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Crossing The Pond: The Influence Of Southern Appalachian Old-Time On Contemporary Irish Music, Amanda Morgan

Electronic Theses and Dissertations

Numerous studies examine Irish traditional music influencing old-time music, but few examine the influence of old-time on contemporary Irish. As our societies become more global, folk music travels faster and becomes more open to influence. Thes influences can be heard in the music of “Alfi” and “Lankum,” two ensembles steeped in Irish traditional music.

This study defines common musical elements of old-time and examines the use of those elements in two recordings: Alfi’s, “Jubilee” and Lankum’s, “The Old Man from Over the Sea.” Much of my data comes from interviews with Irish and American musicians and my own professional knowledge, …

Introduction: Indigenous Multilingualism In Lowland South America, Patience Epps

Tipití: Journal of the Society for the Anthropology of Lowland South America

Recent decades have seen an exponential growth in our understanding of the indigenous languages of lowland South America – from their structures and interrelationships to the dynamics of their day-to-day use and the ways they are conceptualized by their speakers. These advances highlight not only the diversity of languages in lowland South America, but also the complexity of the dynamics of interaction among speakers in multilingual settings. The region is home to a range of interactive indigenous ‘regional systems’, such as the Vaupés, Upper Xingu, and other areas, where multiple languages have thrived alongside each other for generations, and interaction …

Ensemble Concerts: Symphonic Band And Symphonic Winds, November 30, 2023, T.J. Mack, Mack Wood, Christopher Bulding

School of Music Programs

Center for the Performing Arts
November 30, 2023
Thursday Evening
8:00 p.m.

Vaupés Multilingualism And The Substance Of Language, Stephen Hugh-Jones

Tipití: Journal of the Society for the Anthropology of Lowland South America

By focusing on ordinary conversational language, relying on a notion of “group” derived from unilineal descent theory, and neglecting mythology and ritual, studies of Vaupés Tukanoan multilingualism have inadvertently tended to reproduce a Western ideology of language as marking national identity and concerned with conveying meaning. This paper suggests that attention to musical, ritual, and shamanic contexts reveals multilingualism in a different light, with ritual speech acts as constitutive of social groups, names as vehicles of reproduction, and breath as a substance-like bodily element and source of vitality. The more esoteric, rhetorical, musical, or visual ornamentation is given to breath, …

Music During Political Unrest: A Look Into Protest Music Of Northern Ireland During The Trouble's, Lauren Blue

Student Scholar Symposium Abstracts and Posters

Some of the most influential music and art emerges during civil, social, and political unrest. Music, in particular, is a critical aspect of almost every culture, and protest music is even more influential because it can unify causes. For example, when the Troubles in Northern Ireland gained global attention, many well-known artists released commercially successful songs relating to this phenomenon. Musicians worldwide, including Paul McCartney, John Lennon, Elton John, The Cranberries, and U2, implemented music as a reaction against the social injustice and violence occurring in Northern Ireland. Other songs, like Tina Turner's "Simply the Best," became anthems for the …

2023-November-28-Etsu Great Lecture Series Continues December 8.Pdf, University Marketing And Communication, East Tennessee State University

ETSU News

Drs. Lee Bidgood, Nick Hagemeier and Gary Henson will be featured in the second installment of East Tennessee State University’s Great Lecture Series.

The new lecture series, which began in October, celebrates and showcases the work of faculty who have recently been promoted to full professor at ETSU. Faculty play an integral role in the mission of ETSU through their teaching, research and service, and this lecture series provides them an opportunity to share their work with the broader community.

The second installment will be held Friday, Dec. 8, at 2 p.m. in the East Tennessee Room on the second …

Jewish Music Sound Recording Collections In The United States, Judith S. Pinnolis

Faculty Works

This chapter examines several significant Jewish music sound-recording collections in the United States, most of which originated as private collections but are now housed at academic institutions. Their origins provide insight into individual agency tied to different understandings of Jewish music. A discussion of their complexities from a library-science perspective focuses on conservation and preservation as well as bibliographic control and other issues in which the complexities of Jewish music unfold more clearly. Authenticity, comprehensiveness, and other constructions demonstrate how sound-recording collections reflect the overall difficulties of defining and delimiting Jewish music. Subsequent discussions and observations on access and audiences …

