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CLCWeb: Comparative Literature and Culture

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Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods Dec 2004

Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods

CLCWeb: Comparative Literature and Culture

Michelle Woods, in her paper "Czech Literature, The King with the Horse's Ears, and Its Translations by Karel Havlícek Borovský and Milan Uhde," analyses the adaptation and "translation" of the Irish legend into the Czech language in Karel Havlícek Borovský's 1854 epic poem Král Lávra and in Milan Uhde's 1964 play Král Vávra. The translation of Irish language myths and legends into English functioned as way of constructing and disseminating the notion of a great literary and heroic past within the language of the colonizer but also in dissent to the constructions imposed by that language. Woods focuses on how …

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Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz Dec 2004

Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz

CLCWeb: Comparative Literature and Culture

Seth Jacobowitz, in his paper "Hellenism, Hebraism, and the Eugenics of Culture in E.M. Forster's Howards End," explores how the culturalist principles of Hellenism and Hebraism theorized by Matthew Arnold as the basis of Englishness in Culture and Anarchy (1869) were incorporated into the text of E.M. Forster's Howards End (1910) to show the close institutional and conceptual linkages Forster shared with Arnold. Further, Jacobowitz seeks to bring Howards End into dialog with Forster's only major work of science fiction, The Machine Stops (1928), to address their mutual themes of eugenics, the racialization of class difference, and concerns over the …

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Reading Ondaatje's Poetry, Eluned Summers-Bremner Sep 2004

Reading Ondaatje's Poetry, Eluned Summers-Bremner

CLCWeb: Comparative Literature and Culture

Eluned Summers-Bremner pursues in her paper "Reading Ondaatje's Poetry" a psychoanalytic reading of Ondaatje's poetry based on Lacan's thought, highlighting occasions where nature and culture meet. Focusing on the volumes Secular Love and The Man with Seven Toes, Summers-Bremner explores how nature's troubled regions are navigated through the structural estrangement of looking for a name. In Lacanian terms, a proper name signals the contradiction of one's belonging to a biological or other kind of family, whence one's name often arises, and being a user or respondent of language, which produces meaning through its infringement or exceeding of its users' intentions, …

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Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera Sep 2004

Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera

CLCWeb: Comparative Literature and Culture

Sandeep Sanghera, in her paper "Touching the Language of Citizenship in Ondaatje's Anil's Ghost" discusses questions which make Ondaatje's novel a text about postmodern identity: who is this woman Anil who lives mostly in the West, travels on a British passport, works for an international organization, and no longer has any real ties to her first home? In the paper, these questions are examined via the languages Anil adopts and abandons in the novel. Sanghera elaborates on the question of foreign-ness represented by the protagonist of the novel; however, this foreign-ness is examined in the particular context concerning the substance …

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Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger Sep 2004

Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger

CLCWeb: Comparative Literature and Culture

Stephanie M. Hilger, in her paper "Ondaatje's The English Patient and Rewriting History," situates the novel within the long-standing Western tradition of writing about the cultural "Other," from Herodotus to Michel de Montaigne to Rudyard Kipling. Michel de Certeau's notion of history serves as a reference point for the analysis of Ondaatje's presentation of the "English" patient's story as well as of twentieth-century history. Hilger argues that the protagonist's physical mutilation is a metonymic representation of post-World War II and postcolonial consciousness. In the same way that the characters in the novel attempt to understand the mystery that is the …

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Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek Sep 2004

Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman Sep 2004

Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman

CLCWeb: Comparative Literature and Culture

Marlene Goldman suggests in her paper "Representations of Buddhism in Ondaatje's Anil's Ghost" that at first glance Ondaatje appears to promote the idea of a Sri Lankan Buddhist faith as transcending history. Ondaatje introduces the subject of Buddhism early on in the novel, emphasizing initially the devastation wrought by imperial and colonial forces. Goldman, however, argues that subsequent references to Buddhism undermine the initial portrayal of a religion besieged by external imperialist forces. For example, at one point, the character Palipana refers to the assassination of his brother, Narada, a Buddhist monk. Narada was possibly the victim of a "political …

