Digital Commons Network^™

Reading Owen's Between Reason And History: Habermas And The Idea Of Progress , Ali Rizvi

Reconstruction: Studies in Contemporary Culture

[First paragraph]

From the start Habermas' work has been an attempt at synthesising certain core insights from Kant and Hegel, as it is clearly evident from the beginning chapters of his first major work Knowledge and Human Interest (KHI). In the structure of the book Marx's position is as the mediator of Kant and Hegel and all subsequent authors are considered in order to overcome the shortcomings of this Marxian mediation (KHI: chapter 1-11, Habermas, 1982: 239ff Cf. Kortian, 1980).

Review Of The Aesthetics Of Cultural Studies, By Michael Bérubé, 2005, David Banash

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Portals To Knowledge: Confluence And Conflict Between Enlightenment And Postmodern Currencies, Benjamin G. Lanier-Nabors

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In order to provide any viable critique of twenty-first-century discourses -- whether signified by late capitalism, epistemological hegemony, cultural domination, or globalization (the catch-word for all of these) -- one must not employ an ahistorical or static lens; alternatively, one must dredge up and analyze the sediments that underlie current discourses, and many of these sediments are found in the eighteenth century. More specifically, by reading the thoughts of such writers as Joseph Addison and Jonathan Swift, one is forced to read the links and antipathies between the discursive economies of epistemology -- philosophical, scientific, and economic -- …

Cultural Topology: An Introduction To Postmodern Mathematics, Brent M. Blackwell

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

This essay develops a new way of thinking about the cultural relationships among and within the sciences and the arts through a new understanding of the term postmodernism that at once derives from literary theory and the mathematical discipline of topology. While topology forms the main vertebra of this connective approach in its capacity as the mathematics of connectivity, quantum mechanics and non-Euclidean geometry -- the atlas and axis of this spinal column -- form the context through which this “postmodern” approach will develop. However, in order to position topology as a “postmodern” branch of mathematics, some brief …

A Privatization Of Politics: Anthony Elliot's Concepts Of The Self (2001), Paula Murphy

Reconstruction: Studies in Contemporary Culture

[First paragraph]

It would be difficult to find a more appropriate image of selfhood in the modern world than that found in Ezra Pound's poem In a Station of the Metro. It is a selfhood which is at once unique and conglomerative, fleetingly visible then tantalizingly out of focus. It is this slippery, indefinable entity that is the subject of Anthony Elliot's book. The title bears witness to the enormous breadth of its subject matter: Concepts of the Self is an attempt to engage with the various contemporary theoretical frameworks through which selfhood is explicated. Elliot's approach is admirably inter-disciplinary, …

Review Of Writings, By Vilem Flusser (2002), Davin Heckman

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Of Parts And Wholes: Self-Similarity And Synecdoche In Science, Culture And Literature, Dirk Vanderbeke

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The discussion here centers on how self-similarity, or parts resembling a whole, has been a recurring aspect in the most diverse fields of human thinking from antiquity to the present. Primary examples are drawn from physics, biology, cybernetics, alchemy, philosophy, myth and, of course, language and literature. The author argues that self-similar patterns are one of the persistent ways in which the human mind structures its experience and knowledge of the world, and then examines some of the questions that arise when an almost ubiquitous concept, structure or linguistic and literary phenomenon resurfaces in a new guise in …

On Gallardo And Smith's Alienwoman (2004), Stella Williams

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Ximena Gallardo C. and C. Jason Smith's recent book, AlienWoman, is a truly fascinating analysis of the relationship/conflict between the female protagonist Lt. Ellen Ripley, played by Sigourney Weaver, and the monstrous feminine Alien throughout the Alien saga consisting of: Alien (1979), Aliens (1986), Alien3 (1992), and AlienResurrection (1997). Lt. Ellen Ripley introduced viewers to their first self-reliant and successful female hero. The authors claim an important site for discussion on the changing ideas about gender, sex, and the female body is created by the Alien saga.

