Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Arts and Humanities (50)
- Music (41)
- Social and Behavioral Sciences (23)
- Ethnomusicology (22)
- Music Performance (10)
-
- Anthropology (9)
- Sociology (7)
- Education (6)
- History (6)
- Race, Ethnicity and Post-Colonial Studies (6)
- Library and Information Science (5)
- Musicology (5)
- Other Languages, Societies, and Cultures (5)
- Pacific Islands Languages and Societies (5)
- English Language and Literature (4)
- Indigenous Studies (4)
- Literature in English, British Isles (4)
- Race and Ethnicity (4)
- American Studies (3)
- Composition (3)
- International and Area Studies (3)
- Music Pedagogy (3)
- Social and Cultural Anthropology (3)
- African American Studies (2)
- Communication (2)
- Curriculum and Instruction (2)
- Feminist, Gender, and Sexuality Studies (2)
- Higher Education (2)
- Linguistics (2)
- Music Education (2)
- Institution
-
- Duquesne University (11)
- California Polytechnic State University, San Luis Obispo (6)
- Brigham Young University - Hawaii (4)
- City University of New York (CUNY) (4)
- The University of Southern Mississippi (4)
-
- University of South Carolina (4)
- Ateneo de Manila University (3)
- Bowling Green State University (3)
- Liberty University (3)
- Louisiana State University (3)
- University of South Florida (3)
- Wayne State University (3)
- Western Michigan University (3)
- American University in Cairo (2)
- College of the Holy Cross (2)
- Illinois State University (2)
- James Madison University (2)
- Marshall University (2)
- SIT Graduate Institute/SIT Study Abroad (2)
- Universitas Indonesia (2)
- University of Kentucky (2)
- University of Miami (2)
- Butler University (1)
- California State University, San Bernardino (1)
- Claremont Colleges (1)
- Eastern Illinois University (1)
- Gettysburg College (1)
- Kennesaw State University (1)
- Kutztown University (1)
- Lawrence University (1)
- Keyword
-
- Music (14)
- Ethnomusicology (6)
- Identity (5)
- Robert Burns (4)
- Communication and the arts (3)
-
- Culture (3)
- Ethnography (3)
- Scottish poetry (3)
- Scottish song (3)
- Sociology, Ethnic and Racial Studies (3)
- American Studies (2)
- Brahms (2)
- Bulletin (2)
- Course Catalog (2)
- Flute (2)
- Folk (2)
- Folk music (2)
- George Thomson (2)
- Guitar (2)
- Hip Hop (2)
- Incorporation (2)
- Jazz (2)
- Popular music (2)
- Recital (2)
- Religion, General (2)
- Scottish literature (2)
- Social sciences (2)
- Voice (2)
- Women (2)
- "Cajun Folk Songs" (1)
- Publication
-
- Electronic Theses and Dissertations (13)
- Dissertations (5)
- Masters Theses (4)
- Pacific Studies (4)
- Studies in Scottish Literature (4)
-
- Philippine Studies: Historical and Ethnographic Viewpoints (3)
- Press Releases (3)
- Theses and Dissertations (3)
- Cal Poly Report (2)
- Commencement Programs (2)
- Criticism (2)
- Dissertations, Theses, and Capstone Projects (2)
- Honors Theses (2)
- Independent Study Project (ISP) Collection (2)
- LSU Doctoral Dissertations (2)
- Publications and Research (2)
- School of Music Faculty/Staff Newsletter (2)
- USF Tampa Graduate Theses and Dissertations (2)
- Academic Program Reviews (1)
- All Performances (1)
- Antropologi Indonesia (1)
- Appalink (1)
- Articles (1)
- Blogging the Library (1)
- CSEAS Bulletin (1)
- CSUSB Course Catalog (1)
- College Press Releases (1)
- Communication Studies (1)
- Electronic Theses and Dissertations Archive (1)
- Ethnic Studies Review (1)
- Publication Type
Articles 61 - 90 of 109
Full-Text Articles in Entire DC Network
The ‘Narod’ In Narodnjaci: Perceptions Of Turbo Folk In Contemporary Sarajevo, Uchechi Esonu
The ‘Narod’ In Narodnjaci: Perceptions Of Turbo Folk In Contemporary Sarajevo, Uchechi Esonu
Independent Study Project (ISP) Collection
