Digital Commons Network^™

Metaphors For Terrorism In German Media Discourse, Monika Schwarz-Friesel, Helge Skirl

Re-visioning Terrorism

Abstract concepts such as terrorism are often expressed and conceptualized via metaphors, especially in the mass media discourse. In cognitive linguistics, the role of metaphors in describing emotional states is widely recognized, but the emotional content of metaphors not referring to emotions, but to abstract concepts, remains an important subject deserving research. In our paper, we want to show how terrorism is metaphorically characterized in German media discourse in the aftermath of the terrorist attacks September 2001. Based on extensive data from German newspapers, our aim is to reveal the complex conceptualization involved, focusing on the persuasive aspect of information …

Regarding Terror: The German Autumn And Contemporary Art, Fabian Winkler

Re-visioning Terrorism

This paper explores strategies and positions in contemporary art that have been at the center of many debates surrounding the 2005 exhibition Regarding Terror: The RAF-Exhibition at KW Institute for Contemporary Art in Berlin. It discusses artworks that aim to go beyond the criticism of sensationalism, or historicization and glorification of traumatic social events, such as the crimes of the Red Army Faction in Germany. By emphasizing the power of art to transform and change audience members are enabled to shape more individual and nuanced perspectives on some of the forms of terrorism today.

Writing Victims: Post-Terrorist Fiction(S) In The Basque Country And Spain, Roland Vazquez

Re-visioning Terrorism

This paper examines the recent evolution of fiction in and about the Basque Country. I focus on depictions of the victims of ETA’s violence, and literature that documents their plight in the genres of the novel and short story. One trend is the movement away from “terrorist” and toward “victim” as the narrative focus. Another is an art increasingly in service to a political agenda. Although much of this corpus focuses on everyday details richer than those found in the mass media, social-scientific literature, or victim testimony, these forms often blur in their rhetorical styles.

Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez

Re-visioning Terrorism

The characters of Jess Walter’s novel and Khaled Khalifa’s are built as figures of terrorist or victim. According to Bertrand Gervais’ theory, a figure is first of all an object of obsession. The characters of these novels obsess us, questioning our cultural references which permit us to define who represents the terrorist and who represents the victim. Both novels play with these categories, underlining the manipulations of the images through various discourses. This questioning of usual conceptions is built through the use of lost characters, unable to communicate or simply live. These characters illustrate a crisis of the contemporary imaginary …

Nationalism, Alterity, And Cognitive Studies In Mohsin Hamid, Laila Halaby, And Jess Walte, Aaron Derosa

Re-visioning Terrorism

This essay explores the metaphoric construction of the terrorist Other in 9/11 scholarship and literature. While academics demand an ethical engagement with Arab and Muslim Americans, they unwittingly reify a binary distinction of Other-Same that triangulates terrorist identity through ordinary Arabs and Muslims. Looking at Halaby’s Once in a Promised Land and Walter’s The Zero, I suggest an alternative metaphor for terrorism not as a regional or religious population, but as an internal impulse that dwells within us all. Doing so more ethically and productively aligns terrorism with the threat to global security in the post-9/11 era.

Rebels Without A Cause: Youth And Terrorism In Contemporary Italian Film, Simona Bondavalli

Re-visioning Terrorism

This essay explores the representation of Italian terrorists in recent generational films set in the 1960s and 1970s. While they foreground the protagonists’ youth and celebrate it as a historically new condition, these coming-of-age narratives typically present radicalism either in terms of youthful idealism or youthful error, with corresponding nostalgic or revisionist approaches that obscure its ideological basis. An analysis of the selective generational appeal deployed by four recent films through narrative structure, style and casting highlights an alternative reading of the post-ideological approach to the representation of terrorism in the 21st century.

From Hydra To Al-Qaeda: Depictions Of Terrorism In Comic Books, Cord Scott

Re-visioning Terrorism

Comic books have often reflected the world at the time of publication. Terrorism became a prominent aspect of several comic storylines after 9/11, but the concept of terrorist groups in comic books is far more common than one might think. This paper looks at how terrorist groups have been used in US comic books, how events in comics have later come true, and how depictions of terrorists have changed in both positive and negative aspects.

No More Tall Buildings: American Superhero Comics And The Shadow Of 9/11, Mauricio Castro

Re-visioning Terrorism

No abstract provided.

