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2021-August-25-Exploring Black Appalachian Music Podcast.Pdf, University Marketing And Communication, East Tennessee State University

ETSU News

JOHNSON CITY (Aug. 25, 2021) — A six-part podcast series, “Sepia Tones: Exploring Black Appalachian Music,” is in the works, co-hosted by Dr. Ted Olson, an East Tennessee State University professor of Appalachian Studies and Bluegrass, Old-Time and Country Music Studies, and Dr. William Turner, a noted scholar on African American communities in Appalachia.

The first two episodes are now available on all popular podcast streaming platforms through the Great Smoky Mountains Association’s “Smoky Mountain Air” podcast.

Dr. Ted Olson

The Visual Language Of Turkish Roman Dance, Bethan J. Carter

Anthropology

Utilizing Peircean semiotics and Dell Hymes' Ethnography of Communication, this research analyzes the dance style known as Roman havasi or, Turkish Roman dance. Elements and influences under consideration include costuming, dance vocabulary, musical instruments and traditions, gender-based stylistic differences, spheres of performance, audience member and participant demographics, and notions of authenticity in embodiment and presentation. An abridged history of the Roman is also presented, including public policies that influence the rights and lifestyle of Turkish Roman, as such factors have influenced their sense of social belonging as well as their dance and musical expressions. Romani people have experienced marginalization wherever …

Travelin' To The Promised Land: Symbolism Of The Jordan River In African Spiritual, English Hymn, And American Folksong Selections, Hope V. Dornfeld

Montview Journal of Research & Scholarship

These program notes originally accompanied a performance of three vocal pieces: Deep River, On Jordan's Stormy Banks, and Poor Wayfaring Stranger. The notes analyze the role of the Jordan river in each piece, focusing on their historical context, first performances, and issues of authorship. As part of a performing arts research project, the program notes also address the method of expression and creative process that went into preparing the performance of these pieces.

The songs included in this presentation all speak to the journey from earth to heaven. In each piece, the Jordan River is found to symbolize a …

50th Anniversary Linguistics Colloquium | Chris Thompson On Folk Spirituality Matchlock Muskets And The Asuke Fall Festival In Japan, Nov. 5, Ohio University College Of Arts & Sciences

All Forum Articles

No abstract provided.

The Immediate Success Of Bartók: Reception And Influence Of The Concerto For Orchestra On The Repertoire, Adam Bess

Bakerman Student Research Awards

Written in late 1943 and premiered the following winter in 1944, Concerto for Orchestra, Sz 116, BB 123, of Hungarian composer Béla Bartók was immediately regarded as a success by his critics and contemporaries alike. Presented as an entirely new compositional form, unheard before by audiences of the time, the Concerto for Orchestra brought strident fanfares coupled with delicate virtuosity, demanded of all performers of the orchestra. Though its reception was critically acclaimed, the troublesome events of World War II and rise of Socialism occurring alongside the conception and composition of the piece as well as its ground-breaking formal organization …

El Guitarrista Y Sus Cambios De Codigos: Cruzando Fronteras Musicales [The Guitarist And Code-Switching: Crossing Musical Borders], Hector Manuel Aguilar

Theses and Dissertations

The guitar in border towns has links to many musical cultures that vary in their ways of being due to the customs of the specific space. Individual guitarists learn how to navigate the different environments because they understand the etiquettes needed to belong and participate in the musical circles.

In this autoethnographic work, I explore the various musical spaces that I have participated in through my musical journey growing up in Brownsville, Texas, to understand further how the individual musician embodies the style of music s/he performs. As a primary data source for my work, I use the experiences that …

Mariachi Programs At The University Level: Investigating Eurocentric Stereotypes, Clyde M. Guerra

Theses and Dissertations

The number of mariachi programs at the high school level continues to grow in the Rio Grande Valley and beyond. However, degree-granting mariachi programs are virtually nonexistent at the university level. The established university music education system and its implementation of classical techniques and styles encourages mariachi violinists to adapt to classical violin teachings. Because mariachi violinists may lack what is considered “formal” training prior to attending a university, they may experience a disadvantage in relationship to classically trained violinists. In this research, I will investigate the perceived attitudes that exist towards mariachi violinists, and the conditions under which they …

The Rougarou Concerto And Initial Observations Of The Flex Ensemble, Thomas Wilson

LSU Doctoral Dissertations

The purpose of this dissertation is to examine the immediate impact of the coronavirus pandemic through a composer’s lens. It will examine the impact through a variety of means, considerably: interviews of those with first-hand experiences, analyses of prominent adaptable works, and self-analysis of how my own process adapted to meet the moment.

