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A Review Of Alberto Toscano’S Late Fascism, Clint Burnham

CLCWeb: Comparative Literature and Culture

No abstract provided.

A Review Of Zahi Zalloua's The Politics Of The Wretched: Race, Reason, And Ressentiment, Benjamin Davis

CLCWeb: Comparative Literature and Culture

No abstract provided.

Exploring Chinese Elements In J.D. Salinger’S Works: A Response To Mccarthyism In The Early Cold War Era, Yixin Lu

CLCWeb: Comparative Literature and Culture

Since the publication of “The Laughing Man” in 1949, various ideas about “China” have emerged in J. D. Salinger’s famously obscure works. This article aims to argue that Salinger’s incorporation of elements related to China and ancient Chinese philosophy in his works illustrates an artistic response to American anxieties during the McCarthy Era. The article uses “The Laughing Man” and “De Daumier-Smith’s Blue Period” as case studies to demonstrate how Salinger’s engagement with “China,” including the concept of indiscrimination from Zen Buddhist ideas, as well as notions of naturalness and non-action from Taoist ideas, develops not only a mystical writing …

Ginsberg’S China Experience And Its Influence On His Series Of Poems On China, Xiankai Ren

CLCWeb: Comparative Literature and Culture

As a renowned poet and representative of the Beat Generation, Allen Ginsberg was invited to be a member of the US Writers’ Delegation to visit China in 1984. His China trip as well as his reading of traditional Chinese literature constitute his China experience, which is represented in Ginsberg’s poetry. This essay examines Ginsberg’s series of poems on China. It first shows that Ginsberg’s introduction to the Beat Generation poets and their poetics provided the inspiration for his poetry writing. Then it discusses Ginsberg’s observation of Chinese society during his visit and his reading of the Chinese poet Bai Juyi. …

Fugitive Formalisms: Strategies Of Dissemblance And Dissent In The Work Of Queer-Identifying Artists, 1970–Present, Rowan Diaz-Toth

Theses and Dissertations

Utilizing case studies of works by Hélio Oiticica, Scott Burton, and Felix Gonzalez-Torres as points of departure, this thesis puts forth a speculative historical framework for reconsidering queer art practices up through the present day in opposition to regimes of visibility and transparency, exploring the subversive, fugitive potential of non-representational formalisms.

Lora Test Iv, Lora Lennertz

Theatre Undergraduate Honors Theses

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Directing Young Actors, Mitchell Whelan

Theses : Honours

This reflective practice case study examines the studio environment of a small ensemble of female actors aged 16-19, in the rehearsal of a one-act play. Performing arts researchers working in youth spaces commonly adhere to conventions of ethnodrama and facilitate a process in which participants contribute personal stories as performance material. The present paper uses a published text (Slut by Patricia Cornelius) to position participants as actors, rather than devisors who must conjure original material. Through critical reflection, the project assesses the impact of developing performance material slowly while also making time for socialisation between castmates. Drawing on my repertoire …

Italian Commedia Dell’Arte And Modern American Performance: Comedy As A Cultural Window, Sofia Craig

Undergraduate Honors Theses

Commedia dell’Arte, a form of improvisational comedy for the stage developed in the Renaissance, is at least half a millennium old, and leaves minimal records of its content. However, its stock characters still seem to appear in modern media, including television, movies, and current theatre. Commedia characters' noticeable persistence in the modern day suggests that our culture continues to enforce social dynamics which have elements in common with sixteenth-century Italy. This thesis compares Commedia stock characters with their counterparts in modern media, to learn what cultural analysis can be made from their similarities and differences. Most retain traits that keep …

The Shape Of The Wind: How Our Homes Create Us, And We Create Them, Ava Norris

Dance Department Honors Papers

No abstract provided.

