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La Otra Cara Del Punk: Punk Rock And Resistance At The End Of The Argentine Guerra Sucia, 1981-1982, Alexander S. Javizian

Open Access Theses

The origins of punk in Argentina grew from a distinctive socio-political context unlike its British and American counterparts. The country's final military dictatorship (1976-1983) was marked by a period of constant violence. After the 1976 coup d'état, a military dictatorship established power, vowing to fix many issues in the country, including the rampant violence and economic crisis that the government inherited from the previous administration of Isabel Perón. Although the military dictatorship intended to address the country's problems, it soon arose as one of the most oppressive regimes in the late 20th century that initiated a repressive movement known as …

Movement, Music, Feminism: An Analysis Of Movement-Music Interactions And The Articulation Of Masculinity In Tyler, The Creator’S ‘Yonkers’ Music Video, Maeve Sterbenz

Music: Faculty Publications

Traditionally, explicit discussion of listeners’ bodies and personal experiences does not often appear in the realm of music analytical observations. One of the reasons for this omission is the masculinist bias that, prior to the 1990s, characterized much of the field, and that tended to dismiss metaphorical language, overtly subjective musical descriptions, and the role of the body in musical practices all at once. A primary goal of feminist music theory has been to combat this bias by acknowledging many different kinds of bodily experiences as vital to music analysis. In this paper, I suggest an analytical approach that examines …

The Story And The Song: Examining Worship In The Tabernacle In Relation To The Gospel And Postmodern Evangelism, Debra Wilcox

Masters Theses

By examining tabernacle worship and its connection to the Gospel, worship leaders may find effective lyrical contexts for reaching the post-modern unbeliever. The priestly responsibility of the worship leader is to carry out the job description of helping people to worship God. As worship leaders select music for worship, they should take the opportunity to teach context and select songs that have parallels to tabernacle worship. In example, the significance of “entering into” worship is a reference to the high priest entering into the Most Holy Place. Worship pastors can approach the task of connecting postmodernists to God by examining …

From The Concert Hall To The Cinema: The Journey Of The Classical American Sound, Rebecca Stegall

Masters Theses

American classical music has enjoyed a long-standing presence around the world as its own entity within the classical music genre. As early as the 1920s, American classical music has had its own unique sound. The early 20th Century was a time of musical experimentation and social unrest in America. Due to its relative newness and experimentation by numerous composers, identifying the defining characteristics of American music, an experimental music itself, became difficult and ambiguous. Also, the continuation of American classical music became increasingly problematic as classical music was replaced in popular culture by other genres of music. The research for …

The Application Of Eastern Band Of Cherokee Powwow Music In Music Education, Glenda Motley

Masters Theses

The Virginia education curriculum for fourth grade social studies requires the study of American Indian history and culture. Motivated by research questions, this project proposes a music education curriculum that enhances these social studies lessons through the inclusion of American Indian music. The music of the Eastern Band of Cherokee Indians located in Cherokee, North Carolina is appropriate for teaching students about this culture. The literature reviewed covers early American Indian history followed by the history of the Eastern Band of Cherokee Indians. Resources on the role of women are also explored in society and music. Literature examined on the …

A Recipe For Black Girl Magic: A Critical Study Of The Mise-En-Scene In Beyoncé’S Visual Album Lemonade As A Radical Representation Of Black Women, Tatiyana Jenkins

Lawrence University Honors Projects

Lemonade, a visual album released by pop icon Beyoncé Knowles Carter in 2016, crafts a mise-en-scene that redefines the way that black women are allowed to feel and exist in media culture. Contrary to the negative stereotypes and misrepresentations perpetuated in media, Lemonade is a radical attempt to provide audiences with an alternative representation of the experiences of black women. For this honors project, I address the controversy surrounding the visual album’s radical representations of black womanhood. To inform my understanding of the visual album I examine the various creative contributions such as the film Daughters of the Dust directed …

We Are One: Singing, Sisterhood, And Solidarity In Appleton-Area Women's Choirs, Lauren Vanderlinden

