Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network™

Open Access. Powered by Scholars. Published by Universities.®

Theatre History

Institution
Keyword
Publication Year
Publication
Publication Type
File Type

Articles 2551 - 2580 of 2617

Full-Text Articles in Entire DC Network

Shakespere's Histories As A Dramatic Pageant Of The Middle Ages, Janice M. Wolf Jun 1930

Shakespere's Histories As A Dramatic Pageant Of The Middle Ages, Janice M. Wolf

Bachelors’ Theses

"When Shakespeare, Jonson, Fletcher, ruled the stage, They took so bold a freedom with the age, That there was scarce a knave or fool in town Of any note but had his picture down." But William Shakespeare has gone farther than this and has woven into his Histories a beautiful story. A story, or rather a colorful pageant that carries us back several centuries to the time when William Shakespeare lived and Queen Elizabeth ruled England. Between lines he gives us a beautiful picture of merry England and her people. He reveals the customs, beliefs, and ideas of his age …


East Lynne, Otterbein University May 1930

East Lynne, Otterbein University

1907-1958 Productions

Lady Isabel Carlyle, a beautiful and refined young woman, leaves her hard-working lawyer-husband, Carlyle, and her infant children to elope with an aristocratic suitor, Francis Levison, after wrongfully suspecting and becoming jealous of her husband's friendship with Barbara Hare. However once abroad with Levison she realises he has no intention of marrying her, despite her having borne their illegitimate child. He deserts her, Lady Isabel is disfigured in a train accident and the child is killed. Following this Isabel is able to take the position of governess in the household of her former husband and his new wife allowing her …


The Secularization Of The Liturgical Play, Sylvester G. Peters Apr 1930

The Secularization Of The Liturgical Play, Sylvester G. Peters

Bachelors’ Theses

The purpose of this thesis is to trace the origin and development of the drama from the liturgy of the Mass to the time of its complete secularization. I shall endeavor to show the process by which the Church itself, through the introduction of dramatic elements into its liturgy came to make its appeal to mimetic instinct, out of which grew the great popular religious dramas of the miracle plays, with its offshoots in the moralities and dramatic pageants.


Shakespeare's Genius Was Essentially A Dramatic One, Marie Valentine Prudeaux Jul 1929

Shakespeare's Genius Was Essentially A Dramatic One, Marie Valentine Prudeaux

Electronic Theses and Dissertations

This thesis, submitted to Xavier University in 1929, argues that Shakespeare's genius was essentially a dramatic one, examining his life, artistic development, and dramatic works across four periods of composition. A biographical account of Shakespeare's life at Stratford-on-Avon and London opens the study, followed by an analysis of the qualities that distinguish his genius, including originality, insight into character, and the power to portray emotion.

Prudeaux draws on the critical tradition of Dryden, Hazlitt, Johnson, Pope, and Schlegel, among others, to organize Shakespeare's dramatic output into four periods, characterized in the thesis as "In the Workshop," "In the World," "Out …


Jealousy In Shakespeare's Tragedies, Harold M. Kimball Jan 1929

Jealousy In Shakespeare's Tragedies, Harold M. Kimball

University of the Pacific Theses and Dissertations

In undertaking a study of the theme of jealousy, one must make some limitation of material. The field of literature as a whole, or the more limited ones of drama or even tragedy - each of these is too large for so short a study as this must be. Only certain aspects of such a restricted subject as the tragedies of Shakespeare can be given any thorough treatment, while others, both interesting and profitable, must be put aside; for instance, space will prohibit a careful comparison of Shakespeare's use of jealousy with that of other dramatists; nor can a study …


Letter From Colby College, Edith W. Chester Aug 1928

Letter From Colby College, Edith W. Chester

Correspondence 1922-1938

Typed letter from Edith W. Chester of the Department of Biology, Colby College, to Charlotte Michaud, thanking her for an article she wrote.


Robin Hood, Otterbein University Jun 1928

Robin Hood, Otterbein University

1907-1958 Productions

This classic children’s tale of Robin Hood and his followers is charming and delightful for children of all ages. Set in England’s Sherwood Forest, Robin Hood, with the help of his childhood sweetheart, Maid Marion, and his band of merry men “rob from the rich” (the evil Sheriff of Nottingham) and “give to the poor.” Action that both adults and children will enjoy abounds in this wonderful parable of goodness over evil.