One, And Other, One Another, Another (Again): A Historical And Embodied, Kinetic And Theoretical Investigation Of Otherization, Emily Brankman

Dance Department Honors Papers

This thesis investigates otherization and its use as a tool for power through theoretical, historical, and movement based investigations. Over the course of this academic year, I worked with a group of Connecticut College dancers in weekly rehearsals to build choreography and to hold discussions. This took place alongside external, independent research into thinkers and artists from Jean-Jacques Rousseau to Martha Graham, theories by historians such as Edward Said, and both historical and current events. These elements were not approached sequentially, but simultaneously, with the intention that each element influence and inform the others. I reference this variety of topics …

The Reckoning: A Mostly Lamentable Tragedy Comedy Of One Christopher Marlowe (...), Mac F. Mitchell

Playwriting (MFA) Theses

The Reckoning is a play by Mac Mitchell in completion of his MFA in Playwriting from Hollins University. It is a farce set in the Elizabethan Era inspired by the life of Christopher Marlowe and his involvement in the complex world of Elizabethan espionage. After investigating a counterfeiting plot designed to bankroll an assassination plot on Queen Elizabeth's life, he unwittingly implicates himself in the plot.

Marlowe will dropkick the fourth wall and, with a team of crackpot actors, attempt to set the record straight. He most certainly did not have anything to do with it and will prove his …

Backward, Benjamin W. Abbott

Playwriting (MFA) Theses

Backward is a solo show about a man who, when he turns forty-five, starts living backward in time. Every day he wakes up, he has traveled back to the day before the one he just lived and there's nothing he can do to stop it. As he relives his life in reverse, he must confront his failures as a husband and father. Even as he learns the lessons necessary to repair them, those relationships get left behind in the future. He continues moving backward and eventually must confront the most difficult relationship of them all: his relationship with his own …

Theater's Need To Pursue Social Flourishing, Alex Voeller

Playwriting (MFA) Theses

There is an established precedent in the theater industry of fighting for its survival and financial stability: through constant grant applications, changes in government and foundational support, and the challenge of maintaining a strong audience base while competing with other forms of entertainment. This financial tug-of-war has been further exacerbated by the COVID-19 pandemic, resulting in years when theater could not be produced through traditional practices, effectively increasing the potency of these challenges the theater industry is already facing. The pandemic, along with increased access to on-demand entertainment and further inflation, has seemingly pushed the theater industry further out of …

Rainbows And Shades Of Gray, Lillian I. Savage

Playwriting (MFA) Theses

Rainbows and Shades of Gray is an original musical that explores the complexities of addiction, memory, and grief through a nonlinear, liminal narrative structure. The story follows Aaron, a deceased veteran, father, and musician forced to confront moments from his life as he grapples with the impact of his addiction on his relationships with his wife, Danielle, and daughter, Natalia. Through a series of fragmented scenes spanning past and present, the musical examines the emotional aftermath of trauma and the ways in which love persists despite harm.

Blending dialogue and original music, the piece uses song as a narrative device …

Transversal Storytelling | Wintersession 2026 Syllabus, Patrick Buhr, Movement Lab

Course Materials

What does "story" mean? How can stories help us understand what appears profoundly different from us? How might seemingly unrelated elements converge in poetic resonance?

A “transversal line” cuts across worlds — moving through unexpected spaces, ideas, people, and moments. In this course, we explore how such crossings can inspire new forms of expanded storytelling and technique, looking at vivid examples from animation, film, coding, and performance. The students will choose contrasting elements (stories / characters / places) from their personal experience and together explore artistic ways of creating meaningful transitions and intersections.

The class will culminate in the development …

Transversal Movement Framework, Patrick Buhr, Movement Lab

Personal Work

"Every type of art can be understood as performance, and every performance involves movement. Every movement has a mover, and every mover relies on something through which to move…." – Patrick Buhr

Know Fear: The Culture Of Fear In Community Conversations, Penelope Meredyk, Lotus Porte-Moyel, Fiona Carson, Cosley Bruno, Barrett Clement, Sophia Sproull, Morgan Davis

Undergraduate Theses, Professional Papers, and Capstone Artifacts

“K(no)w Fear” is an award winning piece of verbatim theater based on word-for-word interviews and collected research that's goal was to cultivate a connective and thoughtful community open to exploring what shapes us all: fear. Our GLI Capstone team gathered the resources for this theater piece by conducting interviews with a mixed demographic of people we know as well as strangers on the street, asking questions like: “How do you feel about death?” and “If fear were a place for you, where would it be?” With consent, their answers were used to build an immersive, verbatim theatre piece where actors …

