Digital Commons Network^™

Noviembre, Marcela Patricia Zárate Fernández

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No abstract provided.

Confederaciones Antillanas, Blanca Anderson

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No abstract provided.

About The Artist: Graciela Iturbide

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No abstract provided.

The Regions Of Poetry, Elizabeth Coonrod Martínez

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No abstract provided.

Los Poetas Y El Gobierno De La Palabra: Apuntes Sobre La Inmortalidad, Juana Iris Goergen

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No abstract provided.

Violent Effects: Domestic Violence And Poetic Subversive Discourses, Roberta Hurtado

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Processes of sociosexual geo-racialization consistently render Latinas in the U.S. vulnerable to domestic abuse. Engaging this issue, third space feminists have adapted testimonio as a means for exposing domestic abuse while striving to craft transformative discourses that humanize these women’s experiences of oppression. The dusmic nature of poetry, as defined by Nuyorican poets, lends itself to this task. “Violent Effects” synthesizes poetry’s dusmic nature with third space feminists’ development of testimoniando—or testimonio as an agentic process—to identify how María Luisa Arroyo’s poetry exposes, dignifies and humanizes survivors’ experiences of domestic violence and thereby subverts dehumanization’s violent effects.

"Para Romper Con Todo": Transgresiones Y Rupturas Del Movimiento Kloaka En Los Poemas Inaugurales De Mariela Dreyfus, Mary Soto Y Dalmacia Ruiz-Rosas, Rocío Ferreira

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A study of the counterculture collective Movimiento Kloaka in Peru in the early 1980s, for its ideological thought and creative production, through the work of Peruvian poets Mariela Dreyfus, Mary Soto and Dalmacia Ruiz-Rosas. Their poems were published in literary-cultural magazines during the movement’s boom, and reveal personal and transgressive voices where violence, sex, desire and the rejection of the bourgeois patriarchal system are present. The poets’ social approach frames crude experiences and realities that allow the authors to question the place assigned to women, while transforming the poetic tradition.

Un estudio de tres poetas peruanas del Movimiento Kloaka de …

To Be An Indigenous Woman Poet In Mexico: An Artistic Act Of Protest, Resistance And Battle, Wendy Call

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A study of contemporary Indigenous-language poetry in Mexico, with a special focus on four female poets from Oaxaca and Chiapas, whose work is reaching international audiences: Irma Pineda (Isthmus Zapotec), Enriqueta Lunez (Tzotzil), Mikeas Sánchez (Zoque) and Celerina Patricia Sánchez Santiago (Mixtec). Assessment of a movement toward greater production and changing attitudes about Indigenous-language poets and their work in Mexico during the past decade, and how their advocacy has led to wider publishing opportunities and broader readership, as well as cultural and linguistic preservation.

The Chican@ Nueva Onda As A Poetic Tidal Wave: The Revitalization, Repoliticalization & Redefinition Of “Chican@” Through Poetry, Christopher Carmona

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The term Chican@ has in the 21st century undergone a resurgence and new use and practice in border regions and among activist poets, indicating a new civil rights movement, in response to xenophobic laws directed toward the Latin@ community. This movement has taken on many aspects of the 1960s Chicano movement, but what is different is that this resurgence has occurred in the literary arts with writers and artists as the leaders of the movement. This study highlights poets at the forefront of a new Chican@ Renaissance, discussing the history, growth and redefinition of Chican@ poetry during the past thirteen …

Laboring Histories: The "Reconciliation" Of Maternity In The Poetry Of Laurie Ann Guerrero, Larissa M. Mercado-López

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Drawing on Gloria Anzaldúa’s concept of “facultad,” this study of poetry by Laurie Ann Guerrero identifies an emergent “maternal facultad,” a consciousness honed through the bodily and social experiences of mestiza maternity. Guerrero’s poems, “Babies Under the Skin” and “Reconciliation,” reveal how such consciousness is ignited through the mother’s body; her transformed body and subjectivity implicate her in multiple histories and violences of colonization and the medical/birthing industry. This study argues for the need for mothers to continue writing their bodies—to speak the “mess” of the body and of mother-work—creating an epistemically fertile site of knowledge production.

Frenesí: Estructuras De Espacio, Origen Y Nacionalidad En Cuando Amaban Las Tierras Comuneras De Pedro Mir, Rey Andújar

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Pedro Mir has been recognized as the National Poet of the Dominican Republic. In 1978, however, he ventured outside poetry to publish a novel, Cuando amaban las tierras comuneras, which placed him in the middle of a new, narrative avant-garde movement, and establishing himself as one of the most important poetic voices in Latin America. This essay studies the novel’s structural spaces—earth, ground, land and the spoken word—for his reconfiguration of the Dominican archetype in history; its characters; and the idea or concept of nación within the frame of U.S. occupations of the Dominican Republic.

El nombre de Pedro Mir …

The Poetics Of Silence: (Re)Memory Through Poetry Of The Mexican Diaspora, Lauren Espinoza

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A close reading of poems by Eduardo Corral, Laurie Ann Guerrero and Lorna Dee Cervantes to identify distinct possibilities for silences in the poetry of the Mexican diaspora: adopting, enforcing, and, ultimately, straddling both. Silence is unique to the language of poetry—as relative to a story, a poem is silent because it does not have the words a story does. Poetry, then, functions as (re)memory, a vehicle moving towards creation within the menacing silence of the (re)inscription of the border.

"Locate Your Body In The World And Pay Attention": An Interview With The Poet Rigoberto González, Rodrigo Joseph Rodríguez, Rigoberta González

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No abstract provided.

Soy Milk! A Chicana Poet On "Drinking" Poetry: An Interview With Gabriella Gutiérrez Y Muhs, Aldo Ulisses Reséndiz, Gabriella Gutiérrez Y Muhs

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Conversación Con Tina Escaja, Poeta, Salvador Oropesa, Tina Escaja

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Reflexiones En El Río Grijalva; Teoría Del Lenguaje; Viajando En Bus Por Estados Unidos, Ernesto Cardenal

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Celoso Con La Tinta; Tres; Porque Todo Nacimiento Es Una Osadía; Tu Bisabuela Veneranda, Javier Ávila

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En Plena Noche; Alba; Amanece Y Callo, Hugo Mujica

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Puerta De Atocha - Estación De Los Desamparados, Eduardo Chirinos

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Choqequirau, Santiago Weksler

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Lira, Carlos López

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Iquitos …; El Mar Antes Del Infierno; Casa, Ana Varela Tafur

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China Poblana; Sílabas De Viento, Xánath Caraza

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Lo Que Nunca Me Imaginé, Emmanuel Ayala

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Invidencia; Pecatum Primus, Juan Antonio González

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La Portadora; Sinfonía Negra, Mario Meléndez

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Una Mujer Baila; La Purificación Del Templo; Equidad, Osvaldo Sauma

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Desde La Ventanilla De Un Greyhound; Acotación. Luego Leibniz, Olivia Maciel

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La Arena Enrojece Tus Ojos; Sand Reddens Your Eyes, Paolo De Lima

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Dame Tu Hermana; Mocosa, Vickie Vértiz

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