Digital Commons Network^™

Commodity Beyond Price: A Visible Database Of Free Objects, Yifei Cai

Masters Theses

This thesis explores how value is constructed and circulated outside of traditional monetary exchange systems. During two years of living in Providence, I collected hundreds of "free objects." For each item, I wrote a brief description detailing its physical characteristics, provenance, or emotional significance, and measure it according to four parameters: price, cost, weight, and value. Of these, "value" is subjectively defined by memories, emotional attachments, and it presented as relational equivalencies established within the collection itself.

It presented as an open-ended archive, this project functions simultaneously as an installation, an exchange system, and a visual database. The thesis proposes …

Music As An Environment, Yuval Gur

Masters Theses

Music.

For me, music has always been a constant. In my happiest moments it lifted my joy into other realms; in my darkest, it consoled me and offered refuge.

Over time, however, this constancy has grown predictable. Recorded music, once capable of transforming a day, has faded into background sound - familiar but dulled. This project begins with my loss of wonder: how might the act of listening regain its power to move me?

I ask: how does the experience of listening transforms when music is encountered as an environment that can be entered and navigated rather than as a …

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

Digital As Material, Ruoxi Li

Masters Theses

My project explores the material side of digital objects by breaking and rewriting 3D model files. I draw on media geology and digital materiality theories and use glitch to explore how digital forms are built from layers of code, signals, and physical infrastructures. I work with a discarded hard drive and move between its physical parts, its digital model, and the distorted versions that appear when the code is disrupted.

Through 3D modeling, physical disassembly, magnetic imaging, and animation, the project looks at how glitch can act as a method of excavation. It reveals the hidden structures that support digital …

Until The Ground Breaks, Annie Hu

Masters Theses

Until the Ground Breaks explores the complex relationship between personal memory, embodied experience, and internalized "archival logic." By examining long-term cross-cultural diasporic experiences and the shifting dynamics of family narratives—including the sensory experiences and fading memory of a grandmother, a father's correspondence that acts as a textual record of emotional logic, and the continuous revision of family history—this thesis dissects the psychological tremors that occur when the illusion of a singular, stable memory archive collapses. This research rejects the view of memory as a static container of truth, revealing it instead as a dynamic, unstable, and constantly rewritten living system. …

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …

Not Reaching The End, Yiyun Liu

Masters Theses

This thesis explores the middle ground as an unstable and continuously negotiated condition rather than a fixed point of balance or compromise. Beginning with the idea of rabbitness—not as an image or symbol, but as a mode of sensing characterized by sensitivity, immediacy, and constant adjustment—the research investigates how perception operates within moments of uncertainty, hesitation, and instability.

Drawing from Slavoj Žižek’s notion of the Real as ruptures within symbolic structures, this project considers experiences that resist complete articulation: moments of anxiety, hesitation, and unresolvable tension. Rather than treating these moments as interruptions, this thesis approaches them as productive …

I Believe, Rusudan Dushuashvili

Masters Theses

This thesis investigates how products become believable and desirable through the stories that surround them, and how design enables the continuous cycle of desire that defines consumption. Drawing on  the underlying structures of myth-making, identity, and belonging that allow consumer culture to function, it argues that consumer culture operates through the same instruments older systems of belief have always used — narrative, ritual, sacred objects, and shared language — and that design is what makes the story stick to the object.

“I Believe” is an archive of objects collected from contemporary consumer culture. Half are products found in the marketplace; …

Strata: Portraits Of The Alvarado & The Southwest, Kayla R. Duncan

Masters Theses

History isn't the past; it is a continuing unfolding of the moment, yet we cannot feel time. We see traces of age through patina on copper, the wrinkles on a face from decades of laughter, or the holes in your favorite shirt. Similarly within architecture, what remains: ruins and fragments serve as layers that indicate the passage of time. In what ways are these layers exposed? Hidden? Erased? How do we determine what layers are worthy to be erased, maintained, or glorified as use of a structure or place continues to evolve through time?

The history of Albuquerque spans the …

Deep Cuts: Bearing Witness To The Erosion Of Evidence, Maya Lakshmi Srinivasan Md

Masters Theses

In my Master of Fine Arts thesis in Printmaking at the Rhode Island School of Design, I examine the intersection of my dual practices as a general surgery resident and artist. Both disciplines require precision, incision, and tactility to navigate the human condition. My art practice is a method of processing the emotional toll of surgical training and the simultaneous societal erosion of scientific authority. My thesis work focuses on challenging the rise of medical pseudoscience and anti-intellectualism. The focal piece in this installation, In Tallow We Trust, consists of three woodblock relief prints at the scale of an …

Ambient Furniture, Andrew T. Goulet

Masters Theses

The designed object communicates an idea. Might that idea be an insight? This thesis seeks an ambient furniture of durable insight: objects that reward attention without demanding it, cultivating the conditions for a contemplative practice of everyday life.

