Digital Commons Network^™

The Emergence Of Worship And Religion In The Neolithic Period: Direct And Indirect Evidence From Moẓa (Motza), Hamoudi Khalaily, Anna Eirikh-Rose, Ianir Milevski

'Atiqot

Evidence of worship and religion in the form of architectural remains is rather scanty before the shift in human behavior, from hunter-gatherers to sedentary communities, and the emergence of permanent settlements. Communal and ritual structures first appeared in the Natufian culture (12,500–9400 BCE) and expanded during the Neolithic period (9400–5300 BCE), alongside the treatment of burials linked to ritual related to ancestor worship. The excavations at Motza’s Final PPNB (7100–6700 BCE) layer exposed many non-residential structures, some presumably used for worship and ritual. Some burials, including the one interpreted here as a shaman burial, included objects of symbolic importance. Cultic …

Front Matter & Editorial, The Editorial Board

'Atiqot

No abstract provided.

Early Bronze Age Fauna From Tel Lod, Edward F. Maher Maher

'Atiqot

The excavations at Tel Lod yielded a small zooarchaeological assemblage, primarily dating to Early Bronze Age IB (Strata VII–IV); the material from the latest occupation (Strata III–II) dates to late EB IB or the EB IB/EB II transition. The fauna of both phases is dominated by domestic stock, comprising sheep, goats, cattle and pigs, which were used both for primary products, such as meat, and secondary products, such as dairy, wool, hair, traction and for breeding. Wild animals, such as boar, gazelle, deer and hare, were also occasionally exploited.

Early Bronze Age Remains At Tel Lod, Amir Golani

'Atiqot

A rescue excavation conducted in the southwestern part of the Early Bronze Age mound at Lod exposed an intensive settlement. The architectural remains of Strata VI–IV demonstrate the use of rounded exterior corners for domestic structures, characteristic of the end of EB I and the transition into EB II. The architectural remains associated with Strata IV–III include large, possibly public buildings dating to the end of EB IB. The ceramic assemblages from Strata VII–II are typical of late EB I in central and southern Israel. Two Carbon-14 dates from Stratum IV indicate a date at the beginning of EB IB …

Early Bronze Age Ia Settlement Remains At Ḥorbat Ḥammim (South), Near Modi‘In, Edwin C.M. Van Den Brink, Liora Kolska Horwitz, Ofer Marder, Henk K. Mienis

'Atiqot

The excavation at Ḥorbat Ḥammim (South) yielded a rock-cut basin and a small cave within a limestone bedrock outcrop. The basin is similar to other rock-cut installations previously exposed in the area and dated to the Chalcolithic period.
The manmade rock-cut cave was entered through a shaft. The sediments from the shaft and the cave consisted of many potsherds, stone tools and animal bones, that may have been washed into the cave, or intentionally discarded in it. The cave may have been quarried as early as the Late Chalcolithic period, although the bulk of the pottery dates to EB IA, …

A Ceramic Zoomorphic Figurine From Tel Bet Yeraḥ, Nadeshda B. Knudsen

'Atiqot

A well-made ceramic zoomorphic figurine was recovered from a domestic EB IB context (Stratum V) in the southern part of Tel Bet Yeraḥ. The physical characteristics of this figurine suggest that it was intended to represent an equid, possibly a donkey. Such animal figurines are common at Early Bronze Age sites, usually representing familiar domesticate animals. The purpose of these figurines remains obscure, with multiple suggestions offered, including their use as toys, talismans, teaching aids, exchange tokens, or for rituals.

