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2013

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The Colby Echo (2013-05-01), Colby College May 2013

The Colby Echo (2013-05-01), Colby College

The Colby Echo

Published by the students of Colby College since 1877, The Colby Echo is the weekly, editorially independent student-run newspaper of Colby College in Waterville, Maine. Published monthly, 1877-1886; semi-monthly, 1886-1897; and weekly, during the academic year, 1898-present.


Finding Meaning In The Two-Finger Banjo Style., Jeffrey K. Elkins May 2013

Finding Meaning In The Two-Finger Banjo Style., Jeffrey K. Elkins

Undergraduate Honors Theses

The two-finger banjo style languishes as a small footnote in the lexicon of old time banjo music—very important to a passionate (and lucky!) few, but not known by too many others. This research is a starting point to understanding the meaning of two-finger banjo; through a review of primary literature, interviews, witnessing performances, and individual investigation of playing two-finger banjo, I have been able to document some understandings about the style.

These understandings informed further appreciation of old time music, the old time music (and banjo) communities, and the art of making music in this way—while describing the journey, I …


Adult Summer Mini-Seminars Offer Life-Long Learning Opportunities, Lawrence University Apr 2013

Adult Summer Mini-Seminars Offer Life-Long Learning Opportunities, Lawrence University

Press Releases

Wine, woods and world music is on the menu for Lawrence University’s 2013 Summer Seminar series.

Modeled on its popular Bjorklunden seminar series in Door County, Lawrence is sponsoring a pair of adult, life-long learning opportunities this summer on its Appleton campus. The three-day-long classes are conducted from 9 a.m. to 2 p.m. each day, with lunch provided.

Professor of Biology Nicholas Maravolo, a botany specialist, leads the mini-seminar “Woods and Wine” July 23-25. Mornings in this class will be spent learning to read the landscapes of the area’s rich ecosystems through field walks, plant identifications and stimulating discussions.

The …


The Grand Gesture, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University Apr 2013

The Grand Gesture, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2012-2013 Exceptions Rule: No Compromise

In 1913, the audience at the Théâtre des Champs-Élysées erupted in one of the most infamous riots of the 20th century. The cause? A revolution in music, namely the premiere of Igor Stravinsky’s primal Le sacre du printemps, or The Rite of Spring. For the piece’s centennial, virtuosi pianists Sarah Rothenberg and Marilyn Nonken have created The Grand Gesture, a stark deconstruction of Stravinsky’s masterpiece. Add to the mix Olivier Messiaen’s equally uproarious Visions de l’Amen (1946) and you have an evening of experimental classics defying convention.


Senior Recital: Tyler Tillage, Piano, Department Of Music, University Of Richmond Apr 2013

Senior Recital: Tyler Tillage, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.


Where Would Hip Hop Be Without Colleges And Universities?, Erik Nielson Apr 2013

Where Would Hip Hop Be Without Colleges And Universities?, Erik Nielson

School of Professional and Continuing Studies Faculty Publications

Institutions of higher education have played a critical role in ensuring that hip hop music remains fluid and vibrant.


The Introduction Of The Black Conductor, Akeila Thomas Apr 2013

The Introduction Of The Black Conductor, Akeila Thomas

Undergraduate Research Conference

The conductor has become a position of great influence and necessity to the performing ensemble due to innovations in performance between the Baroque and mid to late Romantic periods. With such prominence given to the title, one such conductor has gained very little mention throughout the course of music's history. African-American musicians have played such a catalytic role in the shape and progression of Western music.


Que Bonita Es Esta Vida, Samara Martinez Apr 2013

Que Bonita Es Esta Vida, Samara Martinez

Undergraduate Research Conference

No abstract provided.


I Am Not Your Video Girl, Rashida Aluko-Roberts Apr 2013

I Am Not Your Video Girl, Rashida Aluko-Roberts

SURGE

“We need girls who are willing to be up on stage with us and who are not afraid to go HAM dancing in front of a crowd. I know at least a few of you who have the confidence/jaw-dropping dance moves to pull this off.” [excerpt]


Lawrence Today, Volume 93, Number 2, Spring 2013, Lawrence University Apr 2013

Lawrence Today, Volume 93, Number 2, Spring 2013, Lawrence University

Lawrence Today

No abstract provided.


The Faculty Notebook, April 2013, Provost's Office Apr 2013

The Faculty Notebook, April 2013, Provost's Office

Faculty Notebook

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost.


