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Articles 13831 - 13860 of 13866
Full-Text Articles in Entire DC Network
The Exponent, February 1908, St. Mary's Institute
The Exponent, February 1908, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, January 1908, St. Mary's Institute
The Exponent, January 1908, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Profanacion De Las Reliquias De Nuestra Senora De Guadalupe, Antonio Vanegas Arroyo, José Guadalupe Posada
Profanacion De Las Reliquias De Nuestra Senora De Guadalupe, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
An engraving of Our Lady of Guadalupe appears above the left column of text on the recto, and is signed "J. Engberg, Mex." Between the main text of the story and the prayer to the Virgin of Guadalupe on the verso is an engraving of Juan Diego seen from behind, facing the apparation of Guadalupe on Tepeyac Hill.
The text is comprised mostly of a story about Maria Ignacia Banderas, wife to Lucas Cordero of Apulco. On a trip to Mexico City, Lucas visits the Basilica of Our Lady of Guadalupe and returns to his wife with several relics from …
The Exponent, November 1907, St. Mary's Institute
The Exponent, November 1907, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, March 1907, St. Mary's Institute
The Exponent, March 1907, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, February 1907, St. Mary's Institute
The Exponent, February 1907, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, November 1906, St. Mary's Institute
The Exponent, November 1906, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, October 1906, St. Mary's Institute
The Exponent, October 1906, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, June 1906, St. Mary's Institute
The Exponent, June 1906, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, April 1906, St. Mary's Institute
The Exponent, April 1906, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, March 1906, St. Mary's Institute
The Exponent, March 1906, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, February 1906, St. Mary's Institute
The Exponent, February 1906, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, January 1906, St. Mary's Institute
The Exponent, January 1906, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, December 1905, St. Mary's Institute
The Exponent, December 1905, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, April 1905, St. Mary's Institute
The Exponent, April 1905, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Oracion A Nuestra Sra. Del Refugio, Antonio Vanegas Arroyo, José Guadalupe Posada
Oracion A Nuestra Sra. Del Refugio, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
The recto contains a nearly full-page engraving of Our Lady of Refuge, a madonna and child ringed in a garlard of flowers and accompanied by angels. A plaque at the bottom of the engraving reads "Refugia de Pecadores," or "Refuge of Sinners." The verso has a smaller engraving of the madonna and child in floral wreath near the bottom of the page.
The text contains prayers and praises for Our Lady of Refuge. Its relates the story of Sergeant Santiago Ruiz, living in Spain during the reign of Charles V (1516-1556). He deserted the military to look after his ailing …
Les Mystères Sataniques De Lourdes À Travers Les Âges, Léopold Goursat
Les Mystères Sataniques De Lourdes À Travers Les Âges, Léopold Goursat
Rare Books
xi, 116, 124 pages
Published by Arthur Savaète.
Clugnet Collection
Contents: En quoi consista l'acte matériel du péché originel: le naturalisme charnel -- Glorification séculaire du péché originel sous la forme des Pierres obscènes: adoration de la chair -- La Pierre-Vénus de Lourdes: tête du Serpent immonde – Revanche triomphale de l’Immaculée Conception à Lourdes – Opprtunité de ce triomphe à l’heure de la résurrection du culte de la chair.
The Exponent, December 1904, St. Mary's Institute
The Exponent, December 1904, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, April 1904, St. Mary's Institute
The Exponent, April 1904, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, March 1904, St. Mary's Institute
The Exponent, March 1904, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Tierno Despedimento Do Los Fieles A La Santisima Virgen De Guadalupe Patrona De La Republica Mexicana, Antonio Vanegas Arroyo, José Guadalupe Posada
Tierno Despedimento Do Los Fieles A La Santisima Virgen De Guadalupe Patrona De La Republica Mexicana, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
This broadside has two pages printed on the front and back, so that when folded there are four pages of text. It is printed on dark orange paper. On what would be the cover there is an engraving of Our Lady of Guadalupe flanked by cherubs on either side. Along what would be the inner fold are illustrations of the front and back of the Guadalupe medallion, and the text on the top half of the back cover is framed by figures in religious garb carrying oil lamps.
The text is comprised of prayers for Our Lady of Guadalupe from …
Alabanzas, Accion De Gracias Y Tierno Despedimento A Nuestra Augusta Reina Y Patrona Maria Santisima De San Juan De Las Lagos., Antonio Vanegas Arroyo, José Guadalupe Posada
Alabanzas, Accion De Gracias Y Tierno Despedimento A Nuestra Augusta Reina Y Patrona Maria Santisima De San Juan De Las Lagos., Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
This broadside has two pages printed on the recto and verso, so that when folded there are four pages of text. On what would be the cover, there is an engraving at the top of the page depicting Our Lady of San Juan de los Lagos in a rectagular frame. She is flanked on either side by figures in religious garb, each carrying oil lamps with smoke streaming behind. The decorative border for the scene has angels at the two top corners. The page just inside the cover features an engraving of a large processional gathered in front of the …
Loa Dicha Par Sancho Panza Y Dona Cenobia. En Honor De La Pureza De Maria Santisima., Antonio Vanegas Arroyo, José Guadalupe Posada
Loa Dicha Par Sancho Panza Y Dona Cenobia. En Honor De La Pureza De Maria Santisima., Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
The recto contains an engraving of two cartoonish figures, a woman on the left and a man on the right. The woman holds a spoon to her mouth, eating from a large pot, with a sack of food spilling out beneath her. The man gestures at her with arms raised and his hands balled into fists.