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Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek Sep 2004

Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Ondaatje's The English Patient And Altered States Of Narrative, Beverley Curran Sep 2004

Ondaatje's The English Patient And Altered States Of Narrative, Beverley Curran

CLCWeb: Comparative Literature and Culture

Beverley Curran argues in her paper "Ondaatje's The English Patient and Altered States of Narrative" that Ondaatje reconfigures in his novel the "romantic" figure of the father/artist as a clandestine lover, a drug addict, or an eccentric translator, all figures with dependencies. In The English Patient, the father or artist's sense of source, continuity, or authority are translated into a narrative which rejects the perverse captivity demanded of the lover and the translator by fidelity or by the tenets of realistic representation. Using sex, drugs, and translation, Ondaatje deranges both time and space to reconfigure the role of the artist …

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Benjamin, Agamben, And The Paradox Of Translation, Paolo Bartoloni Jun 2004

Benjamin, Agamben, And The Paradox Of Translation, Paolo Bartoloni

CLCWeb: Comparative Literature and Culture

In his paper, "Benjamin, Agamben, and the Paradox of Translation," Paolo Bartoloni offers a theoretical discourse on translation that goes beyond the traditional precincts of linguistics and literary theory as well as the disciplines of cultural studies and postcolonial theory. Bartoloni argues that more recently, the discourse on translation has begun to incorporate epistemological concerns, dealing not only with language but also with subjectivity and ethics. At the root of this theoretical articulation of translation are the essays "The Task of the Translator" ("Die Aufgabe des Übersetzers") by Walter Benjamin and other reflections on translation by Martin Heidegger, especially in …

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Haruki Murakami And The Ethics Of Translation, Will Slocombe Jun 2004

Haruki Murakami And The Ethics Of Translation, Will Slocombe

CLCWeb: Comparative Literature and Culture

In his paper, "Haruki Murakami and the Ethics of Translation," Will Slocombe argues that despite the fact that Murakami has gained world-wide popularity recently, there has been little critical attention to his works outside of the comparatively narrow area of Japanese studies. Slocombe proposes that Murakami is too important an author to be limited in this way because of his definition of "translation." For Murakami, translation delineates an operative ethics between Self and Other, a dialogue that is not only between different languages and cultures, but also between the private and political spheres, and between different individuals. Slocombe discusses Murakami's …

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Medieval Cosmopolitanism And The Saracen-Christian Ethos, Marla Segol Jun 2004

Medieval Cosmopolitanism And The Saracen-Christian Ethos, Marla Segol

CLCWeb: Comparative Literature and Culture

In her paper, "Medieval Cosmopolitanism and the Saracen-Christian Ethos," Marla Segol argues that in Floire et Blancheflor and Aucassin et Nicolette, two medieval Occitanian romances, the writers work actively to incorporate Islamic culture and its accomplishments into a hybrid communal identity. The hybrid elements of this identity are demonstrated in two ways: first, through the portrayal of mixed couples and second, through depiction of a biculturally constituted landscape and culture. Intercultural relations between the characters are dramatized through the structures of religious conversion. Each romance features a mixed couple, with one member Christian and the other, formerly Muslim but converted …

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The Representation Of 'Race' In Ondaatje's In The Skin Of A Lion, Glen Lowry Jun 2004

The Representation Of 'Race' In Ondaatje's In The Skin Of A Lion, Glen Lowry

CLCWeb: Comparative Literature and Culture

Glen Lowry, in his paper "The Representation of 'Race' in Ondaatje's In the Skin of a Lion" bases his discussion on the observation that critics tend to view Ondaatje's writing in terms of a progression towards complex issues of "race" and post-coloniality. In contrast, Lowry argues that the matter of "race" forms an integral aspect of Ondaatje's oeuvre and Lowry proposes that In the Skin of a Lion is a key site in the development of Ondaatje's engagement with issues of "race" and the cultural politics of post-coloniality. Focusing on Ondaatje's depiction of Toronto in terms of its complex history …

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From Commonwealth To Postcolonial Literature, Edward O. Ako Jun 2004

