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Hoamroang Sam Prasan : The Overture Of Three Southern Cultures Concept From The Viewpoint Of An Intercultural Composer And Musician, Sinnapa Sarasas

Manusya, Journal of Humanities

This article examines the process of combining three distinct traditional music cultures in Pattani, Thailand, into one piece of music. The author was the music director of the “Hoamroang Sam Prasan” (Overture: Harmony of the Three). Since the three musical traditions – Nora, Rong Ngeng and Digir Hulu, and Chinese drums ensemble – are similar yet different, the work was both easy and difficult. As someone with long experience in intercultural music, I developed a distinct way to do collaborative work. I seek to ensure musicians contribute their best to the piece, establish bonds of trust to co-operate, so they …

Musical Borrowings, Copyright, And The Canard Of “Cultural Appropriation", Peter L. Manuel

Publications and Research

This essay reviews the basic contours of the cultural appropriation controversies as they have been waged in reference to music in both academic and vernacular circles. It discusses some of the debates that have involved white performers’ musical borrowings from African-American culture, and also musical flows outside the Euro-American mainstream. It explores relations of these ethical polemics to notions of copyright and argues that these can provide a moral guide to the propriety of many cultural interactions. It further critiques the terminological and conceptual distortions and obfuscations that have tended to plague discussions, both on scholarly and popular levels. These …

My Soul Looks Back In Wonder: Remembering Black History In The Archives, Dorothy Berry

Provenance, Journal of the Society of Georgia Archivists

This paper was first presented as a keynote at the Society of Georgia Archivists' Annual Meeting, November 11, 2020.

What Is Jazz?: Exploring The Question, Dominick Tancredi

Open Educational Resources

This writing assignment begins a semester-long exploration addressing the question “What Is Jazz?” Being introduced by film to two New Orleans jazz musicians, George “Kid Sheik” Colar (1908-1996) and Emanuel “Manny” Sayles (1907-1986), students will get a firsthand perspective of the various levels of commitment to the music these two individuals maintained as working musicians. They dedicated themselves professionally, personally, emotionally, and spiritually. They took inspiration from their life experiences. The films convey the message that jazz goes beyond the notes we hear.

Rabam Desana Preaching : Its Melodic Values To The Telling Of Desana Mahachati Lanna, Ong-Art Inthaniwet, Narongchai Pidokrajt

Journal of Urban Culture Research

Desana Mahachati is an annual Buddhist ceremony which involves monks recounting the story of Enlightenment of the Buddha (the Jataka) to convey dharma. Rabam Desana refers to the particular Lanna melodic and tonal voice style use the telling of this story. It is unique in the use of chest voice, falsetto and vibrato. These vocal techniques are found in six types of Rabam Desana: Manao long khong, Prao kwai bai, Nam tok tad, Mangpu chom duang, Nok khao hern and Chang kham tong. The value of Rabam Deasan is that its usage enhances. The story of the Enlightenment for both …

Lining-Out And Performance Practice Of The Dr. Watts Hymn- Lining Tradition In Three Selected African American Missionary Baptist Churches In The Northern Mississippi Delta Region, Kelvin K. Towers

Electronic Theses and Dissertations

The purpose of this descriptive study is to analyze the performance practice of lined-hymns that are sung in three selected African American Missionary Baptist churches located in the Northern Mississippi Delta region. ‘Dr. Watts’ lined-hymn singing has survived in some African American church denominations for approximately 150 years without the availability of a standardized printed musical notation source. Focus of the investigation is guided by five questions exploring the historical context, liturgical function, musical characteristics, performance practice, and method of learning of this musical tradition. Further examined are the role of the song leader, and cultural beliefs and philosophical differences …

Rhythm And Expectation, Christopher Witulski

World Music Textbook

This four-part series explores the relationship between rhythm, expectation, and experience. It describes musical terms and central concepts while using specific examples from Morocco to problematize western-centric binaries.

Rhythms: Music At The University Of Northern Iowa, V40, Fall 2021, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From the Director --- 2
Guest Artists 2020-2021 --- 6
Operatini --- 8
Jazz Studies Update --- 10
Community Outreach --- 11
Scholarship Benefit Concert --- 13
Student Awards and Honors --- 15
Student Spotlight --- 16
Recent Graduates Update --- 17
Faculty Spotlight --- 18
Faculty News and Activities --- 19
Retirements and New Faculty --- 21
Emeritus Faculty News --- 23
Alumni News and Updates --- 24
Alumni Spotlight --- 27
Spotlight Series 2021-2022 --- 28
Donor Spotlight --- 29
Opportunities to Give --- 30