<2> Insightful scene-by-scene analysis reveals race, gender, and class distinctions operating …

On Cary Wolfe's Animal Rites And Zoontologies, Matthew Wolf-Meyer

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The question of the category of the animal and its relation to that of the human is one that has recently surfaced in the work of such theorists as Jacques Derrida, Donna Haraway and Giorgio Agamben; this recent concern with the speciesism that underlies scientific categorization, and the faulty structure such speciesism lends for philosophical investigations into the qualities of Man, has largely been framed within the context of humanism and the problematic of articulating posthumanist ethics. Reductively, the concerns of the above authors are the ways in which the difference that has been constructed between the human …

The Latecoming Of The Posthuman, Or, Why 'We' Do The Apocalypse Differently, 'Now', Ivan Callus, Stefan Herbrechter

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The paper takes its cue from a brief but pointed passage in Specters of Marx, in which Jacques Derrida describes as latecomers those who discuss the apocalypse in a manner that disregards previous discussions of the theme within philosophy and theory. Especially concerned with tracing Derrida's wariness of the beguilements of narratives of the end, Callus and Herbrecther analyze the implications of that wariness for any study of the vexed relation between the apocalyptic and the posthuman, doing so on the basis of reference to a number of the relevant essays by Derrida, but in particular to …

Cyborg Bodies And Digitized Desires: Posthumanity And Phillip K. Dick, Jennifer Attaway

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The interaction between human beings and intelligent machines has challenged the traditional understanding of what it means to be human. In his novel, Do Androids Dream of Electric Sheep?, phillip k. dick rethinks human identity through the positioning of human beings within a technologically mediated reality that displaces the biological body and the spontaneity of human sensation. Written in 1968, dick's novel anticipates the effect of a technologically mediated culture on the formation of a posthuman identity. dick's fictional juxtaposition of the human being and the organically anthropomorphic android complicates conventional implications of embodiment. Androids are physically …

Dead Astronauts, Cyborgs, And The Cape Canaveral Fiction Of J. G. Ballard: A Posthuman Analysis, Melanie Rosen Brown

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In Dead Astronauts, Cyborgs, and the Cape Canaveral Fiction of J.G. Ballard: A Posthuman Analysis, Melanie Rosen Brown explores the ways in which the so-called Cape Canaveral short stories of J.G. Ballard anthologized in the collection Memories of the Space Age exemplify the promises of posthumanity as articulated by posthuman theorists such as Donna Haraway and N. Katherine Hayles. Although Ballard's fiction is viewed by many as a needlessly pessimistic and derogatory portrayal of NASA's space program, viewed through a posthuman lens, Ballard's fiction instead reveals him to be optimistic about the future of space exploration -- cautiously …

On Mitchell's Me++: The Cyborg Self And The Networked City, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Reminiscent of books by other MIT luminaries like Neil Gershenfeld's When Things Start to Think (2000) and Rodney Brooks' Flesh and Machines (2002), William Mitchell's Me++ reminds me, yet again, of why it is so exciting to be alive in an age of wireless phones, high-speed data transmission, and cybernetic systems. Unfortunately, after a couple of years of reading Wired and developing a festering cynicism for high-tech solutions to social problems that have been caused by previous high-tech solutions (like titanic ships, combustion engines, splitting atoms, and all kinds of really horrible weapons), I am more interested in …

Post·Hum·An·Ous, C. Jason Smith, Geoff Klock, Ximena Gallardo-C.

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The Death of the Human is in many ways one of those characteristic intellectual bids for attention, in the vein of Lacan's Woman does not exist or Baudrillard's the Gulf War never happened. Flashy and rhetorically misleading, such assertions nevertheless create a discursive space in what otherwise appears to be a closed, natural(ized) system. Posthumanism, like any other movement or -ism, is difficult to introduce, first and foremost, because of this kind of rhetoric: its first infiltrating tactic is to call the time of death on the current age. Perhaps the most salient example of this self-defined loss …

