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Articles 8431 - 8460 of 46049
Full-Text Articles in Entire DC Network
Dit/Prog/Lt: Dit Lunchtime Recital Programmes 1977-1999, Sharon Hoefig
Dit/Prog/Lt: Dit Lunchtime Recital Programmes 1977-1999, Sharon Hoefig
Finding Aids
No abstract provided.
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson
Mahurin Honors College Capstone Experience/Thesis Projects
In musical theatre, “cut songs” are the pieces of music that are removed from a show, whether the cut occur in the early creative stages, a pre-Broadway run, minutes before opening night, or even for a major revival years after its initial debut. These songs easily go unnoticed, as some are never made public while some are sneakily recycled for other musicals. Cut songs, though greatly varying in quality, are still works of art that at one time fulfilled their sacred duty of entertaining an audience and required just as much artistic effort to produce as the songs that survived …
“I Shan't Ever Play Down These Influences”: Poulenc’S Neoclassicism As Musical Legacy, Juliet E. Levy
“I Shan't Ever Play Down These Influences”: Poulenc’S Neoclassicism As Musical Legacy, Juliet E. Levy
Electronic Theses and Dissertations
Leaving behind an abundance of primary documents, Francis Poulenc (1899-1963) reveals himself to be a colorful, opinionated composer, with an intriguing mindset regarding the role of twentieth-century composers. Poulenc’s writings place importance on the idea of musical legacy, where engaging with the music of past composers can only enrich compositions of the present, as opposed to the idea that such inspiration makes one’s work less “original.” This idea of compositional heritage stems from Poulenc’s musical education, which was informal, and mainly the product of his robust social network of important musical and artistic figures. Poulenc’s ideology adds a new perspective …
Ua1c11/114 Carol Braddy Photo Collection, Wku Archives
Ua1c11/114 Carol Braddy Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photos of Hilltoppers Quartet exhibit.
Protest Music In Response To The United States’ Oppressive Political Culture: An Analysis Of Beyoncé'S "Freedom" And Janelle Monáe's "Americans", Jessica Torrey
Protest Music In Response To The United States’ Oppressive Political Culture: An Analysis Of Beyoncé'S "Freedom" And Janelle Monáe's "Americans", Jessica Torrey
HMC Senior Theses
This paper aims to study a popular musical artist’s responsibility towards the empowerment of marginalized communities in the United States through an analysis of the songs “Freedom” by Beyoncé and “Americans” by Janelle Monáe. These songs will be analyzed in conjunction with the political climate during the time of their fabrication and release as well as the political climates discussed in the songs themselves. This paper presents a thorough analysis of the lyrical and musical components of both songs as well as an analysis of a specific performance of both songs. These analyses will be presented in conversation with many …
Volume 35, Various Authors
The Evaluative Rubric Of 19th Century Parisian Operagoers: Annotated Bibliography, University Of Denver
The Evaluative Rubric Of 19th Century Parisian Operagoers: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
My research seeks to identify the rubric used by 19th century Parisians to evaluate the quality of a given “Grand Opéra.” The works listed below shed light on that rubric. They particularly emphasize the importance of formal adherence, cultural relevance, totality, and sexual gratification to the Parisian operagoer.
The Evolving Philosophical Stance Of Richard Wagner And The Effects On His Female Characters From Senta To Kundry, Aoife Shanley
The Evolving Philosophical Stance Of Richard Wagner And The Effects On His Female Characters From Senta To Kundry, Aoife Shanley
Musicology and Ethnomusicology: Student Scholarship
This bibliography analyzes the multiple effects of the philosophers Hegel, Schopenhauer, and Nietzsche on the works of Richard Wagner. By analyzing the contradictions of these philosophers and the different manifestations of their ideas in the different works of Wagner, it is easy to see which philosopher held the greatest hold on Wagner at a certain time. Wagner marries the philosophies of Hegel and Schopenhauer despite the fact they considered themselves to be on polar opposites of the philosophical spectrum. However, asceticism and a quest for purity ultimately seem to be the driving forces behind Wagner’s operas and depictions of women …
Works Cited, Lucy Prichard
Works Cited, Lucy Prichard
Musicology and Ethnomusicology: Student Scholarship
No abstract provided.
