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Full-Text Articles in Entire DC Network
Gurnah's Men: Rethinking Muslim Masculinities In The Indian Ocean World, Felicity Hand
Gurnah's Men: Rethinking Muslim Masculinities In The Indian Ocean World, Felicity Hand
Kritika Kultura
This article explores how Abdulrazak Gurnah illustrates the varieties of Muslim masculinity in the Indian Ocean world through an analysis of two of his youthful characters, Hassan Omar, from his debut novel Memory of Departure and Salim Yahya, from his more recent Gravel Heart. Both young men find themselves pitted against a more traditional male role which stifles them while, at the same time, encourages them to envisage a more fluid understanding of what it means to be a man in a predominantly Muslim society like Zanzibar. The fissures in the relationship that Hassan and Salim have with their fathers …
Rhizomatic Communities: Myths Of Belonging In The Indian Ocean World, Esther Pujolràs-Noguer, Felicity Hand
Rhizomatic Communities: Myths Of Belonging In The Indian Ocean World, Esther Pujolràs-Noguer, Felicity Hand
Kritika Kultura
This special issue, “Rhizomatic Communities: Myths of Belonging in the Indian Ocean World,” seeks to dismantle the myth of belonging which intrudes in identity constructions and, simultaneously, enhances the in-betweenness that defines a rhizomatic understanding of historical, socio-cultural and national affiliations in the Indian Ocean. The texts we explore here express the need to belong but they also highlight the fact that there is no unilateral sense of belonging. This special issue is formulated upon the theoretical paradigm of the aesthetics of remembering, a theoretical tool that studies postcolonial expressions of selfhood through three axes: empathy, identification and mourning. The …
The Shape Of Transplantation As Interface: The Craft Of Alienation And Reconciliation In Vietnamerica's Journey Toward Diasporic Identity, Haerin Shin
Kritika Kultura
GB Tran’s critically acclaimed graphic memoir Vietnamerica: A Family’s Journey (2010), a coming-of-age story of a second-generation Vietnamese American, crafts out the shape and feel of alienation in its search for a communal identity in the wake of the Vietnam War. Lacking emotional and empirical access to his parents’ liminal position as political exiles, the author combines the power of the literary imaginary with palpable percepts that synesthetically interface the affective dimensions of lost or perhaps yet to be realized beloved objects of cultural affiliation. Reading GB Tran’s medium-specific techniques as strategic enactments of intergenerational reconciliation, I reposition the present-progressive …
Ethnography, Born-Translated Literature, And Translation: The Case Of Syaman Rapongan, Richard Rong-Bin Che
Ethnography, Born-Translated Literature, And Translation: The Case Of Syaman Rapongan, Richard Rong-Bin Che
Kritika Kultura
Located in East Asia, Taiwan is an island off the southeast part of Mainland China. After martial law was lifted in 1987, one of the ways by which the long-suppressed Taiwanese Indigenous communities can make themselves be seen has been writing in Chinese, but in a style that intentionally mixes Chinese with their ethnic mother tongues. Accordingly, this mixed literary style brings about great challenges for the English translators of Taiwan Indigenous literature. This paper deals with the English translation problems of Syaman Rapongan’s works against the background of an ongoing dispute over “domestication” and “foreignization” in translation studies, focusing …
What's Tropical About Nick Joaquin's Tropical Gothic?: Heat And Corporeality In "The Summer Solstice" And "The Dying Wanton", Ann Ang
Kritika Kultura
Since their first publication in magazines like Philippines Graphic and the Philippine Free Press, and their subsequent re-publication under the collection title Tropical Gothic, Nick Joaquin’s classic short stories from the 1940s have been mainly appraised within a gothic framework. While critics have read the doublings and monstrous excesses of these stories as expressing a postcolonial resistance to colonial modernity, or a desirous anxiety for a pre-colonial Philippines, this paper discusses tropicality as a further localization of such gothic elements. By adopting a new materialist approach to ecological imaginaries, this article argues that the discourse of the tropical in Joaquin’s …
Memory, Haunting, And Duality: Malaysian Amnesia Within The Uncanny Home In Chuah Guat Eng's Days Of Change, Hannah M. Y. Ho
Memory, Haunting, And Duality: Malaysian Amnesia Within The Uncanny Home In Chuah Guat Eng's Days Of Change, Hannah M. Y. Ho
Kritika Kultura