'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Traditionally considered a monster in outer space series, the four films comprising the Alien saga: Alien, Aliens, Alien³, and Alien Resurrection, contain a vision of the Alien creature as an agent of human evolution that, taken to its logical extreme in Alien Resurrection, produce an uncommon posthuman subject: the Alien/Woman protagonist named Ripley. In the following article, Ximena Gallardo C. explores the introduction of the series' conception of human evolution through fusion with the Alien as a driving theme in Alien. It then briefly follows through Aliens and Alien^{3, …}

Schizophrenics, Cyborgs And The Pitfalls Of Posthumanism, Angela Woods

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In Schizophrenics, Cyborgs and the Pitfalls of Posthumanism, Angela Woods invites us to revisit two canonical analyses of the postmodern: Fredric Jameson's Postmodernism, or The Cultural Logic of Late Capitalism and Donna Haraway's A Manifesto for Cyborgs: Science, Technology and Socialist Feminism in the 1980s. Jameson and Haraway introduced to contemporary cultural criticism two posthumanist icons: the schizophrenic, a pathologized victim of postmodernity, and the cyborg, a vision of strategic posthuman subjectivity. In her timely and critical analysis of these articles, Woods challenges the established notion of an oppositional relationship between the schizophrenic and the cyborg. She turns …

Toward A Posthuman Ethics, Dongshin Yi

Reconstruction: Studies in Contemporary Culture

[Editor's Introduction]

Setting a posthuman ethics as a goal toward which the collaboration of posthumanism and ethics must move, Yi in his essay, Toward a Posthuman Ethics, points out that the collaboration is detained because current debates on the cyborg harbor on the question of representations and consider how political, social and cultural problems of the human are reconfigured, and possibly resolved, by the cyborg. Thus, the debates are bound to be retrospective in approach and circular in direction, as they fail to recognize new possibilities that the cyborg may present. Arguing that the failure indicates the cyborg is being …

The Infinite Plasticity Of The Digital: Posthuman Possibilities, Embodiment And Technology In William Gibson's Interstitial Trilogy, Tama Leaver

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Ever since William Gibson coined the term cyberspace in his debut novel Neuromancer, his work has been seen by many as a yardstick for postmodern and, more recently, posthuman possibilities. This article critically examines Gibson's second trilogy (Virtual Light, Idoru and All Tomorrow's Parties), focusing on the way digital technologies and identity intersect and interact, with particular emphasis on the role of embodiment. Using the work of Donna Haraway, Judith Butler and N. Katherine Hayles, it is argued that while William Gibson's second trilogy is infused with posthuman possibilities, the role of embodiment is …

The Photocopied Self: Perzines, Self-Construction, And The Postmodern Identity Crisis, Steve Bailey, Anita Michel

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Mike Gunderloy, creator of Factsheet 5, and co-author of The World of Zines, offers the following definition of perzines:

A personal zine, or perzine, is the most intimate kind of zine. It allows the editor/writer many freedoms, not the least of which is spouting off about anything or nothing-in-particular without worrying about editorial policies and other rules of regimented periodicals. It's also a way of corresponding with any number of people simultaneously while maintaining an aura of intimacy and friendship. And something else to remember when you're reading (or writing) a perzine -- because this intimacy …

Plato Means Business In The Republic: A Human Resource Management Critique Of The Philosopher-King, Anton Karl Kozlovic

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Exploring the interface between 20th century management principles and the classical world is innovative and relatively new, but not unheard of in the recent past. For example, Greg Latemore and Victor Callan (1998) used Homer's The Odyssey to illustrate leadership lessons. Charles Handy (1995) used four Greek gods (i.e., Zeus, Apollo, Athena, Dionysius) as role models to show managers how to run their own businesses more effectively. While conventional histories of management thought routinely examined the ancient world for its insights, contributions and other ideational antecedence that underpinned their discipline (George Jr., 1972). However, the value of this …

On Power And Equity: Toward A Working-Class Rhetoric, Omar Schwartz

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The working-class in the United States has been, and continues to be, systematically excluded from normative political representation and is allowed little opportunity to contribute to the terms and conditions of its social existence (Henwood, 1987; Moberg, 1992). While few workers today resist such marginalization, this has not been always the case. During the formative period of U.S. labor consciousness (from the end of the Civil War until the First World War), the political alienation of labor was routinely challenged by workers who relied extensively (and illegally) on collective self-help in their pursuit of economic justice. With this …

Review Of Art And Fear, By Paul Virilio, Davin Heckman

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Review Of Religion And Rationality, By Jurgen Habermas, Nicholas Ruiz Iii

Reconstruction: Studies in Contemporary Culture

No abstract provided.