Turbo Folk is often associated with the ultranationalism and violence of the Wars of Yugoslav Succession in the nineties. Working from the perspective of people who enjoy this music and/or frequent establishments where Turbo Folk is played in contemporary Sarajevo, I investigate the narratives employed by both listeners and detractors of Turbo Folk. What attributes or values are projected on the genre, in present day Sarajevo? Have these values changed from how the genre was perceived during the war in the 1990s? Is Turbo Folk political or politicized? Based on ethnographic field research conducted over the course of one month …
Flutes, Festivities, And Fragmented Tradition: A Study Of The Meaning Of Music In Otavalo, Brenna C. Halpin
Flutes, Festivities, And Fragmented Tradition: A Study Of The Meaning Of Music In Otavalo, Brenna C. Halpin
Masters Theses
This thesis consists of an intimate study of the value and meaning of flute music of indigenous musicians in the contemporary world. This is accomplished by interviewing and observing indigenous panpipe and flute musicians in and near the Plaza de Ponchos Market in Otavalo, Ecuador. Collected personal stories, historical accounts, and recordings and analysis of the music all provide insight into the purpose and traditions the music holds. While the musicians attempt to maintain a sense of cultural authenticity, modernization has altered the importance of customs and music as Otavalo moves toward a more commoditized and urbanized community, reflecting ethnic …
Playing Against The Rhythm: The Intersection Of Gender And Performative Space In Iran, Leila Rafei
Playing Against The Rhythm: The Intersection Of Gender And Performative Space In Iran, Leila Rafei
Theses and Dissertations
Since the Iranian Revolution of 1979, women have been legally prohibited from singing or playing a musical instrument solo in public. The government has sought to control women’s performative space by using concepts of permissibility and ideological compatibility. In the past decade, however, Iran has seen the birth of an underground music culture, in which women sing and play illegally. Underground and diasporic female musicians have carved new spaces that subvert state regulations on cultural purity and nationalism, deterritorializing and deconstructing notions of national space and culture. Women musicians have thus demonstrated the failure of the state to successfully regulate …
Crusader, March 30, 2012, College Of The Holy Cross
Crusader, March 30, 2012, College Of The Holy Cross
Student Newspapers
The student newspaper for the College of the Holy Cross in Worcester, Massachusetts. Articles include coverage of campus events and issues, sports, editorials and special features.
Listening Awry: Lacan And The Electric Guitar At The Intersection Of Music, Technology, And Identity, Jacob Morris
Listening Awry: Lacan And The Electric Guitar At The Intersection Of Music, Technology, And Identity, Jacob Morris
Pursuit - The Journal of Undergraduate Research at The University of Tennessee
Contemporary positions on technology tend to emphasize that its import lies in its appropriation by a given social actor (group or individual), by how it is used. This paper does not categorically deny that such is often the case, but suggests that its inversion is widely overlooked. Overlooked, because much like the skull in Holbein’s The Ambassadors, evidence of technology’s active effect on the user is distorted until viewed from a particular vantage point. This paper takes Lacanian psychoanalysis as its vantage point and the musical technoculture of the electric guitarist as its object, revealing in the electric guitarist’s …
Creative Renewal Of The Son Jarocho Fandango In Los Angeles, Alexander D. Hernandez
Creative Renewal Of The Son Jarocho Fandango In Los Angeles, Alexander D. Hernandez
NACCS Annual Conference Proceedings
No abstract provided.
Unh Sidore Lecture Series Focuses On Big Picture Of Sustainability March 21–22, Lori Wright
Unh Sidore Lecture Series Focuses On Big Picture Of Sustainability March 21–22, Lori Wright
Media Relations
No abstract provided.
March 7, 2012 Cal Poly Report, Public Affairs Office
March 7, 2012 Cal Poly Report, Public Affairs Office
Cal Poly Report
No abstract provided.