From Commonwealth To Postcolonial Literature, Edward O. Ako

CLCWeb: Comparative Literature and Culture

In his paper,"From Commonwealth to Postcolonial Literature," Edward O.Ako begins by establishing the link between Empire and English-language literature. Drawing on Elleke Boehmer, Gauri Viswanath, and Terry Eagleton, Ako discusses the ideological uses of literature and argues that the textual forms that emerged as "resistance" to imperial domination were referred to by a multiplicity of terms: Commonwealth Literature, New English Literature, Literature in English, Third World Literature, World Fiction, Minority Literature, Multicultural Literature, or Postcolonial Literature. Ako examines the merits and handicaps of each designation and explains why, in his view, the term "postcolonial" is the more appropriate notion and …

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Monénembo's L'Aîné Des Orphelins And The Rwandan Genocide, Lisa Mcnee Jun 2004

Monénembo's L'Aîné Des Orphelins And The Rwandan Genocide, Lisa Mcnee

CLCWeb: Comparative Literature and Culture

In her paper, "Monénembo's L'Aîné des orphelins and the Rwandan Genocide," Lisa McNee discusses Tierno Monénembo's L'Aîné des orphelins, a novel that offers a double discourse and a dual memory of the genocide that took place in Rwanda in 1994. McNee argues that L'Aîné des orphelins presents us with an extraordinary kind of fictional testimonial to genocide. Although Monénembo is not from Rwanda and did not participate in the tragedy, only someone who has paid the price of the clarity needed to distinguish between good and bad faith could have written a novel like L'Aîné des orphelins. Monénembo's characterization of …

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Shakespeare And The Visualization Of Metaphor In Two Chinese Versions Of Macbeth, Alexander C.Y. Huang Mar 2004

Shakespeare And The Visualization Of Metaphor In Two Chinese Versions Of Macbeth, Alexander C.Y. Huang

CLCWeb: Comparative Literature and Culture

In his paper, "Shakespeare and the Visualization of Metaphor in Two Chinese Versions of Macbeth," Alexander Huang proposes that, in addition to political uses, visualization is an important dimension of cultural translations of Shakespeare. In recent studies, Shakespeare's global presence has been investigated from various perspectives of critical inquiry, especially with postcolonial theories and in East-West literary relations. Instead of faulting cultural imperialism or foregrounding political statements in theatre, Huang explores the visual dimension of cultural translation found in Kingdom of Desire (a Beijing opera adaptation of Macbeth) and Story of the Bloody Hand (a Kunqu opera appropriation of the …

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Cultural Anxiety And The Female Body In Zeffirelli's Hamlet, Xianfeng Mou Mar 2004

Cultural Anxiety And The Female Body In Zeffirelli's Hamlet, Xianfeng Mou

CLCWeb: Comparative Literature and Culture

Xianfeng Mou analyzes in her paper, "Cultural Anxiety and the Female Body in Zeffirelli's Hamlet," the workings of power, both discursive and visual, behind Zeffirelli's handling of the Nunnery and Mousetrap scenes, focusing on feminist interpretations of the female body and female sexuality. Drawing on theories by Judith Butler, Michel Foucault, and Julia Kristeva, Mou analyzes how Zeffirelli, using Hamlet as his spokesman, constructs his negative meanings about Gertrude's sexuality as rampant and aberrant and Ophelia's body as disloyal, insincere, and insignificant. Mou argues that Zeffirelli's discursive and visual constructions confer absolute power upon Hamlet and that this reflects Zeffirelli's …

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Selected Bibliography Of Work About And Of Edward Said's Texts, Clare Callaghan Dec 2003

Selected Bibliography Of Work About And Of Edward Said's Texts, Clare Callaghan

CLCWeb: Comparative Literature and Culture

No abstract provided.