From Butler To Buffy: Notes Towards A Strategy For Identity Analysis In Contemporary Television Narrative, Rob Cover

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Given the increasing significance of questions of identity, subjectivity and selfhood in contemporary postmodern western cultures, it is important to begin acknowledging how these questions are reflected in contemporary media and television and to develop new strategies by which to analyse television characters in terms of identity and subjectivity. The scope for analysing television series' characterizations through recent postmodern and poststructuralist theories of non-essentialist, non-foundationalist subject/identity performativity has not yet been considerably explored. It is my contention here, however, that such a method both reflects the representation of self and identity transformation in new television series as well …

On Misa, Brey, And Feenberg's Modernity And Technology, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In the course of my own research on culture and technology, I have marveled at the vast pool of valuable resources available in both Cultural Studies and Science and Technology Studies. And I have been equally amazed by the disciplinarity that seems to keep each of these approaches from interacting with each other, in spite of the fact that they share common ancestors like Marx, Heidegger, and Mumford. And so I found myself intrigued by the arrival of Misa, Brey, and Feenberg's edited volume, Modernity and Technology -- a deliberate effort to reconcile the theoretical question of Modernity …

Cultural Literacy And The Field Of The Media, Tony Schirato, Jen Webb

Reconstruction: Studies in Contemporary Culture

[First paragraph]

This paper is concerned with the notion of cultural literacy, specifically with regard to the media, and focuses on two interrelated questions. First, what do we mean by the term cultural literacy, and how can this term be extended and applied to the field, texts and practices of the media? Second, what is it about the place and function of the media in the contemporary world that requires us (as citizens, educators or audiences) to be culturally and media literate?

On Aaron Baker's Contesting Identities: Sports In American Film And Stephen C. Wood And J. David Pincus's Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in …

Of Technology And Apocalypse, Or Whose Independence Day?, Christopher Keep

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The scene is now familiar. The cities of the world are in ruins. The Empire State Building obliterated. The White House reduced to rubble. The remnants of humankind gather in the desert, scrounging together what remains of their air defence systems for one last effort to repulse the alien invaders. Haggard but determined, the last American President prepares to lead his motley crew of resistance fighters into the fray. He takes the hand mic, tests it once or twice, and his voice crackles over the speakers. In less than one hour, he announces, aircraft from here will join …

On Bret Easton Ellis's American Psycho, Andrew Miles Jacobsen

Reconstruction: Studies in Contemporary Culture

[First paragraph]

No book since American Psycho has created as much of a scandal. And few books have been as misunderstood. In 1990, months before it was set to be released, certain violent passages were leaked to the press that, taken out of context, made the book seem like a depth-less celebration of sexual violence. Right after Simon & Schuster canceled the book, an employee of the publishing house said, The most unfortunate thing about this whole controversy is that the book is a piece of shit. It's hard when something like this becomes an issue of censorship, because you …

Endless Enlightenment: Eye-Operated Technology And The Political Economy Of Vision, Michael Gardiner

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Despite a residual popular temptation to see the posts of cultural analysis as signs of temporal closure, the logic of global visual media is strengthening, not weakening, metaphors of visibility which remain intact from the Enlightenment. Here I describe a stand-off between post-Enlightenment critiques (as in some sectors of Cultural Studies) and a narrow power base which is defined by producing light and managing the very conditions of visibility. For the world's most powerful state, still strongly bound to its original Enlightenment foundations, intervention into other states' sovereignty is increasingly justified by evidence from spy planes (rather than …