Early Bronze Age Remains In The Southern Part Of Tel Bet Yeraḥ, Amir Golani

'Atiqot

Five strata were exposed during a salvage excavation near the southwestern fringes of Tel Bet Yeraḥ: late EB I (Stratum V), EB II (Stratum IV) and EB III (Strata III–I). The direct superposition of the strata suggests a minimal time interval between the occupations and a nearly continuous habitation. The architectural remains attest that this area was domestic in nature, a conclusion further supported by the small finds, which include a large quantity of holemouth vessels, probably used as cooking pots, fauna, flint, ground stones and mollusks. This part of the site appears to have been finally abandoned in EB …

Resurrection In The Regensburg Pendant: Materials And Iconography, Devotional Object As Sacred Jewelry, Margarita Benacerraf

Theses and Dissertations

The Regensburg butterfly (1310-1320), an exquisitely crafted reliquary pendant, was found in the head of a fourteenth-century crucifix in 1991. The locket’s butterfly shape—and the ways in which the butterfly serves as a metaphor for Christ’s redemption—remains a fascinating window into late medieval Christianity and devotional practices in the medieval world.

Pilgrimage And Play: The Intersection Of Pilgrimage Objects And Toys In Later Medieval London, Eliot Benbow

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Silent Testimonies: The Global Evolution Of Grave Marker Art And Meaning, Erik Culley

Bakerman Student Research Awards

Grave markers are more than simple memorials; they are meaningful cultural objects that reflect how societies understand death, identity, belief, class, and community values. The size, material, decoration, and inscriptions of gravestones change over time in response to economic conditions, religious beliefs, social structures, and consumer culture. By studying grave markers across different regions and historical periods—such as early modern Europe, nineteenth-century Germany, and immigrant cemeteries in Australia—archaeologists can trace broader cultural transformations. Research shows that the rise of external grave markers in the eighteenth and nineteenth centuries was closely tied to increased material consumption and a growing emphasis on …

Identifying Intangible And Biocultural Heritage Elements Toward Environmental Understanding: Engaging Stakeholders Through Art, Martha B. Lerski

Publications and Research

Grounded in a case study in Barbuda in the Caribbean, this research examines sustainability from the perspective of what arts and heritage can contribute to community engagement and local and broader understandings about the environment. This article documents a growing body of literature recognizing the role of arts and culture, including local knowledge and traditional ecological knowledge (TEK), in climate change endeavors. Art and TEK present expansive world views. Contextual information situates research done on the island of Barbuda pre- and post-Hurricane Irma. Visual arts workshops engaged community members in mixed methods research. Results documented cultural elements, particularly intangible and …

Mansiones: A New Look At Mansio Archaeology In Light Of San Miceli And Household Archaeology, Christopher Randall Chadwick

Dissertations

Problem

The identification of mansiones in the archaeological record has proven difficult, if not impossible. One factor contributing to the problem has been focusing on typological and descriptive studies in order to identify the functional characteristics of mansiones. Another has been the lack of any explicit method and theory for interpreting the functional characteristics of the archaeological data related to mansiones. Both of these factors have been observed in the recent excavations at San Miceli.

Method

Due to the functional nature of mansiones, there is a need to reevaluate current paradigms for interpreting the archaeological data related to mansiones. One …

Art As Witness: Carrying Christian Iconographies In The Works Of Henry Ossawa Tanner During The Gilded Age To Contemporary Autobiographical Testimonial Art, Ziona King

Pomona Senior Theses

Culminated in a solo exhibition of three works titled the prodigal daughter and The Great High Priest, Baptism, and The Lord of Hosts, this research explores the implications of the Christian methodologies and iconographies in the works of Henry Ossawa Tanner to influence testimonial artwork containing personal Christian iconographies of water baptism, spiritual encounter in everyday life, the lion of Judah, bowls, and more interpretive motifs.

Women In Orientalist Paintings: The Different Symbols Women Represented In Orientalist Paintings In The Late Nineteenth And Early Twentieth Century, Malak Ahmed

The Undergraduate Research Journal

Art is one tool that indirectly affects people’s thoughts and perceptions. Orientalist painting is a type of art that reflects some of the mistaken stereotypes the West has about Oriental societies, such as inferiority, hypersexuality, and objectification of women. Understanding the artistic symbols and elements of representation defining women’s roles in Oriental societies in such paintings is one way to take further steps towards eradicating stereotypes about Oriental women. Research to date has mainly focused on the sexual representations of women in Orientalist paintings, and no due care has been given to the different symbols that the paintings include. This …