Jazz Fest 2013, University Of Minnesota - Morris Apr 2013

Jazz Fest 2013, University Of Minnesota - Morris

Jazz Fest Programs

Guest artists: Bill Pierce (saxophone), Steven Davis (trombone)


Discourse Analysis As Potential For Re-Visioning Music Education, Brent C. Talbot Apr 2013

Discourse Analysis As Potential For Re-Visioning Music Education, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

Discourse analysis holds great potential for re-visioning the field of music education. This paper explores works from Foucault, Blommaert, Scollon and Scollon, as well as others, to suggest a theoretical and methodological approach to analyzing discourse in settings of music transmission that takes into consideration who we are, what we do, and how we do it. Discourse is defined in this paper as meaningful, mediated language-in-place. By analyzing acts of speech as well as cultural objects (such as instruments, mallets, and bows) and concepts (such as a conducting gestures or solfege syllables) used as mediational means in situ, we can …


Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld Apr 2013

Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld

Independent Study Project (ISP) Collection

The following study is essentially an attempt to explore cross-cultural exchange and the resulting (re)creation of different forms of cultural expression. In its broadest sense it aims to explore the quotidian, cultural sides of globalization. It takes for its focus the re-appropriation of salsa music in Dakar, Senegal. Through interviews and participant observation in a number of salsa venues, I explore the various meanings Senegalese salseros put into salsa music and dance. Senegalese salsa is rooted in a very concrete historical background, while also holding meaning for the present. In short, the appropriation of salsa into the Senegalese context serves …


Singing To The Spirits: Cultural And Spiritual Traditions Embodied In The Native American Gourd Dance, Alicia M. Gummess Apr 2013

Singing To The Spirits: Cultural And Spiritual Traditions Embodied In The Native American Gourd Dance, Alicia M. Gummess

Honors Projects

In this paper, I provide a brief overview of the history and practice of the Native American Gourd Dance, a traditional ceremony integrating music and dance practiced by Gourd Dance societies in Southern Oklahoma. I examine the reasons behind its popularity and spread to other regions of North America, including the Southwest and the Northern Plains. Gourd Dance performances usually occur in the context of larger ceremonial gatherings called pow wows, in which Native American communities hold dances to celebrate their values and practice their religious beliefs and cultural traditions. Pow wows feature many traditional and more modern Native American …


Special Issue: Central Asian Cultural Heritage Q News Volume.1 No.2, University Of Central Asia Apr 2013

Special Issue: Central Asian Cultural Heritage Q News Volume.1 No.2, University Of Central Asia

Selected secondary sources and publications with substantial content about AKU

Special Feature: Cultural Heritage and Preservation, News, Research & Learning, People, Construction.


A Content Analysis Of Music Therapy Theses And Dissertations From 2000 To 2012 From Amta Approved Graduate Programs, Liisa G. Flores Apr 2013

A Content Analysis Of Music Therapy Theses And Dissertations From 2000 To 2012 From Amta Approved Graduate Programs, Liisa G. Flores

Masters Theses

The purpose of this content analysis was to categorize, code, and analyze trends related to graduate music therapy theses/dissertations completed from the year 2000 to 2012. Information was gathered related to what American Music Therapy Association (AMTA) approved schools have graduate programs and how many students have graduated from these institutions. Research questions addressed in this study were to determine (1) who were the thesis/dissertation advisors for students, (2) what was the type of goal for the research, (3) what types of studies were completed, and (4) what populations were studied.

Results included 35 schools offering graduate music therapy degrees. …


Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis Apr 2013

Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis

Masters Theses

Mongolian music culture as it exists in China is a unique entity unto itself as it features a base of traditional Mongolian practice and also includes aspects of Chinese music and culture. As the world becomes more interconnected and as China continues to display a markedly Han society to the world at large, Mongolian musicians and Mongolian-music enthusiasts in China maintain and evolve their musical culture in a nebulous middle-ground between Mongolian and Han-Chinese culture. How Mongolian music culture in China came to be and its ultimate function in global society are the key questions being investigated in this thesis. …


Rebel Girls: Feminist Punk For A New Generation, Rachel L. Bodansky Apr 2013

Rebel Girls: Feminist Punk For A New Generation, Rachel L. Bodansky

Scripps Senior Theses

This thesis examines the Riot Grrrl bands of the 1990s, as well as Amanda Palmer today, as examples of feminist punk artists. Rather than focusing on Riot Grrrl as a unique musical episode, this thesis argues that all punk is activist in nature, and that Riot Grrrl was building on this activist tradition while challenging the misogyny implicit in punk culture. Likewise, Amanda Palmer uses similar punk strategies (such as a DIY approach to music production, and direct interaction with fans) to create political music.


Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath Apr 2013

Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath

Masters Theses

This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …


Faculty Recital: Helen Kim, Violin With Sakiko Ohashi, Piano, Helen Kim, Sakiko Ohashi Mar 2013

Faculty Recital: Helen Kim, Violin With Sakiko Ohashi, Piano, Helen Kim, Sakiko Ohashi

Bailey School of Music Concert Programs

Kennesaw State University School of Music presents Helen Kim, violin with Sakiko Ohashi, piano.


Cseas Weekly Bulletin (March 4, 2013), Center For Southeast Asian Studies Mar 2013

Cseas Weekly Bulletin (March 4, 2013), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.


Cal Poly Arab Music Ensemble To Perform March 16, Public Affairs Office Feb 2013

Cal Poly Arab Music Ensemble To Perform March 16, Public Affairs Office

Press Releases

No abstract provided.


Music And Movement Share A Dynamic Structure That Supports Universal Expressions Of Emotion, Beau Sievers, Larry Polansky, Michael Casey, Thalia Wheatley Jan 2013

Music And Movement Share A Dynamic Structure That Supports Universal Expressions Of Emotion, Beau Sievers, Larry Polansky, Michael Casey, Thalia Wheatley

Dartmouth Scholarship

Music moves us. Its kinetic power is the foundation of human behaviors as diverse as dance, romance, lullabies, and the military march. Despite its significance, the music-movement relationship is poorly understood. We present an empirical method for testing whether music and movement share a common structure that affords equivalent and universal emotional expressions. Our method uses a computer program that can generate matching examples of music and movement from a single set of features: rate, jitter (regularity of rate), direction, step size, and dissonance/visual spikiness. We applied our method in two experiments, one in the United States and another in …


Alumni Notes Jan 2013

Alumni Notes

TEMPO

No abstract provided.


History Newsletter 2012-13, Department Of History Jan 2013

History Newsletter 2012-13, Department Of History

Department of History Archives

No abstract provided.


Bridgewater College Catalog, Session 2013-14, Bridgewater College Jan 2013

Bridgewater College Catalog, Session 2013-14, Bridgewater College

Bridgewater College Catalogs

No abstract provided.


Embodying Mallorquinness Through Performativity And Narration Of Mallorquin Dance, Linda Dankworth Jan 2013

Embodying Mallorquinness Through Performativity And Narration Of Mallorquin Dance, Linda Dankworth

Journal of Tourism Consumption and Practice

The Mallorcan dancers' sense of embodying Mallorquiness as stylistic qualities of their stage performances, produces in them a sense of representing a double identity: one for themselves in social contexts performing improvised dances as a contemporary image to each other, and another that is more ancient and projects the romantic nationalism associated with the dances' origins in stage presentations for tourists. It is the stage presentations that are a focus of this paper, where an ancient identity is created in the visual imagery of the Mallorcan dancers’ performances as a reconstruction of their past. This paper explores the relationship between …


College Of The Holy Cross Libraries Annual Report 2012-2013, Kathleen M. Carney Jan 2013

College Of The Holy Cross Libraries Annual Report 2012-2013, Kathleen M. Carney

Holy Cross Libraries Annual Reports

At the end of the fiscal year, the Director of the Holy Cross Libraries issues an annual report that provides a review of library services, details budgets and regular operations, and highlights programs, projects and activities that were initiated, sponsored or assisted by the Libraries.


Invitation Through Song: Evangelism And Divine Discourse In Arkansas Revivals, Chelsea Hodge Jan 2013

Invitation Through Song: Evangelism And Divine Discourse In Arkansas Revivals, Chelsea Hodge

Inquiry: The University of Arkansas Undergraduate Research Journal

For over a century, Protestant evangelists have held revivals to spread their beliefs. The invitation song is the culmination of these meetings; a sermon ends with an invitation to the unsaved to come forward and publicly accept the faith of the revivalists during the “invitation song.” This hymn is not just a traditional means to allow converts to declare their faith; Christians view this time of congregational singing as an intensely personal declaration of their own conviction, a discourse between themselves and the divine. The singers believe their music can be a powerful instrument of change because of a fundamental …