This article analyzes Chuah Guat Eng’s Days of Change as a postcolonial Gothic fiction by discussing instances of haunting and repressed memory in the novel. It examines memory loss in the family and the nation, triggered by traumatic events and leading to haunting and the haunted. Using the concept of the uncanny, this study explores the postcolonial fears and disruptions that, paradoxically, open up creative thinking for revisionist history. It contends that Chuah Guat Eng’s novel offers a critique of postcolonial othering while also insisting on acts of remembering to mitigate amnesia. The paper evaluates desires for a reconciled home …
Front Matter, Kritika Kultura
Editor's Introduction, Vincenz Serrano
Pulo: A Metonym, Christian Jil R. Benitez
Pulo: A Metonym, Christian Jil R. Benitez
Kritika Kultura
As an attempt toward a preliminary understanding of the islandic in its Philippine rendition, this study navigates with and through the Filipino pulo and its associations in various Philippine languages. In its recourse to linguistic and philological paradigms, the study relies above all on some creative invocation of the archipelagic form through the quintessential prose form of the essay. The commonly perceived isolation of islands in kapuluan is intuited here to be simultaneously relational (as kapuluan is also the Filipino assemblage of the pulo). In the process, the pulo is found, through a Tagalog lullaby examined here, to delineate in …
Island Encounters: Mapping Indigenous Taiwan In The Context Of "Imperial Archipelagos", Iping Liang
Island Encounters: Mapping Indigenous Taiwan In The Context Of "Imperial Archipelagos", Iping Liang
Kritika Kultura
This essay investigates the encounters with Indigenous peoples on Taiwan (the island of Formosa) in the context of “imperial archipelagos.” By placing Taiwan vis-à-vis islandic territories such as Hawai‘i and the Philippines, I argue that the encounters with Formosan “aboriginals”2 could be related to the acquisition of “imperial archipelagos” against the backdrop of the nineteenth- century US expansionism into the Pacific. My point of reference is the historical figure Charles Le Gendre (1830-1899), then US consul in Xiamen, who was appointed by President Ulysses Grant. In three parts I analyze his involvements with Formosan “aboriginals”—the Rover Incident (1867), the Southern …
The Turn To The Archipelagic-Oceanic In Recent Critical Island Studies In Southeast Asia, Oscar V. Campomanes
The Turn To The Archipelagic-Oceanic In Recent Critical Island Studies In Southeast Asia, Oscar V. Campomanes
Kritika Kultura
This introductory essay briefly maps Critical Island Studies as it is so dubbed in Southeast (nesology/nissology, elsewhere) to be able to mark how the six contributions to this Forum Kritika reflect some of the most characteristic aspects and the latest conceptual turns of critical writing and scholarship in the field. A turn to the archipelagic-oceanic as the object of theorizing and critical study is observed to be the recent trend, itself reflected in the various essays here, with their choices of topics and texts in Indonesian, Taiwanese, Korean, and Filipino conjunctures and contexts.
Masculinities In Literary Works On Indonesia's Post-Conflict Ambon Island, Wening Udasmoro, Arifah Rahmawati
Masculinities In Literary Works On Indonesia's Post-Conflict Ambon Island, Wening Udasmoro, Arifah Rahmawati
Kritika Kultura
Various studies have examined masculinities within a sociological context, emphasizing linkage to violence, power, and militarization. In this sense, researchers have frequently positioned masculinities as the reproductions of male dominance and their perpetuations of conflicts and violence. No study has examined the roles that masculinities and their embedded values have played in building and maintaining peace. This article seeks to fill in the gap by examining how young people on Ambon Island helped create peace by expressing their fluid masculinities through literary works. This article focuses on poems by two Ambonese men—one a prominent peacebuilder and another a former combatant …
Jiang Qing And The Visuality Of The Revolutionary Model Opera Films In The Cultural Revolution, Jiang Wei
Jiang Qing And The Visuality Of The Revolutionary Model Opera Films In The Cultural Revolution, Jiang Wei
Kritika Kultura
The Cultural Revolution (1966–76), which occurred 17 years after the founding of the People’s Republic of China, saw the production of the filmic Revolutionary Model Operas or RMOs, comprised of eight films within this period. The RMOs, which were actually operas filmed in 35mm, precluded all other film genres during the period. Political factors, issues, and developments in the Cultural Revolution, especially in the early 1960s, contributed to and inflected these films: they became the predominant popular cultural form through which the Cultural Revolution, as a set of discursive regimes, was articulated. Mao Zedong believed that the Chinese Communist Party …
Gendering Genre In Korean Films With Filipino Women Characters, Maria Luisa Torres Reyes
Gendering Genre In Korean Films With Filipino Women Characters, Maria Luisa Torres Reyes
Kritika Kultura