A Variety Of Things, Bridget Anne Creedon
A Variety Of Things, Bridget Anne Creedon
Blogging the Library
So it's been a while since my last post. I'll just clue you in as to what I've been doing the past two weeks. I did some score cataloging for Lina. Cataloging is so complex, but I feel like when you remember all the steps and repeat them, it becomes less foreign. It's also a challenge to finish all the work because it is overwhelming going through records and trying to find the perfect one for our library. Some records have wrong editions or dates... there's a lot of work that goes into what the average student sees on their …
School Of Music Faculty/Staff Newsletter, March 2012, School Of Music
School Of Music Faculty/Staff Newsletter, March 2012, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
February 29, 2012 Cal Poly Report, Public Affairs Office
February 29, 2012 Cal Poly Report, Public Affairs Office
Cal Poly Report
No abstract provided.
Cal Poly Arab Music Ensemble To Perform March 10, Public Affairs Office
Cal Poly Arab Music Ensemble To Perform March 10, Public Affairs Office
Press Releases
No abstract provided.
Cal Poly To Host Uc Davis Gamelan Ensemble For Free Concert March 9, Public Affairs Office
Cal Poly To Host Uc Davis Gamelan Ensemble For Free Concert March 9, Public Affairs Office
Press Releases
No abstract provided.
Changing Language, Remaining Pygmy, Serge Bahuchet
Changing Language, Remaining Pygmy, Serge Bahuchet
Human Biology Open Access Pre-Prints
In this article I am illustrating the linguistic diversity of African Pygmy populations in order to better address their anthropological diversity and history. I am also introducing a new method, based on the analysis of specialized vocabulary, to reconstruct the substratum of some languages they speak. I show that Pygmy identity is not based on their languages, which have often been borrowed from neighboring non-Pygmy farmer communities with whom each Pygmy group is linked. Understanding the nature of this partnership, quite variable in history, is essential to address Pygmy languages, identity and history. Finally, I show that only a multidisciplinary …
Macalester Grants Tenure Status To Seven Faculty Members, Macalester College
Macalester Grants Tenure Status To Seven Faculty Members, Macalester College
College Press Releases
No abstract provided.
Course Catalog 2012-2014, Csusb
Course Catalog 2012-2014, Csusb
CSUSB Course Catalog
ACADEMIC CALENDAR 4 THE CSU SYSTEM 6 THE UNIVERSITY 8 ACADEMIC PROGRAM 13 STUDENT LIFE 23 ADMISSION 36 FEE SCHEDULE 43 ACADEMIC REGULATIONS 46 MINORS 58 CERTIFICATE PROGRAMS 60 EXTENDED LEARNING 62 UNDERGRADUATE DEGREE PROGRAMS 64 Academic Support Programs General Education Program Undergraduate Degree Programs GRADUATE STUDY 365 Graduate Degree Programs FACULTY 554 APPENDIX 575 INDEX 583
Lawrence University Report To The Community 2011-2012, Lawrence University
Lawrence University Report To The Community 2011-2012, Lawrence University
Reports to the Community
No abstract provided.
Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner
Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner
Sikaiana Ethnography
A chapter on song composition and performance in the Sikaiana ethnography. Songs were an important part of Sikaiana life in 1980-1993. There were two major song types: songs composed in a traditional Polynesian style, and songs composed for the more recently introduced guitar.
