across Our Generation, Delia D. Aguilar
Feminism Across Our Generation, Delia D. Aguilar
Kritika Kultura
No abstract provided.
Responses To "Dancing Into Oblivion", Ricardo G. Abad
Responses To "Dancing Into Oblivion", Ricardo G. Abad
Kritika Kultura
No abstract provided.
Interview With Gina Apostol, Daryll Delgado
Our Willful Naiveté Shall Set Us Free: An Ongoing Conversation With Miguel Syjuco, Adam David
Our Willful Naiveté Shall Set Us Free: An Ongoing Conversation With Miguel Syjuco, Adam David
Kritika Kultura
First eleven thousand words of an ongoing Canada-Cubao correspondence. Two young writers talk about writing: albeit both are provisionally despondent, incredibly, no one waxes nostalgic. Topics discussed: writing about home from a distance of an ocean and a continent, toughing it out journeyman-style, bayanihan vs. crab mentality, literature vs. everything else, the Great Pinoy Novel, and other pretentious, quite possibly neocolonial things.
The Communality Of Creativity And The Creativity Of Community: A Comparison Of The Ethics Of Nikolai Berdyaev And Watsuji Tetsurō, Anton Luis Sevilla
The Communality Of Creativity And The Creativity Of Community: A Comparison Of The Ethics Of Nikolai Berdyaev And Watsuji Tetsurō, Anton Luis Sevilla
Kritika Kultura
Self-fidelity is a human ethical task. But how can we be faithful to a self that is both individual and social? This paper takes up this question by comparing the basic ethical frameworks of Nikolai Berdyaev and Watsuji Tetsurō. In the first section of this paper, Berdyaev’s notion of personality and his three forms of ethics (ethics of law, ethics of redemption, and ethics of creativeness) are discussed. In the second section, Watsuji’s notion of ethics as the study of man (ningen) is explored, detailing the dual structure of ningen and the double-negation of ethics. And in the third section, …
Paano Nga Ba Ang Peta Play (O Ano Nga Ba Ang Isang Play Na Matatawag Na Petang-Peta), Manuel D. Pambid
Paano Nga Ba Ang Peta Play (O Ano Nga Ba Ang Isang Play Na Matatawag Na Petang-Peta), Manuel D. Pambid
Kritika Kultura
In telling the story of PETA, or the Philippine Educational Theater Association, this article reflects on the distinct characteristics that PETA plays have acquired in the more than 40 years it has served as the people’s theater—from the martial law years to the present, for the continuous expression of Filipino culture and heritage. The article shows the variety of PETA plays and the people behind their collaborative production, and ends with the present challenges of PETA as it reaches out to a younger generation of audience.
The Aesthetics Of Poverty: A Rationale In Designing For Philippine People's Theater 1973-1986, Brenda V. Fajardo
The Aesthetics Of Poverty: A Rationale In Designing For Philippine People's Theater 1973-1986, Brenda V. Fajardo
Kritika Kultura
This article will discuss the production design approaches and techniques used in plays by the Philippine Educational Theater Association (PETA) from 1973-1986, using the principles of “aesthetics of poverty.” The “aesthetics of poverty” came about in consideration of the poverty situation of the Philippines and is really an attitude more than anything else, appropriate for the social conditions of Philippine society. This was also the period when there was very limited budget for productions, the result of which was creating with one’s imagination and clear imaging for meanings and symbolic representation.
The Advent Of Modern Irish Drama And The Abjection Of Peasant Popular Culture: Folklore, Fairs And Faction Fighting, Mark Phelan
The Advent Of Modern Irish Drama And The Abjection Of Peasant Popular Culture: Folklore, Fairs And Faction Fighting, Mark Phelan
Kritika Kultura
This paper is part of a larger project in which the author is interested in recovering popular performative traditions and practices that have been occluded by the modernist project of the Irish Revival. This erasure has been compounded by subsequent historiographical paradigms that have reinforced the revivalist narrative of theatre history and excluded indigenous forms, traditions and practices (mumming, rhymers, strawboys) along with the wider performative culture of patterns, wakes, fairs, faction fights etc. This essay subjects to scrutiny what the author sees as a disjuncture between the riotous reality of peasant popular culture and its representation in Revivalist dramas …