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From Plato To Derrida And Theories Of Play, Simona Livescu Dec 2003

From Plato To Derrida And Theories Of Play, Simona Livescu

CLCWeb: Comparative Literature and Culture

In her paper, "From Plato to Derrida and Theories of Play," Simona Livescu proposes a reevaluation of the concept of play. By examining various critical interpretations of this term from Greek antiquity to modern structuralists and poststructuralist theories, Livescu analyzes the common denominator in philosophical, cultural, and religious facets of the play. In her discussion, Livescu emphasizes the ultimate importance of the ludic presence in every fundamental human action. Among the conclusions of the paper, Livescu suggests that play exists as an essence of consciousness and that it is, actually, a way of being, not only a way of knowing. …

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On Edward Said, Scholar And Public Intellectual, F. Elizabeth Dahab Dec 2003

On Edward Said, Scholar And Public Intellectual, F. Elizabeth Dahab

CLCWeb: Comparative Literature and Culture

In her paper, "On Edward Said, Scholar and Public Intellectual," F. Elizabeth Dahab pays tribute to Edward Said, 1935-2003. Dahab discusses selected aspects of Said's trajectories as a scholar and Palestinian-American activist including aspects of Said's numerous activities and work as a musician, an ardent political polemicist, a music critic, a Columbia University professor of comparative literature, a humanist, President of the Modern Language Association of America, and an exiled Palestinian as evident in the vast corpus of this eminent scholar's publications over the course of almost four decades (twenty-four books and hundreds of articles and interviews). Said's work elicited …

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Cultures Of Populism And The Political Right In Central Europe, Patricia Chiantera-Stutte, Andrea Petö Dec 2003

Cultures Of Populism And The Political Right In Central Europe, Patricia Chiantera-Stutte, Andrea Petö

CLCWeb: Comparative Literature and Culture

In their paper, "Cultures of Populism and the Political Right in Central Europe," Patricia Chiantera-Stutte and Andrea Petö analyze the common points and differences in which imagined and mythologized histories are serving as a mobilizing force for extreme-right movements in three Central European countries, in Austria, Hungary, and Italy. The authors discuss how populist and right-wing political parties in these countries construct their conceptions of an alternative identity for the European Union. Further, the authors analyze the politico-territorial myths constructed by the three populist right-wing parties, the Freedom Party in Austria, the Northern League in Italy, and the Party of …

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Comparative Literature Versus Comparative Cultural Studies, Tomo Virk Dec 2003

Comparative Literature Versus Comparative Cultural Studies, Tomo Virk

CLCWeb: Comparative Literature and Culture

In his paper, "Comparative Literature versus Comparative Cultural Studies," Tomo Virk discusses debates of the role, essence, and the future of comparative literature as it has developed since the 1995 publication of the Bernheimer Report. Virk explores the situation of the discipline in its North American context: "contextualists" argue for the abandoning of comparative literature understood as the study of literature with theoretical investigations of literariness while the "non-contextualists" underscore the study of the linguistic structure(s) of the text. Virk supports comparative literature understood as the traditional concentration of the discipline with focus on the specificities of literary questions while …

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Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller Sep 2003

Holy Fools, Secular Saints, And Illiterate Saviors In American Literature And Popular Culture, Dana Heller

CLCWeb: Comparative Literature and Culture

In her article, "Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture," Dana Heller identifies and analyzes characteristics of the holy fool figure in American literature and culture. Heller defines the holy fool, or divine idiot, as a figure central to U.S. myths of nation. One encounters such figures in American literature as well as in American folklore, popular culture, and mass media. In American culture, the Divine Idiot is a hybrid form which grows out of the crossings of numerous literary and historical currents, both secular and non-secular. This unwieldy hybridity -- the fact that …

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An Introduction To Comparative Cultural Studies And Popular Culture, Benton Jay Komins Sep 2003

An Introduction To Comparative Cultural Studies And Popular Culture, Benton Jay Komins

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Symbolism, Popular Drama, And Politics And Art In Belgium, 1886-1910, Joan Gross Sep 2003

