Digital Commons Network^™

April 2007: New Pascal Delivers Becomes Reality, Dacus Library

Dacus Focus

No abstract provided.

Vol. 30, No. 1/2 (2007): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Front Matter for the Vol. 30, No 1/2-March/June 2007 edition of the Pacific Studies Journal. Special Issue: Women Writing Oceania: Weaving the Sails of Vaka

Vol. 30, No. 1/2 (2007): Pacific Studies Full Issue; Special Issue: Women Writing Oceania: Weaving The Sails Of Vaka, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Images And Lyrics: Representations Of African American Women In Blues Lyrics Written By Black Women, Danette Marie Pugh-Patton

Theses Digitization Project

The purpose of this thesis is to examine to what extent representations of double jeopardy and the stereotypical images of African American females: Mammy, Matriarch, Sapphire, and Strong Black Woman emerge in the blues lyrics of Alberta Hunter, Gertrude "Ma" Rainy, Memphis Minnie, and Victoria Spivey, using the theoretical framework of Black feminist rhetorical critique. The findings in this research entail several meanings regarding the lives of African American women during the 1920s and 1930s. Representations of racism, sexism, and classism also appear in the theme of relationships with various subthemes. The focus of this study is to explore the …

To Cite Or Not To Cite? Confronting The Legacy Of (European) Writing On African Music, Kofi Agawu

Publications and Research

English Abstract:

The current citational practice in Western scholarship is ideologically loaded, being far more suited to a written economy than a primarily oral culture in which knowledge is preserved in memory and disseminated through repeated performance. The impact of orality on musical scholarship should be more closely investigated; African scholars have all too often become informants rather than theorists of their own traditions. It is therefore proposed that the routine citation of a body of scholarship developed without Africa's historically-specific intellectual needs and ambitions in mind should in fact be discouraged.

German Abstract:

Die heutige Zitierpraxis der westlichen Wissenschaft …

The Faculty Notebook, December 2006, Provost's Office

Faculty Notebook

The Faculty Notebook is published periodically by the Office of the Provost at Gettysburg College to bring to the attention of the campus community accomplishments and activities of academic interest. Faculty are encouraged to submit materials for consideration for publication to the Associate Provost for Faculty Development. Copies of this publication are available at the Office of the Provost.

Tour Of The University Of Washington Ethnomusicology Archives, Lowell H. Lybarger, Laurel Sercombe

Faculty Scholarly Works - Library

Interview with Dr. Laurel Sercombe, PhD, MLIS at the University of Washington's Ethnomusicology Archives in Seattle, Washington.

Tracks :

Who, What, Where When

1. Introduction Log Sheets

2. Reference Shelf

3. Collection Media

4. Additional Storage Room

5. Original Film Footage

6. Musical Instruments

7. DATs

8. More Instruments

9. Grooved Media

10. Oven for baking tapes

11. Environmental Conditions

12. Dubbing Room

13. Electronic Equipment

14. CD Duplication Towers

15. Misc. Gadgets & Supplies

16. Digitization Process – Reel Recording

17. DATs, Problems with

18. Using the Otari Open Reel Machine

19. Mixer to Computer

20. CD Documentation

21. …

Demonstration Of The Open Reel Machine, Lowell H. Lybarger, Gary Louie

Faculty Scholarly Works - Library

Interview with Gary Louie, Sound Engineer at the University of Washington School of Music, at U. W.'s Ethnomusicology Archives in Seattle, Washington.