After discovering the Composers Repertoire Initiative and being commissioned to write a concerto by Eduard Teregulov, I wrote a cello concert. The central chapter features the Rougarou Concerto, a cello concerto with accompanying flex ensemble, written for Eduard Teregulov. The work was written over ten months …

On Displacement And Music: Embodiments Of Contemporary Nubian Music In The Nubian Resettlements, Fayrouz Kaddal

Theses and Dissertations

Between 1961-1964, an estimated number of 113’000 Nubians, who were living south of the site of the Aswan High Dam, the area now beneath Lake Nasser, and Wadi Halfa, north of Sudan, were displaced to an area near Kom Ombo, 20 kilometres away from the Nile and 50 kilometres north of Aswan. This major project of resettlement occurred for the construction of the Aswan High Dam, Nasser’s signature mega-project. The 1961-1964 displacement was the culmination of earlier waves of relocation that Nubians witnessed during their recent history. In 1902 the British constructed the Aswan (lower) Dam by the first cataract …

Layers Of Inclusion: Arranging Music For Multi-Leveled Ensembles, John Myers

Early College Folio

This paper describes the author’s practice of “layered arranging” in music education. As a response to the range of ages and skill levels of students at Bard Academy and Bard College at Simon’s Rock, this pedagogical approach allows for experienced students to work with level-appropriate material while less experienced students may participate supportively through simplified chord progressions.

The Band Chervona: Russian Musical Traditions In The Portland Diaspora, Zoe Landi Fontana

University Honors Theses

This paper explores how the band Chervona reflects Russian musical traditions in its development and creative output.

Tanavors, Irada Ganieva

Eurasian music science journal

Tanavor is a unique phenomenon in the cuiture of Uzbek people. Tanavor in the minds of the people is a philosophical category that incorporates history, originality, social, emotional, national-specific features. This creation is an example of the oral and professional creativity of Uzbek people, it can be attributed to high samples of musical folklore, which declared currently at the end of nineteenth century, and which continues to evolve to this day in music, in danse.

Review: Rachel Harris, Soundscapes Of Uyghur Islam, Chris Hann

Yale Journal of Music & Religion

A book review is presented for Rachel Harris, Soundscapes of Uyghur Islam. Bloomington: Indiana University Press, 2020.

The Secularism Of Music Studies, Jim Sykes

Yale Journal of Music & Religion

A response is presented to the articles collected in this special issue.

Higher Ground: Rev. Dr. William Barber Ii And The Political Content Of Prophetic Form, Braxton D. Shelley

Yale Journal of Music & Religion

This essay argues that Rev. Dr. William J. Barber’s message on “Higher Ground,” a speech delivered at a massive 2014 protest rally, reveals his intentional problematization of distinctions between the sacred and the secular. As Barber’s articulation of what Ashon Crawley calls “Blackpentecostal breath” spill over the boundaries posited by conventional categories—they are too ecstatic to be ordinary speeches, and too political to be traditional sermons—these plural expressions identify themselves as sounds that come from another world. If both content and form are understood as thought, it becomes apparent that these prophetic utterances critique the oppression wrought by contemporary social …

“Beer & Hymns” And Community: Religious Identity And Participatory Sing-Alongs, Andrew Mall

Yale Journal of Music & Religion

As a series of loosely-organized events, “Beer & Hymns” started at the Greenbelt Festival in England in 2006 and migrated to the Wild Goose Festival in North Carolina in 2012. Local Beer & Hymns gatherings meet at bars, breweries, clubs, and pubs across the U.K., the U.S., and around the world. Most are not affiliated with a church or Christian denomination, instead relying on the energy of independent local organizers. Some attendees are regular churchgoers, other are not, but all find community in these sing-alongs—congregational singing, that is, outside of traditional congregational contexts. Beer & Hymns is exactly what it …

Sound And Secularity: Introduction, Margarethe Adams, August Sheehy

Yale Journal of Music & Religion

Guest editors Margarethe Adams and August Sheehy introduce their special issue on Sound and Secularity.

