Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- University of Nebraska at Omaha (696)
- Purdue University (638)
- City University of New York (CUNY) (564)
- California Polytechnic State University, San Luis Obispo (475)
- Claremont Colleges (192)
-
- Abilene Christian University (169)
- University of Central Florida (151)
- College of the Holy Cross (149)
- Providence College (147)
- Universitas Indonesia (146)
- Chapman University (143)
- Technological University Dublin (143)
- Kutztown University (138)
- Portland State University (137)
- Saint Joseph University of Beirut (128)
- Loyola Marymount University and Loyola Law School (119)
- Syracuse University (119)
- University of Nebraska - Lincoln (116)
- University of South Florida (113)
- Rhode Island School of Design (112)
- University of Rhode Island (109)
- Indiana State University (108)
- Old Dominion University (105)
- Western Kentucky University (103)
- LSU New Orleans (99)
- Virginia Commonwealth University (84)
- Lingnan University (78)
- Wilfrid Laurier University (77)
- Grand Valley State University (71)
- Kennesaw State University (71)
- Keyword
-
- Film (698)
- Media (188)
- Cinema (174)
- Documentary (161)
- Television (146)
-
- Feminism (144)
- Comparative literature (137)
- comparative literature (132)
- Gender (131)
- Dracula (102)
- Animation (93)
- Art (93)
- Cultural studies (92)
- Identity (91)
- Horror (90)
- Photography (89)
- Representation (87)
- History (80)
- Memory (79)
- Bram Stoker (77)
- Women (77)
- Film studies (76)
- Literature (75)
- Narrative (75)
- Music (74)
- Media studies (73)
- Video (73)
- cultural studies (73)
- Culture (70)
- Race (70)
- Publication Year
- Publication
-
- Journal of Religion & Film (693)
- CLCWeb: Comparative Literature and Culture (549)
- .RAW Journal of Art and Design (384)
- Theses and Dissertations (275)
- Dissertations, Theses, and Capstone Projects (179)
-
- Publications and Research (173)
- Landon Saunders Documents (161)
- Electronic Theses and Dissertations (146)
- Présence Francophone: Revue internationale de langue et de littérature (131)
- Journal of Dracula Studies (130)
- International Review of Humanities Studies (129)
- Regards (128)
- All-Inclusive List of Electronic Theses and Dissertations (108)
- LSU New Orleans Theses and Dissertations (93)
- Scripps Senior Theses (91)
- Masters Theses (86)
- Playbill and Promotion (80)
- USF Tampa Graduate Theses and Dissertations (79)
- Renée Crown University Honors Thesis Projects - All (77)
- WMPG Program Guides (69)
- LMU Theses and Dissertations (67)
- Honors Theses (64)
- Cinesthesia (62)
- Pop Culture Intersections (58)
- Theoretical Studies in Literature and Art (57)
- Pathos (54)
- Articles (46)
- CMC Senior Theses (46)
- Honors Projects (46)
- Markets, Globalization & Development Review (45)
- Publication Type
- File Type
Articles 7141 - 7170 of 9128
Full-Text Articles in Entire DC Network
W.O.C. In Da Biz, Graeme Aegerter, Ellen Butterworth, Katie Davidson
W.O.C. In Da Biz, Graeme Aegerter, Ellen Butterworth, Katie Davidson
Women’s Studies, Feminist Zine Archive
Writings and art addressing intersectionalities of music, gender, and race, focusing on M.I.A., Janelle Monae, and Ciara Princess Harris.
What You Need To Know About Sex, Lauren Gardner, Paula Pearl, Jessie Roth, Cristina Smith
What You Need To Know About Sex, Lauren Gardner, Paula Pearl, Jessie Roth, Cristina Smith
Women’s Studies, Feminist Zine Archive
Writings and artwork examining messages about sex and contraception in the media, intimate partner violence, sexuality and gender in popular music, and sexuality.
Migrant Stories And Italian Colonialism: A Report On Two Documentaries, Simone Brioni Dr.
Migrant Stories And Italian Colonialism: A Report On Two Documentaries, Simone Brioni Dr.
Department of English Faculty Publications
No abstract provided.
