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Lady Windermere's Fan, Otterbein University Feb 1935

Lady Windermere's Fan, Otterbein University

1907-1958 Productions

Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde.

The story concerns Lady Windermere, who suspects that her husband is having an affair with another woman. She confronts him with it but although he denies it, he invites the other woman, Mrs Erlynne, to his wife's birthday ball. Angered by her husband's supposed unfaithfulness, Lady Windermere decides to leave her husband for another lover. After discovering what has transpired, Mrs Erlynne follows Lady Windermere and attempts to persuade her to return to her husband and in the course of this, Mrs Erlynne is …


A History Of The Productions Of The Little Theatre, 1933-1935, Demarcus Brown Jan 1935

A History Of The Productions Of The Little Theatre, 1933-1935, Demarcus Brown

University of the Pacific Theses and Dissertations

The growth of interest in drama and the realization of the educational value of dramatics has developed a new place for the college theatre. Pacific Little Theatre was organized eleven years ago to fulfill a definite need and has since grown slowly and steadily into a most active producing unit, serving both school and community. Indeed Pacific Little Theatre can be taken as an excellent specific example of the contribution which can be made to campus and community life by the college aside from its main function as fundamental ground for students in the theatre arts.


The Swan Program [1934], Gorham Normal School Jun 1934

The Swan Program [1934], Gorham Normal School

Theatre Programs 1910-1939

Written by Ferenc Molnar

Directed by Jeanette S. Johnson

Produced by special arrangement with Longmans, Green & Company, New York.


The Social And Moral Principles In The Dramas Of Manuel Tamayo Y Baus, Sylvia Potuondo Apr 1934

The Social And Moral Principles In The Dramas Of Manuel Tamayo Y Baus, Sylvia Potuondo

Bachelors’ Theses

Of Tamayo y Baus it may be said as of the poets, that he was born and not made a dramatist. A friendly biographer, who lived in intimate relation with him, tells us that this great genius, like the gods or old, always appeared to him enveloped in a cloud. His actions were ever in conformity with his art-- even his death was as if practiced and rehearsed in anticipation, but on reading his critics we learn how very human was his life.


Barter, Otterbein University Mar 1934

Barter, Otterbein University

1907-1958 Productions

In Barter we have portrayed a New Testament theme with the utmost respect and vividness. It is a very pathetic human story, evolving around the great betrayal of Judas and made to play its way across a stage already set for the greater drama of Calvary. The author shows how love and respectability are bartered for power and place at the very time that the life of Christ is being bartered for mankind. --Irish Catholic

http://library.providence.edu/spcol/drama/files/original/f25d137a6557ff1436f8380baba7b4e0.pdf


The Technique Of Shakespeare's Early Comedies, Mary Alice Procissi Jul 1933

The Technique Of Shakespeare's Early Comedies, Mary Alice Procissi

Bachelors’ Theses

In this thesis I have attempted to trace the dramatic technique of the early comedies of Wiilliam Shakespeare. As a setting for the development of my thesis, "The Technique of Shakespeare's Early Comedies" I have given a brief history of the rise of the Shakespearean drama, showing the relation of the early dramatists to Shakespeare as a writer of comedy, including also a sketch of the Elizabethan theatre. Under the definition of the term technique, I include chiefly a division of his plays into acts and scenes, character drawing, source of plot and treatment of plot.


Monsieur Beaucaire Program [1933], Gorham Normal School Jun 1933

Monsieur Beaucaire Program [1933], Gorham Normal School

Theatre Programs 1910-1939

Written by Ethel Hale Freeman from the novel written by Booth Tarkington

Directed by Jeanette S. Johnson


Much Ado About Nothing, Otterbein University Jun 1933

Much Ado About Nothing, Otterbein University

1907-1958 Productions

Much Ado About Nothing is a comedy by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623.

