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Italians And The New Byzantium: Lombard And Venetian Architects In Muscovy, 1472-1539, Ellen A. Hurst

Dissertations, Theses, and Capstone Projects

This dissertation explores how early modern Russian identity was shaped by the built environment and, likewise, how the built environment was a result of an emerging Russian identity. I focus on the years 1472 to 1539 because they were crucial to the formation of this early modern Russian identity. Muscovite princes, seeking to rebuild Moscow's cityscape in a grander style, imported a large community of architects, engineers, stonemasons, and statesmen from Lombardy, the Veneto, and Rome. At least six architects, and an unknown number of masons, from Italy worked in Muscovy during these years, and their presence indelibly changed the …

Intensive Archeological Survey For The Proposed Widening Of Cr 110 From Us 79 To Sam Houston Avenue In Williamson County, Texas, Timothy B. Griffith, Joseph M. Sanchez

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Between July 21 and 25, 2014, Blanton & Associates, Inc. (B&A), at the request of Williamson County, conducted an intensive archeological survey (as per 13 TAC 26.20 and 26.5) of 6.5 miles of proposed improvements along County Road (CR) 110 near the City of Hutto in Williamson County, Texas. The 100 percent visual inspection, augmented by strategically placed shovel tests and backhoe trenches, was negative for cultural resources within the proposed project area. Based on these data, B&A recommends that the proposed improvements to County Road (CR) 110 in Williamson County, Texas, be allowed to proceed as planned without additional …

Relocation Of The Salvador Camarena Burial: Historical And Bioarcheological Investigations Of A Mexican Migrant Worker Grave (41mv372) In Maverick County, Texas, Douglas K. Boyd, Amy E. Dase, Christopher W. Ringstaff, M. Katherine Spradley, Catrina Banks Whitley

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

F rom 2011 through 2014, the Texas Department of Transportation collaborated with Prewitt and Associates, Inc., to investigate an isolated grave in a remote area alongside FM 481 in Maverick County, Texas. An initial archeological investigation confirmed that the location was a historic grave, and archival records revealed that it contained the remains of Salvador Camarena, a Mexican citizen who died in Texas in January 1950. Additional research identified Camarena’s son and other family members living in Mexico, California, and Texas. With the family’s permission, the burial remains were exhumed, examined, and reinterred at La Marque Cemetery in Galveston County, …

Shell And Glass Beads From The Tombs Of Kindoki, Mbanza Nsundi, Lower Congo, Charlotte Verhaeghe, Bernard-Olivier Clist, Chantal Fontaine

BEADS: Journal of the Society of Bead Researchers

The ancient Kingdom of Kongo originated in Central Africa in the 14th century. In the 15th century, the Portuguese organized tight contacts with the Bakongo. From then on European goods gained new significance in the local culture and even found their way into funerary rites. Among the most important grave goods in the Kingdom of Kongo were shell and glass beads. They occur in many tombs and symbolize wealth, status, or femininity. At the burial site of Kindoki, linked with the former capital of Kongo's Nsundi province, a great number of shell and glass beads were found together with symbols …

Exemplary Equines: Gazes And Gesture Of Bovine Animals In Trecento Fresco, Elsa L. Bruno

Scripps Senior Theses

Horses were high status animals in the middle ages. Strong, costly, and used in war, they symbolized power and wealth. Yet in some Trecento Italian frescos, horses take on another role. Particularly through their eyes, ears, and body positioning they seem to communicate with each other regarding the religious scenes at hand. Additionally, horses are often the only beings paying attention to Jesus or God, or are the sole beings who break the fourth wall of an image to engage with the viewer. While the revolutionary use of gesture and eye movement has been examined in humans in these frescoes, …

Dīpaṅkara Buddha And The Patan Samyak Mahādāna In Nepal: Performing The Sacred In Newar Buddhist Art, Kerry Lucinda Brown

Theses and Dissertations

Every four years, in the middle of a cold winter night, devotees bearing images of 126 Buddhas, Bodhisattvas, and other important deities assemble in the Nepalese city of Patan for an elaborate gift giving festival known as Samyak Mahādāna (“The Perfect Great Gift”). Celebrated by Nepal’s Newar Buddhist community, Samyak honors one of the Buddhas of the historical past called Dīpaṅkara. Dīpaṅkara’s importance in Buddhism is rooted in ancient textual and visual narratives that promote the cultivation of generosity through religious acts of giving (Skt. dāna). During Samyak, large images of Dīpaṅkara Buddha ceremoniously walk in procession to the …

Archeological Investigations For The Levi Jordan Plantation House Stabilization, Brazoria County, Texas, Jennifer K. Mcwilliams, Douglas K. Boyd, Aaron Norment

