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Articles 1801 - 1830 of 2732
Full-Text Articles in Entire DC Network
Winter 1994, 90.9 Wmpg Fm
Summer 1994, 90.9 Wmpg Fm
The Uses Of Rubato In Music, Eighteenth To Twentieth Centuries, Sandra P. Rosenblum
The Uses Of Rubato In Music, Eighteenth To Twentieth Centuries, Sandra P. Rosenblum
Performance Practice Review
Tempo rubato is a disregard of certain notated properties of rhythm and tempo for the sake of expressive performance. There are two basic types of rubato practices. Contrametric rubato involves a solo melody moving in subtly or equally redistributed note values (sometimes with added notes) against a steady pulse in the accompaniment. Structural or agogic rubato involves the simultaneous retardation or acceleration of tempo of the entire performing body. Theories on rubato practice from Lodovico Zacconi (1592) to Marian Sobieski and Jadwiga Sobieska (1960) are considered, as is use of rubato by composers from Giovanni da Cascia in the 14th …
Hillbilly Music & Early Live Radio Programming In Bowling Green & Glasgow, Kentucky: Country Music As A Local Phenomenon, James Nelson
Hillbilly Music & Early Live Radio Programming In Bowling Green & Glasgow, Kentucky: Country Music As A Local Phenomenon, James Nelson
Masters Theses & Specialist Projects
In this study, the author examines the development of country music in the area surrounding Bowling Green and Glasgow, Kentucky, from approximately 1930 to 1960 and its relation to the newly emerging medium of radio. Emphasis is placed on several performers whose careers were linked to the radio stations which began to broadcast in Bowling Green and Glasgow during the 1940s.
In the past, country music scholarship has tended to focus on phonograph records as a source of material for study and as the primary means of musical transmission. As a result, the careers of many of the lesser known …
Syncretism And Adaptation In Rasiya, A Braj Folksong Genre, Peter L. Manuel
Syncretism And Adaptation In Rasiya, A Braj Folksong Genre, Peter L. Manuel
Publications and Research
Under the impact of the mass media, capitalist socio-economic relations, and other aspects of modernity, many Indian folk music genres have declined visibly and even disappeared, and it may be tempting to conclude that folk music as a whole has suffered in the twentieth century. However, a number of significant folk music genres have not only survived but flourished in the twentieth century, in some cases by virtue of their ability to syncretize elements of other traditions. One such genre is rasiya, which, in its various substyles, is the most popular and widespread folk music genre of the Braj region. …
Puerto Rican Music And Cultural Identity: Creative Appropriation Of Cuban Sources From Danza To Salsa, Peter L. Manuel
Puerto Rican Music And Cultural Identity: Creative Appropriation Of Cuban Sources From Danza To Salsa, Peter L. Manuel
Publications and Research
No abstract provided.
January 1994
Shake, Rattle & Roll
Vol. III, no. 8 featured Wendy Moten and the Village People.
November 1993
Shake, Rattle & Roll
Vol. III, no. 6 featured Batesville, Arkansas, band Mutha's Day Out.
Fal 1993, Wmpg 90.9 Fm
Fal 1993, Wmpg 90.9 Fm
WMPG Program Guides
WMPG program guide for Fall 1993
Includes notes from Program Director, information on shows and events, and schedule.
October 1993
Shake, Rattle & Roll
Vol. III, no. 5 featured Booker T. and the MG's and the Great Indoorsmen.
September 1993
Shake, Rattle & Roll
Vol. III, no. 4 featured O'Landa Draper and Jimi Jamison.
July 1993
Shake, Rattle & Roll
Vol. III, no. 2 featured the Eric Gales Band, as well as rappers Skinny Pimp and 211.
June 1993
Shake, Rattle & Roll
Vol. III, no. 1 featured the Grifters and Tony Spinner.
May 1993
Shake, Rattle & Roll
Vol. II, no. 11 featured Kirk Whalum, John Roth, and Wendy Moten.
April 1993
Shake, Rattle & Roll
Vol, II, no. 10 was a preview of the upcoming Crossroads '93 Music Festival.
March 1993
Shake, Rattle & Roll
Vol. II, no. 9 featured Sid Selvidge and hard rock band Disturbance.
February 1993
Shake, Rattle & Roll
Vol. II, no. 8 profiled the Memphis rap and hard rock scenes.
Summer 1993, 90.9 Wmpg Fm
Spring 1993, 90.9 Wmpg Fm
Concert Recording 1993-04-17, Eddie W. Jones Sr., Herbert Jones, Suzette Guy, Shirley Neaves, University Of Arkansas, Fayetteville. Inspirational Singers
Concert Recording 1993-04-17, Eddie W. Jones Sr., Herbert Jones, Suzette Guy, Shirley Neaves, University Of Arkansas, Fayetteville. Inspirational Singers
Concert Recordings & Programs
Lift every voice and sing -- We have come / Ricky Grundy -- God gets the glory / David Curry -- Hush! somebody's callin' my name / Brazeal Dennard -- It's in Jesus / Donnie Harper -- We glorify / John P. Key
January 1993
Shake, Rattle & Roll
Vol. II, no. 7 featured Johnnie Taylor, Albert King, and Kohei Otomo.
December 1992
Shake, Rattle & Roll
Vol. II, no. 6 featured Billy Lee Riley and a preview of the 1992 Jazz Homecoming.
August 1992
Shake, Rattle & Roll
Vol. II, no. 2 featured the Bar-Kays and the 6th Annual Elvis Impersonators Contest.
July 1992
Shake, Rattle & Roll
Vol. II, no. 1 featured Shawn Lane, the Kronos Quartet, and an article about women in the music business.
June 1992
Shake, Rattle & Roll
Vol I, no. 12 featured a special report on the Christian underground music scene in Memphis, as well as gospel artist O'Landa Draper.