By means of "noting" (which, in Shakespeare's day, sounded similar to "nothing" as in the play's title, and which means gossip, rumour, and overhearing), Benedick and Beatrice are tricked into confessing their love for each other, and Claudio is tricked into rejecting Hero at the altar on the erroneous belief that she has been unfaithful. At the end, Benedick and Beatrice …


Seventeenth Century Golden Era Of French Drama, Vera P. Duplessis May 1933

Seventeenth Century Golden Era Of French Drama, Vera P. Duplessis

Electronic Theses and Dissertations

Drama is a word belonging to the Greek language which means actions. It is applied to that form of literature which has action in it and is suited for performance.


Nightmare, Otterbein University May 1933

Nightmare, Otterbein University

1907-1958 Productions

A three act farce written by Roger Wheeler.


Max Reinhardt: A Study Of A Regisseur, Pearl M. Rogatz May 1933

Max Reinhardt: A Study Of A Regisseur, Pearl M. Rogatz

Bachelors’ Theses

Max Reinhardt is the epitome of all great art in the theatre. To him we owe the recreation of the importance and necessity of a knowledge of stagecrafts, the glorification of the dance, the beauty of exquisite costuming and the inspirational effect of music. Germany could not have reached such great heights in world theatre without Max Reinhardt, nor could her dramatic art have enjoyed such widespread fame. Others have been mere followers of the great Reinhardt for nothing accomplished on the German stage is so far removed that it cannot be traced back to this great name in the …


David Garrick And Edmund Kean At The Drury Lane Theatre In London, Dorothy Seegers May 1933

David Garrick And Edmund Kean At The Drury Lane Theatre In London, Dorothy Seegers

Bachelors’ Theses

Fame and the actor. All art is a study of life; but there is only one art in which the reward is of life. The poet, the painter, the writer, and the actor, all study and portray truths of human life, the beautiful in universal emotions of mankind. However, the artist of the pen or brush must submit his work to the test of time, to prove its power, its universal appeal or approbation, and thus, through the years, increase or diminish the fame of the creator. The only art in which the artist may glory in his own triumphs …


The Director In The Theatre, Margaret C. Reilly May 1932

The Director In The Theatre, Margaret C. Reilly

Bachelors’ Theses

This thesis will attempt to place the director in the modern theatre. His "place" is only a few years old; his very existence as a separate individual is only about twenty years old. Materials on this subject are limited to histories of the theatre and informal discussions on theatrical figures. By quoting authorities and illustrating, by the lives and accomplishments of the most outstanding directors, the development of directing, this thesis will attempt to present the general authoritative impression of the director's place in modern drama.


Jean Giraudoux And His Play Siegfried, Gertrude Zivnuska May 1932

Jean Giraudoux And His Play Siegfried, Gertrude Zivnuska

Bachelors’ Theses

What a privilege it is to come in contact with the author Giraudoux by reading detailed accounts of his eventful life and above all be perusing his works in the exquisite language in which they were written. Since we are not one of the fortunate individuals who is a personal acquaintance of the ingenious author, let us consult the articles and books which contain valuable bits of information about his life and his accomplishments.


Merry Wives Of Windsor, Otterbein University Jan 1932

Merry Wives Of Windsor, Otterbein University

1907-1958 Productions

Falstaff decides to fix his financial woe by seducing the wives of two wealthy merchants. The wives find he sent them identical letters and take revenge by playing tricks on Falstaff when he comes calling. With the help of their husbands and friends, the wives play one last trick in the woods to put Falstaff's mischief to an end.

https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/shakespeares-plays/merry-wives-windsor/


George Washington Pageant Program [1932], Gorham Normal School Jan 1932

George Washington Pageant Program [1932], Gorham Normal School

Theatre Programs 1910-1939

Written by Advanced Seniors in United States History, Class of 1932.