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

The Levi Jordan plantation house is one of the few antebellum plantation structures to have survived in Brazoria County. It is the only standing structure associated with the plantation, which began operating in 1848 and was occupied continually up through the 1990s. The original house, built in the early 1850s using slave labor, was a 20x60-ft two-story wooden frame structure. It was altered many times during its long occupation, often due to hurricane damage. A portion of the Levi Jordan Plantation was acquired by the State of Texas in 2002 and managed by the Texas Parks and Wildlife Department until …

The Marwani Musalla In Jerusalem: New Findings, Beatrice St. Laurent, Isam Awwad

Art and Art History Faculty Publications

Shortly after Caliph ‘Umar ibn al-Khattab’s (579-644, caliph 634-644) arrival in Jerusalem in 638, he is said to have constructed a rudimentary mosque or prayer space south of the historical Rock now contained within the Dome of the Rock (completed 691) on the former Temple Mount or Bayt al-Maqdis known popularly since Mamluk and Ottoman times as the Haram al-Sharif. Though later textual evidence indicates that ‘Umar prayed somewhere south of the “rock” and later scholars suggest that he constructed a rudimentary prayer space on the site, there is no surviving physical evidence of that initial structure. After his appointment …

Christ’S Money: Eucharistic Azyme Hosts In The Ninth Century According To Bishop Eldefonsus Of Spain: Observations On The Origin, Meaning, And Context Of A Mysterious Revelation, Roger E. Reynolds

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Maidens, Matrons, And Magicians : Women And Personal Ritual Power In Late Antique Egypt., Meghan Paalz Mcginnis

Electronic Theses and Dissertations

Utilizing an interdisciplinary approach to a variety of material, textual, and literary evidence, the aim of this thesis is to shed light on the realities – rather than stereotypes -- of an important aspect of late ancient women’s experience: the use of ritual power. Patterns of gender differentiation in late antique Egyptian magic are investigated and shown to be connected to the particular aims to which numinous powers were employed, aims which were in turn bound up with the social roles expected of each sex. The majority of this study consists of a series of case studies of different types …

Adams County History 2011-2012

Adams County History

No abstract provided.

The Cult Of The Monstrous: Caricature, Physiognomy, And Monsters In Early Modern Italy, Sandra Cheng

Publications and Research

Caricature emerged as a pictorial genre in early modern Italy and became a potent form of social satire practiced by the period’s foremost draftsmen, including the Carracci and Guercino. The deformed and misshapen subjects of caricature drawings coincided with a fascination with monstrosity. Monsters, aberrations, and anomalies reflected a cultural appreciation for the curious. The monster that slowly took shape in scientific literature was first alluded to in comparative physiognomic texts that related man to beast, then made brief appearances in the discourse on medical conditions, and finally became the primary focus of specialty publications. The attention given to physical …

Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck

Psi Sigma Siren

Collective memory studies as a field has always been the interdisciplinary study of how and why memories have been created. The difference between collective or cultural memory studies and that of a strictly historical study is often discussed and debated as people question whether memory or history is more valuable regarding past events. Jan Assmann explains that “in the context of cultural memory, the distinction between myth and history vanishes. Not the past as such, as it is investigated and reconstructed by archaeologists and historians, counts for the cultural memory, but only the past as it is remembered.” Assmann has …

Ancient Gems In The Middle Ages: Riches And Ready-Mades, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Otto Iii At Aachen, Eliza Garrison

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Review Of Ingres: Painting Reimagined By Susan L. Siegfried, Heather Belnap Jensen

Faculty Publications

Susan L. Siegfried’s Ingres: Painting Reimagined is a magisterial consideration of one of the most intriguing and elusive artists of the nineteenth century, Jean-Auguste-Dominique Ingres. As the summation of a three-decade long engagement with Ingres studies, this ambitious tome sets out to account for the strange and yet beguiling nature of his paintings, c. 1800-1840. In this book, Siegfried argues that the reason Ingres has remained an enigma has much to do with his refusal to produce works that conformed to centuries-old conventions structuring narrative painting. Ingres’s imaginative project, then, was to conceive of innovative strategies for imaging classical tales …

The Reception Of Autos-De-Fe In 18th Century New Spain: Image, Text And Practice, Emmanuel Ortega

Art & Art History ETDs

In 18th century New Spain, autos-de-fé were publicly performed as a way to openly confront the sins of heretics and to announce their penance. Paintings of these events are among the rarest scenes ever depicted on both sides of the Atlantic. Paintings, such as Un auto de f\xe8 en el pueblo de San Bartolomé Otzolotepec ca.1716, emphasize the impressive display of power enacted by the inquisition through autos-de-fé. However, they downplay the presence of the indigenous spectator-participant in lieu of the organizers and elite invitees. In terms of content, however, this painting represents a unique example of auto images since …

(Review) Ladder Of Shadows: Reflecting On Medieval Vestige In Provence And Languedoc, Frederick S. Paxton

History Faculty Publications

The article reviews the book "Ladder of Shadows: Reflecting on Medieval Vestige in Provence and Languedoc," by Gustav Sobin, 236 p., Berkeley, CA : University of California Press, 2009. Series: An Ahmanson Foundation Book in the Humanities.