Kyiv Christianity In The Portraits Of Metropolitans: Artistic Language And Coding Of Identity In The 18th Century, Oleksandr Lukyanenko, Vitaly Dmytrenko, Vita Dmytrenko, Nazar Maistruk

Occasional Papers on Religion in Eastern Europe

The article is devoted to the analysis of the iconography of the Kiev metropolitans of the 18th century as a unique phenomenon of religious Ukrainian Baroque art. The portraits of the bishops are considered not only as representative images of spiritual power, but also as carriers of cultural codes that record a special type of “Kyiv Christianity” formed on the border of Eastern and Western civilizations. Special attention is paid to Baroque aesthetics – the splendor of the bishop’s vestments, the ornamentality, theatricality of the compositions and at the same time the psychological depth of the portrayed. The study shows …

Unveiling Legacies: Exploring And Analyzing Cultural Artifacts In The Higbee Collection, Samantha Staller

Williams Honors College, Honors Research Projects

Anthropology and the Cummings Center to find ways to properly analyze an archaeological collection's artifacts to understand the overall significance of everything better. Before starting my research, I came up with the following questions: Can any artifacts be considered culturally affiliated? Is everything in the collection authentic? What is the overall background of the collection? Does this collection have any connection to Ohio history? Can anything in the collection be dated? Throughout the research, I will create an Excel inventory list to include qualitative and quantitative data from the artifacts to give insight into what is included in the Higbee …

Wiring Attachment, Alexander K. Bacon

Theses and Dissertations

This thesis began with a question: can diagrams create understanding, or only reflect it? Through paintings that layer automotive wiring schematics with family photographs, I explore how the human attachment system resists easy mapping. Using digital tools like Photoshop and scanning, alongside analog methods such as papier-collé and photo transfer, I examine how systems built for clarity—like wiring diagrams—contrast with the layered, often messy realities of human relationships. Drawing from attachment theory’s empirical foundation, rather than the metaphorical leanings of psychoanalysis, my work investigates how emotional bonds form, falter, and repair over time. Material loss and layering are not flaws, …

Heritage And Archaeological Knowledge Dissemination Strategies: A Kurd Qaburstan Case Study, Myli R. Sangria

Honors Undergraduate Theses

This thesis addresses the long-standing absence of community archaeology initiatives in the Kurdistan Region of Iraq by designing and implementing a pilot public archaeology program at the site of Kurd Qaburstan, a large Middle Bronze Age city (ca. 1800 BCE) located on the Erbil Plain. In summer 2024, the author implemented a community archaeology activity designed as a first step toward sustained engagement with the village that partially overlaps the site. The program—a hands-on lesson in archaeological stratigraphy for K–5 students, followed by a guided site visit—was intentionally simple, affordable, and easy to carry out alongside ongoing fieldwork. The activity …

Birds Of A Feather: Peace And Conflict Founders Milton Schwebel And Luella Buros, Janet Carlson

Buros Center: Professional Staff Publications

Milton Schwebel, peace psychology pioneer, described Luella Buros as “a pillar of strength, her principles uneroded by age or economic well-being, her determination to struggle against social evils undiminished” (1992, p. 4). At age 90, Buros had just become the founding contributor to Peace and Conflict: Journal of Peace Psychology. Schwebel was its founding editor. In announcing the gift, he emphasized Buros’s steadfast commitment to pursuing peace, while recognizing her artistic accomplishments and her collaboration with her husband, Oscar, in establishing the renowned Mental Measurements Yearbook series (Buros, 1968; Buros, 1978; Carlson, 2023). She later provided funds to support …

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Preserving The Stolen: Cultural Appropriation And The Case Of Seattle's Totem Pole, Olga S. Koutroulis

Scripps Senior Theses

This thesis investigates the cultural appropriation and conservation of the Chief-of-All-Women totem pole, originally stolen by Seattle businessmen from the Tlingit village of Tongass in 1899 and later reinstalled in Pioneer Square as a symbol of the city. By framing the totem pole as a site of both physical and cultural displacement, I trace its journey from sacred object to public monument, and ultimately to federally funded replica. Drawing on conservation theory, oral history, archival research, and an interview with Haida artist Sondra Segundo, I argue that the pole’s removal, replication, and continued display reflect broader patterns of settler colonialism …

