Digital Commons Network^™

Vol. 24 No. 3/4 (2001): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 24, No 3/4-Sept/Dec 2001 edition of the Pacific Studies Journal.

When Tejano Ruled The Airwaves: The Rise And Fall Of Kqqk In Houston, Texas, Guadalupe San Miguel Jr.

NACCS Annual Conference Proceedings

No abstract provided.

Vol. 25 Nos. 1/2 (2002): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 25, No 1/2-Mar/Jun 2002 edition of the Pacific Studies Journal.

Vol. 25 Nos. 1/2 (2002): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Multigenerations And Multidisciplines: Inheriting Fifty Years Of Gwembe Tonga Research, Lisa Cliggett

Anthropology Faculty Publications

No abstract provided.

Tabuhan Dalam Ensembel Muzik Membranofon Melayu Kelantan Dan Campa, Mohd Yuszaidy Mohd Yusoff

Student Works (2000-2009)

This thesis discusses the percussion instruments of the Malay communities of Kelantan and the Chams, which is based on patterns of rhythm. This thesis concentrates on analyzing the comparative patterns of rhythm. Two headed drums are referred to for a comparison of patterns of rhythm. The two headed drums in Cham communities are called ginang. These comparative studies will examine the cultural ties between the two communities namely the Malay of Kelantan and the Chams. The relationship between musical instruments and spirits is also explored in this thesis. For both communities, musical instruments and spirits are closely related. Percussion instruments …

Religion And Technology: Refiguring Place, Space, Identity And Community, Lily Kong

Research Collection School of Social Sciences

This paper reviews the literature on the religion-technology nexus, drawing up a research agenda and offering preliminary empirical insights. Firsts I stress the need to explore the new politics of space as a consequence of technological development, emphasizing questions about the role of religion in effecting a form of religious (neo)imperialism, and uneven access to techno-religious spaces. Second, I highlight the need to examine the politics of identity and community, since cyberspace is not an isotropic surface. Third, I underscore the need to engage with questions about the poetics of religious community as social relations become mediated by technology. Finally, …

Vol. 24 No. 3/4 (2001): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 23 No. 1/2 (2000): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 23, No 1/2-Mar./Jun. 2000 edition of the Pacific Studies Journal.

Spartan Daily, March 5, 2001, San Jose State University, School Of Journalism And Mass Communications

Spartan Daily (School of Journalism and Mass Communications)

Volume 116, Issue 27

Vol. 24 (2001): Pacific Studies Full Issue 1-2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 24 (2001): Pacific Studies Front Matter 1-2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 24, No.1-2 March/June 2001 edition of the Pacific Studies Journal.

Volume 6, Number 3: September/October 2000, Suzanne Zack

UConn Libraries Newsletter

No abstract provided.

Noticias De Naccs, Vol. 27, No. 3, Fall 2000, National Association For Chicana And Chicano Studies

Noticias de NACCS Newsletter

No abstract provided.

Review Of The Power Of Kiowa Song: A Collaborative Ethnography By Luke E. Lassiter, Victoria Lindsay Levine

Great Plains Quarterly (through 2013)

In his informative and innovative exploration of Kiowa music, Luke Lassiter focuses on intersubjective, phenomenological, and experiential aspects of Kiowa song. Employing collaborative ethnography, a method that "fully embraces dialogue in both ethnographic practice and ethnographic writing," he discloses the ways in which his own social interactions with Kiowa consultants have informed his ethnography.

The book is divided into two parts. The first, "Experience, Dialogue, and Ethnography," recounts Lassiter's early impressions of Plains Indians and the gradual transformation of his understanding. The second, "Powwows, the Gourd Dance, and Kiowa Song," offers his interpretation of the social worlds in which Kiowa …

A Week Of Music And Dance An Introduction, Randall Snyder

Great Plains Quarterly (through 2013)

During the second week of April 1999, the Center for Great Plains Studies hosted The Great Plains Music & Dance Festival and Symposium. This undertaking, three years in the planning, co-chaired by Ron Bowlin and myself with suggestions of various committees of local advocates, resulted in a multidisciplinary event which showcased the diversity of our music and dance heritage in the Great Plains. Performances of Plains music and dance ranging from Northern and Southern Native Drums to Jazz, Folk, Gospel and Classical were featured at a variety of venues in Lincoln. This phase of the symposium culminated in a premier …

The Omaha Gospel Complex In Historical Perspective, Tom Jack

Great Plains Quarterly (through 2013)

In this article, I document the introduction and development of gospel music within the African-American Christian community of Omaha, Nebraska. The 116 predominantly black congregations in Omaha represent twenty-five percent of the churches in a city where African-Americans comprise thirteen percent of the overall population.¹ Within these institutions the gospel music genre has been and continues to be a dynamic reflection of African-American spiritual values and aesthetic sensibilities. By focusing the research on perceptions and descriptions provided by the music's practitioners, an examination of this genre at the local level will shed insight into the development and dissemination of …

Powerful Feelings Recollected In Tranquility Literary Criticism And Lakota Social Song Poetry, R. D. Theisz

Great Plains Quarterly (through 2013)

The anthropologist and ethnomusicologist William K. Powers, in his Beyond the Vision: Essays on American Indian Culture, laments that the discipline of ethnomusicology-and music pedagogy-with its emphasis on the vocal and instrumental "art music" traditions of musically literate peoples has been lax in accepting anthropological theory. Thus, Powers points out that ethnomusicology, where it is concerned with the music of oral, indigenous cultures, adheres to outdated theories on "primitive" music and displays a telling absence of ethnographic abilities.¹ Reflecting Powers' judgment, it seems to me that the conceptual seams between anthropology, ethnomusicology, and musicology are rather formidable.