An Engaged Community-Academic Partnership To Promote Positive Youth Development, Kristin Haglund, Angela Ortiz, Johanna De Los Santos, Mauricio Garnier-Villarreal, Ruth Ann Belknap

College of Nursing Faculty Research and Publications

In this paper, we discuss how we cultivated a sustainable community-academic partnership and describe how our community-based participatory research project, Bembé Drum and Dance, contributed to youth development. Bembé Drum and Dance is an Afro-Latino performing arts program based on the positive youth development theory. Thirteen children ages 9–13 participated in the ensemble. We used a multimethod descriptive design. Data were gathered using surveys, participant observation, and interviews. Increases in the Five Cs (competence, confidence, connection, character, and caring) were noted among youth, most notably in competence and confidence. Recognizing that the project belonged to the community and supporting this …

The Fringe Or The Heart Of Things? Aboriginal And Torres Strait Islander Musics In Australian Music Institutions, Clint Bracknell, Linda Barwick

Research outputs 2014 to 2021

Teetering on the fringe of Australian music scholarship and knowledge institutions, research and teaching of local Indigenous musics hold a marginal place, belying the positioning of Indigenous music-makers at the centre of international representations of Australian culture, and the dynamic local connections of Indigenous music-making to Australian landscapes and social realities. Music’s ubiquity and diversity worldwide show its potential as a tool to manage the changing world in societies of the past and present, yet this potential is largely neglected in contemporary Australia, and our theories and evidence base are limited by the narrow western focus within our knowledge institutions. …

Journal Policies

Journal of Urban Culture Research

No abstract provided.

John Wesley Work Iii: Arranger, Preserver, And Historian Of African American Traditional Music, Kaylina Madison Crawley

Theses and Dissertations--Music

This study focuses on John Wesley Work III’s life and career in response to the scarcity of existing research and publication devoted to him. To expand the scholarship focused on Work and to deepen the history of African American artistry, this dissertation analyzes his additions to concert repertoire through his arrangements of spirituals, investigates his scholarship, and performance— including his activities as Director of the Fisk Jubilee Singers — and provides a foundation for further analytical study of African- American sacred music. Methodology utilized in this thesis includes construction of a biographical narrative based on primary sources and analysis of …

Shining A Spotlight On Female African American Composer Evelyn Simpson-Curenton, Iris E. Fordjour-Hankins

Theses and Dissertations--Music

Those who are interested in learning more about Evelyn Simpson-Curenton (b. 1953) will find it challenging to find scholarly material on her life and music. She is best known for her arrangements of spirituals that were sang and recorded by Kathleen Battle and Jessye Norman (whose concert recording Spirituals in Concert was released in 1991). Simpson-Curenton is also known for her choral work, “Psalm 91,” made famous by Oakwood University’s Aeolians. Though she is self-published, her absence from compilations, volumes, and anthologies for solo voice and piano is regrettable. This dissertation provides well researched scholarly information about her musical life …

The Matusiflute: A Bi-Timbral Flute Modification And The Cultural Influences That Inform Its Performance Practice And Repertoire, Joshua Gabriel Mcmahon

Theses : Honours

A product of flute modification and experimentation, the Matusiflute is a headjoint that allows the performer to alter the timbre of the western concert flute. This thesis examines this bi-timbral instrument, invented by Swiss flautist Professor Matthias Ziegler, and explores its capabilities to shift to a buzzing timbral colour which is similar to that of the dizi (Chinese end-blown flute). Composers may use the instrument for its unique textural timbral colour or to imitate the culturally-informed performance style of the dízi. Though reflective performance practice, music analysis and an interview with the inventor, the thesis examines the Matusiflute to …

The Improvisational Art Of Shenzo Gregorio: Exploring His Transition From Classical Violinist To Cross-Genre Improviser, Judith A. Iddison

Theses : Honours

This dissertation examines the musical craft and artistry of innovative Australian violinist/violist Shenzo Gregorio (Shenton Gregory) and his transition from classical violinist to cross-genre improvisor. My research explores mental and practice strategies employed by Gregorio in making this transition, and how he has developed his authentic improvising style. This style draws on an eclectic range of musical genres and incorporates a variety of idiosyncratic extended techniques. Semi-structured interviews and demonstrations were conducted to gain insight into unique aspects of Gregorio’s improvisatory practice. In addition, transcription analyses of five of his recorded performances highlight his improvisational diversity and musical idiolect. Furthermore, …

Jay Chou’S Kuso Music: Cultural Fusion In The Age Of The Internet, Stz-Tsung (Stone) Han