Directed by Jeanette S. Johnson


The Rivals, Otterbein University Jun 1931

The Rivals, Otterbein University

1907-1958 Productions

Set in fashionable Bath, The Rivals centers around the complicated relationship between Lydia Languish and Captain Jack Absolute. The Rivals satirizes the social expectations of courtship and marriage among the upper classes, while also exploring themes of honor and the role of women in the eighteenth century.

https://stageagent.com/shows/play/8526/the-rivals


A Thesis Submitted To The Faculty In Partial Fulfilment Of The Requirements For The Degree Of Bachelor Of Arts, Sister Mary Francis Borgia May 1931

A Thesis Submitted To The Faculty In Partial Fulfilment Of The Requirements For The Degree Of Bachelor Of Arts, Sister Mary Francis Borgia

Electronic Theses and Dissertations

A Congregation of Colored Sisters in New Orleans! To those unfamiliar with the history of the Crescent City, this seems not only an impossibility. Was not New Orleans the slave mart of the South? Is not the color or race prejudice a traditional still adhered to? Is this Congregation in its infancy? If so, when was it founded and by whom? These, and many other questions of the same type are asked by tourists when they are informed that the building on Orleans Street, formerly the Orleans b ballroom, is the Convent of the Holy Family and the motherhouse of …


She Stoops To Conquer, Otterbein University Jun 1930

She Stoops To Conquer, Otterbein University

1907-1958 Productions

A round of mistaken identities stir up the hilarity for this quick-paced, rowdy farce that has kept audiences laughing for more than two centuries. Tony Lumpkin directs two lost-in-the-night Londoners to the squire's country home they search for--but impishly tells them it's an inn. Since Marlow, one of the young men, seeks to court the squire's daughter, it results in pickle after delicious pickle as he treats the squire (his prospective father-in-law) and the squire's daughter (his future wife) as an innkeeper and barmaid. The squire is perplexed at being ordered about like a servant, and Marlow indignant at the …


Shakespere's Histories As A Dramatic Pageant Of The Middle Ages, Janice M. Wolf Jun 1930

Shakespere's Histories As A Dramatic Pageant Of The Middle Ages, Janice M. Wolf

Bachelors’ Theses

"When Shakespeare, Jonson, Fletcher, ruled the stage, They took so bold a freedom with the age, That there was scarce a knave or fool in town Of any note but had his picture down." But William Shakespeare has gone farther than this and has woven into his Histories a beautiful story. A story, or rather a colorful pageant that carries us back several centuries to the time when William Shakespeare lived and Queen Elizabeth ruled England. Between lines he gives us a beautiful picture of merry England and her people. He reveals the customs, beliefs, and ideas of his age …


East Lynne, Otterbein University May 1930

East Lynne, Otterbein University

1907-1958 Productions

Lady Isabel Carlyle, a beautiful and refined young woman, leaves her hard-working lawyer-husband, Carlyle, and her infant children to elope with an aristocratic suitor, Francis Levison, after wrongfully suspecting and becoming jealous of her husband's friendship with Barbara Hare. However once abroad with Levison she realises he has no intention of marrying her, despite her having borne their illegitimate child. He deserts her, Lady Isabel is disfigured in a train accident and the child is killed. Following this Isabel is able to take the position of governess in the household of her former husband and his new wife allowing her …


The Secularization Of The Liturgical Play, Sylvester G. Peters Apr 1930

The Secularization Of The Liturgical Play, Sylvester G. Peters

Bachelors’ Theses

The purpose of this thesis is to trace the origin and development of the drama from the liturgy of the Mass to the time of its complete secularization. I shall endeavor to show the process by which the Church itself, through the introduction of dramatic elements into its liturgy came to make its appeal to mimetic instinct, out of which grew the great popular religious dramas of the miracle plays, with its offshoots in the moralities and dramatic pageants.


Shakespeare's Genius Was Essentially A Dramatic One, Marie Valentine Prudeaux Jul 1929

Shakespeare's Genius Was Essentially A Dramatic One, Marie Valentine Prudeaux

Electronic Theses and Dissertations

This thesis, submitted to Xavier University in 1929, argues that Shakespeare's genius was essentially a dramatic one, examining his life, artistic development, and dramatic works across four periods of composition. A biographical account of Shakespeare's life at Stratford-on-Avon and London opens the study, followed by an analysis of the qualities that distinguish his genius, including originality, insight into character, and the power to portray emotion.