Notes On The Politics Of The Auteur: Stanley Kubrick, Wes Anderson, And The Spectator, Michael Perreault
Notes On The Politics Of The Auteur: Stanley Kubrick, Wes Anderson, And The Spectator, Michael Perreault
Honors Theses
What is an author, and what does it matter? Questions about authority in the cinema have been the subject of debate since the late 1940s, when Alexandre Astruc posited the notion of the camera-stylo in France. A slightly reductive understanding of the term “auteur”—a term that Cahiers du Cinéma would later adopt—states that, with the shadow of the World War II era of censorship still looming in the 1950s, the many individual voices of the cinema needed to be both heard and promoted. Namely, the director should be regarded as (and should consider his or her primary objective to …
A Soldier's Home, Andrew O. Mclaughlin
Rushmore’S Max Fischer And Dwight Macdonald’S “Midcult”, Emily A. Pugh
Rushmore’S Max Fischer And Dwight Macdonald’S “Midcult”, Emily A. Pugh
Faculty Curated Undergraduate Works
This essay attempts to explain the theory of Dwight Macdonald's Midcult from his essay Masscult and Midcult: Essays Against the American Grain and presents examples of the concept in Wes Anderson’s film Rushmore (1998). Midcult is described a hybrid of cultures in our society between High Culture and Masscult. Midcult presents itself as part of the High Culture but corrupts High Culture standards by being formulaic and without any standards except for popularity (Macdonald, 398). Rushmore details the life of Max Fischer, a prep school student who strives for recognition. Within the film Max exemplifies the concept of Midcult by …
"You Might Be A Redneck If" You Consider Yourself One?, Danielle Bartholomew
"You Might Be A Redneck If" You Consider Yourself One?, Danielle Bartholomew
Faculty Curated Undergraduate Works
No abstract provided.
What I Want To Do Before I Die, Landon Brady Saunders
What I Want To Do Before I Die, Landon Brady Saunders
Landon Saunders Documents
Saunders outlines a basic plan for Heartbeat and for himself after he steps down from Heartbeat.
Monumental Melodrama: Mikhail Kalatozov’S Retrospective Return To 1920s Agitprop Cinema In I Am Cuba, Tim Harte
Monumental Melodrama: Mikhail Kalatozov’S Retrospective Return To 1920s Agitprop Cinema In I Am Cuba, Tim Harte
Russian Faculty Research and Scholarship
This article explores the revival of silent film tropes, particularly silent-era melodrama, in the later films of Mikhail Kalatozov. Kalatozov, a Soviet filmmaker who began his career at the tail end of the silent era, created several masterful works in the post-Stalin era that conspicuously hark en back to Soviet cinema of the 1920s, most significantly The Cranes are Flying and I Am Cuba. This article probes the melodramatic essence of I Am Cuba, a film celebrating the Cuban revolution of the 1950s, as the author discusses the ways in which melodrama, homage to silent Soviet cinema, and …
Evolution Of Film Trailers, Robert Llewellyn
Evolution Of Film Trailers, Robert Llewellyn
Whittier Scholars Program
This project is a research paper on the history and evolution of film trailers beginning in the 1910s. The author mentions how trailers are directed towards different demographics. Different movie trailers such as King Kong, The Wizard of Oz, Citizen Kane, Casablanca, Psycho, and Easy Rider and many others are used as examples throughout the paper. The era from the 50’s to the 70’s is thoroughly discussed as being a transitional period. Additionally, the paper touches base on the political events that occurred and how they affected films topics. The project includes a journal of the author’s journey through the …
On Familiarity And Defamiliarization In The Use Of Appropriated Material In Film, And Its Consequences On Narration : A Study Of Artavazd Peleshian's Our Century, Johan Grimonprez's Dial H-I-S-T-O-R-Y And Adam Curtis' It Felt Like A Kiss, Maureen Anderson
Legacy Theses & Dissertations (2009 - 2024)
The text presented here is a study of the editing and appropriation techniques of three constructivist films and their affect on narrative: Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss. An analysis of these techniques is done through the lens of the Russian Formalists, Victor Shklovsky and Mikhail Bakhtin and their respective concepts of defamiliarization and familiarization. Attention is paid to formal analysis in relation to historical context.