A related website is www.sikaianaarchives.com
If There's No "Fat Lady," When Is The Opera Over? An Exploration Of Changing Physical Image Standards In Present-Day Opera, Emily L. Stephenson
If There's No "Fat Lady," When Is The Opera Over? An Exploration Of Changing Physical Image Standards In Present-Day Opera, Emily L. Stephenson
Electronic Theses and Dissertations
Though present-day American society generally assumes opera is one of the few remaining entertainment fields where talent matters more than physical appearance, as the 2004 firing of Deborah Voigt demonstrates, present-day opera singers are increasingly being held to stricter image standards. In 2004, Covent Garden dismissed Voigt from their production of Ariadne auf Naxos, in which Voigt was supposed to reprise her critically acclaimed interpretation of the title role. According to Voigt, Covent Garden's casting director Peter Katona felt that she was too large to fit into the black dress the new production required of the character. Voigt's removal …
Graduate Recital, Clarinet, Flute, Bassoon, Christopher Ciarlariello
Graduate Recital, Clarinet, Flute, Bassoon, Christopher Ciarlariello
Electronic Theses and Dissertations
This recital features three members of the woodwind family: clarinet, flute, and bassoon. The primary focus of this recital is on the clarinet repertoire. The music ranges across the eras, from Baroque to 20th Century, and is written by composers from North America and Europe. Along with the wide range of compositional styles, the music presents the virtuosity and range of the woodwind family. Brahms' Sonata for Clarinet and Piano, No. 1 demonstrates a very classical approach to the clarinet after he was inspired by clarinetist Richard Mühlfeld. Harvey's Three Etudes on Themes of Gershwin focuses more on a jazz …
Spirituality And Synagogue Music: A Case Study Of Two Synagogue Music Ensembles, Carol Shansky
Spirituality And Synagogue Music: A Case Study Of Two Synagogue Music Ensembles, Carol Shansky
Research & Issues in Music Education
Participation in community music ensembles is an important and popular form of music education—with members of ensembles that perform within religious services having the opportunity of experiencing a possible extra dimension of a spiritual experience. Thus the intent of this study was to survey adult choir and band members at Temple Emeth in Teaneck, New Jersey, USA in terms of connections between music performance, educational experiences and spirituality. Thoughts and reflections of the participants as well as those of the clergy and choir director were gained through qualitative, open-ended interviews. Overall, it was found that participating in a synagogue musical …
From Modern Rock To Postmodern Hard Rock: Cambodian Alternative Music Voices, Linda Saphan
From Modern Rock To Postmodern Hard Rock: Cambodian Alternative Music Voices, Linda Saphan
Ethnic Studies Review
Cambodian modernity was driven by the political agenda of the Sihanouk government beginning in the 1950s, and Cambodian rock and roll emerged in the 1960s in step with Sihanouk's ambitious national modernization project. Urban rockers were primarily upper-class male youths. In. the postcolonial era rock and roll was appropriated from abroad and given a unique Cambodian sound, while today's emerging hard rock music borrows foreign sociocultural references along with the music. Postmodern Cambodia and its diaspora have seen the evolution of a more diverse music subculture of alternative voices of hard rock bands and hip-hop artists, as well as post-bourgeois …
Graduate Recital, Voice, Rebecca Belczyk
Graduate Recital, Voice, Rebecca Belczyk
Electronic Theses and Dissertations
This graduate recital in voice presents a wide scope of the soprano recital repertoire and explores the relationship between music and literature throughout the centuries. Mozart's "Bella mia fiamma… Resta, o cara, " K. 528 represents the Italian Classical period; the text is based on the Roman myth of the goddess Ceres. Strauss' Drei Lieder der Ophelia, Op. 67 represents German Lieder from the late-Romantic period; the set presents a German translation of Ophelia's mad scene from Shakespeare's Hamlet. Argento's Six Elizabethan Songs represent 20th-century music, but Argento draws the text from various poets of the Elizabethan era. Selected songs …
Graduate Recital, Viola, Kate Kroko
Graduate Recital, Viola, Kate Kroko
Electronic Theses and Dissertations