The paper deals with the category of the Korean yosong yonghwa (yosong = women; yonghwa = film) and the place of the Filipino women characters in them. Especially in film genres where women play major protagonists from melodrama to vampire films, indelibly etched in their narratives is the all-too-familiar set of conventional roles and activities assigned to women, portraying a female identity constructed socio-culturally by a patriarchal society. As such, yosong yonghwa is associated with fictional images as well as actual experiences especially common in societies with a history of Confucian influence: from the suffering, hardworking, domesticated, and naïve wife …
Choreographing Immersion: Negotiating Borders, Difference, And Power, Thea Stanton
Choreographing Immersion: Negotiating Borders, Difference, And Power, Thea Stanton
Kritika Kultura
“Immersive” performances have been growing exponentially over the past fifteen years, yet the definition of the form remains elusive. While a number of scholars such as Gareth White, Adam Alston, and Josephine Machon have collated what they perceive as the overarching characteristics of immersion, these analyses have primarily been concerned with the aesthetic features of immersive performances. Despite, or perhaps because of their popularity, some recent immersive performances have prompted sector-wide concern, voiced aptly by Lyn Gardner’s question in her article “Is Immersive Theatre Growing Up or Growing Too Big, Too Quickly?” This artist’s statement and case study will both …
Identity And Perception And Its Impact On Artistic Choices, Karen Gallagher
Identity And Perception And Its Impact On Artistic Choices, Karen Gallagher
Kritika Kultura
Dance regularly contributes to the discourse of our society. For many years, it has borne witness to political events, social customs and the agenda of the day. Whether we are always aware of it or not, the dancer as artist in society is political, and can make a difference in the world we live in through being present. I am interested to question and ponder what that can reveal about to ourselves. How do we, as dance practitioners, make ourselves more visible as diverse protagonists? What role do we play as leaders in making the practices and contributions of artists …
"Magsama-Sama Tayong Panoorin": A Creative, Collaborative, And Ongoing Ethnography With Sama Banguingui Women Dancing In The City Of Manila, Regina Salvaña Bautista
"Magsama-Sama Tayong Panoorin": A Creative, Collaborative, And Ongoing Ethnography With Sama Banguingui Women Dancing In The City Of Manila, Regina Salvaña Bautista
Kritika Kultura
For the Sama-Bajau and Sama Banguingui women living in Manila, the traditional dance pansak (or igal) is a vital dimension of life. This paper focuses on Radzmina Tanjili, a Sama- Banguingui from Zamboanga, well-known in her barangay1 for her dancing. Her life as a dancer is filled with performance opportunities and cultural exchanges for her and the group of Sama- Bajau women and children who belong to the same NGO she volunteers for. She and the group perform for government, non-government organizations, and academic institutions. Apart from this, she also continues to dance pansak in its traditional improvised form at …
Dance After Lockdown: Living With Paradox, Simon Ellis, Rowan Mclelland, Rosemary Kostic Cisneros
Dance After Lockdown: Living With Paradox, Simon Ellis, Rowan Mclelland, Rosemary Kostic Cisneros
Kritika Kultura
This writing explores the experiences of people in the UK’s contemporary dance sector during the COVID-19 pandemic.1 It draws on qualitative data from a small research project—Dance after Lockdown—to examine how that sector understands their work, and how the language and ideology of the creative industries have shaped the lives and experiences of contemporary dance artists and institutions in the UK. The paper offers a range of diverse voices as one of the goals of the research was to examine the breadth of experiences, which we hope makes a case for the need to have a dance sector that is …
Performing (On) Permeable Layers Of Dwelling: B.O.D.Y. The Bureau Of Domestic Yearning, Angela Viora
Performing (On) Permeable Layers Of Dwelling: B.O.D.Y. The Bureau Of Domestic Yearning, Angela Viora
Kritika Kultura
The migration crisis and the anxieties brought about by the global COVID-19 pandemic have exacerbated the instability and unpredictability of how we dwell in places. These phenomena force us to rethink “space,” our relationship with it, and thus, ourselves as in-placed subjects. This article reflects on my performance of B.O.D.Y. The Bureau of Domestic Yearning. It is a personal response to living in lockdown in a country that is both domestic and foreign to me because I am an expat. Performing at home has led me to question where home is in relation to my resident status (visa) and my …
Gunita, Pagsusumakit, Pagkilala, Katubusan: Isang Pagbasa't Suri Sa Sining Ng Desaparesidos Ni Lualhati Bautista, E. San Juan Jr.