Tracks:

1. Who What Where When

2. Introduction

3. Cleaning

4. Sticky Shed Syndrome

5. Demagnetizing

6. Azimuth

Groove Media And Digitization / Cassette Repair And Tape Splicing, Lowell H. Lybarger, John Gibbs

Faculty Scholarly Works - Library

Interview with John Gibbs, Special Projects Librarian at the University of Washington School of Music Library in Seattle, Washington and

Demonstration of cassette repair and tape splicing by Dr. Lowell Lybarger for at the University of Washington Ethnomusicology Archives in Seattle, Washington

Tracks:

1. Who What Where When

2. Groove Media and Digitization

3. Cassette Repair and Tape Splicing

Digging A Little Deeper: Coverage Of Archaeology From The U.S. From 1950 To 2000+ In Discipline-Specific And Subject-Oriented Online Indexes, David C. Tyler, Katharine C. Potter, Susan M. Leach, Jennifer M. Kreifels

University of Nebraska-Lincoln Libraries: Faculty Publications

Librarians, faculty and professional researchers, and students often encounter difficulties in locating pertinent journal articles for the field of archaeology. This article examines the coverage given to ninety-three archaeology journals originating in the United States over a fifty-year interval by twelve discipline-specific and subject-oriented indexes available online. The coverage provided by the individual indexes and some of the larger issues surrounding the coverage of the field itself are discussed, and several recommendations are offered.

Religion And Spaces Of Technology: Constructing And Contesting Nation, Transnation, And Place, Lily Kong

Research Collection School of Social Sciences

In this paper, I focus on one particular technological development that has come to influence religious practice in significant ways-religious broadcasting. Whereas computer-mediated communications now garner growing research attention, I have chosen to remember the influence of the older technology of broadcasting for its continued influence on myriad lives. In bringing this focus to bear on another major phenomenon, that of trans nationalism, I have come to understand how religious broadcasting does not contribute in a straightforward, linear fashion to perpetuating transnational identities and communities, but is instead implicated in the assertion of the national in the face of transnational …

Structural Analysis Or Cultural Analysis? Competing Perspectives On The "Standard Pattern" Of West African Rhythm, Kofi Agawu

Publications and Research

Polyrhythmic dance compositions from West Africa typically feature an ostinato bell pattern known as a time line. Timbrally distinct, asymmetrical in structure, and aurally prominent, time lines have drawn comment from scholars as keys to understanding African rhythm. This article focuses on the best known and most widely distributed of these, the so-called standard pattern, a seven-stroke figure spanning twelve eighth notes and disposed durationally as <2212221>. Observations about structure (including its internal dynamic, metrical potential, and rotational properties) are juxtaposed with a putative African-cultural understanding (inferred from the firm place of dance in the culture, patterns of verbal discourse, …

Information Literacy For Music Students, Fletcher F. Moon

Library Faculty and Staff Publications and Presentations

No abstract provided.

Richard Wallaschek's Nineteenth-Century Contributions To The Psychology Of Music, Amy B. Graziano, Julene K. Johnson

Music Faculty Articles and Research

RICHARD WALLASCHEK (1860-1917) is most widely known for his contributions to comparative musicology; however, he also made significant contributions to the field of music psychology. From 1890 to 1895, Wallaschek pursued interdisciplinary studies at the British Museum in London. During this time Wallaschek proposed theories about the perception and production of music. According to Wallaschek, the perception of music occurs through two types of mental representation: Tonvorstellung (tone representation), which referred to the perception of individual musical elements, and Musikvorstellung (music representation), which referred to the perception of the higher-order structure of music. Wallaschek emphasized Gestalt-like concepts in his discussion …

Vol. 28 Nos. 3/4 (2005): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 28 Nos. 3/4 (2005): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 28, Nos. 3/4-Sept/Dec 2005 edition of the Pacific Studies Journal.

More Than Meets The Ear: The Culture Behind The Music, Anita Sant

Undergraduate Honors Capstone Projects

More than Meets the Ear: The Culture behind the Music is a traveling exhibit that was designed and created over more than a year's time at Utah State University's museum of anthropology. As one member of a team of interns, I helped decide on an exhibit focus, its audience, content, and design. We started from the ground up as inexperienced undergraduates under the tutelage of the museum's curator, Lara Petersen, and the museum's director, Dr. Bonnie Pitblado.