The Function Of The Comedians In Shakespeare's Plays, Louise Elizabeth Tennessen Jun 1928

The Function Of The Comedians In Shakespeare's Plays, Louise Elizabeth Tennessen

Bachelors’ Theses

There is an old adage, "It takes a wise man to make a fool", which is familiar to most of us, but the full significance of the proverb will be comprehended only after reviewing several plays in which the fools carry prominent parts. Tracing the history of the court fool back to the early and middle ages, it has been found that it was customary tor a monarch, prince or a powerful noble to have in his retinue a fool or jester, whose office it was to entertain his master and courtiers. He enjoyed privileges and liberties denied the higher …


Divine Justice In Aeschylean Tragedy, Anton C. Pegis Jun 1928

Divine Justice In Aeschylean Tragedy, Anton C. Pegis

Bachelors’ Theses

Briefly, then, I intend to give an exposition of the seven extant plays from the point of view of the conflict between divine justice and moral freedom, with an attempt of reconstructing, in the light of criticism, the Aeschylean solution to the problems involved in the investigation. Maurice Croiset has said of Aeschylus that his dramas were revelations on the stage of the divine will; the Aeschylean meditative genius searched for causes, and thus each trilogy " divine l'expose dramatique d'une grande destinee, et, ainsi concue, elle eveilla desormais autant de peosee que d'emotion."


Ingomar The Barbarian: A Play In Five Acts Program [1928], Gorham Normal School Jan 1928

Ingomar The Barbarian: A Play In Five Acts Program [1928], Gorham Normal School

Theatre Programs 1910-1939

Program for Ingomar the Barbarian from the Gorham Normal School, Gorham, Maine.

Written by Friedrich Hall


The Song In Elizabethan Drama With Particular Reference To Its Function In Shakespeare, John Joseph Plamondon Jun 1927

The Song In Elizabethan Drama With Particular Reference To Its Function In Shakespeare, John Joseph Plamondon

Master's Essays (1922 - )

We have approached our study of the song in Elizabethan Drama with the intention of accounting for the abundance of vocal music in the plays of Shakespeare and his contemporaries, and of explaining the use of song as a dramatic device. It has been considered necessary to a proper understanding of the place of song in the Romantic Drama to give a rather broad treatment of the subject, including a brief history of the song in the English theatre, the psychology of its origin, and the cause of its decline. Methods of presenting songs have been discussed to strengthen our …


As You Like It, Otterbein University Jun 1927

As You Like It, Otterbein University

1907-1958 Productions

We celebrate the best of Shakespeare with laughter...music...dances...romance...comedy at all levels. The story of how the banished Duke, Rosalind, Orlando and others find happiness through love is one of the most delightful of all Shakespearean tales. The wit of the clown, Touchstone, the philosophy of "All the world's a stage...", the music of "It was a lover and his lass...", the earthy needs of the country people, the romantic honesty of young lovers in tune with nature...all can be found in As You Like It.


The Taming Of The Shrew Apr 1927

The Taming Of The Shrew

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1927 performance of The Taming of the Shrew by William Shakespeare.

The Taming of the Shrew follows the courtship and marriage of Petruchio and Katherina, a headstrong shrew and how Petruchio "tames" her.


Kempy, Otterbein University Jun 1926

Kempy, Otterbein University

1907-1958 Productions

A snobbish authoress impulsively marries a young plumber who comes to fix her pipes when he regales her with praise about her book.

https://www.samuelfrench.com/p/4440/kempy


Sherwood Program [1926], Gorham Normal School Jun 1926

Sherwood Program [1926], Gorham Normal School

Theatre Programs 1910-1939

Written by Alfred Noyes

Stage Manager Alfred Quimby

Presented at Commencement, June, 1926


National Traits As Revealed In The Revenge Theme In Tragedy, Hazel Pauline Glaister Jan 1926

National Traits As Revealed In The Revenge Theme In Tragedy, Hazel Pauline Glaister

University of the Pacific Theses and Dissertations

In the Renaissance drama, revenge is known as a revenge of blood, generally the “eye for an eye” variety of retaliation. The revenge of late periods deals with the return injury directed not only to the body of the opponent but also to his mental discomfort.

It is the aim of this thesis to present the different types of revenge in tragic dramas and by means of them to show how the life, manners, and attitude of the various nationalities are reflected in dramas dealing with this theme.


The Lamp And The Bell: Drama In Five Acts Program [1925], Gorham Normal School Jan 1925

The Lamp And The Bell: Drama In Five Acts Program [1925], Gorham Normal School

Theatre Programs 1910-1939

Written by Edna St. Vincent Millay

Directed by Miss Cathryn Parker


Icebound, Otterbein University Jun 1924

Icebound, Otterbein University

1907-1958 Productions

The Jordan family is in their farm in Veazie, Maine in October 1922. They await the reading of the will by Judge John Bradford of the family matriarch who has just died. Much to the family's dismay, the farm and all of the money has been left to a distant cousin, Jane Crosby. Jane has been told that she is to take care of the legal trouble of the young son of the family, Ben. Ben had left because he accidentally burned a neighbor's farm. Ben begins a flirtatious relationship with Nettie, the adopted daughter of Emma Jordan.