Gunita, Pagsusumakit, Pagkilala, Katubusan: Isang Pagbasa't Suri Sa Sining Ng Desaparesidos Ni Lualhati Bautista, E. San Juan Jr.
Kritika Kultura
Sinikap ng hermenyutikang suri rito na ilahad ang politikang seksuwal na nakapaloob sa karanasan ng mga aktibista sa panahon ng diktaduryang Marcos at kapaligirang sirkumstansya. Sa sakunang sinapit nila, nakatambad ang barbarikong dahas ng sistemang patriyarko’t piyudal at imperyalismo. Sa paghahanap sa nawalang anak, at nawaglit na pagka-magulang, naisagisag dito ang pinsalang dinanas ng marami, di lamang ang mga desaparesidos. Nakapagitna rin ang dangal ng ama/kalalakihan sa krisis na sumira sa ritwal ng kasal at partido, naipagsanib ang kapalaran ng mamamayan at kapalaran ng bansa. Nalikha sa partikular na danas ang isang pambansang alegorya mula sa testimonya ng mga biktima, …
Exploring Environmental Issues In Children's Literature: An Ecocritical Study Of Zhang Wei's Works, Yi Yang
Exploring Environmental Issues In Children's Literature: An Ecocritical Study Of Zhang Wei's Works, Yi Yang
Kritika Kultura
Zhang Wei is one of the most influential authors in contemporary Chinese literature. His earlier works were written for adults, but he has recently contributed to children’s literature as well. While each of his children’s books has its own original storylines, they share a strong interest in environmental issues and contain some obvious themes of ecological consciousness. Peninsular Ha Li Ha Qi, which was influenced by Henry David Thoreau’s Walden, is a kind of pastoral literature. Looking for the Fish King, on the other hand, deals with “toxic discourse,” informing children about the life-destroying evils of modern industrial technology. Last …
Editor's Introduction, Vincenz Serrano
Front Matter, Kritika Kultura
Assertions Of Truth Through Modes Of Fact And Fiction: Texts, Paratexts, And The "Autobiographical Pact" In Lualhati Abreu's Agaw-Dilim, Agaw-Liwanag And Mila Aguilar's The Nine Deaths Of M, Mary Grace R. Concepcion
Assertions Of Truth Through Modes Of Fact And Fiction: Texts, Paratexts, And The "Autobiographical Pact" In Lualhati Abreu's Agaw-Dilim, Agaw-Liwanag And Mila Aguilar's The Nine Deaths Of M, Mary Grace R. Concepcion
Kritika Kultura
Autobiographical narratives may resemble fictional narratives in textual form. Yet, autobiography differentiates itself from other literary genres through its truth-telling function. Autobiographies may be controversial as they expose contested historical events and reveal the private life of the author, who is established as the narrator. This paper examines the assertions of truth through modes of fact and fiction in Lualhati M. Abreu’s Agaw-dilim, Agaw-liwanag (2009) and Mila D. Aguilar’s The Nine Deaths of M (2013). They address sensitive events within the Philippine Left. Abreu recounts her own torture during the communist killings in Southern Tagalog under the Oplan Missing Link. …
The Ecological Terrain Of Class War In The Cadre Poetry Of Mayamor / Maya Daniel / Roger Felix Salditos, Jose Monfred C. Sy
The Ecological Terrain Of Class War In The Cadre Poetry Of Mayamor / Maya Daniel / Roger Felix Salditos, Jose Monfred C. Sy
Kritika Kultura
In his cultural criticism, Edel Garcellano protests that literature is a politically partisan act in a “terrain of class war.” Cadre writings from “liberated” or “red” zones, Garcellano writes, demonstrate a clear partisanship with the peasants, workers, and other participants of the liberation struggle waged by the National Democratic movement in the Philippines. His commentary on the ideologization of writers invites us to investigate works produced in the context of the protracted people’s war to better understand the so-called “liberated consciousness” of cadre writers. Mobilizing Garcellano’s interpretive model of partisan symmetry between author and text, this paper critiques poems written …
On Salvation, Bare Life, And Affective Politics In Raffy Lerma's Pieta, Vincent Pacheco
On Salvation, Bare Life, And Affective Politics In Raffy Lerma's Pieta, Vincent Pacheco
Kritika Kultura