As the project gradually progressed and was honed to the subject of ethnomusicology, I took on the responsibility of the educational aspect of …

Religious Processions: Urban Politics And Poetics, Lily Kong

Research Collection School of Social Sciences

In this paper, I will explore the ways in which processions, by their very visibility, foreground the relationships between the secular and the sacred, while contributing to a construction of identity and community, and simultaneously surfacing fractures therein. Using the example of multireligious yet secular Singapore, I will examine (a) the state's management of religious processions, including the regulation of time and space for such events, as well as regulations over noise production; (b) the tactics of adaptation, negotiation and resistance that participants engage in at an everyday level in response to the state's ideologies, policies, laws and strategies; (c) …

Spirituality In Limbo: An Observation And Analysis Of Mongolia’S Modern Religious Climate, Dustin Saldarriaga

Independent Study Project (ISP) Collection

This paper is essentially a history of religion in Mongolia with the purpose of illuminating the present state of religion at a socially, culturally, and politically unique point in Mongolia’s history. It has only been fourteen years since Mongolia experienced a political transition from totalitarianism to democracy, and the country now finds itself in a kind of “Limbo” with respect to not only the political state of the nation, but also the spiritual state of its individuals. The result is a religious climate filled with uncertainty and speculation, but also with passion and love. I attempt to explore this current …

Columbia Chronicle (05/10/2004), Columbia College Chicago

Columbia Chronicle

Student newspaper from May 10, 2004 entitled The Columbia Chronicle. This issue is 36 pages and is listed as Volume 37, Number 28. Cover story: "SGA election turnout holds at 8 percent" Editor-in-Chief: Chris Coates

"Never Could Read No Road Map": Geographic Perspectives On The Grateful Dead, Daniel R. Culli

LSU Master's Theses

The Grateful Dead hold a unique niche in the musical, social, and cultural history of the United States. However, while the volume of available academic literature concerning the band is increasing, the Grateful Dead remain to be nearly ignored by academia and, to this point apparently, completely ignored by cultural geographers. This paper introduces the Grateful Dead into the field of geography. I analyze the geography of certain aspects of the band, such as its context in San Francisco, the carnival atmosphere of the entire phenomenon, the over 2300 tour dates, as well as the huge catalog of lyrics sung …

The Flowering Thorn, Thomas A. Mckean

All USU Press Publications

The flowering thorn expresses the dual nature of the ballad: at once a distinctive expression of European tradition, but also somewhat tricky to approach from a scholarly perspective, requiring a range of disciplines to illuminate its rich composition. Most of this latter quality has to do with the very features that characterize ballads... or narrative songs. These include an appearance of fragmentation; a wide range of cultural and social referents; complex, evocative symbolic language; and variation. The notable multiformity of meaning, text and tune is mirrored in scholarship, too. The Flowering Thorn is therefore wide ranging, with articles written by …

Vol. 25 No. 4 (2002): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 25, No 4-Dec. 2002 edition of the Pacific Studies Journal.

Vol. 25 No. 4 (2002): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Review: Barry Craig, Bernie Kernot, And Christopher Anderson, Eds. , Art And Performance In Oceania, Jehanne Teilhet-Fisk

Pacific Studies

Barry Craig, Bernie Kernot, and Christopher Anderson, eds. , Art and Performance in Oceania. Bathurst, N.S.W.: Crawford House Press and Honolulu: University of Hawai'i Press, 1999. Pp. vii, 318, illus., bib., index. A$65.95 and US$65 cloth.

Reviewed by Jehanne Teilhet-Fisk, Florida State University

Vol. 25 No. 3 (2002): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 25, No 3-Sep 2002 edition of the Pacific Studies Journal.

Review: Mervyn Mclean, Weavers Of Song: Polynesian Music And Dance, Mary E. Lawson Burke

Pacific Studies

Mervyn McLean, Weavers of Song: Polynesian Music and Dance. Auckland: Auckland University Press, 1999. Pp. 556, illus., bib., index, CD. NZ$79.95 cloth.

Reviewed by Mary E. Lawson Burke, Framingham State College

Vol. 25 No. 3 (2002): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Stateside News

The Southeastern Librarian

Recent developments from SELA member institutions.

People News

The Southeastern Librarian

Recent professional developments from SELA members.