Design is the materialization of mind. Through the conception and creation of things, thoughts are given form. Of all forms of thought, insight is the most precious. Insight contains within it the seed of transformation: to see into what was previously opaque.

Insight is empirical. It cannot be directly transmitted. It must be observed first-hand, rediscovered by each successive generation and translated …

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

Crowd Control, Dalia Sadeq

Masters Theses

The relentless and inevitable expansion of the Masjid Al Haram is the premise of my thesis. Hajj and pilgrim growth are constants, demanding continuous growth of tawaf grounds. The centrifugal power of the Kaaba has always posed an existential threat to the buildings in its radius. The Al Saud monarchy has shepherded both demolition of nearby buildings and construction of the Masjid Al Haram. The monarchy aims for 30 million pilgrims annually, a Vision 2030 initiative.

My thesis visualises the inevitable expansion of the tawaf paths of Masjid Al Haram. The paths are horizontal, radial, and stretch over the landscape …

Negotiating The Shoreline, Shuqi Hu

Masters Theses

This research examines sea otter reintroduction in Coos Bay as a spatial and temporal conflict between ecological processes and human activities. Through mapping and analysis, it identifies key misalignments between infrastructure, ecological rhythms, and human use.

Focusing on points of proximity, the project tests how landscape design can create conditions of visibility and engagement with coastal ecologies.

Rather than resolving large-scale conflicts, it proposes site-specific interventions that foster empathy and support adaptive relationships between human and non-human systems.

Boring Objects Bureau, Eric Fan

Masters Theses

The Boring Objects Bureau is an anti-sustainability design studio. Through its work, the Bureau is interested in developing new strategies that can challenge the stereotypes of what sustainability looks like for the products that underpin our modern lives.

The Bureau’s first investigation focused on the smartphone, a product where breakage and decay through obsolescence is inevitable. As a result, people are faced with either the expected sustainable approach of repair, which can be expensive and inconvenient, or replacement, which costs more and restarts the cycle. The Bureau therefore wanted to ask: could this breakage and decay instead be embraced as …

Where The Walls Came Down: Reimagining The Disaster-Induced Modern Ruin, Zhenmi Tang

Masters Theses

In contemporary society, large-scale destructive events are continuously generating a new architectural condition: the modern ruin. Unlike historical ruins shaped and legitimized through time, the remnants left by war, wildfires, and other natural disasters remain embedded in lived reality and collective memory. These environments are not distant artifacts of the past, but recently inhabited spaces whose material presence and social meaning remain active. However, prevailing reconstruction practices tend to prioritize complete demolition and site clearance, followed by rebuilding on restored empty ground. While this approach provides reliability in terms of safety, engineering, and regulation, it often interrupts the material and …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

Providence Puzzle:Exhibition Design As Urban Spatial Practice, Ye Chen

Masters Theses

Providence is a city shaped by past industrial production, immigrant communities, artistic practice, waterfront renewal, and urban redevelopment. Its identity exists not only in historical remnants, but also in the cultural atmosphere created through the ongoing interaction between past and present. Former factories, river infrastructure, neighborhood streets, public parks and scenes of everyday life together form an urban narrative that continues to evolve. Yet existing methods of presenting Providence’s history and culture remain limited to informational signage, commemorative markers, or one-directional communication, offering little incentive for people to stop, read, explore, or actively engage. As a city rich in both …

Domesticating Duration, Xiaoyu Lan

Masters Theses

Inspired by the novel Einstein's Dreams by Alan Lightman, this thesis explores the subjective human perception of time. To break away from the monotonous product display model of traditional retail, the design transforms a four-story building into a novel experiential showroom infused with avant-garde exhibition qualities. Using the "home" as a narrative thread, the design guides visitors through everyday domestic scenes—the bedroom, living room, bathroom, and dining room. These spaces are deconstructed into four distinct experiences of temporal flow: Pause, Fast-Forward, Slow-Motion, and Rewind. Guided by Peter Zumthor's Atmospheres and referencing relevant artworks, the design translates the abstract concept of …

Within The Archive: Jewelry And The Poetics Of Historical Trace, Fusheng Zhong

Masters Theses

Jewelry is a poetic translator, through which my intense and complex engagement with history is materialized. By reinterpreting the classical Chinese poem Bring the Wine(Li Bai,752) through paper-based materials, I translate poetry infused with personal traces and a distinct stance into wearable objects that embody the weight of history.

Through jewelry, an art form carried in close proximity to the body, I engage with history by staging acts of document visualization, transforming poems and archival fragments into visual and tactile records.  I suggest that in conditions of informational overload, individuals may gravitate toward reductive positions in order to avoid being …

The Marathon Without Running: Experiencing A Runner's Sensorial Journey, Harin Kim

Masters Theses

The marathon is defined not by motion alone, but by the changing conditions a body moves through—and remains within—over time. Breath, cadence, heat, sound, crowd compression and attention fluctuate, producing phases that structure the race from within. These interior states are difficult to access by spectators from the sidelines, yet they are precisely what shape the runner’s experience.