Lawrence University Honors Projects

Despite its relatively small population, the city of Appleton has a large and thriving women’s choir community. Between the Lawrence Academy of Music Girl Choir, which serves hundreds of girls every year, and Cantala, the women’s choir at Lawrence University, opportunities for involvement in nationally-recognized female-voice ensembles range from second grade all the way through to college graduation. Using the theories of Foucault, Bourdieu, Butler, Green, and Bentham, this project explores the women’s choir culture of Appleton in an attempt to discover the core values of these two influential programs. I accomplished this by conducting ethnographic research in the form …

Spring Choir Concert, Lawrence University Choirs, May 26, 2017, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Environmentalism And The Music Of Sir Peter Maxwell Davies, Karen Olson

Arts & Sciences Graduate Student Theses and Dissertations

Music critics and scholars frequently present British composer Sir Peter Maxwell Davies (1934-2016) as a green composer, but little work has been done to determine the kinds of environmentalism his music supports. This dissertation focuses on the relationship between Davies’s music and British environmentalism, both as protest music and as government policy. Drawing on such diverse fields as philosophy of the environment, British political history, and environmental aesthetics, I examine how Davies’s music responded to the political climate of its times, and how its reception changed as certain environmental models, such as sustainable development, gained political relevance. Over the course …

Compositional Practice As Expression Of Cultural Hybridity In Lou Harrison’S Double Concerto For Violin, Cello, And Javanese Gamelan, Matthew N. Andrews

Student Research Symposium

Artists in the twenty-first century face a creative dilemma: styles and traditions from around the world are now available to all, and in the post-colonial era it can become difficult to discern the appropriateness of artistic borrowings. I propose that cultural hybridity, defined as genuine investment in another artistic culture's traditions and respect for its practitioners, can provide an “Ariadne's thread” to guide the interculturally sensitive artist. Lou Harrison's long relationship with the gamelan music (karawitan) of Indonesia provides an enlightening example. From his initial exposure to Asian music all through his decades of intensive study and instrument-building, Harrison's development …

Navigating Identities: The Musical Lives Of Four Second-Generation Immigrant Children In Miami, Florida, Sandra Sanchez Adorno

Open Access Dissertations

The expanding social worlds of middle childhood prompt children to evaluate and explore their sense of selves to better understand who they are and where they fit in (Erikson, 1968; Josselson & Harway, 2012). Children born in the USA to at least one foreign-born parent, also known as second-generation immigrants, often straddle multiple cultures, making their social contexts highly diverse and their explorations of identity complex (Sebastian, 2008). This collective case study focused on the home musical lives of four second-generation children in Miami, Florida, USA to gain greater insight into music’s meaning in their lives and the role it …

The Puerto Rican Danza: A Stylistic Study With Emphasis On Performance, Teaching, And Practicing Strategies, Inesa Gegprifti

Open Access Dissertations

The danza puertorriqueña is considered a national emblem for Puerto Rico and it has a long-standing history as the music that has accompanied the people of the Island through multiple political, social, and cultural changes. In essence, it stemmed from the choreographed European contradanza and its inherited influences. However, the danza, particularly that for piano, took on a life of its own with idiosyncratic elements of the Caribbean culture in the mid-nineteenth century. This study traces the history and style of the danza since its adoption in Puerto Rico and provides more information about the genre with the hope of …

Senior Recital: Amanda Macon, Flute, Amanda Macon, Benjamin Wadsworth, Ryan Tang, Lauren Greene, Michael Roberts

Bailey School of Music Concert Programs

This recital is presented in partial fulfillment of requirements for the degrees Bachelor of Music in Performance, Bachelor of Music in Ethnomusicology. Ms. Macon studies flute with Todd Skitch.

“Ain’T It A Pretty Night?”: An Analysis Of Carlisle Floyd’S Susannah As An Allegory For The Socio-Political Culture Of The United States In The 1950s, Melissa L. Allen

Senior Honors Projects, 2010-2019

This capstone thesis discusses the applicability of Carlisle Floyd’s 1955 opera, Susannah, as an allegory for the socio-political climate of the United States in the 1950s. In order to do so, a musical analysis of the opera’s score was then performed for its use of folk song conventions and verismo operatic conventions. The libretto was analyzed for the use of social conventions of Southern Appalachia. Characters actions and musical content were then judged on whether (1) their actions were in line with the social conventions of traditional Appalachian culture and (2) if their musical content used/reflected conventions of traditional Appalachian …

How Native American Rappers Communicate And Create A Modern Identity, Hannah J. Berge