Parts Of The Voice - Why Learning Vocal Structure Early Makes A Difference: Annotated Bibliography, University Of Denver
Parts Of The Voice - Why Learning Vocal Structure Early Makes A Difference: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
This annotated bibliography describes the sources used to support the statement that vocal anatomy should be implemented into early music education.
Annotated Bibliography, University Of Denver
Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
This is an annotated bibliography in regards to Baroque Ornamentation in The Bach Partita No. 2 in D Minor.
The “Jazz Chopin”: How Bill Evans’ Music Was Influenced By French Impressionists: Annotated Bibliography, Lucas Larreau
The “Jazz Chopin”: How Bill Evans’ Music Was Influenced By French Impressionists: Annotated Bibliography, Lucas Larreau
Musicology and Ethnomusicology: Student Scholarship
This is an annotated bibliography of sources which identify, support, and analyze the connection between French Impressionist music and Bill Evans' musical style.
Tunesmith Terror Techniques: Identifying Patterns In The Music Of Horror Video Games: Annotated Bibliography, Sean Kelliher
Tunesmith Terror Techniques: Identifying Patterns In The Music Of Horror Video Games: Annotated Bibliography, Sean Kelliher
Musicology and Ethnomusicology: Student Scholarship
Ludomusicology, the study of music in video games, is a relatively new field in musicology that faces unique obstacles, like the lack of a standardized analytical method. This paper will use the ALI model proposed by Isabella van Elferen along with techniques suggested by Tim Summers to analyze various video games in the horror genre. Along with using analysis of other games as sources, this paper will compare the compositional techniques used to identify patterns that do or do not show up.
Maria Schneider’S Voicing Techniques: Annotated Bibliography, Aaron Fradin
Maria Schneider’S Voicing Techniques: Annotated Bibliography, Aaron Fradin
Musicology and Ethnomusicology: Student Scholarship
Since her emergence on the jazz scene, Maria Schneider has made a name for herself all around the world with her unique compositional voice. Despite her ever-increasing prominence and influence as a jazz composer, there is a startling lack of scholarly work on how she writes for her ensemble. It is my aim to begin to fill that gap by examining how she voices chords at critical moments in her pieces and juxtaposing the techniques in her earliest works, latest works, and traditional writing techniques.
The Progression Of The Musical Theatre Belt In Upper Voices: Annotated Bibliography, Kathryn Cymerman
The Progression Of The Musical Theatre Belt In Upper Voices: Annotated Bibliography, Kathryn Cymerman
Musicology and Ethnomusicology: Student Scholarship
A pedagogical look into the progression of the musical theatre belt in upper voices, with emphasis on the introduction of the mix.
Memorizing Music: A Problem That A Pianist Has To Face, University Of Denver
Memorizing Music: A Problem That A Pianist Has To Face, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
As we all know, now the piano is usually an instrument that needs to be played by memory. Except piano ensemble pieces, most solo piano pieces are required to be performed by memory, even including piano concerto works. For a long time, many pianists have had mixed attitudes towards memorizing music.
The Improvement Of Verbal And Nonverbal Communication In A Teenage Male With Autism Spectrum Disorder In Music Therapy: A Clinical Case Research Study, Kaitlin A. Pisarczyk
The Improvement Of Verbal And Nonverbal Communication In A Teenage Male With Autism Spectrum Disorder In Music Therapy: A Clinical Case Research Study, Kaitlin A. Pisarczyk
Theses and Graduate Projects
This study aims to investigate the impact of music therapy on nonverbal and verbal communication behaviors of a 13 year old male diagnosed with autism. A single-case study design was used, collecting both quantitative and qualitative data. Qualitative data included analysis of the clinician/ researcher’s session notes and personal reflections over six months. Video recordings of three sessions in the last two months of the treatment were collected as quantitative data. The client’s nonverbal and verbal behaviors in the recorde sessions were assessed by the clinician/researcher and her supervisor using an assessment tool designed by the researcher. Quantitative results indicated …
The Awakening Of Islamic Pop Music, Jonas Otterbeck
The Awakening Of Islamic Pop Music, Jonas Otterbeck
Music & Performance in Muslim Contexts
Awakening – an Islamic media company formed in London – has created the soundtrack to many Muslim lives during the last two decades. It has produced three superstars (Sami Yusuf, Maher Zain and Harris J.) among a host of other artists. As the company celebrates their first 20 years in the industry, Jonas Otterbeck examines their remarkable rise to success and their established reputation as one of the most important global enterprises producing pop music inspired by Islam.