Sacred Music In Colonial Era Hispaniola: The Evangelization Of The Taino People, Tito J. Gutierrez

Student Theses

During the 15th-18th centuries, the major European religious orders; the Franciscans, Dominicans, Jesuits, and Jeronymites, journeyed to the newly colonized American territories in an attempt to convert the multitudes of natives peoples living there. Along with prayer books, crucifixes, and religious images, these missionaries brought sacred European music to American shores in an attempt to attract the native people to the Catholic faith.The use of music as a tool for conversion of native people in places such as Mexico, South America, California, and the South West United States, have been well researched and documented. However, the research of the spiritual …

A Critical History Of Adonis’ “No Way Back, Marvin J. Gladney

Third Stone

No abstract provided.

Pathing The Ṭubū': Modal Theory In The Modern Tunisian Conservatory, Drew Garret Minaker

Masters Theses

While the eastern Arab modal system of maqāmāt has been amply explored by a variety of scholars and practitioners, the systems of melodic modes which underlie North African- Andalusian music traditions colloquially called the ṭubū‘ (s. ṭab‘) are relatively unknown outside their native regions (even within the Arabic-speaking world), and their features have not yet been explored in Western ethnomusicological literature. This thesis attempts to represent the modal theory of the ṭubū‘ found in one style of North African-Andalusian music, Tunisian ma’lūf. It offers a summary of pedagogical approaches used for teaching the ṭubū‘ in a typical conservatory and describes …

Listening To The Internet: Cultural Discourses, Vicente FernáNdez, And Hearing Youtube Comments, Alex Miguel Medina

Lawrence University Honors Projects

Here’s a story: It’s well after midnight. I sit there, at my laptop, tequila in hand.Like a good machista(if I could ever become one), I don’t drink my tequila with much in it: a single ice cube, a squirt of lime, and a dash of tajín. I can feel my cheeks warming up as the alcohol kicks in. I remember what my mom told me about tequilaonce, “you feel it in your chest.” Rancheramusic isn’t for sober listening—for sober ears—you feel it in your chest. No charro(Mexican cowboy)would sing “Por Tu Maldito Amor” sober. Like any goodMexican, I too contemplate …

Indian Classical Music In The New York Metropolitan Area: The Development Of A Transnational Ecosystem, Andre Fludd

Dissertations, Theses, and Capstone Projects

This dissertation investigates the development of North and South Indian classical music communities in the New York metropolitan area from the mid-20^th century to the present. In this investigation, I primarily focus on local musicians from diverse backgrounds and communities rather than internationally recognized stars. In the instances where I discuss famous musicians such as Ravi Shankar and Zakir Hussain, I focus on how they impacted New York metropolitan area communities particularly and what their success can teach about international Indian classical music careers. The dissertation is organized chronologically, and I highlight vital people, non-profit organizations, historical moments, and …

Trends In The Gospel Music Ensemble Experience: Establishing The Precedent And Need For Inclusion Of Gospel Choir Ensemble Experience And Pedagogy Into The Collegiate Level Music Curriculum, Arthur Demario Beard Iii

Doctoral Dissertations and Projects

During the late 1990s, gospel music emergence in secondary schools and colleges brought a new awareness of a dynamic change in social-cultural, peer-relations, and many educational sector activities in America. Gospel music is part of the musical tapestry in the United States arts community. The music genre shapes, frames, and reflects the worship-life and faith expression in most African-American churches. The nature of gospel music itself encourages teachers to introduce it as a meaningful, albeit alternative genre in music education curriculum and teaching experiences. This study aims to articulate the significance of integrating gospel music ensemble into the college music …

A Method For The Evaluation Of Song Texts In Evangelical Churches: A Crucial First Step In Developing Indigenous Songs, Kristi Jeanne Colas

