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2021

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Copyright And Disability, Blake E. Reid Jan 2021

Copyright And Disability, Blake E. Reid

Publications

A vast array of copyrighted works—books, video programming, software, podcasts, video games, and more—remain inaccessible to people with disabilities. International efforts to adopt limitations and exceptions to copyright law that permit third parties to create and distribute accessible versions of books for people with print disabilities have drawn some attention to the role that copyright law plays in inhibiting the accessibility of copyrighted works. However, copyright scholars have not meaningfully engaged with the role that copyright law plays in the broader tangle of disability rights.

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Handwashing And Beyond: An Autoethnographic Account Of Obsessive-Compulsive Disorder And Stigma Management, Nicholas J. Johnson Jan 2021

Handwashing And Beyond: An Autoethnographic Account Of Obsessive-Compulsive Disorder And Stigma Management, Nicholas J. Johnson

Master's Theses and Doctoral Dissertations

Obsessive-Compulsive Disorder (OCD) is a stigmatized condition that affects the communicative process. Using Meisenbach’s theory of stigma management communication (SMC), this project demonstrates coping strategies for stigma related to OCD. Research is self-reported in autoethnographic form, where narratives are analyzed in Rambo’s layered account format. There are two results of note: SMC is a suitable framework for understanding OCD stigma, and SMC’s accepting strategies are more effective at managing OCD stigma when the behavior being stigmatized is readily associated with OCD. Furthermore, this thesis suggests autoethnography is an effective medium for showcasing OCD stigma, and also suggests more research on …

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By A Thread: Adapting And Understanding The Literary Past Through Contemporary Costume, Sherry Bollero Jan 2021

By A Thread: Adapting And Understanding The Literary Past Through Contemporary Costume, Sherry Bollero

Theses and Dissertations

For over four hundred years, Shakespeare’s plays have been adapted from text to the visual realizations on the stage and later the screen. Scholarship has attended to the playscript and the performance, but it has largely neglected the position of the costume as a bridge between the literary past and contemporary adaptation. This project contends that costumes as adaptations themselves play a significant role in contemporary constructions of the literary past. In particular, the project attends to the contribution of costumes in the visualization of Shakespeare’s histories on screen. To explore this topic, the project considers several aspects. Specifically, the …

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