Musicking Across Hemispheres: A Transatlantic Approach To Western Music History And Curricular Reform At A Hispanic Serving Institution, Andrés R. Amado

School of Music Faculty Publications

Advocates for music curricula reform call for programs of study that better address the concerns of professional musicians, engage the musical traditions of local communities, increase global awareness, and advance social justice. While global approaches to music history studies can address these goals, finding ways to broaden the scope of music history courses beyond the Western canon while also fulfilling curricular expectations that require knowledge of the canon is a challenge for many instructors. When considering how to expand courses to meet the goals above, I propose instructors prioritize the needs of the students and communities their institutions serve. In …

English Folk Song Performance On Tuba: An Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

English folk song and tuba performance are mostly unrelated topics, the closest they come to intertwining is in the compositions of English folk influenced composers like Ralph Vaughan Williams or Percy Grainger. However, this combination is limited to Western Art Music performance, not the traditional performance of English Folk Song. This paper aims to describe how a tubist may perform English folk song in a more traditional setting not disturbed by the iterations created by composers rooted in Western Art Music.

Violin Pedagogical Methods And The Neurodivergent Brain: A Comparison Of Suzuki And O’Connor Methods In Context With Adhd And Dyslexia, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

There are several teaching pedagogies that have been utilized throughout the history of the violin, beginning in the early sixteenth century. In my research, I have identified two categories: methods used in the U.S. and methods used in European countries. With this surplus of violin teaching methods, there are several approaches to individual techniques, which undoubtedly affect each pupil differently depending on their learning style. For students with learning deficits, such as dyslexia and ADHD, certain pedagogies such as the Suzuki Method approach auditory stimuli and note reading in a way that contrasts with other pedagogies utilized in the U.S. …

A Comparative Analysis Of Music And Sound In J-Horror Films And Their American Remakes, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

It has been long established that music has the potential to influence a listener’s emotions. Likewise, visual stimulation can influence our emotions. Horror movies rely heavily on the combination of these two systems working together to create tension and fear. This essay will analyze the use of sound, music, and silence in Japanese horror films as compared to their American remakes. I will explore the instrumentation and compositional methods through the lens of traditional Japanese kabuki theatre conventions as well as classical American film scoring to compare my perceived scariness of each film’s most stressful scenes.

Marcel Tabuteau: A Glance Into The New Pedagogical Ideas That Changed The American Woodwind School, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Marcel Tabuteau was one of the most influential American musicians, changing how American wind players approached their instruments and how they taught especially. His legacy as a teacher and as a performer has been passed down through generations of students and has been disseminated all over the United States and the world at large. To say that his teachings endured because they were good is quite an understatement, however, to analyze how his original teaching and ideas have evolved and grown with modern music and musicianship is what this paper aims to do. It also aims to analyze how his …

Annotated Bibliography: How Is Musical Labor Exploited In The United States’ Economy?, Kalen Meyer

Musicology and Ethnomusicology: Student Scholarship

The goal of this paper is to highlight the various ways in which musicians and their labor are exploited in today’s capitalist economy. Music can be labelled in different ways such as aesthetic labor or creative labor and is not typically seen through the same lens of labor as more traditional forms of work. Record labels will abuse the vagueness of artists contracts to unfairly pay them and streaming services such as Spotify will leverage their political power and capital power to keep royalty payments to artists as low as possible. Gig work is also an important aspect to the …

Is It Worth It? A Look At Antique And Modern Violins: An Annotated Bibliography, Calvin Luo

Musicology and Ethnomusicology: Student Scholarship

Violin family instruments have been made for hundreds of years. Cremona, a city in Northern Italy, is particularly renowned for producing world-class instruments. Old Italian violins especially from Cremonese makers such as Amati, Stradivari, and Guarneri, are often associated with high-caliber soloists, concertmasters, or quartet first violinists. A multi-million-dollar price tag is also not uncommon for these types of instruments. A newly made or modern violin by an established living maker (luthier) is often marketed toward section players of orchestras, chamber musicians, and conservatory students. These instruments usually carry a price tag of anywhere from eight to eighty thousand dollars. …

The Ongoing Death Of Classical Music: An Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Live classical music is an art medium that has been seeing a decrease in attendance for several decades. Several factors play into this ongoing “death,” which include but are not limited to decreasing support or funding for the arts, lack of education, as well as stagnating programs from repetitive repertoire. This paper examines these factors, and it suggests initiatives or solutions to this problem.