Masters Theses

How important are song texts in worship services? According to the Bible, these songs have a multi-faceted role. Not only do they contain truths about God’s revelation of himself in Scripture, but they also call his people to respond with their whole being. The same song can express worship to God, teach believers truths about him, and challenge unbelievers to turn from their false gods. Therefore, the lyrical content of Christian congregational songs is of utmost importance. However, a survey of ethnodoxological literature reveals a greater focus on songs’ musical content. One reason for this may be the general emphasis …

A Roda De Choro In New York City: The Regional De Ny In A Global Imagined Community, Maurice Restrepo

Theses and Dissertations

This thesis investigates two pillars of the NYC choro community: The Regional de NY and their roda de choro. It situates the group within a global community for whom choro has materialized a shared identity, explores instruments and their agency, and presents cultural themes and aesthetic priorities as conceptualized by the ensemble’s members.

Palestinian Evangelical Christian Music In Bethlehem, Israel/Palestine, Abby Smith

Senior Honors Theses

Often the story of the Israeli-Palestinian conflict is portrayed as Jewish vs. Muslim, Hebrew vs. Arab. There is little room in the international dialogue for minorities such as Arab Christians. Though Palestinians have a rich culture of Arabic musical and poetic heritage, they are unable to produce their own new songs. In this study I interviewed three members of Immanuel Evangelical Church on their experiences and opinions on local Christian worship. The findings show that Palestinian Christians may feel unable to write worship music because of a prevalent feeling of inadequacy and a lack of musical training. I propose several …

"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard

Doctor of Pastoral Music Projects and Theses

This thesis develops a philosophy of musicking that intersects with missional ecclesiology and expands the role of music-making beyond the church walls. The central hypothesis assumes that predominantly white congregations in the Free Church tradition located in the southern United States incorporate ways of singing that reinforce, albeit inadvertently, attitudes toward others that buttress white ethnocentricity. Musical practices arising from a Western European heritage can promote cultural exclusivity as well as a perceived—yet false— sense of superiority. Is there an implicit theology of singing in white churches that engenders a culture of complicity and apathy in matters of racial injustice, …

Cultural Considerations For Music Therapists Working With Immigrant Korean Elders In America: A Literature Review, Sin Ae Kim

Expressive Therapies Capstone Theses

This literature review aims to introduce Korean cultural context to music therapists with little to no experience working with immigrant Korean elders and explore within the literature on the music therapy theory the possibilities of better serving immigrant Korean elders in America. This paper is intended to act as a recommendation for music therapists to be able to better serve immigrant Korean elders within their practice through cultural considerations and other key topics. Five key topics are explored: (a) culture and cultural sensitivity, (b) characteristics of Korean culture, (c) Korean traditional therapeutic music, (d) immigrant Korean elders and the issues …

"It's The Way You Sing It": Translating Music Therapy For Isolated Older Adults Affected By Covid-19 To The Television Screen, Eunice Wong

Expressive Therapies Capstone Theses

The current Covid-19 pandemic has increased the likelihood of loneliness and social isolation among older adults due to the restrictions on movement and visitations in care facilities. Loneliness and social isolation have consistently been identified as risk factors for poor mental and physical health in older people. Meanwhile, a growing number of older adults are utilizing technological resources to enhance their interpersonal relationships and overall quality of life. In the winter of 2020/2021, an innovative music therapy-informed television program was designed and produced for isolated older adults in need of mental and emotional support. This project, produced jointly by a …

O Tonalismo Como Força Colonizadora Na África, Kofi Agawu, José H. Padovani

Publications and Research

Resumo do tradutor: No ensaio, Kofi Agawu aborda a relação entre o tonalismo – entendido como “sistema hierarquicamente organizado de relações entre alturas” – e a música africana. A partir de diferentes exemplos e em diálogo com contribuições dos estudos decoloniais e da etnomusicologia, Agawu desenvolve uma interpretação crítica que busca compreender como aspectos da imaginação musical africana responderam à violência colonial imposta a partir de uma linguagem harmônica estrangeira. Após três momentos, em que busca respectivamente expor (1) aspectos do tonalismo na música africana da atualidade, (2) aspectos do pensamento tonal africano pré-colonial e (3) elaborações composicionais de criadores …