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Graphic Design

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The Open Road, Bryan Condra Nov 2008

The Open Road, Bryan Condra

Theses and Dissertations

In our journeys on the open road, we travel through a landscape of visual imagery composed of patterns, rhythms and a spectrum of changing colors. Our previous experiences, mental and physical attitudes and expectations, shape our perceptions. By visually interpreting and presenting my experiences of the journey on the open road I hoped to tell a story of how the open road energizes the creative spirit. My goal was to explore how the landscape is altered by motion and speed as we pass through it, and how the journey can be experienced in various ways. I wanted to investigate and …


Making Time, Christine Coffey May 2008

Making Time, Christine Coffey

Theses and Dissertations

We are living in an age where the quantity of information has exceeded its quality. No doubt the digital and information revolutions have provided the world with countless positive improvements, but they have also increased the speed at which we live and work to the detriment of the heath of our world. This project explores ways in which designers can aid in an effort to slow down in order to reinvigorate a more sustainable graphic design product.


Typography As Performance: Bringing The Stage Into The Design Process, Ann Ford May 2008

Typography As Performance: Bringing The Stage Into The Design Process, Ann Ford

Theses and Dissertations

Graphic design is historically a visual language consisting of text and image composed for the purposes of sending messages in print format. The voice of graphic design is typography—structuring and arranging letter forms into visual language. Over the past two decades, new communication formats such as motion and interaction have frequently been related to performance. My intention, however, is to explore how performance can influence typography in two and three dimensions, and even in digital environments.


Fundamentals In Nature, Andrea Quam May 2008

Fundamentals In Nature, Andrea Quam

Theses and Dissertations

This project explores innovative methodologies for design education. It is an investigation of teaching design fundamentals in an outdoor classroom.


Argent Sound Recordings: Multimodal Storytelling, Matthew L. Klimas Jan 2008

Argent Sound Recordings: Multimodal Storytelling, Matthew L. Klimas

Theses and Dissertations

ARGENT SOUND RECORDINGS explores the integration of visual, written and sonic elements to tell a story. "The Silver Bell," a fairy tale, is delivered through the internet – providing users an opportunity to experience and interpret a constructed narrative under the guise of an independent record label website.


Voice By Design: Experiments In Redistributing Media, Bizhan Khodabandeh Jan 2008

Voice By Design: Experiments In Redistributing Media, Bizhan Khodabandeh

Theses and Dissertations

In this project I conduct two experiments in redistributing media power and reflect upon how successful they were. The experiments include a poster campaign specific to Richmond and a project dealing with educating people about guerrilla media techniques.


Gaining Attention And Encouraging A Response: My Criteria For Successful Graphic Design., Kerry Scott Jenkins Dec 2007

Gaining Attention And Encouraging A Response: My Criteria For Successful Graphic Design., Kerry Scott Jenkins

Electronic Theses and Dissertations

As a graphic designer, my goal is to clearly express my clients' message to their intended audience. Based on the diversity of my clients and their products and services, finding a consistent style in my projects might be difficult, although there are usually some typical traits. With examples of my work and dialogue from leaders in the graphic design industry, I intend to point out a common thread that runs through all successful design projects, regardless of the projects' designer, era, or individual design elements (e.g., typography, copywriting, color, layout, imagery). Success comes from graphic design's ability to gain attention …


Tolerance: Challenge, Perception, And Social Stigmas Defined Through Visual Communications., Ursula Moore Bryant May 2007

Tolerance: Challenge, Perception, And Social Stigmas Defined Through Visual Communications., Ursula Moore Bryant

Electronic Theses and Dissertations

My explorations and journey through life have led me to discover a connection in my work and responsibility as a visual communicator. My objective of communicating challenge, perception, and social stigmas through informed stories of individual lives is to provoke questions and spark moments of awareness in viewers. With this supporting manuscript, I hope to inform about my motivations through time including my personal, artistic, and historical influences. I will define graphic design as a fine art through the evaluation of artistic movements. I also intend to discuss design as a language and build a case for social awareness. Evaluating …


Enterprise Ireland: Stimulating Creativity Through Design Strategies, Peter Dee Jan 2003

Enterprise Ireland: Stimulating Creativity Through Design Strategies, Peter Dee

Other resources

Stimulating Creativity through Design Strategies: A seminar organised by Enterprise Ireland for business organisations to explore a holistic approach to the design / marketing interface.

Peter Dee - Strategic Design and Marketing Consultant, specialises in the creation of brand development strategies for Enterprise Ireland’s Design Unit. Peter was responsible for the design and development of the brand identity for the Enterprise Ireland Stimulating Creativity through Design Strategies Seminar in Dublin.