The text is a loa, a short dramatic work that originated in Spain but that proliferated in Latin America. Loas entertained audiences waiting for the beginning of a festival or full length theatrical work. The dialogue of this work between Sancho Panza and Dona …
Loa Dicha Por El Dr. Mercolico En Honor De Nuestra Senora De Guadalupe, Antonio Vanegas Arroyo, José Guadalupe Posada
Loa Dicha Por El Dr. Mercolico En Honor De Nuestra Senora De Guadalupe, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
The recto has a small engraving of two men in top hats, one holding a box. The other reaches out to a figure with a bandaged head, holding their jaw. The verso has an engraving of the Virgin of Guadalupe flanked by figures in religious garb, holding oil lamps.
The text is a loa, a short dramatic work that originated in Spain but that proliferated in Latin America. Loas entertained audiences waiting for the beginning of a festival or full length theatrical work. In this monologue, a dentist describes his craft. He is interrupted by a procession for Our Lady …
Lncreible Suceso Una Mujer Que Se Convierte En Piedra Relato Traido De San Juan De Los Lagos, Antonio Vanegas Arroyo, José Guadalupe Posada
Lncreible Suceso Una Mujer Que Se Convierte En Piedra Relato Traido De San Juan De Los Lagos, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
Engraving at the top of the recto shows a group of four figures in the foreground. In the center a man and women are standing and have arms raised and facial expressions that show surprise. The man is wearing a hat and carries a walking stick; both figures are wearing cloaks. A child sits at the foot of the man and with his hands covering his face. To the left of these figures, a shoeless woman with her hair in disarray lays against a small boulder. The background of the scene shows a forested setting, and to the right a …
Nuestra Senora De San Juan De Los Lagos, Antonio Vanegas Arroyo, José Guadalupe Posada
Nuestra Senora De San Juan De Los Lagos, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
The recto is a full-page engraving of Our Lady of San Juan de los Lagos with a highly decorative border, and the bottom half of the verso is an engraving of the Basilica of Our Lady of San Juan de los Lagos and its plaza.
The text on the verso is comprised mostly of prayers from the point of view of a pilgrim to the Basilica of Our Lady of San Juan de los Lagos. It includes an act of contrition and praises for various miracles performed by the Virgin. It concludes with a short history of the basilica and …
Devoto Salutacion Tiernas Alabanzas Accion De Gracias Y Expresivo Despedimento A La Milagrosisima Imagen De Nuestra Senora De San Juan De Las Lagos., Antonio Vanegas Arroyo, José Guadalupe Posada
Devoto Salutacion Tiernas Alabanzas Accion De Gracias Y Expresivo Despedimento A La Milagrosisima Imagen De Nuestra Senora De San Juan De Las Lagos., Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
An engraving of Our Lady of San Juan de los Lagos fills the top half of the recto. She is flanked by cherubs in flight and birds at the top left and right hand corners. On the verso an engraving in the shape of an upside-down T intersects the text and separates it into separate columns. Inside the shape is a scene of worshippers gathered for mass in front of the image of Our Lady of San Juan de los Lagos, with the image at the top of the shape framed by curtains and candles. At the bottom of the …
Coloquio Para Celebrar La Maravillosa Aparicion De Ntra. Senora De Guadalupe., Antonio Vanegas Arroyo, José Guadalupe Posada
Coloquio Para Celebrar La Maravillosa Aparicion De Ntra. Senora De Guadalupe., Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
An engraving on the top of the recto shows Juan Diego, with back turned, facing the apparition of Our Lady of Guadalupe with a hill in the background. Angels flank the scene, and all are encased in an elaborate border.
The text is a short dramatization with dialogue, scenic directions, and a musical chorus. It details a conversation between Juan Diego and Our Lady of Guadalupe. It begins with the first apparition at Tepeyac Hill, with the Virgin instructing Juan Diego to go to the Archbishop of Mexico City, Juan de Zumarraga, to tell him to build a temple on …
La Anima Sola, Antonio Vanegas Arroyo, José Guadalupe Posada
La Anima Sola, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
The recto contains a full-page engraving with a woman in the foreground. Visible from the chest up and otherwise engulfed in flames and standing in front of a barred window, she gazes upwards and stretches an arm upward, showing the shackles around her wrists. Above this scene on a dais made of clouds, Mary and St. Joseph intercede. Three men in robes sitting on thrones represent the Holy Trinity, and they have triangular haloes. Angels attend to the scene.
The text of the verso describes the experience of a soul in Purgatory and entreats the reader to consider such a …
Milagrosa Imagen De Nuestra Senora De Los Remedios, Antonio Vanegas Arroyo, José Guadalupe Posada
Milagrosa Imagen De Nuestra Senora De Los Remedios, Antonio Vanegas Arroyo, José Guadalupe Posada
Marian Broadsides from Mexico
The recto has a full-page engraving of Our Lady of Los Remedios, with a large crown and mantle. The mantle drapes over the moon and heavens at her feet, resting on a snake wrapped around a sphere. The figure is atop a pedestal. The verso has an engraving depicting Jesus with a crown of thorns and tears of blood, flanked by angels.
The text describes an elderly woman who must beg for food; she visits her son who is a rich man and asks for his help. He refuses cruelly, claiming that he owes nothing to her and sends her …