Wikipedia contributors. …


Ua97/7 The Cardinal, Vol. 3, No. 11, Ogden College Apr 1924

Ua97/7 The Cardinal, Vol. 3, No. 11, Ogden College

WKU Administration Documents

Newspaper created by the students of Ogden College a prep school for boys in Bowling Green which operated from 1877 to 1927.


Clarence, Otterbein University Jan 1924

Clarence, Otterbein University

1907-1958 Productions

The father of a quirky family, the Wheelers, hires an ex-soldier, Clarence, as a handyman. Clarence falls for the family's governess, Violet. Mrs. Wheeler suspects that Violet and her husband are carrying on, and Mrs. Wheeler begins to develop an attraction to Clarence. Hubert Stem, Mr. Wheeler's avaricious private secretary, one day shows Mr. Wheeler an article about Charles Short, an army deserter, and insists that Clarence is in actuality Charles Short.

Wikipedia contributors. (2018, July 19). Clarence (1922 film). In Wikipedia, The Free Encyclopedia. Retrieved 00:54, August 14, 2019, from https://en.wikipedia.org/w/index.php?title=Clarence_(1922_film)&oldid=851070063


Nothing But The Truth, Otterbein University May 1923

Nothing But The Truth, Otterbein University

1907-1958 Productions

Is it possible to tell the absolute truth even for twenty four hours? Bob Bennett, the hero of Nothing But the Truth accomplishes that feat to win a bet he made with his partners, his friends, and his fiancee. The scenes in which Bob is forced to answer embarrassing questions and tell the literal truth are hysterical. The situations increase in humor to the point where the audience can hardly resist joining the cast in this popular comedy.

https://www.samuelfrench.com/s/4851/nothing-but-the-truth


Twelfth Night, Otterbein University Jan 1923

Twelfth Night, Otterbein University

1907-1958 Productions

Twelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play centers on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as Cesario) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements …


A Midsummer Festival With The Marriage Of Columbine In Pantomine Program [1922], Gorham Normal School Jun 1922

A Midsummer Festival With The Marriage Of Columbine In Pantomine Program [1922], Gorham Normal School

Theatre Programs 1910-1939

A program for A Midsummer Festival with The Marriage of Columbine in Pantomine at the Gorham Normal School in Gorham, Maine.


1922 One-Acts, Otterbein University Jun 1922

1922 One-Acts, Otterbein University

1907-1958 Productions

Three one act plays presented by Otterbein College's Senior Class of 1922. Students performed The Rector by Rachel Crothers, Waterloo by Sir Arthur Conan Doyle, and Enter Dora--Exit Dad by Freeman Tilden.


Mrs. Bumpstead-Leigh, Otterbein University May 1922

Mrs. Bumpstead-Leigh, Otterbein University

1907-1958 Productions

A comedy in three acts by Harry James Smith.


The Beginnings Of English Dramatic Literature, Clarence Francis Dickopf May 1922

The Beginnings Of English Dramatic Literature, Clarence Francis Dickopf

Bachelors’ Theses

No art has been practiced by human beings from the beginning. We only find a gradual development. We have men, however, who were born with a gift of genius, who were unconscious of the laws and rules governing their respective spheres. We read of a Mozart, a Michaelangelo and a host of other gifted men whose art came to them intuitively. These are exceptions. Art has laboriously grown, and so it is with our own dramatic art, we see its gradual development. In order to study English drama intelligently we must know its origins or beginnings, how it arose from …


Cap And Dagger - Initial Performance, Otterbein University Apr 1922

Cap And Dagger - Initial Performance, Otterbein University

1907-1958 Productions

No abstract provided.


The Otterbein Revue - Minstrel And Vaudeville, Otterbein University Jan 1922

The Otterbein Revue - Minstrel And Vaudeville, Otterbein University

1907-1958 Productions

No abstract provided.


The Steadfast Princess Program [1921], Gorham Normal School Jun 1921

The Steadfast Princess Program [1921], Gorham Normal School

Theatre Programs 1910-1939

A program for The Steadfast Princess at the Gorham Normal School in Gorham, Maine.


All-Of-A-Sudden Peggy, Otterbein University Theatre And Dance Department May 1921

All-Of-A-Sudden Peggy, Otterbein University Theatre And Dance Department

1907-1958 Productions

Peggy O'Hara (Clark) who with her widowed mother Mrs. O'Hara is staying at the manor of Lord Anthony Crackenthorpe, a scientist engrossed in the study of spiders. Mrs. O'Hara is assisting Lord Anthony. The sister of the peer sends for her son Jimmy because she thinks Peggy has designs on Lord Anthony. Jimmy falls in love with Peggy, and in order to further her mother's love affair with Lord Anthony, Peggy announces her engagement with Jimmy. She goes to London where her pocket is picked, and has to stay at Jimmy's bachelor quarters while he is away on business. The …