Prudeaux draws on the critical tradition of Dryden, Hazlitt, Johnson, Pope, and Schlegel, among others, to organize Shakespeare's dramatic output into four periods, characterized in the thesis as "In the Workshop," "In the World," "Out …


Jealousy In Shakespeare's Tragedies, Harold M. Kimball Jan 1929

Jealousy In Shakespeare's Tragedies, Harold M. Kimball

University of the Pacific Theses and Dissertations

In undertaking a study of the theme of jealousy, one must make some limitation of material. The field of literature as a whole, or the more limited ones of drama or even tragedy - each of these is too large for so short a study as this must be. Only certain aspects of such a restricted subject as the tragedies of Shakespeare can be given any thorough treatment, while others, both interesting and profitable, must be put aside; for instance, space will prohibit a careful comparison of Shakespeare's use of jealousy with that of other dramatists; nor can a study …


Letter From Colby College, Edith W. Chester Aug 1928

Letter From Colby College, Edith W. Chester

Correspondence 1922-1938

Typed letter from Edith W. Chester of the Department of Biology, Colby College, to Charlotte Michaud, thanking her for an article she wrote.


Robin Hood, Otterbein University Jun 1928

Robin Hood, Otterbein University

1907-1958 Productions

This classic children’s tale of Robin Hood and his followers is charming and delightful for children of all ages. Set in England’s Sherwood Forest, Robin Hood, with the help of his childhood sweetheart, Maid Marion, and his band of merry men “rob from the rich” (the evil Sheriff of Nottingham) and “give to the poor.” Action that both adults and children will enjoy abounds in this wonderful parable of goodness over evil.


The Function Of The Comedians In Shakespeare's Plays, Louise Elizabeth Tennessen Jun 1928

The Function Of The Comedians In Shakespeare's Plays, Louise Elizabeth Tennessen

Bachelors’ Theses

There is an old adage, "It takes a wise man to make a fool", which is familiar to most of us, but the full significance of the proverb will be comprehended only after reviewing several plays in which the fools carry prominent parts. Tracing the history of the court fool back to the early and middle ages, it has been found that it was customary tor a monarch, prince or a powerful noble to have in his retinue a fool or jester, whose office it was to entertain his master and courtiers. He enjoyed privileges and liberties denied the higher …


Divine Justice In Aeschylean Tragedy, Anton C. Pegis Jun 1928

Divine Justice In Aeschylean Tragedy, Anton C. Pegis

Bachelors’ Theses

Briefly, then, I intend to give an exposition of the seven extant plays from the point of view of the conflict between divine justice and moral freedom, with an attempt of reconstructing, in the light of criticism, the Aeschylean solution to the problems involved in the investigation. Maurice Croiset has said of Aeschylus that his dramas were revelations on the stage of the divine will; the Aeschylean meditative genius searched for causes, and thus each trilogy " divine l'expose dramatique d'une grande destinee, et, ainsi concue, elle eveilla desormais autant de peosee que d'emotion."


Ingomar The Barbarian: A Play In Five Acts Program [1928], Gorham Normal School Jan 1928

Ingomar The Barbarian: A Play In Five Acts Program [1928], Gorham Normal School

Theatre Programs 1910-1939

Program for Ingomar the Barbarian from the Gorham Normal School, Gorham, Maine.

Written by Friedrich Hall


The Song In Elizabethan Drama With Particular Reference To Its Function In Shakespeare, John Joseph Plamondon Jun 1927

The Song In Elizabethan Drama With Particular Reference To Its Function In Shakespeare, John Joseph Plamondon

Master's Essays (1922 - )

We have approached our study of the song in Elizabethan Drama with the intention of accounting for the abundance of vocal music in the plays of Shakespeare and his contemporaries, and of explaining the use of song as a dramatic device. It has been considered necessary to a proper understanding of the place of song in the Romantic Drama to give a rather broad treatment of the subject, including a brief history of the song in the English theatre, the psychology of its origin, and the cause of its decline. Methods of presenting songs have been discussed to strengthen our …