Design is an excellent expression of innovation. It can provide product differentiation, gain and hold onto competitive market advantage and assist in the building of strong brands through creative packaging …


Legibility: How Precedents Established In Print Impact On-Screen And Dynamic Typography, Heidi Specht Jan 2000

Legibility: How Precedents Established In Print Impact On-Screen And Dynamic Typography, Heidi Specht

Graduate Theses, Dissertations, and Problem Reports (ETD)

The printed word has been commonplace in society for over 500 years; the written word has been in existence for thousands. The primary intent of the written or printed word has historically been to be read. With that goal, rules and formats have developed over the centuries as aids to legibility. Naturally, these guidelines have been developed for the printed, or static typographic page. As our sophistication with and acceptance of technology grows, however, we increasingly turn to the computer or television screen for written information. Additionally, graphic designers and artists are questioning the role of the printed word as …


Proceedings Of The 1st Conference On Doctoral Education In Design (1998), Richard Buchanan, Dennis P Doordan, Lorraine Justice, Victor Margolin Oct 1998

Proceedings Of The 1st Conference On Doctoral Education In Design (1998), Richard Buchanan, Dennis P Doordan, Lorraine Justice, Victor Margolin

DRS Conference Volumes

The 1st Doctoral Education in Design Conference brought people from diverse institutions and situations together to discuss a common concern: doctoral education in design. Participants from nineteen countries assembled on the campus of The Ohio State University in Columbus,Ohio for a conference sponsored by The Ohio State University Department of Industrial, Interior, and Visual Communication Design, the Carnegie Mellon University School of Design, and academic journal Design Issues. Speakers described educational efforts shaped by diverse motivations, resources, histories, and student constituencies.


A Phenomenological Analysis Of An Instructional Systems Design Creative Project, Daniel M. Benson Jan 1998

A Phenomenological Analysis Of An Instructional Systems Design Creative Project, Daniel M. Benson

Graduate Research Papers

This research paper is a phenomenological analysis of a creative project involving University of Northern Iowa undergraduate art students in the planning and creation of visual illustrations, graphic design concepts, .html documents, and imagery for a world wide web intranet/lnternet virtual space.

This analysis looks at instructional design as a creative process and the phenomenology of the UNI Art/Cat (Art Resources Technology/Computer Assisted Training) computer laboratory. The mission, goals, and objectives of the creative project, experiential and experimental philosophies of education, and the phenomenologies of the instructional design process are the main considerations. The methodology of this thesis is primarily …


Graphic Design: Eastern And Western Design Elements In Visual Communication, Li-Ying Bao Jan 1992

Graphic Design: Eastern And Western Design Elements In Visual Communication, Li-Ying Bao

Dissertations and Theses @ UNI

To pursue the combination of Eastern and Western aesthetics in visual communication, I came to study in the United States from China. As a graphic designer, the juxtaposition of my Chinese and American education and working experiences enable me to perceive and approach design works cross-culturally. My thesis is the continuous exploration of the affinity between Eastern and Western design elements in visual communication. In my design works, my intention is to combine the traditional Eastern design methodology, modern Western technology, and contemporary design theories to such an extent that these design elements could enrich each other and produce unique …


Recruitment Practices Influencing Enrollment Of Four-Year Undergraduate Students Who Specialize In Graphic Arts, Joseph George Gindele Jan 1989

Recruitment Practices Influencing Enrollment Of Four-Year Undergraduate Students Who Specialize In Graphic Arts, Joseph George Gindele

Dissertations and Theses @ UNI

The purpose of this study was to identify recruitment practices and other selected factors that could be utilized to increase undergraduate student enrollment in three types of graphic arts programs: education, technology, and management. The study involved graphic arts faculty and students in 76 colleges and universities in the United States.

Six instruments were used to secure data. These included two preliminary devices, three faculty opinionnaires, and one student opinionnaire. Each faculty opinionnaire focused on one of three graphic arts programs and contained a list of 32 recruitment practices. The student opinionnaire consisted of a similar list, an additional listing …


Design Principles And Applications In A Corporate Trademark The Krystal Company, Kurt Hyder Mar 1984

Design Principles And Applications In A Corporate Trademark The Krystal Company, Kurt Hyder

Honors Theses

This Honors thesis sets out to examine some significant aspects of corporate trademark design. The thesis will provide an analysis of a corporate trademark program, focusing on the recent trademark change by The Krystal Company. I wish to point out early in the paper that certain features of Krystal's design program, such as uniform, package, and architectural design were reviewed only briefly. This restriction was necessary to keep the research from becoming too vast and losing sight of the main objective of trademark design. The thesis consists of three main parts: a) The principles of design and graphic design, b) …


Exploration In Design, Graphic Communications And The Creative Process, Starla A. Stensaas Jan 1980

Exploration In Design, Graphic Communications And The Creative Process, Starla A. Stensaas

Masters Theses

In lieu of the traditional thesis, I have chosen to culminate the Master of Arts in Related Arts program with a creative project and a paper that describes and evaluates the completion of the project. The project involved a personal aesthetic and technical development of the aesthetic in graphic design and communications. Documentation of the creative arts project is presented in a portfolio which includes graphic designs, publications, and news feature stories. The project is interdisciplinary in that it involves skills in art (design) and English (writing) as well as effective interdisciplinary communication skills necessary to produce interdepartmental publications.

Included …


A Source Book For Teaching Three Units In Design, John Herbert Kuhn Mar 1977

A Source Book For Teaching Three Units In Design, John Herbert Kuhn

Morehead State Theses and Dissertations

A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art at Morehead State University by John Herbert Kuhn on March 29, 1977.


The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston Jan 1973

The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …


Careers In Graphic Design, Joe Drovetto Jan 1972

Careers In Graphic Design, Joe Drovetto

All Master's Theses

This paper presents an illustrated brochure on careers in graphic design. The study includes the investigation of the number of possible professions in graphic design, definition of each specific profession, education and training necessary to qualify in each area, and a listing of further sources of information. The study also includes a series of creative visual illustrations to represent each area of graphic design.