Orff: How His Pedagogy In Early Music Education Came To Be And What Influences Projected His Philosophy Into Popularity Amongst Music Educators, Zachary Gnall

Musicology and Ethnomusicology: Student Scholarship

Carl Orff, a profound music educator, composer, and musician of his time, developed his methodology of teaching early music to young students in the 1920’s. This pedagogy, known as Orff-Schulwerk or simply the Orff Approach, encompasses a student’s ability to use movement, drama, and speech within the context of music to create an engaging and cognitively engaged environment for the students, similar to that of their typical play times. Orff, alongside his colleague Gunild Keetman, developed this approach with through scrutiny over his involvement with the Nazi party, albeit indirect, just after The Great War ended.

What Defines A Runestad Work? The Evolution Of Choral Music In The Twenty-First Century, Nora Cullinan

Musicology and Ethnomusicology: Student Scholarship

Choral music has undergone a number of changes through the twentieth century and into the twenty-first, thanks in part to technological advances that offered composers a wealth of music traditions from which to draw inspiration. This led to what some have called the “neoimpressionist” style of choral composition: a new approach that combines historical traditions such as impressionism and early polyphony with forward-thinking sonorities and harmonic progressions, as well as a strict focus on text. In defining this style, musicologists often turned to the works of Eric Whitacre, who is well-known for his text-driven pieces laden with clustered harmonies. In …

How Did Ray Brown’S Playing Evolve During His Tenure From 1951 To 1965 In The Oscar Peterson Trio?, Jason Crowe

Musicology and Ethnomusicology: Student Scholarship

How Ray Brown’s bass playing evolved during his tenure from 1951 to 1965 in the Oscar Peterson Trio. Compare and contrast Ray Brown’s work during the 14 years he performed with the trio.

Garifuna Music Transcriptions: Western Notation Of Garifuna Rhythms, Isaac Antonio Rodriguez Bustillo

Musicology and Ethnomusicology: Student Scholarship

An annotated bibliography.

Music Performance Anxiety: A Comparative Analysis Of Treatment Options For The Vocalist, Brooklyn Becker

Musicology and Ethnomusicology: Student Scholarship

Music Performance Anxiety (MPA) is a multifaceted social anxiety disorder that affects a significantly large population of practicing and professional musicians. If untreated, it can have detrimental effects on the performer and their career. MPA is multifaceted in that it encompasses cognitive, physiological, and behavioral symptoms. Because of its multifaceted nature, there is not one specific intervention or treatment option for MPA, but multiple interventions that have been studied and tested as potential treatment options. While the body of research on MPA has expanded since the 1970s, there is a disparity of research in the literature that focuses solely on …

“Workinonit”: How The Orchestration Techniques Of Maurice Ravel Influenced The Production Of J Dilla, And How Certain Musical Techniques Have Withstood Changes In Style And Genre, Richard Tucker

Musicology and Ethnomusicology: Student Scholarship

This paper explores the parallels between Classical orchestration techniques and Hip- Hop production. Using the works of producer/composer J Dilla and composer/orchestrator Maurice Ravel, the paper seeks to answer the question: How might Maurice Ravel’s orchestration and composition techniques have influenced, directly or indirectly, the production and composition techniques of J Dilla? Various recordings from across Dilla’s career, including selections from Fantastic, Vol. 2 and Donuts serve as a vehicle for looking at music from a technical and process perspective, attempting to put aside aesthetic conventions and analyses to allow vastly “different” musical idioms to be discussed together. Ravel’s work, …

Breaking The Wall Separating Western-Classical And Musical Theater Belt Vocal Techniques, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This paper will serve as a dialogue aimed to keep breaking down the tangible wall between opera and musical theater techniques and practices. The two fields offer a plethora of ideas and possibilities for growth of the arts as a whole. Included will be examples of techniques in both fields and how they can be compared and practiced consequently. The topic of belt versus legitimate singing is prominent in the vocal arts and will be discussed further as well. There are many academics that subscribe to the “my way or the highway” ideal and refuse that which varies from classical …

Politics And Country Music: Analyzing Why Country Music Is Associated With The Political Right, Christa Noe