Scripps Senior Theses

Jay Chou is one of the most significant singers in Chinese popular music history. One of Chou’s greatest achievements is his implementation of the Chinese “Egao” culture in his music, which originated from Japanese Kuso culture. Such an approach not only created his unique style but also allowed him to adopt various musical techniques together seamlessly. By doing so, Chou created a style that references multiple traditional musical conventions without being bound by any of them. This study aims to examine the evolution of the Kuso culture as well as Chou’s implementation of it. The development of Kuso is fostered …

The G7 Suite: Score And Analysis, Joseph C. Dunn

Theses and Dissertations--Music

The G7 Suite is a multi-movement chamber work that combines elements of European Art Music, Indigenous Music from Latin America, and various representations of American music. The melodic material is derived from the national anthems of the Great Seven nations: Canada, France, Germany, Italy, Japan, the United Kingdom, and the United States. Each melody is re-set to new music genres and aligns itself to the rules and expectations within each idiom. This compilation is more than a series of arrangements or reharmonizations of the anthems; these are new compositions based on melodic elements from previous works.

This analysis of The …

The Effects Of Improvisation In Beginning Musical Instruction On Music Literacy, Brandon Tyson

Williams Honors College, Honors Research Projects

Teaching is a skill that has many different techniques and strategies. Each instructional strategy is valid for giving the student the opportunity to learn. In the 1993 article “Improvisation is the Manifestation of Musical Thought,” Azzara states that improvisation is a spontaneous expression of musical concepts. Many have used improvisation to bring knowledge together and synthesize the content. Improvisation is a tool that can be utilized at any point in the educational process. Opportunities for improvisational play gives students personal experiences on leading to skill development in listening and performing of the skills. After a solid foundation of performance ability …

Explorations Of Timbre In Selected Songs From Schubert’S Winterreise, Samuel Clayton Garner

Electronic Theses and Dissertations

This thesis analyzes five songs from Franz Schubert’s song cycle Winterreise (1828) according to timbre using spectrographic images created with the Sonic Visualizer computer program. The report begins with an introduction to timbre, an explanation of spectrographic technology, and defining to terminology to be used in the analyses. The songs and topics to be covered are “Gute Nacht” and how individual performances can dictate timbre; “Die Wetterfahne” and the motive of wind related to timbre; “Der Lindenbaum” and timbral relationships among strophes; “Frühlingstraum” and how emotions, dream sequences, and weather are conveyed by timbre; and “Der stürmische Morgen” and the …

Research And Graduate Studies Annual Report, 2021, Office Of Research And Graduate Studies, Illinois State University

Research and Graduate Studies Annual Report

No abstract provided.

Furthering Cultural Understanding Through Music, Sophia Abukamail

Williams Honors College, Honors Research Projects

This project explores the role that music plays in fostering cultural understanding and equity by discussing the sociopolitical implications of musical collaboration between Palestinian and Israeli musicians. In order to do this, the paper will dive into the history of the conflict between Palestine and Israel, detail instances of musical collaboration between Palestinian and Israeli musicians, show how music is helping to bridge the divide between these two cultures, and examine the intentions and consequences of such collaborations as they relate to music, politics, and society. The purpose of this project is to investigate the ways that music can affect …

The Rosalía Polemic: Defining Genre Boundaries And Legitimacy In Flamenco, Peter L. Manuel

Publications and Research

In 2018, Spanish singer Rosalía attained international popularity with her innovative flamenco-fusion album El mal querer. Within the flamenco world, the Rosalía vogue provoked vehement and ongoing polemics, involving whether or not her music should be regarded as “flamenco,” whether she had the social credentials to be accepted as an innovator, and whether it was proper for her to adopt the persona of a ghetto-girl Gypsy in her hit music video, “Malamente.” These controversies reveal much about flamenco culture, and especially about the tensions inhering to its status as both a concert art form and a traditional idiom embedded …

Review: Brenda R. Weber. Latter-Day Screens: Genre, Sexuality, And Mediated Mormonism. Durham, Nc: Duke University Press, 2019., Andrew Patrick Nelson

Mormon Studies Review

For a religion whose adherents make up only 2 percent of the nation’s population, the Church of Jesus Christ of Latter-day Saints has occupied an outsized place in the American media landscape of the new millennium. Highly publicized events like the Salt Lake City Winter Olympics, the kidnapping of fifteen-year-old Elizabeth Smart, the arrest and trial of fugitive polygamist child rapist Warren Jeffs, and the presidential campaigns of former Massachusetts governor Mitt Romney have repeatedly thrust the Latter-day Saint faith into the national media spotlight. So have a variety of popular entertainments with Mormons as their subject, including the hit …

Lives In Musicology: My Life In Writings, Kofi Agawu

Publications and Research

Responding to an invitation from the editors of Acta Musicologica to tell the story of his life in musicology, Kofi Agawu describes his upbringing and early education in Ghana and his university studies in the UK and the US. In a career focused on teaching, research, and writing, he outlines a number of intellectual projects involving the analysis of African and European music. He ends by acknowledging renewed discussions of race and identity in the musical academy today, and hints at his own growing interest in African art music.