Otterbeck thoroughly describes the history and development of new Islamic popular music genres, in particular pop-nashid and Islamic pop, for the first …
Going Deeper With God Than King David: Cultivating Intimacy Using Hymns, Classical Sacred Songs, And Contemporary Christian Music, Ivy Elizabeth Cole
Going Deeper With God Than King David: Cultivating Intimacy Using Hymns, Classical Sacred Songs, And Contemporary Christian Music, Ivy Elizabeth Cole
Masters Theses
In the time of King David, a worshipper did not have the indwelling Holy Spirit to enhance worship as worshippers have today. At present, the modern church age worship leader utilizes mostly contemporary Christian music to help lead a congregation into the presence of God. However, the Psalms, hymns, and classical sacred songs may also be used in the exploration of enhancing a worship experience. This study explores the concept of music evoking an emotional response that may allow a worshipper to surrender to an intimate relationship with God. With studies in emotion related to music, Scriptural references, professional writings …
Making The Violin Fashionable: Gender And Virtuosity In The Life Of Camilla Urso, Maeve Nagel-Frazel, Petra Meyer Frazier, Antonia Banducci
Making The Violin Fashionable: Gender And Virtuosity In The Life Of Camilla Urso, Maeve Nagel-Frazel, Petra Meyer Frazier, Antonia Banducci
DU Undergraduate Research Journal Archive
In the late nineteenth century, the violinist Camilla Urso (1840-1902) was widely recognized as the preeminent female violinist in the United States. As a nationally famous celebrity, Urso became a pedagogue and role model to subsequent generations of female violinists. Both the wide-ranging geographic spread of Urso’s career and her direct advocacy for women violinists played a pivotal role in changing cultural ideals of violin performance from a militant and masculine bravura tradition into a fashionable pursuit for young women. A classmate of HenrykWieniawski (1835-1880) and a concert rival of the Norwegian virtuoso Ole Bull (1810-1880), Urso’s career rested on …
Social-Emotional Learning In The Elementary School Music Class
Social-Emotional Learning In The Elementary School Music Class
The Graduate Review
No abstract provided.
Combat Music, Usability, And Presence In Video Games, Jedidah Wong
Combat Music, Usability, And Presence In Video Games, Jedidah Wong
Honors Undergraduate Theses
The interactive nature of video games offers players unique playthroughs of the same game. Choices made during gameplay, despite going through the same narrative story, create a journey that differs from other players. Music can help support a player's connection to the game's characters and narrative while also providing information to the player to guide their decisions. Ludomusicological studies in the past have shown how music can support a game's narrative, while also serving to inform players of changes in game states. The usability function of music, while crucial in this overall sonic experience, is not the sole purpose that …
Playing Music As A Nursing Intervention To Reduce Distress In Neonatal And Pediatric Acute Care Patients: A Literature Review, Seren E. Özoğlu
Playing Music As A Nursing Intervention To Reduce Distress In Neonatal And Pediatric Acute Care Patients: A Literature Review, Seren E. Özoğlu
Honors Undergraduate Theses
Pediatric and neonatal patients are especially vulnerable to suffering from distress. This literature review identifies research which applies passive music listening to distressed neonatal and pediatric acute care patients. Databases searched to find relevant studies include CINAHL plus with full text, MEDLINE, Alt HealthWatch, APA PsycArticles, and APA PsycInfo from EBSCOhost. Six studies were identified to meet search criteria. The studies that supported music listening with the neonatal and pediatric populations had a positive effect in reducing distress levels. Additional research is warranted to further validate these findings. Music listening with neonatal and pediatric patients is a simple, cost-effective intervention …
Correlations In Acquiring Musician’S Dystonia Amongst Professional Musicians: Annotated Bibliography, University Of Denver
Correlations In Acquiring Musician’S Dystonia Amongst Professional Musicians: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