Creating The Role Of Passerby And Stationmaster In The Cherry Orchard, Selwyn Ofori

All Graduate Theses, Dissertations, and Other Capstone Projects

This paper will serve as a thesis submitted in partial fulfilment of the Master of Fine Arts degree in Acting. It is a detailed account of Selwyn Ofori's artistic process in creating the role of Passerby and Stationmaster in Anton Chekhov's The Cherry Orchard staged at Ted Paul at Minnesota State University, Mankato in Spring 2026. This thesis entails the actor's analysis from pre-production till performance in five chapters, namely: pre-production analysis, historical and critical perspective, journals, post-production analysis, process development, and appendix. The sources of my research are also recorded in the works cited.

Competitive Dance And The Adolescent’S Body: Considering Pedagogical Approaches To Teaching Competitive Dancers, Catri E. G. Barba

Dance (MFA) Theses

Diving into the past and researching for the future, this thesis explores the development and perpetuation of hyper-sexualized adolescent bodies through the competitive dance scene. Drawing on dance theorists, educational theorists, and embodied research (i.e., the author’s body archive), this thesis explores how the competition gaze is performed for and by a capitalist patriarchy. Specifically, this thesis critically reflects on the author’s career as a young competitive dancer in the greater Los Angeles, California, area during the 1990s and 2000s, as well as a competition dance instructor and K-12 educator for two decades, and how those personal experiences have shaped …

Dancing With Ghosts: Memory And Melancholy In The Subversive Artist, Caley R. Vancil

Dance (MFA) Theses

This thesis examines how subversive artists use autonomy and memory to imagine new ways of existing beyond systemic violence. Through analysis of theory and performance studies, it highlights the efforts and risks these artists take to challenge representation and the political aspects of embodiment. The interconnected roles of language, power, and imagination are emphasized as essential to creating a more just and liberated world.

Accompanying this research is a dance piece that responds to the sorrows within American society. Developed as an improvisational score, the dance becomes a process of reinvention, employing movement and imagination to seek collective solutions. The …

Ibeji: Screendance As Living Archive, A Manuscript For Live Performance, Quentin W. Sledge

Dance (MFA) Theses

This work is a multimedia live performance that simultaneously moves through a live archival process which captures the essence of the work. It asks: how can dance archives evolve into participatory, user-centered repositories that account for the embodied and ephemeral nature of dance, and how might screendance expand archives into interactive, co-curated spaces that sustain liveness beyond preservation? Grounded in archival theory, Africana Aesthesis over Euro-Western Aesthetics, and auto-ethnographic practice, this project responds to the historic limitations of Euro-Western archival systems, particularly their inability to hold the spiritual, cultural, and embodied dimensions of dance.

The objective of this research is …

Theatre And Dance As Divine Purpose: Liberating The Christian Performer In Pursuit Of Artistic Worship, Abby Owen

Dance (MFA) Theses

This study examines the historical relevance of theatre and dance alongside religious forms of worship, with a particular emphasis on their integration into Christian churches of the Middle Ages, in comparison to the current Western era. Beginning with their origin, this research examines the creation of theatre and dance in Ancient Greece as a means of connecting with spiritual deities, tracing their recorded transition into accepted acts of everyday worship by Christian leadership. At the same time, this research scrutinizes contemporary congregations’ lack of artistic incorporation, denouncing the rise of restricted worship in response to present-day condemnation of the female …

Maternal Becoming: Reimagining Transformation Through Reverse Metamorphosis, Terese M. Cardamon

Dance (MFA) Theses

This thesis research investigates how pregnancy and early motherhood reshape identity, agency, and one’s relationship with the body and interrogates the narrative that frames motherhood as inherently joyful. Focusing on matrescence, meaning the process of becoming a mother, the project explores this transformation through the myth of Demeter and Persephone, the author's lived experience, and scholarly frameworks that center feminist perspectives, and includes an embodied exploration that integrates literature, poetry, and movement. Central to this inquiry is the unsettling experience of a transforming body and the visceral, horrific sensation of becoming unfamiliar to oneself. The concept of reverse metamorphosis, a …