At …

Vol. 23 No. 1/2 (2000): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Fall Newsletter 2000, University Of Missouri-St. Louis

UMSL Global

No abstract provided.

[Review Of] Adelaida Reyes. Songs Of The Caged, Songs Of The Free: Music And The Vietnamese Refugee Experience, Deborah Wong

Ethnic Studies Review

This important book documents two areas, the history of the Vietnamese traumatic emigration to the U.S. from 1975 to the early 1990s and the central role of music in Vietnamese responses to diaspora. Because ethnographic studies of the Vietnamese diaspora are still limited in number, and this is the first focused on Vietnamese expressive practices, Songs of the Caged is a major contribution on both fronts. Unlike many accounts of the Vietnamese American experience, Reyes' book is based on extended field research and addresses big issues with attention to history and to real people in real situations often conveyed through …

Tingkah Laku Pengguna Terhadap Muzik : Kajian Di Kalangan Belia Terhadap Lagu Melayu Nusantara, Noorihal Muhammad

Student Works (2000-2009)

The aim of this study is to identify the characteristics that are outstanding in the youth of today towards the special kind of music and songs that are generally referred lagu Melayu Nusantara'. The factors that influence the attraction of the youth of today towards this kind of music is given prominence. These factors are as follows, ( i ) the existence of forces that attract these youth to this particular kind of music, ( ii ) the singer presenting the song and finally, ( iii ) the lyrics of the song that captivates the youth. In my study, I …

Hi-O-Hi 2000, Oberlin College

Hi-O-Hi Yearbooks

No abstract provided.

Development Of An Interactive Multimedia Research Information System For The Archival Of The Music And Culture Of The Sliabh Luachra Area, Martina O'Neill

Theses

We are living in a world where communication is introducing much multiculturalism into society. Irish music is being mixed with music from all different cultures creating a worldwide acceptable type of "Irish Music\ As a result we are losing our true culture which is rooted in the Irish music and dance. This primary focus of this project was to set up an archival system to store the music of the Sliabh Luachra area. The music of the Sliabh Luachra area is a rich and rare heritage and was influenced greatly by the music of Padraig O’Keeffe, a renowned fiddle master …

Ua77/4 Uniting The Spirit, Vol. 1, No. 1, Wku Alumni Relations

WKU Administration Documents

Newsletter created by WKU Society of African American Alumni and Minority Student Support Services to promote homecoming events.

The Process Of Becoming A Songwriter: A Qualitative Analysis Of Self-Perceptions And Early Environmental Experiences, Becky Ehlts

Masters Theses & Specialist Projects

Becoming a songwriter implies a process through which someone must experience specific things indigenous to the social world of songwriters. This research focused on the process someone goes through to become a songwriter. The process as described by the actor is influenced by both the actor and society. Previous research is limited to structural factors while this study allows the social actor to describe, in his or her own words, how his or her self-perceptions and early environmental influences have altered, influenced, and directed the process the songwriter experiences to become a member of the social world of songwriters. All …

A Cultural View Of Music Therapy: Music And Beliefs Of Teton Sioux Shamans, With Reference To The Work Of Frances Densmore, Stephanie B. Thorne

Graduate Thesis Collection

At the end of World War II, doctors trained in the western bio-medical tradition integrated music into their practice as a means of helping soldiers recover, both mentally and physically, from the atrocities experienced while overseas. For many, music was a solace, opening up the peaceful memories of home and family and pushing aside the war-torn landscapes. By establishing interpersonal relationships between the therapist and the patient, as well as patient-to-patient in group settings, music enabled feelings and emotions to flow freely. The mind was given a structured pattern to bridge the gap of the psychological and physiological experience. It …

The Faculty Notebook, September 1998, Provost's Office

Faculty Notebook

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost.

Leaders Of The New School: A Comparative Analysis Of Selected African American Rap Artists, Andrew P. Smallwood

Black Studies Faculty Proceedings & Presentations

“This is a presentation examining the cultural influence of rap groups Gang Starr, The Roots, and Rakim to examine their message directed at African American youth culture . . . It is through examining the messages in Rap music that we can educate Black youth about Black culture and Black life at the dawn of the 21st century.”

Books And Letters Vol. 12, No. 1, University Libraries, John A. Harrison, Anne Marie Candido, Michael J. Dabrishus, Juana R. Young, Ellen C. Shipley, E. Betty Austin

Books and Letters

The David H. Pryor Papers; Director's Column; Agriculture and Rural Life Project; USIA Archive Boon to Researchers