The Interface And Instrumentality Of Eurorack Modular Synthesis, Eliot Bates

Publications and Research

In this essay, I will examine a couple of aspects of hardware modular synthesizers which, despite not being a “new” morphological form (most commercially sold synthesizers from the 1960s through the early 1970s were modular), experienced an extremely unlikely expansion of interest and activity in the mid-1990s. With a contemporary modular synth, users buy a powered rack that holds modules specific to one of several competing formats. For the two most widely adopted formats, Eurorack (sometimes called 3U in reference to the height of modules, or Doepfer A-100 after the first branded system to adopt this panel height) and MOTM/MU …

Policy And Collaborative Governance: Case Studies Of Three Wildlife Crossings, Nicholas Maya

Graduate Student Theses, Dissertations, & Professional Papers

Over the last several decades, the number of wildlife-vehicle collisions in North America has significantly increased, driving substantial loss of human life and wildlife and economic costs. The most effective wildlife-vehicle collision mitigation is wildlife crossing structures (undercrossings and overcrossings), with some studies suggesting they can reduce wildlife-vehicle collisions by 97% when paired with wildlife exclusion fencing. However, cost, funding, jurisdiction, land ownership, and local support are limiting factors in constructing these crossing structures. This paper presents case studies of three crossing projects in Snoqualmie, Washington, Teton County, Wyoming, and Summit County, Colorado, to illustrate the similarities and differences in …

A Choral Conductor’S Study, Rehearsal, And Performance Guide To Selected Works By Bartók, Brahms, Mozart, Weelkes, Hawes, Runestad, And Trumbore, Douglas Scott Johnson

Research Papers

This research paper contains research, analysis, and rehearsal considerations for selections included in a choral conducting recital occurring on April 11, 2021. The objective for this research and performance is to incorporate variegated works from multiple musical eras, including the Renaissance, Classical, Romantic, Twentieth Century, and Modern eras. Focused on a theme of love, the program includes: Béla Bartók’s Four Slovak Folk Songs, BB 77; Johannes Brahms’s 11 Zigeunerlieder, Op. 103, Nos. 1 and 3; Wolfgang A. Mozart’s Luci Care, Luci Belle, K. 346; Thomas Weelkes’s Strike It Up, Tabor and Thus Sings My Dearest Jewel; …

Educative Power And The Respectful Curricular Inclusion Of Aboriginal And Torres Strait Islander Music, Michael Webb, Clint Bracknell

Research outputs 2014 to 2021

This chapter argues for the full, respectful curricular inclusion of Aboriginal and Torres Strait Islander music in order to promote a more balanced and equitable social and cultural vision of the nation-state in Australian schools. It challenges views that claim Indigenous cultures have been irretrievably lost or are doomed to extinction, as well as the fixation on musical authenticity. We propose that the gradual broadening of Indigenous musical expressions over time and the musical renaissance of the new millennium have created an unprecedented opportunity for current music educators to experience the educative power of Aboriginal and Torres Strait Islander music. …

Christian Worship In Nagaland, Jane Elizabeth Laremore

Masters Theses

Christianity has historically suppressed Naga traditional music and culture, and yet Christian music plays an important role in the construction of Naga identity. A brief history and overview of Christian music in Nagaland including, hymn singing, contemporary Christian music, and revival songs demonstrates how the unique social, cultural and political context of Nagaland has created a generational divide in worship style preferences and the birth of the revival song genre. Snapshots of the life and work of Naga composers further illustrate these themes and provide insight into the incorporation of Naga folk music in Christian worship. While advocates make strong …

Applications Of Béla Bartók's Techniques Of Pitch Organisation To Jazz Improvisation, Niran Jay Dasika

Theses: Doctorates and Masters

The music of Hungarian composer Béla Bartók (1881-1945) reconciles hauntingly lyrical beauty with harsh, atonal dissonance, appealing to music fans, musicians, and theorists alike for over a century and suggesting a rich resource of inspiration for improvising musicians. The composer Pierre Boulez commented that “Whether it is in a brutal violence animating a sound material in fusion, or in a tranquil gentleness glowing in a halo of grating sounds and colours… Bartók is incomparable and remains unique”. Informed by Bartók theorists Elliott Antokoletz, János Kárpáti, Erno Lendvai, and by Bartók’s own writings, this research identifies four melodic techniques: ‘mistuning’, ‘chromatic …