Digital Commons Network^™

Chicago Brass Band And Symphonic Winds: March 20, 2026, Dr. Mark Taylor, Dr. F. Mack Wood, Dr. Damon S. Talley, Madison Mueller-Howell

School of Music Programs

This is the one hundred and twenty-first program of the 2025-2026 season.

Center for the performing Arts

March 20, 2026

Friday Evening

8:00 p.m.

Rollin Pease In "Elijah" By Mendelsshon, State Teachers College Choral Club

Documents

FSTC Choral Club Program-Performance of "Elijah" May 24, 1931

Full Issue

Newsletter of the Jussi Björling Societies of the USA & UK

No abstract provided.

The 2022 Jussi Björling Stipendium To Baritone John Lundgren

Newsletter of the Jussi Björling Societies of the USA & UK

Baritone John Lundgren has received the 2022 Jussi Björling Stipendium (Award). This award is given on behalf of The Royal Theatre’s Soloists Foundation, and previous recipients have included soprano Hillevi Martinpelto, violinist Kalle Moraeus and Harald Henrysson. This year’s award was 125,000 kroner (about $12,600 US). Lundgren has also received the Birgit Nilsson Prize in 2006, and was named a Royal Court Singer by King Carl XVI Gustaf in 2021.

Lundgren was educated at Vadstena Academy and in The Opera Academy in Copenhagen. During his studies he joined the ensemble of The Royal Danish Theatre and debuted as Schaunard in …

2025-2026 A Semiquincentennial Salute To The United States Of America: Friends Of The Conservatory Of Music Concert And Friendship Tea, Jon Cruz, Yilian Concepcion, Sheng Yuan Kuan, Ian Lewis, Isabella Swalm, Aidan Quintana, Ziling Wang, Gabrielle Siena

Friends of the Conservatory Events

No abstract provided.

Full Issue

Journal of the Jussi Björling Societies of the USA & UK

No abstract provided.

When The Muses Went Silent And Almost Died:, Thomas M. Hines

Journal of the Jussi Björling Societies of the USA & UK

What would life be like if there were no fine or performing arts? If music could not be heard in public, if great paintings of famous artists of the past and present could not be seen—in other words, how would we adjust in an esthetically deprived existence? In truth, we could continue to see and hear; nature would still be around us, but the interpretative acuity of our senses would be dulled. Opportunities to witness works of art would not be readily available. Our creative images would be internalized and not reflective of visual or auditory models. It would be …

“I Was So Nervous For Him” – Kerstin Thorborg And Jussi Björling, Nils-Göran Olve

Journal of the Jussi Björling Societies of the USA & UK

Kerstin Thorborg (1896–1970) was a leading mezzo-soprano with the Metropolitan for thirteen seasons, singing twenty roles in 350 performances. Her debut was as Frick in Die Walküre on 21 December 1936 and her final performances in 1950. Fifteen years older than Jussi Björling and born in the same Swedish region Dalarna (Dalecarlia), she enjoyed twenty years of rather solitary retirement there and died ten years after him. Her Met repertoire focused on Wagner so they met rarely on stage, but of course they knew each other well during the years they met professionally (1936–41 and 1945–50). They can be heard …

Einar Larson, Singer And Colleague, Harald Henrysson

Journal of the Jussi Björling Societies of the USA & UK

As far as I can remember, I only met Einar Larson-- who has written so vividly about his friendship with Jussi----once, at Jussi Björlinggården in Borlänge, the exhibition that had been opened in May 1969. I remember him as a strikingly stately, friendly man, very engaged in what was being done in Jussi’s memory in his native city, but we had no closer contact. I think I can vouch for the fact that there were no objections when the chairman of the local heritage association, rector Gösta A. Karlsson, said about him in his speech at the opening of the …

Jbs – Usa Silver Anniversary Conference Chicago, March 23-26, 2023 Thomas Club At Symphony Center

Journal of the Jussi Björling Societies of the USA & UK

The Board of Directors is delighted to announce registrations are now available for our 25th Anniversary Conference in Chicago. In addition to celebrating Jussi’s career, we will be adding extra activities and remembrances of 25 years of JBS-USA.

Isu Symphony Orchestra: March 1, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and thirteenth program of the 2025-2026 season.

Center for the Performing Arts

March 1, 2026

Sunday Afternoon

3:00 p.m.

Charles W. Bolen Faculty Recital: Joshua Mobley, Trumpet; February 27, 2026, Joshua Mobley, Anne Mcnamara, Grace Eom

School of Music Programs

This is the one hundred and tenth program of the 2025-2026 season.

Kemp Recital Hall

February 27, 2026

Friday Evening

7:30 p.m.