Masters Theses, 2010-2019

Current research concerning identity and Native Americans is sparse outside the realm of expressly Native American scholarship. While most conversations about identity and Native Americans focuses on historical and political aspects, many sources do not explore alternative avenues of contemporary identity creation. This thesis uses Kenneth Burke’s pentad to analyze the lyrics for “AbOriginal” by Frank Waln. The pentad is used to analyze each line of the rap. A new term, alter-agent, is used to identify agents who the agent either associates with or who the agent views as hindering his progress. There is then a count of the number …

Nā Mele O Ka Lāhui: A Conductor's Guide To The Choral Music Of LiliʻUokalani, Jace Saplan

Open Access Dissertations

The last reigning monarch of the Kingdom of Hawaiʻi, Queen Liliʻuokalani was also an avid composer of Hawaiian choral music. Her vast output places her as the most influential Native Hawaiian composer of the nineteenth century as well as a crucial figure in the development of Hawaiian choral music. Utilizing the history and repertoire of Lili’uokalani as a framework, this essay presents a guide for conductors of nineteenth century Hawaiian choral music in idiomatic performance issues specific to the repertoire, including diction, choral tone, instrumentation, and Native Hawaiian performance ritual. Because the performance practices of Liliʻuokalani’s music continue to evolve …

The Music And Politics Of Willy Chirino, Nancy N. Balcziunas

Honors College Theses

Cuban musician and singer Willy Chirino, the self-proclaimed inventor of the “Miami Sound,” was sent to the United States as a teenager in the 1960s under Operation Pedro Pan to escape the influence of Fidel Castro's communist regime. Throughout his career, he has used his music to spread a personal and political agenda; his rejection of communism and the Castro regime can be seen through his song lyrics, humanitarian efforts, and direct engagement in the world of politics.

Kautsky Studio Recital, May 2, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Worship Renewal Through Discipleship: How Discipleship And Mission Affects Our Worship, Kevin Haglund

Masters Theses

Numerous articles, blogs, and books have been written in recent years about the lessening of congregational participation in singing and many have called for a renewal of worship and changes in worship practice within the church. Yet, most of the solutions offered are aimed at bettering what happens inside the worship event—singing songs with more theologically rich lyrics, incorporating more scripture and prayer, striving for more creative ways to engage the congregation, more resources and training for worship leaders, and many other valuable ideas. As excellent as those solutions may be, they are incomplete unless we also focus on that …

Enhancing The Spiritual Well-Being Of Alzheimer's Patients Utilizing Music, Sheri Heeb

Masters Theses

Over 40 million people have some form of dementia. Alzheimer’s Disease “is the sixth leading cause of death in the United States.” The non-pharmaceutical approaches in this study do not have the side-effects of many of the therapies currently being used for treating Alzheimer’s Disease. As part of this project, I will reference multiple research studies which include spirituality and Alzheimer’s Disease, the Nun Study of the Sisters of Notre Dame, and music therapy and Alzheimer’s Disease. Results show that music therapy boosts the memory, reduces anxiety and behavioral issues, and restores a sense of self-awareness. Other studies show that …

Salar Music And Identity: A "Sad" Sound, Elizabeth Keating

Masters Theses

The Salar are a Muslim minority group in China. They are from the northwest province of Qinghai. Xunhua, the Salar autonomous county, is located about 150 kilometers away from Qinghai’s capital, Xining. I have elected to learn about this minority group because of the need for research and general value. There is a need because little prior research has been done concerning the Salar minority within the field of ethnomusicology. This hole needs to be filled within minority China research. Beyond ethnomusicology, cultural and sociological understanding will profit, expanding the knowledge base of humankind. Also, the Salar themselves are interested …

Porch And Playhouse, Parlor And Performance Hall: Traversing Boundaries In Gottschalk's The Banjo, Laura Moore Pruett

Visual & Performing Arts Faculty Publications

This article reconsiders the cultural significance and historical impact of the well-known virtuosic piano composition The Banjo by Louis Moreau Gottschalk. Throughout the early nineteenth century, the banjo and the piano inhabited very specific and highly contrasting performance circumstances: black folk entertainment and minstrel shows for the former, white middle- and upper-class parlors and concert halls for the latter. In The Banjo, Louis Moreau Gottschalk lifted the banjo out of its familiar contexts and placed it in the spaces usually privileged for the piano. Taking its inspiration from both African American and minstrel banjo playing techniques, Gottschalk's composition relaxed and …