Dystonia happens at a remarkable rate amongst musicians. The definition of acquired dystonia are types of dystonia that develop from other factors that cause damage or degenerate to the body the brain. Dystonia is a disease that is not fully understood by science and requires more research to uncover the disease’s abundance in professional musicians. Many medical studies have been done in regards to dystonia in the general population but there is still large questions about why dystonia is a crisis in the musical world. It is a topic misunderstood by most musicians and largely mysterious to the majority of …
Bollywood Production: Cultural Values And Studio Decisions: Annotated Bibliography, Tyler Thom
Bollywood Production: Cultural Values And Studio Decisions: Annotated Bibliography, Tyler Thom
Musicology and Ethnomusicology: Student Scholarship
As India’s popular music, Bollywood has been used to discuss cultural representation and diffusion of ideas throughout India and the world. Musical, video, and pop culture analysis have widely been conducted but far less research has been done on the recording methods applied. Studio “magic” has been credited for the correction and production of modern music but editing decisions and mixing techniques are consciously chosen by an engineer and thus can be studied as an artistic endeavor. How are recording and mixing methods influenced and reflective of the cultural audience? While many techniques of music production originated in the West, …
Voiced Gender Signifiers Within ‘As One’ A Chamber Opera: Annotated Bibliography, Samuel Sherman
Voiced Gender Signifiers Within ‘As One’ A Chamber Opera: Annotated Bibliography, Samuel Sherman
Musicology and Ethnomusicology: Student Scholarship
‘As One’, a popular modern chamber opera by composer Laura Kaminsky, presents the transition of transgender woman, Hannah. Hannah, however, is casted and composed as two separate voices, a baritone and mezzo-soprano, thus creating “Hannah before” and “Hannah after”. In doing so, a dichotomy of thought surrounding the attributes of a binary based practice of vocalization and character representation is created. Through the analysis of gender theory, voiced gender theory, and the ‘As One’ chamber opera, storytelling of complex gender-based characters may be solidified within biased gender compositional and musical tools. In discovering these repetitive actions through socially constructed stereotypes …
Narrative In Debussy’S Sonata For Flute, Viola And Harp: Annotated Bibliography, University Of Denver
Narrative In Debussy’S Sonata For Flute, Viola And Harp: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
An annotated bibliography to a proposed paper on narrative in Debussy’s Sonata for Flute, Viola and Harp.
Relationship Between Vocal Technique, Classification, And Appropriate Repertoire For The Tenor Voice, Joan Sebastian Marquez Unda
Relationship Between Vocal Technique, Classification, And Appropriate Repertoire For The Tenor Voice, Joan Sebastian Marquez Unda
Musicology and Ethnomusicology: Student Scholarship
Within the training and career of a lyrical singer, it is necessary to approach a question: Why is it important to know the vocal classification and the technique for the correct assignment of the repertoire? Although the answer forces us to delve a little deeper into the history of the classification of voices by sex, we will also focus on characteristics that section lyrical voices by their tessitura, timbre and intensity, with a special emphasis on the tenor voice.
The Jingwei Bird Sings Performative Resistance: Music And Arts Programming As Catharsis, Acculturation, And Cultural Remembrance For Refugees In U.S. Immigration Detention Centers, University Of Denver
The Jingwei Bird Sings Performative Resistance: Music And Arts Programming As Catharsis, Acculturation, And Cultural Remembrance For Refugees In U.S. Immigration Detention Centers, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
Scholarship on immigration detention centers as sites for musical exchange and identity formation remain largely unresearched. Adelaida Reyes in her groundbreaking work, Songs of the Caged, Songs of the Free, offers insight into the “heterogeneity” of resettlement camps and their ambiguous sovereignty. Her work, however, does not examine the musical environments and ecologies of modern large-scale immigrant detention centers, nor these center’s specific musical identities. Significant analyses of music programming in detention centers include musicologists Donna Weston and Caroline Lenette’s article, “Performing Freedom: The Role of Music-Making in Creating a Community in Asylum Seeker Detention Centres” and ethnomusicologist Julia Morris’s …
Annotated Bibliography, University Of Denver
Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
An Annotated Bibliography discussing how the music education forum could further diversify.