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

Articles and Chapters in Academic Book Collections

To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …

“The Negro Speaks Of Rivers” An African Centered Historical Study Of The Selfethnic Liberatory Education Nature And Goals Of The Poetry Of Langston Hughes: The Impact On Adult Education, Sarah E. Howard

Dissertations

The purposes of this historical study were to 1) document the Selfethnic Liberatory adult education nature and goals of the poetry of Langston Hughes (from 1921 to 1933); and 2) to document the impact this poetry had on members of the African Diaspora. In addition, the goal of this research was to expand the historical knowledge base of the adult education field, so that it is more inclusive of the contributions of African Americans.

This study addressed the problem that the historical and philosophical literature of the field does not to any significant degree include the intellectual and adult education …

Sur La Route…Topographic Patronage And The Genealogy Of Location In Late Capetian France, Tracy Chapman Hamilton

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Art, Trade, And Patronage In Seventeenth-Century Lima: Francisco De Zurbarán's Commission For The Convent Of La Encarnación, Lori Kata

Bryn Mawr College Dissertations and Theses

Francisco de Zurbarán (1598-1664) was the most famous of the Sevillian painters who participated in the overseas art trade. The artist sent several hundred works to destinations in the viceroyalty of Peru during his career. While his participation in this long-distance endeavor can be documented between 1636 and 1662, a time span which covers the majority of his career, to date this aspect of the artist’s production has remained a minor focus of scholars.

This dissertation uses the lost commission of 1646-47 that Zurbarán produced for the nuns of the convent of La Encarnación in Lima to help formulate a …

The Triconch Sanctuaries Of Sohag, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Cross-Cultural Reception In The Absence Of Texts: The Islamic Appropriation Of A Middle Byzantine Rosette Casket, Alicia Walker

History of Art Faculty Research and Scholarship

The reception of art and architecture in the Middle Ages is typically studied through the verbal accounts of medieval viewers. This paper explores possibilities for interpreting artistic reception in the absence of texts, through the material record of works of art themselves, specifically, a Byzantine ivory casket altered through the addition of Islamic gilded bronze fixtures. I propose that the transformation of the box expresses a viewer’s cognitive appropriation of the original program, which reconfigured the iconography of the ivory container to accommodate a secular Islamic system of meaning. Rather than representing the changes as misreading or disfigurement of the …

Bearers Of Meaning, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Smart Mobs, Bad Crowds, Godly People And Dead Priests: Crowd Symbols In The Josianic Narrative And Some Mesopotamian Parallels, Steven W. Holloway

Libraries

No abstract provided.

Larry Rivers And Frank O'Hara: Reframing Male Sexualities, Dong-Yeon Koh

Dissertations, Theses, and Capstone Projects

In 1970, Sam Hunter complained that the distinctive persona of proto-Pop artist Larry Rivers had overshadowed his artistic achievement. "Too often he has been taken as an engaging public performer", wrote Hunter, claiming that some critics "make the mistake of confusing his irrepressible exhibitionism with an imagined artistic flaw of fitful or unsteady inspiration". 1 This dissertation presents an alternative proposition regarding the relationship between Rivers' artistic persona and art: that an examination of Rivers' numerous activities inside and outside the artistic arena, such as poetry, jazz, and media, is indeed useful for understanding his work. Particularly, Rivers' involvement with …

William Morris And The Society For The Protection Of Ancient Buildings: Nineteenth And Twentieth Century Historic Preservation In Europe, Andrea Yount

Dissertations

No abstract provided.

A Survey Of Evidence For Feasting In Mycenaean Society, James C. Wright

Classical and Near Eastern Archaeology Faculty Research and Scholarship

The study of feasting on the Greek mainland during the Middle and Late Bronze Age provides insights into the nature of Mycenaean society. Grave goods demonstrate changes in feasting and drinking practices and their importance in the formation of an elite identity. Cooking, serving, and drinking vessels are also recorded in Linear B documents. Feasting scenes appear in the frescoes of Crete and the islands, and the Mycenaeans adapt this tradition for representation in their palaces. Feasting iconography is also found in vase painting, particularly in examples of the Pictorial Style. Mycenaean feasting is an expression of the hierarchical sociopolitical …

Introduction To Late Medieval Pilgrimage Architecture, Gerhard Lutz

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.