Musicology and Ethnomusicology: Student Scholarship

The general perception that country music aligns itself with the political right is perhaps most exemplified by the songs, “Courtesy of the Red, White, and Blue (The Angry American)” by Toby Keith and “Okie from Muskogee” by Merle Haggard. Both songs speak of patriotic values that are traditionally associated with that side of politics. However, At the same time, some country songs, particularly older music, align more with the political left, such as “Man in Black” by Johnny Cash and “9 to 5” by Dolly Parton. Nadine Hubbs (2014) has shown how country music is often associated with the poor …

What Is The Significance Of Specialized Voice Technique In Handel's Cantatas?, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

George Frideric Handel’s music is not performed as prominently as that of his peers of his time. This research project aims to achieve the following objectives: a. To analyze Handel's cantatas in terms of vocal range, ornamentation, and technical challenges. b. To identify the specialized vocal techniques in the Baroque era and skills needed for the interpretation of Handel's cantatas and why its subtle nature makes it inaccessible to singers and audiences.

Mozart’S Da Ponte Operas And The Bel Canto, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

One of the most prominent composers of opera since the latter half of the 18th century is the composer Wolfgang Amadeus Mozart. Lauded for his catchy melodies, notoriously difficult passages, and his structural brilliance, his operas remain as popular today as they were when they first premiered. At the same time as these operas were being composed, another movement was occurring within Italianate vocal music, that of “bel canto” or beautiful song. This movement, although highly disputed over its exact definition and origin appears to refer to a style of singing popularized in Italy within the 17th and 18th centuries …

The Pros And Cons Of Beta Blockers: Doping In Music Performance, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

When performing in front of an intimidating panel of judges, an audience, or peers, many musicians faces a common problem that’s not talked about often: music performance anxiety. In this current time, every musician at least knows someone that takes a type of drug that enhances their music performance and gets rid of their anxiety. However, there’s been some controversies in using drugs in music competitions and auditions, leading in the continuous practice of drug abuse, questioning ethically what’s right and what’s wrong, and the suspicion in cheating. In this paper will examine the pros and cons of beta blockers, …

Marcel Tabuteau’S Legacy On The American School Of Oboe Pedagogy: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Marcel Tabuteau was a French-American oboist who is considered the father of American style oboe playing. Every oboist invested in music should know his name, but as time passes, oboists hear less about Tabuteau and more about his students: John Mack, John de Lancie, Robert Bloom, etc. The students of Tabuteau’s students are even more well known today: Richard Killmer at the Eastman School of Music and John Ferrillo at Juilliard just to name a couple. Even though most oboists may have heard Marcel Tabuteau’s name, few know just how revolutionary he was to the pedagogy of American oboe playing, …

Kenny Clarke: The First Modern Drummer In Jazz: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Kenny Clarke, born in 1914, is considered a pioneer of an improvised style of Afro-American music known today as Jazz. Clarke grew up in an era before that word. The soundtrack of his youth consisted of military bands, Dixieland, and blues music. The role of the percussionist in these settings were fixed and rigid. They were there to keep the time. Whether it be with a snare drum, bass drum, or small set of cymbals, the drummer’s role in an ensemble was not a dynamic role in any sense. Through the medium of an exciting new style of music later …

Iranian Music, Silence, And The Representation Of The Traditional Masculine Figure Of The Pahlavan: A Case Study Of "Dash Akol" (1971), Kamyar Salavati

Regards

The Persian term pahlavan represents an archetypal character of a strong man who is generous, uncorrupted, and humble in the face of weakness. This paper will focus on sonic aspects of the pahlavan by zooming in on one of Masoud Kimiai’s films, Dash Akol (1971), which is based on a story of the same name by Sadegh Hedayat. First, I will concentrate on how the movie links heroic masculinity to the Persian classical music mode Chahargah and the instrument tombak-e zurkhaneh, and contrasts it with the tragic and romantic associations of Dashti, another Persian classical mode, representing another, …

Instrumental Pub Decors: Non-Sounding Functional Instruments, Nuria Bonet

School of Art, Design and Architecture

The bar El Nou Trull in La Garriga (Catalonia) is decorated with an agricultural theme – decorative objects found here include two olive oil presses, baskets and bottles. The decoration also features instruments, presumably intended to convey a rural feeling. The choice of instruments is peculiar, from a balalaika and drums to a cymbal and a metronome (!). I could not help wondering: what function do these decorative instruments play in the bar?We may assume that instruments are defined by their sound and that their function is determined by their sounding, the musicians that have owned them, and the performance …