The Darker Angels Of Our Nature: The South In American Horror Film, Steven Clayton Saunders
The Darker Angels Of Our Nature: The South In American Horror Film, Steven Clayton Saunders
Electronic Theses and Dissertations
How does one make a region horrific? For well over half of a century, the American South has functioned as a site for national anxieties over race and modernization. This study uses an inter-disciplinary approach in order to understand the various forces involved in the construction of the South in American horror cinema. Particular attention is paid to the influence that images of the civil rights movement have had on the development and evolution of the South as a horrific and terrifying space for the rest of the nation. It focuses on four main subcategories of the genre: the white …
Introduction: A Game's Study Manifesto, Jason C. Thompson, Marc A. Ouellette
Introduction: A Game's Study Manifesto, Jason C. Thompson, Marc A. Ouellette
English Faculty Publications
In the epigraph to this collection, we return to a foundational text of the western literary canon, Homer’s Odyssey, and see in Penelope’s “bow contest” an illustrative moment in the history of game culture. Having fought in the Trojan War and having survived his ten-year trek home, the weary Odysseus cannot simply show up—the returning hero must rout the odious suitors whom Penelope has forestalled. In order to buy more time for vengeance, Odysseus disguises himself as an old beggar; in order to buy more time for deferral, Penelope creates an unwinnable game: she will marry the suitor able …
Gay For Play: Theorizing Lgbtq Characters In Game Studies, Marc A. Ouellette
Gay For Play: Theorizing Lgbtq Characters In Game Studies, Marc A. Ouellette
English Faculty Publications
Despite, and perhaps because of, popular press reactions to stereotypical depictions of beefy boys and busty babes in video games, the realm of gender, sex, and sexuality remains a lacuna in the emerging field of game studies. Of particular interest is the notion of performance and the ways this impacts both on gender and on game play. The combination might be expected to offer a very interesting way of approaching LGBTQ characters in digital games, especially given the recent inclusion of such characters in some popular and well-studied game franchises, including Grand Theft Auto (Rockstar 1997-present), Jade Empire (BioWare 2005-08) …
Audience Response To The Nature/Society Binary In Kurosawa’S Dersu Uzala: An Observational Online Ethnography, Laura L. Sharp
Audience Response To The Nature/Society Binary In Kurosawa’S Dersu Uzala: An Observational Online Ethnography, Laura L. Sharp
Theses and Dissertations--Geography
Geographers researching cinema have predominantly been interested in how geographic meaning is constructed and negotiated within film, but have been less productive in accounting for how these constructs are received by viewers. Using the method of observational online ethnography, I therefore investigate how fans in online reviews have interpreted the nature/society binary in the film Dersu Uzala. Working from a social constructionist view of nature I begin by deconstructing the binary as it appears in Dersu Uzala before proceeding to illustrate the way this constitutive absence is made up for by the visuality of the film’s landscapes and techniques of …
Salvation: An Exploration, Kelsey Rose Weber
Salvation: An Exploration, Kelsey Rose Weber
CMC Senior Theses
This thesis explores how women in different religious communities relate to the concept of Salvation. Focusing on Buddhism, Judaism, Islam, and Hinduism, this short experimental film, and supplement paper, seek to provide an alternative point of view that translates this unique experience for women in religions that use heavily gendered language and that are rooted in traditional patriarchal cultures. By using the experimental film medium, viewers are able to perceive religion and film in a new way that pushes the viewer to give their own interpretation of the imagery on screen. It also allows viewers to give the imagery meaning …
New Media, An Academic Perspective, Dashiel D. Escrofani
New Media, An Academic Perspective, Dashiel D. Escrofani
CMC Senior Theses
This Senior Thesis is intended to provide a new perspective about New Media as its own medium and discuss the implications of having one world-wide medium by which to communicate with others.
Native Newspapers: The Emergence Of The American Indian Press 1960-Present, Russell M. Page
Native Newspapers: The Emergence Of The American Indian Press 1960-Present, Russell M. Page
CMC Senior Theses
During the 1960s and 1970s, tribes across Indian Country struggled for tribal sovereignty against “termination” policies that aimed to disintegrate the federal government’s trust responsibilities and treaty obligations to tribes and assimilate all Indians into mainstream society. Individual tribes, pan-Indian organizations, and militant Red Power activists rose up in resistance to these policies and fought for self-determination: a preservation of Indian distinctiveness and social and political autonomy. This thesis examines a crucial, but often overlooked, element of the self-determination movement. Hundreds of tribal and national-scope activist newspapers emerged during this era and became the authentic voices of American Indians and …
The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green
The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green
CMC Senior Theses
The invention of the synthesizer meant the possibility of achieving virtually any sound in one mechanism, a superbly convenient device for musical creativity. Perhaps the perfect space for this approval of sound creativity was in the modern electronic film score. The synthesizer also flourished in popular music immediately following its emergence, but a common form began to solidify itself among synthesizer music. Shortly after, improvements in electronic instrument technology led to the democratization of electronic music and equipment, ultimately leading to electronic music as the new mainstream.