Knights Of Justice: Blockbuster Terrorism In Code Geass: Lelouch Of The Revolution, Aaron Choo, Wilson Koh

Re-visioning Terrorism

The Martyr’S Vision: Why The Suicide Bomber’S Eye Is Cast Not To The Sky . . . But To The Other, Hatem Akil

Re-visioning Terrorism

The suicide bomber lies outside the contingencies of religion and the promise of sex with 72 virgins. Instead, her desire lies squarely in the quest for inclusion in the field of vision and to count as a human being. This paper proposes an alternative critical discourse to the question of identity-based suffering and culpability. It aims to raise doubts about certain established notions concerning historical trauma that are thought to be singular, unrepeatable, and the result of fixed dichotomies. Instead, I wish to call for a rejection of the notion of competitive suffering and of culpability as limited to the …

Jihadis And The Use Of The Terms Terrorism And Terrorist, Aaron Zelin

Re-visioning Terrorism

Previous studies on the usage of the terms terror, terrorist, and terrorism have taken a Western perspective on how these terms should be defined and then deployed, but the viewpoint of the “terrorist” (in this case jihadis) has yet to be examined. This study analyzes how jihadis understand these terms and critically assesses their interpretation based on classical Islamic doctrine. The basis and “proof” for jihadis’ legitimization of using terror is based upon the Qur’anic verse 8:60, but when taken into context and traditional understanding, jihadis miss the mark. Yet, at the same time, when exploring the linguistic root for …

Vigilance, Vigilantism, And The Role Of The Citizen In Combating German Terror, 1967-1977, Todd Michael Goehle

Re-visioning Terrorism

By closely analyzing the Charles Bronson vehicle Death Wish -released to German speaking audiences as Ein Mann sieht rot- and the controversies that surrounded its West German debut in November 1974, the essay addresses broader debates about vigilance, Selbstjustiz (vigilante justice), and citizenship during the “Red Years” (1967-1977). Conceptualizing Selbstjustiz as a discursive site, I reveal how Ein Mann sieht rot’s representations of Selbstjustiz negotiated broader German anxieties about Americanization, masculinity, urban crime, the fascist past, state power, media effects and sensationalism, constructions of the citizen and the criminalized or terrorist “other,” and the responsibilities of the citizen in …

Direct Effects Of Hiv-1 Tat On Excitability And Survival Of Primary Dorsal Root Ganglion Neurons: Possible Contribution To Hiv-1-Associated Pain., Xianxun Chi, Tohti Amet, Daniel Byrd, Kuei-Hua Chang, Kavita Shah, Ningjie Hu, Ayslinn Grantham, Sishun Hu, Jianhong Duan, Feng Tao, Grant Nicol, Qigui Yu

Department of Chemistry Faculty Publications

The vast majority of people living with human immunodeficiency virus type 1 (HIV-1) have pain syndrome, which has a significant impact on their quality of life. The underlying causes of HIV-1-associated pain are not likely attributable to direct viral infection of the nervous system due to the lack of evidence of neuronal infection by HIV-1. However, HIV-1 proteins are possibly involved as they have been implicated in neuronal damage and death. The current study assesses the direct effects of HIV-1 Tat, one of potent neurotoxic viral proteins released from HIV-1-infected cells, on the excitability and survival of rat primary dorsal …

Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman

CLCWeb: Comparative Literature and Culture

In his article "Intermediality and Aesthetic Theory in Shklovsky's and Adorno's Thought" Oleg Gelikman places the concept of intermediality in the context of the unresolved conflict between philosophical aesthetics and aesthetic theory. The conflict originated in the response of an influential generation of thinkers to the crisis of the neo-Kantian schools and the emergence of modernism in the 1910s. Despite superficial similarities, aesthetic theory is neither a revamped aesthetics of the subject nor a theoretical vindication of modernism. By severing the connection between subject-object epistemology and theory of artworks, the practitioners of aesthetic theory such as Victor Shklovsky and Theodor …

Intermediality, Translation, Comparative Literature, And World Literature, Erin Schlumpf

CLCWeb: Comparative Literature and Culture

In her article "Intermediality, Translation, Comparative Literature, and World Literature" Erin Schlumpf postulates that the study of literature today is best performed in a framework of comparative literature and world literature including intermediality particularly in the case of translated texts. Schlumpf contends that working in comparative and world literature today demands a reexamination of translation and the teaching of works in translation. Following her theoretical postulates, Schlumpf analyzes two films, Jean-Luc Godard's La Chinoise (1966) and Xiaolu Guo's She, a Chinese (Zhongguo guniang) (2009).

Old And New Medialities In Foer's Tree Of Codes, Kiene Brillenburg Wurth

CLCWeb: Comparative Literature and Culture

In her article "Old and New Materialities in Foer's Tree of Codes" Kiene Brillenburg Wurth analyzes how intermediality works — not what it "is" — in the analysis of literary texts. How intermedial can texts "do," precisely when they consist only of words? Do such texts compel us to reconsider literature as a verbal art? Her analysis focuses on a recent book by Jonathan Safran Foer: Tree of Codes (2010), a literary work cut out of the remains of Bruno Schulz's Street of Crocodiles (1934). Brillenburg Wurth points out how intermediality works as a productive interaction not only between …

Intermedial Representations In Asian Macbeth-S, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Intermedial representations in Asian Macbeth-s" I-Chun Wang discusses three Asian versions of Macbeths that exemplify the cultural meanings through the interaction of landscape, body, and spectacles of power. Shakespeare remains one of the most popular playwrights in the Eastern world, and playwrights in the Asian world find Shakespearean plays attractive to the Asian audience. Among Shakespearean plays, Macbeth fascinates its Asian audience with its theme on kingship, territory of social relationships as well as moral and emotional development. These adaptations oftentimes become cross-cultural reproductions because each adapted text manifests not only cross-cultural interpretations but also highlights …