Symbolism, Popular Drama, And Politics And Art In Belgium, 1886-1910, Joan Gross

CLCWeb: Comparative Literature and Culture

In her article "Symbolism, Popular Drama, and Politics and Arts in Belgium, 1886-1910," Joan Gross examines what effects the reign of terror in the Congo and the silence that masked it might have had on popular performance traditions and literary practices in Belgium. Gross examines a popular puppet play by Léopold Leloup and an essay by Maurice Maeterlinck, both of which are called The Massacre of the Innocents. The third text she explores is a parliamentary speech given by Émile Vandervelde in 1903 in which he protested brutal practices in the Congo. Gross explores the interconnections between these three disparate …

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Nobel In Literature 2000 Gao Xingjian's Aesthetics Of Fleeing, Mabel Lee Mar 2003

Nobel In Literature 2000 Gao Xingjian's Aesthetics Of Fleeing, Mabel Lee

CLCWeb: Comparative Literature and Culture

In her paper, "Nobel in Literature 2000 Gao Xingjian's Aesthetics of Fleeing," Mabel Lee explores the aesthetic dimensions of Gao Xingjian's play Taowang (Fleeing 1990), and its significance in establishing the recurring motif of "fleeing" in Gao's later writings on literature. Lee argues that the intensely emotional times during which Gao wrote Fleeing were comparable to those seventy years earlier confronting May Fourth writers. Urging his compatriots not to be "bystanders," Lu Xun, the most influential of May Fourth writers, had chosen to allow his creative self to suicide, as shown in the prose-poems of Yecao (Wild Grass 1927). For …

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Comparing Anew: A Review Article Of New Work By Kushner, Zhang, Halio And Siegel, And San Román, Nicoletta Pireddu Mar 2003

Comparing Anew: A Review Article Of New Work By Kushner, Zhang, Halio And Siegel, And San Román, Nicoletta Pireddu

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Nobel In Literature 2002 Imre Kertész's Aesthetics Of The Holocaust, Sára Molnár Mar 2003

Nobel In Literature 2002 Imre Kertész's Aesthetics Of The Holocaust, Sára Molnár

CLCWeb: Comparative Literature and Culture

In her paper, "Nobel in Literature 2002 Imre Kertész's Aesthetics of the Holocaust," Sára Molnár discusses aspects of Nobel Laureate Imre Kertész's reception in Hungary. In her analysis, Molnár discusses aesthetic features of the author's use of language. Molnár's study illuminates the problem of authorship and questions relating to intersections of fiction and autobiography in Kertész's oeuvre. Molnár's argument is that although the author's personal history is indeed important in his texts, this "author" should not be identified with Kertész himself and that although Kertész's themes and subjects appear to be autobiographical, not even his diaries should or can be …

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Translation Studies And Agamben's Theory Of The Potential, Paolo Bartoloni Mar 2003

Translation Studies And Agamben's Theory Of The Potential, Paolo Bartoloni

CLCWeb: Comparative Literature and Culture

In his article, "Translation Studies and Agamben's Theory of the Potential," Paolo Bartoloni discusses the interstitial space of translation by drawing on literary and philosophical preoccupations, especially Giorgio Agamben's notion of "potentiality." The first part of the article is devolved to defining and discussing "potentiality" and the significance that it has for a general re-thinking of translation theory. Bartoloni moves on to ask what would happen if the focus of translation shifts from the final product, or from the relation between the original and the translation, to the process of translating, that is the middle ground, the in-betweenness where two …

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Reading Liksom's Short Story "We Got Married" In Post-Communist Bulgaria, Kornelia Slavova Dec 2002

Reading Liksom's Short Story "We Got Married" In Post-Communist Bulgaria, Kornelia Slavova

CLCWeb: Comparative Literature and Culture

Kornelia Slavova, in her paper "Reading Liksom's Short Story 'We Got Married' in Post-communist Bulgaria," discusses the intricate interrelations of texts and social practices in postcommunist Bulgaria by analysing Rosa Liksom's short story read by sixty readers. Further, Slavova proposes the study of the uses of stereotypes in fiction and their discursive hardening in extratextual practices at times of radical political and cultural change. With this notion, she focuses on two major stereotypical patterns concerning gender and the supranational opposition East/West. Slavova argues that the latter function as palimpsest structures on which earlier bipolar representations from the communist Cold-War era …

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