2025-2026 Opera Fuoco: The Labyrinth Of Love, Katharina Wolff, Juliette Tacchino, Sophia Stern, Jennifer Hardy, Jean Brégnac, Kenneth Weiss

Guest Recitals

No abstract provided.

Isu Philharmonia String Orchestra: Samuel Chen, Director; February 25, 2026, Samuel Chen, Jayce Milburn

School of Music Programs

This is the one hundred and seventh program of the 2025-2026 season.

Kemp Recital Hall

February 25, 2026

Wednesday Evening

7:30 p.m.

Voices Of Sorrow And Strength: University Glee, Belle Voix And Stevenson High School Advanced Choir; February 22, 2026, Tim Fredstrom, Andrew Bruhn, Roland Hatcher, Kirstin Snelten

School of Music Programs

This is the one hundred and third program of the 2025-2026 season.

Center for the Performing Arts

February 22, 2026

Sunday Afternoon

3:00 p.m.

Winter Concert: Treble Choir, Concert Choir And Stevenson Highschool Patriot Singers; February 22, 2026, Mark Grizzard, Andrew Bruhn, Roland Hatcher, Kirstin Snelton

School of Music Programs

This is the one hundred and fourth program of the 2025-2026 season.

Center for the Performing Arts

February 22, 2026

Sunday Evening

6:00 p.m.

2025-2026 Hugo Valverde ('16) And Enriqueta Somarriba In Recital, Hugo Valverde Villalobos, Enriqueta Somarriba

Guest Recitals

No abstract provided.

Symphonic Winds: Dr. F. Mack Wood, Conductor: Fevruary 13, 2026, Dr. F. Mack Wood, Colby Powers

School of Music Programs

This is the ninety-sixth program of the 2025-2026 season.

Center for the performing Arts

February 13, 2026

Friday Evening

8:00 p.m.

Music Ministry Of Children And Youth: A Study And Defense For Incorporating Children And Youth Choirs In The Modern Worship Service, Veronica Leigh Haber Allison

Doctoral Dissertations and Projects

Graded children’s choir ministries have been a part of churches for the last century. In recent years, there has been a growing trend away from offering music ministry opportunities to children and youth in contemporary churches. There are several reasons for this decline; the major reason is that many churches have moved away from traditional music offerings to a praise band format. It has rendered the musical training of children in church unnecessary. The limited quantity of recent scholarly literature, the decline in commercially produced music, and the discontinuation of teaching materials for children’s choir ministries also attest to this …

Mamma Mia! What Nostalgia!, Asher Leuzzi

CAFE Symposium 2026

An analysis of Phyllida Lloyd's Mamma Mia!, and how it relates to Authentic Rock Culture. Discusses the power of nostalgia, demonstrating that it can be either a positive or negative force. Generally, sound used within this film helps display energy and emotional truth, which allows for complex themes to be revealed.

Humanity Is Evolving Its Consciousness: The Role Of Archetypal Energies As Guides During An Unfolding Weeding Out And Alignment Process, Carroy U. Ferguson

Psychology Faculty Publication Series

Humanity is evolving its consciousness at individual and collective levels.  Given these seemingly tumultuous times, as of this writing (January 2026), to make such a statement may sound like a strange thing to say.  However, I suggest that if you are alive today and if you are reading these words, these are the very times for which you were born—to assist Humanity as it evolves its consciousness with your unique gifts, whatever they may be.  That is, this period of our individual and collective human being-ness may be characterized as an unfolding period of weeding out and alignment with the …

2025-2026 Piano Passion From The Studio Of Roberta Rust, Owen Chen, Ana-Maria Uzunova, Ian Lewis, Aidan Quintana, Ziling Wang, Zion Pe Montebon, Hanting Peng, Gabrielle Siena, Caroline Dratnal, Diego Suarez

Studio Recitals

No abstract provided.

Bridging Traditions: An Exploration Of Orchestral And Contemporary Bass Clarinet Performance Practice, Patrick Burke

Research Theses

This thesis presents a practice-led investigation into bass clarinet performance, examining how orchestral and contemporary traditions may be explored as an integrated artistic practice. Grounded in a reflective, semi-autoethnographic methodology, the research traces the evolution of my performance practice through exploration of repertoire, modes of collaboration and critical reflection. Rather than seeking prescriptive models or definitive outcomes, the study embraces the exploratory nature of artistic research, allowing insights to emerge through practice and experience.