New Chronology For Neolithic Cultures In The Lake Eyasi Basin, Northern Tanzania, Musa Said Mwitondi, Pastory Magayane Bushozi

Zamani: A Journal of African Historical Studies

There have been several studies on Neolithic Cultures in the Serengeti National. The recovered archaeological materials include domestic and wild fauna remains, potsherds and lithic artefacts, ochre, and stone enclosures, dating between 7200 and 4900 BP. In the East African Rift System (EARS), conventional ages for Neolithic Cultures are inferred from the most extensively researched Neolithic sites in Kenya, where the oldest Nderit ware, cattle and caprine in the Lake Turkana Basin, northern Kenya, date ca. 5200 BP. Studies on the Neolithic of EARS have been structured to fit into the migration or diffusion models that consider the spread of …

Smallpox Outbreaks And Immunization Policies In Tanzania From The Late Nineteenth Century To The First World War, Lorne Larson

Zamani: A Journal of African Historical Studies

An estimated 300 million people died globally from smallpox in the 20th century alone. There was very much a North/South divide in the existence of the disease in that period, with countries across South America, Africa and Asia recording the majority of cases. In 1966 the World Health Organization launched an intensive effort to finally eliminate the disease. The last known endemic case of smallpox was reported in Somalia in 1977, and that outbreak was promptly contained. In 1980 smallpox was declared eradicated – the only infectious disease affecting humans to achieve this distinction. This remains among the most notable …

Revisiting African Religion As An Academic Discipline In Africa: History And Prospects, Ivan B. Kivinge

Zamani: A Journal of African Historical Studies

Three main religious traditions—indigenous African beliefs and practices (African religion), Christianity and Islam—have dominated everyday life of communities in Africa today. Scholarship on religion indicates that only African religion originated in Africa— Christianity and Islam are foreign religions. Many Africans today have been active Christians and Muslims, who are sometimes being misleadingly taught that African religion is demonic and forms of paganism. This article employs historical and philosophical approaches to show how the study of African religion has navigated through various historical currents and resultant implications on the way the current generation views it. In the end, the article proposes …

Major Trends In Oral Historiography In Mainland Tanzania, 1960s To The Present: A Review Of Published Sources, Albertus K. Onyiego

Zamani: A Journal of African Historical Studies

This article examines the role of oral methodology in reconstructing historical knowledge in Mainland Tanzania over the last six decades. Although greater attention is paid to the period from the 1960s onwards, efforts have been made to illuminate on the use of oral methodology in the period before. The article is organised into four temporal sections, each representing a distinct phase of oral methodology. The first section explores the role of oral methodology before independence. It will be noticed that the gradual use of oral sources in the writing of history in Mainland Tanzania started way back during German and …

A Society For Professional Archaeologists In Tanzania: A Call For Action, Richard K. Bigambo

Zamani: A Journal of African Historical Studies

This essay discusses the need for an Archaeological Association of Tanzania and provides its general structure. It argues that the proposed association is essential for promoting the country’s development, heritage preservation and conservation, and promotion of archaeological studies. In addition to providing resources and support for research, training, and education, it would facilitate collaboration and networking, help protect and preserve Tanzania's cultural heritage, and increase public awareness and education about archaeology in Tanzania. The essay also discusses the development of archaeology in Tanzania and the history and contributions of archaeological associations worldwide. This structure for the proposed association would enable …

Review Of Water Brings No Harm: Management Knowledge And The Struggle For Waters Of Kilimanjaro, Maxmillian J. Chuhila

Zamani: A Journal of African Historical Studies

Water Brings No Harm is a key text that enables readers to understand the competing claims to resource control between government authorities and local communities on the ground. Scholarship on the relationship between local knowledge and expert knowledge in resource management and control suggests an asymmetrical relationship in which expert opinion assumes the primary responsibility.1 Bender contrasts traditional and imposed systems of resource ownership and management, arguing that there has been a struggle from both sides, as each side believes it has a rightful claim to ownership and management of water source.