Musical, Rhetorical, And Visual Material In The Work Of Feldman, Kurt Ozment

CLCWeb: Comparative Literature and Culture

In his article "Musical, Rhetorical, and Visual Material in the Work of Feldman" Kurt Ozment compares early and late scores by Morton Feldman and argues that Feldman's interest in the visuality of the score was not limited to his experiments with graphic notation. More specifically, Projection 3 (1951) and String Quartet (II) (1983) suggest that Feldman experimented with notation from beginning to end. Up until the early 1980s, one of Feldman's main strategies for commenting on his music was to refer to painting. In his essay "Crippled Symmetry" and in an interview with the percussionist Jan Williams, Feldman also turns …

Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert

CLCWeb: Comparative Literature and Culture

In their article "Intermediality as Cultural Literacy and Teaching the Graphic Novel" Geert Vandermeersche and Ronald Soetaert argue for the inclusion of the graphic novel for the teaching of cultural literacy and literature. As the printed book is no longer the sole carrier of cultural literacy, Vandermeersche and Soetaert postulate that literary culture must be repositioned in intermedial culture and practices. In order to do so, Vandermeersche and Soetaert apply Werner Wolf's typology of intermediality, aspects of narratology, and scholarship about comics. Following a theoretical discussion they analyze the graphic novel series The Unwritten, a text that thematizes the …

Digital Humanities In Developed And Emerging Markets, Verena Laschinger

CLCWeb: Comparative Literature and Culture

In her article "Digital Humanities in Developed and Emerging Markets" Verena Laschinger discusses the impact e-culture has on humanities pedagogy both in affluent countries and emerging markets. Claiming that e-literacy training generally offers opportunities to recover the traditional agency of the humanities thus catapulting the disciplines into the educational forefront of the creative economy, special attention is given to the chances digital humanities education offers in Turkey’s emerging market economy. Given that technology promotes the country's economic development, which includes a rapidly growing private educational sector, digital humanities education helps citizens to adjust to critical democratic exchange, to facilitate and …

Plotting The Pixel In Remediated Word And Image, Sarah Wyman

CLCWeb: Comparative Literature and Culture

In her article "Plotting the Pixel in Remediated Word and Image" Sarah Wyman argues that art's historic negotiation of culture continues into the new digital media age as it both asserts the materiality of the medium and acknowledges the impact of embodied perception. She demonstrates that however revolutionary, the new digital media still relate to many traditional paradigms of aesthetic expression. Problems of representation and simulation continue to catch on questions of time, space and human perception. The contingent relationships between categories and entities once kept separate — word/image, observer/observed — determine and define the process of globalization. The new …

Something To Think About -- Doubling Up?, Mary E. (Tinker) Massey

Against the Grain

No abstract provided.

Making Sense Of The Digital As Embodied Experience, Serge Bouchardon, Asunción López-Varela

CLCWeb: Comparative Literature and Culture

In their article "Making Sense of the Digital as Embodied Experience" Serge Bouchardon and Asunción López-Varela discuss a digital creation — Loss of Grasp <http://lossofgrasp.com/> — created by Serge Bouchardon and Vincent Volckaert. The work is about the notions of grasp and control. Through an analysis of Loss of Grasp, Bouchardon and López-Varela Azcárate show how the Cartesian understanding of private isolated experience, independent of reality external to it, has given way to a communal understanding of experience in which the subject constitutes itself by mirroring himself/herself on its objects, producing a mutual engagement or co-creativity among interdependent intersubjects: …

Digital Archiving Challenges And Solutions: A Personal Perspective, Robert W. Boissy

Against the Grain

No abstract provided.

An Intermedial Reading Of Paley's Sita Sings The Blues, Ipshita Chanda

CLCWeb: Comparative Literature and Culture

In her article "An Intermedial Reading of Paley's Sita Sings the Blues" Ipshita Chanda discusses the film text of Nina Paley's 2008 animation film, a culturally reconceptualized version of Válmíki's Sanskrit epic Rámáyana. Chanda discusses the film as an intermedial retextualization of the Rámáyana in the film where media boundaries and genres are crossed in "textual," audio, and visual media. The basic premise from which Chanda proceeds is that the condition of intermediality in film is produced by a "conceptual fusion" of different media which, in turn, are analyzed using theories of reception and contact between different media …

Bibliography For Work In Hungarian Studies As Comparative Central European Studies, Louise O. Vasvári, Steven Tötösy De Zepetnek, Carlo Salzani

CLCWeb Library

No abstract provided.

People Profile: Phoebe Ayers

Against the Grain

No abstract provided.

Atg Interviews Sam Brooks, Tom Gilson, Katina Strauch

Against the Grain

No abstract provided.

From The Reference Desk, Tom Gilson

Against the Grain

No abstract provided.

Book Reviews -- Monographic Musings, Debbie Vaughn

Against the Grain

No abstract provided.