Situated within my ongoing work as a professional clarinettist, the research is informed by active engagement across orchestral, solo, chamber, and collaborative contexts. The thesis demonstrates …

Vietnam Music Education For Professional Careers In The Music Industry, Dylan Bao Nguyen

Doctoral Dissertations and Projects

Vietnam, a country in Southeast Asia, holds a rich cultural heritage and diverse musical traditions that span more than four thousand years. The country began commercializing its music industry around 1997 and expanded it into a significant national sector by 2015. Even with this expansion, Vietnamese music remains largely unfamiliar to global listeners, creating an urgent need for strong music education programs that support the industry’s development. To understand why Vietnamese music struggles to achieve global visibility in the age of globalization, researchers must examine the current conditions of music education and identify the specific factors that limit its international …

The Six-Course Guitar In Spain: Some Considerations Of Repertoire And Musical Practice, Thomas Schmitt

Soundboard Scholar

The six-course guitar is still a little-known instrument. One need only look at books on the history of music to verify that claim: there is hardly any mention of it, nor are its composers or repertoire often cited. In fact, researchers have given far more attention to other plucked-string instruments than to the six-course guitar—whether for reasons of tradition or ideology—leading to a major gap in the literature. The repertoire of the Spanish Golden Age, to take one example, has been thoroughly explored, in the domains of both vocal and instrumental music (as in the vihuela). Similarly, there is quite …

A Treasure Hunt: The Interdisciplinary Challenge Of A Digital Humanities Hackathon, Marie Barras, Adélaïde Quenson, Adrien Jeanrenaud, Angela Allemand, Marina Berazategui, Levyn Bürki, Michel Capot, Simon Gabay, Vestin Hategekimana, Pauline Jacsont, Bokar Lamine N'Diaye, Elina Leblanc, Clara May, Anne-Laure Oberson, Margherita Parigini, Lara Pitteloud, Fassaleh Taal, Cédric Viaccoz

Artl@s Bulletin

Abstract: This article tells the story of an interdisciplinary hackathon emphasizing exploration, collaboration, and creative engagement with globalization-related cultural datasets. Participants worked in teams to produce research posters, which were then presented at the opening of the international conference Image Deluge & Globalization in Geneva. The article discusses three projects: one on 19th-century Spanish chapbooks using topic modeling and network analysis; another on leopard motifs in print imagery; and a third on olfactory heritage. The hackathon highlighted both the potential and the limitations of working with digital cultural data, offering insights into interdisciplinary methods.

Résumé: Cet article raconte un hackathon …

Toward A British Guitar Canon: Ernest Shand’S Collected Works, Declan Hickey

Soundboard Scholar

A review of Guitar Music from Late Victorian England: Collected Works, by Ernest Shand, edited by Stanley Yates (Classical Guitar Study Editions, 2022), publisher's website.

All She Ever Wanted Was The World: The Emergence Of Vocal Methodology, Pedagogy, And Opera Performance For Women In The Nineteenth Century, Emma Hawkinson

Dissertations and Theses

Important music methods books began to emerge in the 1750s with instrumental treatises for flute, piano, and violin. By the end of the nineteenth century, there was a multitude of treatises for a variety of instruments, including classical voice. This study investigates and analyzes the content of treatises from four individual women who performed, taught, and published vocal treatises in the nineteenth century: German Mathilde Marchesi (1821–1913), Italian Virginia Boccabadati (1828–1922), Spanish Matilde Esteban (1841–1915), and English American Clara Kathleen Rogers (1844–1931). These methods books are set in the historical context of the music industry before and during the nineteenth …

Chaotic Complexity: Order And Chaos In Works Of Cage, Xenakis And Boulez, Levi Graham

Music Theses

My thesis explores specific applications of chaos theory in contemporary twentieth-century music and analyzes the relationship between order and chaos in their creation. I will do this by referencing the levels of chaos presented by Katherine Hayles and categorized by Judith Lochhead. These levels of chaos include “Expressive Chaos,” “Denotative Chaos,” and “Ontological Chaos,” which provide a framework for grouping expressions of chaos in music.  I will analyze works of John Cage, Iannis Xenakis and Pierre Boulez through the lens of these types of chaos, with a particular focus on “Ontological Chaos,” which describes chaos as both dependent on and …

Catalog Of The Music Of Nick Strimple (B. 1946), Ruth Ballenger

CGU Theses & Dissertations

This dissertation provides a rich primary source for future scholars interested in the music of American composer Dr. Nick Strimple. A complete catalog of Dr. Strimple’s works and more than thirty transcribed interviews with the composer offer broad insight into Dr. Strimple’s motivations, inspirations, and sources for his own compositions. Primary sources – that is, firsthand evidence created in real time by a participant or observer – offer what musicologists might colloquially describe as the “gold standard” for citation and understanding of their musical subjects. As the field of musicology evolved, primary sources have come to be highly valued as …