This recital explores the solo viola literature of the 20th and 21st centuries. Pieces range in date from 1922 to 2005 and present the various styles and techniques of virtuoso viola playing developed in the modern era. The selection of pieces presented on this recital chronicles the viola's journey to become a legitimate solo instrument in the 20th century. Works performed include: Cadenza per viola sola by Krzysztof Penderecki, Purple Rhapsody for Viola and Orchestra by Joan Tower, Suite for Viola Solo (Unfinished) by Ernest Bloch, Lamentations of Jeremiah for Viola Solo by Milton Barnes, and Sonata for Viola and …
An Algorithm For The Detection And Analysis Of Arud Meter In Diwan Poetry, Atakan Kurt, Mehmet Kara
An Algorithm For The Detection And Analysis Of Arud Meter In Diwan Poetry, Atakan Kurt, Mehmet Kara
Turkish Journal of Electrical Engineering and Computer Sciences
Diwan poetry is an important branch of classical Turkish literature (or Ottoman literature) that uses arud meter (wazn AR\footnote{Denotes an Arabic word.} or bahr AR, ölçü TR\footnote{Denotes a Turkish word.}). The teaching of classical poetry in high schools and in literature departments in universities requires an understanding of this meter. Arud is also used in Arabic, Persian, Urdu, and other eastern languages. Determining the arud meter of poems written in the Ottoman language (Osmanlıca TR) is a difficult and tedious task for those who study poetry. In this paper, we focus on the computerized analysis of arud meter. We present …
Mississippi Breakdown: A New Look At The Mississippi Old Time Fiddle Music Traditions, Joseph Jamison Hollister
Mississippi Breakdown: A New Look At The Mississippi Old Time Fiddle Music Traditions, Joseph Jamison Hollister
Electronic Theses and Dissertations
This is a cultural study that focuses on the fiddle music of Mississippi. It includes both Anglo and African American roots. Also, the white blues fiddle traditions of Mississippi are examined and analyzed.
Graduate Recital, Vocal Performance, Christopher Fiano
Graduate Recital, Vocal Performance, Christopher Fiano
Electronic Theses and Dissertations
The master of music recital, being one of my final musical endeavors before the completion of my graduate degree in vocal performance, featured a wide variety of repertoire. As a new member of the tenor fach, finding music that is challenging and appropriate for my level of development was difficult. The recital featured works by Stefano Donaudy, Hugo Wolf, Èduardo Lalo, Gabriel Faurè, Georges Bizet, and Samuel Barber. Each musical set presented its own challenges. The Italian set by Donaudy featured smooth legato vocal lines intertwined with a thick musical texture and lavish supportive harmonies. The German Wolf set featured …
Graduate Recital, Violin, Ingrid Gerling
Graduate Recital, Violin, Ingrid Gerling
Electronic Theses and Dissertations
This recital's program consists of Romantic works, which are part of the standard repertoire for violin. The Carmen Fantasy composed by Pablo de Sarasate is one of the most popular showpieces for the violin. The Violin Sonata by Ottorino Respighi is not as well known as other violin sonatas, but is gradually gaining more exposure. The Saint-Saens Sonata No. 1 is a very energetic and virtuosic work that showcases Saint-Saens brilliant compositional talents. These three pieces came together in this recital to produce and challenging and exciting program, which was both entertaining to the audience, and an excellent learning experience …
Graduate Recital, Saxophone, Abby Gross
Graduate Recital, Saxophone, Abby Gross
Electronic Theses and Dissertations
The young age of the saxophone in the existence of the music world has influenced the instrument's repertoire and programs to be versatile in genres and stylistic influences. This program features styles from several time periods and cultures including 20th and 21st century contemporary saxophone and piano duets, Brazilian choro, electronic music, and jazz. The nature of the instrument also allows pieces written for other instruments to take a different characteristic and open new meaning to a piece when played on the saxophone. For example, the element of passion in Brahms's Sonata in F minor No. 1 for clarinet takes …
Graduation Recital, Piano, Jamie Mazza
Graduation Recital, Piano, Jamie Mazza
Electronic Theses and Dissertations
This graduate recital features significant piano works from the major periods in music history. The opening pieces - the Scarlatti sonatas - are technically challenging but allow the pianist to show a great deal of expression. Schumann's Liederkreis, Op. 39 as well as the Weisgarber Sonatine are collaborative works; the first features a soprano soloist and the second is written for flute, clarinet, and piano. Ending the first half of the program is Schumann's Concerto in A minor, op. 54, extremely challenging for both soloist and accompanist, especially during the cadenza. The second half of the recital includes another contemporary …