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Nationalism And Its Expression In Cuba’S Art Music: The Use Of Folklore In Mario Abril’S “Fantasia (Introduction And Pachanga)” For Clarinet And Piano, Nikolasa Tejero

University of Kentucky Doctoral Dissertations

In the centuries since the colonization of the New World, the people of Cuba created a strong musical tradition. Initially, their music mirrored the European composition canons of structural, melodic and harmonic order. The eventual confluence of its distinct cultural elements (i.e. the European, African, and, to a lesser extent, Amerindian) led to the emergence of a new, distinctly Cuban musical tradition.

The wars for independence that began in the United States and Europe in the eighteenth century created a surge towards political and cultural autonomy that swept across the Latin American colonies, generating a wave of nationalism during the …

Interpretation And Expressive Imagery In The Butterfly Lovers Violin Concerto On Double Bass: Transcribed By Yung-Chiao Wei, Min-Tzu Chao

LSU Doctoral Dissertations

The purpose of this research paper is to show the interpretation of the Chinese piece—The Butterfly Lovers Violin Concerto—through expressing imagery. The concerto is composed by Chen Gang (陳鋼) and He Zhan-hao (何占豪) in 1959. In 2004, Yung-Chiao Wei, a double bass professor at Louisiana State University transcribed the piece for double bass. It is a very useful repertoire for double bass players to experience Chinese music through the plot’s expressing imagery. The Chinese musical language is different from Western music language in the concept of pentatonic scale, tone color, and tempo. I believe that double bass players can effectively …

Vehicles Of Tibetan Buddhism: Sound Energy As A Sacred Force, Thomas Earl Chandler Jr

Honors Theses

This paper focuses on a discussion of sound energy in Tibetan Buddhism emd how practitioners have transformed sound into a sacred part of their religious tradition. Two specific areas have been investigated: chordal chanting practices of certain Tibetan Buddhist lamas and death rituals and how the Tibetan Book of the Dead is used to influence a consciousness. For the section dealing with chordal chanting, most information was gained from studying secondary sources as a result of there being very little primary source material available. For the section dealing with the Tibetan Book of the Dead, the text itself was investigated …

Ethnomusicology [And Aesthetics], Peter L. Manuel

Publications and Research

No abstract provided.

Regina Caeli, Gustavo Leone, Martin Schmid S.J.

Department of Fine & Performing Arts: Faculty Publications and Other Works

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries.

In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several of these …

My Bad Romance: Exploring The Queer Sublimity Of Diva Reception, Blake Paxton

USF Tampa Graduate Theses and Dissertations

This study explores the historic relationship between pop music divas and gay male fandom. It charts fan experiences from the early 60s with Judy Garland to contemporary times with pop diva Lady Gaga. This project also gives a description of the embodied experience of Brett Farmer’s “queer sublimity of diva reception.” Farmer (2005) argues that diva worship among gay men has become a queer sublimity, “the transcendence of a limiting heteronormative materiality and the sublime reconstruction, at least in fantasy, of a more capacious, kinder, queerer world” (p. 170). Using the methods of participant observation in drag performance and karaoke …