School Of Music Faculty/Staff Newsletter, May 2017, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Going Old School: Using Eighteenth Century Pedagogy Models To Foster Musical Skills And Creativity In Today's Students, Monique Arar

UNLV Theses, Dissertations, Professional Papers, and Capstones

Recent research has illuminated a pedagogical approach to keyboard improvisation of the Italian conservatories of the seventeenth and eighteenth centuries, namely that of partimenti: single-stave, multiple clef exercises in which students were trained to improvise (Gjerdingen 2007, Sanguinetti 2012, van Tour 2015). This approach was passed down through oral instruction until the mid-twentieth century, when pedagogical priorities shifted away from improvisation and compositional creativity towards virtuosity, technique and adherence to the printed page. Simultaneously, the tradition of decade-long musical apprenticeship was replaced with semester-long courses in music theory and harmony.

The existing research on partimenti presents a compelling historical narrative …

Love Sick The Musical - A Reflection Of My Undergraduate Studies, William Kelly

Senior Theses

No abstract available

"Only The Name Is New:" Identity, Modernity, And Continuity In Afghan Star, Timothy Olson

Masters Theses

In 2005 a televised singing competition took Afghanistan by storm. In a nation previously known for censorship of music and violations of women’s rights, a new precedent began to take shape. People of all ages and ethnic groups followed Afghan Star and cast their votes by mobile phone—a technology that had only recently become available. Though followed by a sea of controversy, Afghan Star has persisted for more than a decade and remains one of the most popular television programs in Afghanistan. Prior to the Taliban, Afghanistan already had a vibrant musical culture, but most people felt that playing music …

Fiddle Me This: A History And Discussion Of Old-Time Fiddle Tunes In Western New York, Christopher M. Fisher

Theses

This thesis documents the history of fiddle tunes in Western New York from their introduction to the area in the mid-seventeenth century to the present day. Using a wide array of both primary sources and scholarly articles, I demonstrate the importance of this musical tradition. In addition, the thesis presents new primary and secondary sources created by the author in the spring of 2017, including the recording of interviews and performances and their presentation online. The primary research included interviews with three musicians, whom I ask, “How do these fiddle tunes continue to influence people today?” In these sessions with …

The Idiosyncratic Language Of Brazilian Music: Strategies For Performing Villa-Lobos Choros No. 10, Dennis Paz Leoni

Dissertations

Heitor Villa-Lobos’ Choros No. 10 is a composition with many cultural and symbolic inclusions. This work seeks to support a conductor’s informed performance of the piece by providing historical and technical context from the conductor’s life and influences. The first section examines the ethnographic and sociopolitical factors in Brazil during the conductor’s life, and then the personal influences on Villa-Lobos’ career, in order to establish the foundation for a section-by-section analysis of the work which illuminates the idiosyncratic nature of the composer’s masterpiece.

A Study For Training And Building Up Worship Leaders For Spiritual Maturity And Revival In South Korea, Kyuhyuk Lee

Doctoral Dissertations and Projects

Worship leaders have become important ministers in worship since the 1990s in South Korea. However, South Korean churches rarely train and build up worship leaders because of the lack of recognition of the importance and expertise about worship leading. They have a false belief that the only role of worship leaders is to lead worship with musical skills. The purpose of this thesis project is to help worship leaders and their congregations to worship God correctly by presenting the concept and necessity for God-centered worship and principles for spiritually mature worship leaders. This study will examine the Bible and literature …

The Romanian Church Musician: Biblical Foundations For Training Musicians To Serve The Romanian Evangelical Church, Gary Mathena

Doctoral Dissertations and Projects

Emanuel University of Oradea, Romania, was founded in 1986 as an underground training school for pastors and missionaries during the brutal regime of communist dictator Nicolae Ceaușescu. In December of 1989, Ceaușescu’s government was overthrown. The new democratic government not only officially recognized the school (then the Baptist Biblical Institute) as a theological seminary, but also commissioned the institution to train teachers for the newly emerging, publicly funded religious schools being established across the country. The school accepted that mandate and in 1998 changed its name to Emanuel University of Oradea. The music program began in those early days for …