Recent scholarship on Raffy Lerma’s Pietà is generally optimistic about the potential of the photograph to unravel state power and challenge normative perceptions of liberal democracy vis-à-vis populism. Contrary to these readings, I follow Vicente Rafael in speculating on “the limits of photographic intervention in the drug war” by suggesting that the Pietà, an image that is supposedly emblematic of liberal resistance, unwittingly reiterates Rodrigo Duterte’s necropolitical order. This gesture is an attempt to fulfill Jacques Rancière’s desire for a radical politics where we can freely question the very critiques that aim to expose and unravel Duterte’s aesthetic regime. My …
The Place Of Literary Criticism In The Marxist-Leninist-Maoist Praxis Of The Philippine National Democratic Movement, Lance Espejo
The Place Of Literary Criticism In The Marxist-Leninist-Maoist Praxis Of The Philippine National Democratic Movement, Lance Espejo
Kritika Kultura
For Marx, “The weapon of criticism cannot, of course, replace criticism of the weapon, material force must be overthrown by material force” (“A Contribution To The Critique of Hegel’s Philosophy of Right”). Marx also says, “theory also becomes a material force as soon as it has gripped the masses.” It is this materialization of critical thought as theory which this paper expounds on. Marx says that this materialization happens in man himself, hence theory—or thought—is embodied. This paper, first, strives to expose the underlying class struggle which helps shape the discourse, which in this case, is literary criticism. Second, it …
Rainbow Guerrillas: Gay And Lesbian Narratives Inside The Revolutionary Movement In Mindanao, Jervy C. Briones
Rainbow Guerrillas: Gay And Lesbian Narratives Inside The Revolutionary Movement In Mindanao, Jervy C. Briones
Kritika Kultura
The LGBT community in the Philippines is tolerated but not accepted, as different forms of discrimination against this sector still exist. The founding of several LGBT organizations in the 1990s marked the emergence of an organized LGBT movement in the country. The same decade also witnessed the recognition of same-sex relationships and marriage by the Communist Party of the Philippines (CPP), which was an important development for the advancement of LGBT rights within the revolutionary movement. In this paper, I argue that the significant number of LGBT members within the movement necessitated the creation of revolutionary policies that reject gender …
Models Of Revolutionary Action: The Kasama In Ang Bayan During The Anti-Dictatorship Struggle (1982-1985), Karlo Mikhail I. Mongaya
Models Of Revolutionary Action: The Kasama In Ang Bayan During The Anti-Dictatorship Struggle (1982-1985), Karlo Mikhail I. Mongaya
Kritika Kultura
This article discusses the concept of the kasama, or comrade, as articulated in Ang Bayan, the central organ of the Communist Party of the Philippines (CPP), in the years 1982 to 1985. Critically reading Ang Bayan articles and related archival material, I look into the concrete articulation of comradeship in the Philippine experience during the height of the anti-dictatorship struggle against the Marcos dictatorship. I underscore the way kasama becomes fully intelligible as a collective subjectivity among those engaged in revolutionary struggle in juxtaposition to the figures of the masses, allies, and enemies of the people. I contemplate how this …
Ang Walang-Hanggan Ay Narito: Ang Sinasabi Ng Pasaway Na Hangal Sa Maikling Imbestigasyon Ng Isang Mahabang Pangungulila Ni Edel Garcellano, Ivan Emil A. Labayne
Ang Walang-Hanggan Ay Narito: Ang Sinasabi Ng Pasaway Na Hangal Sa Maikling Imbestigasyon Ng Isang Mahabang Pangungulila Ni Edel Garcellano, Ivan Emil A. Labayne
Kritika Kultura
Nagsimula ang Maikling Imbestigasyon ng Isang Mahabang Pangungulila sa isang pagtatakang nanghahamon: pagpapasalita sa isang “basag na salamin sa mata” (9). Susunod rito ang pagbanggit sa Aleph, sa “teolohiya ng Isa at Karamihan,” sa “istruktura ng DNA,” at, bago matapos ang unang pahina, kay Minerva (9). Ang sandamakmak na pagbabanggit na tulad ng mga ito ay hindi maikakailang isa sa mga dahilan kung bakit madalas ilarawan ang nobela bilang “pilosopikal” o “intelektwal.” Sa pagsusog rito, susuriin ng papel ang sala-salabid na kaisipang ipinasok sa akda, kung paano sila nag-uugnay-ugnay, at kung ano ang sinasabi at ginagawa ng mga ito sa …