This thesis begins with a simple but unconventional question: How can an exhibition translate the runner’s physical sensations and emotions into a multidimensional experience for spectators who do not run? Through a sequence of pop-up exhibitions placed along the New York City …

How To Make A Jumpsuit, Xue Huang

Masters Theses

Through interdisciplinary artistic research combining illustration, embroidery, garment construction, and installation, this thesis investigates how patriarchal narratives become internalized within the female body and disconnect women from embodied forms of feminine knowledge and vitality.

Drawing from Michel Foucault’s theories of disciplinary power, Jungian psychology, Traditional Chinese Medicine, and feminist writings by Audre Lorde and Karina Blancarte, the project examines how systems of productivity, control, and gendered ideology shape both psychological experience and bodily perception.

The thesis culminates in a large-scale textile installation titled How to Make a Jumpsuit, consisting of embroidered silk panels, commercial jumpsuit pattern pieces, meridian imagery, sculptural …

The Root Over My Eyes, Shiyeon Monk

Masters Theses

What does it mean to have a body? To touch, to breathe, to taste, and perceive all the things that make up a person, how does it feel to recognize the physical bounds your mind is enclosed in? To me—a woman, a bisexual woman, a biracial bisexual woman, an immigrant biracial bisexual woman, a Black and East Asian immigrant biracial bisexual woman—each of these markers feels heavy with its own context of history, location, and interpretation. Too many times have I wondered what it is like to be within a body accepted as a midpoint.

I make work out of …

Sous-Bois, Spencer G. Peterson

Masters Theses

This thesis explores furniture as a dynamic site of belief production.  Compressed theatrical ecosystems where image, object, and body collapse into one another.  These objects will not offer clarity and they will not restore order.

But they also mask nothing.

Compress, layer, stage, repeat.

Oscillate between seen, felt, and believed.

Companionship, Certainty, Integrity, Chandler C. Curtis

Masters Theses

being around people who surprise me, realizing how different we all are, broadening my conception of the world and my corner of it; being kind and considerate, giving others grace; being given responsibilities; being honest with and for myself; braiding my hair collecting free things; critique discussions and any setting to diligently read objects; Culton; dancing; doing sudoku or other ‘hackable’ puzzle; doing things that seem impossible, especially for someone else; drying off with a towel that absorbs well, particularly after a cold shower; eating cantaloupe; encouraging others to trust themselves, using my experiences to support someone else's journey; exchanging …

Reading Exercise (You Are The Hero): Dedicated To The Providence River Under The Mall, 02.17.2026, Deborah Fischer

Masters Theses

This play uses the performative potential of guilt, forgiveness, and self-help techniques as a catalyst for a new dynamic, one in which the pursuit of a false narrative, along with the structures it generates, becomes more real than reality itself. It employs “bad acting” and the practice of cold reading to stage a series of acts that function as an entry point into one’s own psyche, leveraging the peripheral space around familiar actions to allow chance, free will, and the experience of “real time” to temporarily come into effect. PLAYER 1: The bad actor is the most utopian one. CLOWN: …

Household Hegemon: Domestic And Affective Traces Of Us Influence In Mexico In The 1950s And 1990s, Edgar Solórzano

Masters Theses

“Household Hegemon: Domestic and Affective Traces of US Influence in Mexico in the 1950s and 1990s” is a collection of personal essays, historical research, and fictional texts that examine the impact of US-American soft power on Mexican society. This project expands and deepens the research and work developed during my two-year MFA in Sculpture at RISD, evolving material investigations into a comprehensive written and visual record of the 1950s post-WWII boom and the 1990s post-NAFTA transition. These two decades not only represent the most significant in terms of American influence but also the years in which my parents and I …

Countersense, Avrie Allen

Masters Theses

countersense is an engagement with embodied experience, the conditions that shape it, and the sense we make of it. countersense is a counterhegemonic practice of sense-making in graphic design, performed between perception and meaning-making, self and material conditions, and always foregrounding what politics are chosen as a result of the personal.

Sites Of Departure, Kevin Tomas

Masters Theses

At all scales of human history, there exists a record: The story of how things came to be. An infinity of interconnected traces that thread the intimate and the immense into a single fabric.

Beginning from distinct points of entry, Sites of Departure explores the axes of resolution and scale in documentation, asking what becomes visible when the instruments of the dominant record are set aside. Moving between recovery and confrontation, the work questions the structures that produce our understanding, while creating new documents for future interpretation—all against the reality that to make a claim, is to claim some truth. …

Frameworks, Hailey Lee

Masters Theses

Put on a pair of glasses. What do you see? People? Trees? Cars? Buildings? Now focus on the glasses themselves. Can you see the frame? Why is it that you donʼt notice it until now?

Glasses make the world feel clearer, sharper, more accurate. But what youʼre seeing is always a view inside a frame. The glasses give you a frame, and show you the world through it. Once you get used to that frame, you forget that everything you see is already inside one. Most of us forget that the frame of our glasses is always there—at the edge …