My Body Is Bad, Daintry Tennapel

Dance (MFA) Theses

my body is bad is an integrative endeavor that critically examines cultural and theological teachings within the Evangelical Church, focusing on the rise of Purity Culture and its connections to a broader history of patriarchy and white supremacy in America. This work investigates the psychological, emotional, sexual, and spiritual impact on women raised within Purity Culture, analyzing its core teachings and the systems that perpetuate them. By exploring the intersection of political, societal, and religious ideologies, this work interrogates how these forces—manifested through Purity Culture narratives—shape women’s identities, self-worth, and sexual agency. This work combines scholarly research, survivor testimonies, and …

Reflecting Their Gaze: Resisting Distorted Perceptions Of Self And Other As Object, Francesca F. Harman

Dance (MFA) Theses

This thesis is an investigation into ways of seeing, constructions of otherness, objectification, influences on self-perception, and most urgently, how artists can resist objectification through the affirmation of their own subjectivity. Drawing from scholarship in feminist theory, performance studies, visual culture studies, and film theory, this thesis engages the writing of thinkers such John Berger, Jean-Paul Sartre, bell hooks, Rae Langton, Ann Pellegrini, Martha Nussbaum, and Coco Fusco. This thesis critically examines the way in which comparison, perceived lack, and fear of the Other contribute to constructions of identity. Distorted perception is at the root of objectification, and often leads …

Rediscovering The Hidden Nan Yumiao (Mysterious Rain), Katherine E. Nettles

Dance (MFA) Theses

This thesis explores complex themes of becoming, belonging, and how they shape identity through the perspective of transracial adoption. The investigation draws from personal experiences, cultural texts, and nature vs. nurture research. Combining self-reflection with scholarly sources allows for a broader picture of adoption trauma rather than a fixed bias. The author's research considers the circumstances surrounding adoption, including birth parents giving their child up due to social, economic, legal, or political constraints. This thesis examines finding a place of belonging in public, in community, in family, and in society. This concept of belonging has different meanings based on people's …

You Can't Kill The Beat: Cult Musicals, Alexis T. Kinsey

SPARK Symposium Presentations

You Can't Kill the Beat: Cult Musicals

This paper examines how certain musicals achieve lasting popularity despite initial failure, in the eyes of critics, by developing cult followings. Drawing on theories of camp aesthetics and fandom, this paper explores how exaggerated, unconventional, and "campy" elements, often rejected by critics, become the qualities that attract niche audiences. Using examples of certain musicals, such as The Rocky Horror Picture Show, Ride the Cyclone, Heathers, and Carrie, I argue that cult musicals survive and thrive because audiences actively participate in sustaining them. The revival of shows through social media illustrates how digital fandoms …

Ai And Its Impacts On Modern Theatre, Micaiah J. Byrd

Theses and Dissertations

What do you think of when you type a question into a search engine, and the “AI Overview” pops up without your having to request it? What may happen if theatre students and theatre industry professionals have that same ability to type in a prompt into an AI generator, and it has the ability to produce an output of a theatrical design concept with that same level of ease. Is this even possible with the programs that we have now, or could it be anticipated that this could be possible in the future. Would this be a benefit or would …

Servant Leadership: A Directing Approach, Charles Hearn

Theses and Dissertations

When involved with traditional stage directing, the process may feel very hierarchical, and only a few voices are heard when decisions are made; such is the method of the directing approach. Servant leadership, ideals argue that it is more beneficial to rely on others and dismantle unnecessary hierarchies when available, to not just enhance the product but the people and the process itself. Stage directing from a leadership perspective can not only perform the task at hand, directing, but also enhance the people involved with the production using a process like that found in servant leadership. This thesis focuses on …

Dear Vincent, James H. Stone Iv

Playwriting (MFA) Theses

Dear Vincent is a play written for J. Harvey Stone’s MFA in Playwriting from Hollins University. The play is inspired by the life of Vincent van Gogh and his letters with his brother Theodore. The artist Vincent van Gogh was an avid writer to his brother Theodore. This play is inspired by, but not dictated by, the letters Vincent van Gogh wrote to his brother. Connected by hymns in Act I and by the news of the 1980s in Act II, this Vincent lives through his letters as well but ultimately has to make a decision regarding this life in …