Opportunity For Engagement : How Viewing "The Lizzie Bennet Diaries" Transcends Traditional Reader Response, Molly Hayes
Opportunity For Engagement : How Viewing "The Lizzie Bennet Diaries" Transcends Traditional Reader Response, Molly Hayes
Honors Program Theses
For hundreds of years, publishers have worked to understand the relationship between a reader and a text. This relationship between a reader and a text has changed dramatically as technology develops, allowing readers to interact with a text in new ways. As years pass, the technology available to content creators as well as consumers changes drastically, often resulting in adaptation of text. One text that has been adapted many times is Jane Austen’s Pride and Prejudice. The novel has been recorded on tape, made into a television series, adapted for the big screen, and now has been brought to an …
Communication And Media Studies Newsletter 2013 Winter, Communications & Media Studies
Communication And Media Studies Newsletter 2013 Winter, Communications & Media Studies
Communication and Media Studies Newsletter
No abstract provided.
Global Flows Of Women’S Cinema: Nadine Labaki And Female Authorship, Patricia White
Global Flows Of Women’S Cinema: Nadine Labaki And Female Authorship, Patricia White
Film & Media Studies Faculty Works
No abstract provided.
Age Appropriate? Sundance’S Women Filmmakers Come Next, Patricia White
Age Appropriate? Sundance’S Women Filmmakers Come Next, Patricia White
Film & Media Studies Faculty Works
No abstract provided.
Film Still From "Losing Time", Julia Eldred
Film Still From "Isolation", Julia Eldred
Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche
Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche
Senior Honors Theses
Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …
Refiguring Indexicality: Remediation, Film, & Memory In Contemporary Japanese Visual Media, Janine Marie Villot
Refiguring Indexicality: Remediation, Film, & Memory In Contemporary Japanese Visual Media, Janine Marie Villot
USF Tampa Graduate Theses and Dissertations
Through an analog between film and memory, I argue contemporary Japanese visual media constantly remediates this relationship in order to develop a more inclusive, plastic indexicality that allows media without direct material contiguity access to an indexicality not typically attributed to it. Amidst the early twenty-first century shift from old, mechanical media to new, electronic media, each Japanese text engages the West through intercultural discourses and intracultural responses, just as Japan has continually encountered the West since its forced opening by Commodore Perry in 1853. The plasticized indexicality figured by contemporary Japanese visual media implies the plastic nature of abstracted …
The Sopranos Experience, Eli Benjamin Weidinger
The Sopranos Experience, Eli Benjamin Weidinger
USF Tampa Graduate Theses and Dissertations
My thesis explores what I call the "Sopranos Experience," which draws upon both the historical conventions of the gangster genre as well as the aesthetics and economics of pay-cable television to complicate The Sopranos' (HBO, 1999-2007) psychological relationship with the 21st-century, neoliberal American audience. The Sopranos Experience explicates how wavering identifications and dis-identifications that develop for the spectator through the series' form and content draw the responsibility of an audience away from moral ultimatums that attempt to finalize their experience with the genre, and towards a more personal ethical entanglement with the characters and their socioeconomic anxieties and desires. The …
Spectatorial Shock And Carnal Consumption: (Re)Envisaging Historical Trauma In New French Extremity, Christopher Butler
Spectatorial Shock And Carnal Consumption: (Re)Envisaging Historical Trauma In New French Extremity, Christopher Butler
USF Tampa Graduate Theses and Dissertations
New French Extremity films are violent, transgressive, and break many social taboos in their narratives. However, this genre's directors are intelligent and construct these films with clues to France's past and how it still has implications in the present. This thesis was written to point out how New French Extremity films offer spectators the potential to reincorporate traumatic moments in French history by juxtaposing them against present day social, political, and economic ideologies. The purpose for this course of study was to investigate historical encounters that are present in New French Extremity filmmaking, something that has yet to be addressed …
The Post- 9/11 Aesthetic: Repositioning The Zombie Film In The Horror Genre, Alan Edward Green, Jr.
The Post- 9/11 Aesthetic: Repositioning The Zombie Film In The Horror Genre, Alan Edward Green, Jr.
USF Tampa Graduate Theses and Dissertations
This dissertation explores a body of films produced after the events of 9/11, and while examining this specific point of departure, the author presents the argument on the vast cultural relevancy of the omnipresent zombie. These films are interrogative and complex, offering the viewing audience a rich tapestry of interwoven meanings. Furthermore, the author suggests that the zombie trope has, in fact, left the genre altogether, reinserted into a style of films he labels as "non-zombie appropriation." Chapter 1 introduces the zombie genre as both part of the larger horror genre aesthetic and as its' own legitimate subgenre. The zombie …