Digital Commons Network^™

Make America(N Cinema) Great Again: The Rhetoric Of Nostalgia In Trump Era Cinematic Multiplicities, Courtney J. Dreyer

Department of Communication Studies: Dissertations, Theses, and Student Research

This dissertation investigates the rhetoric of nostalgia in politics and popular Hollywood cinema during the Trump era. I argue that MAGA Cinema, the contemporary trend of reboots, remakes, and sequels related to properties from the late 1970s to early 1990s, both respond to and strengthen attachments to an imagined version of the 1980s. However, this illusory golden age more closely reflects the world as depicted in the cinema of the 1980s rather than the reality of American in the years of Ronald Reagan’s presidency. Through a close analysis of David Gordon Green’s Halloween Reboot series, Top Gun: Maverick, and …

That Way: An Examination Of Male Relationships In Film During The Hays Code, Jane Knudsen

Theses/Capstones/Creative Projects

The Hays Code (1934-1968) influenced the construct of United States masculinity and the discourse surrounding masculine presentation between the 1920s to the 1960s. The Hays Code and World War II affected the culture surrounding male/male relationships in the United States. Previous research done by David Lugowski (1999) and Jeffrey Suzik (1999) shows that both World Wars led to crises of masculinity in which the hegemonic ideal of masculinity was restructured to establish men as providers and warriors, and Code-era films reflected the discourse. To understand the gender roles in the 20^th century, I analyzed the Hays code, male bonds, …

‘Samoye Vazhnoye’: Behind The Scenes Of Russian Cinema, 1908–1924, Katerina Ludwig

War, Diplomacy, and Society (MA) Theses

From the first decade of the 20^th century to the middle of the 1920s, cinema in Russia exposed how politics and the modern medium were inseparably intertwined. As works that were produced during a period of great turmoil and uncertainty, films revealed more than a unilateral relationship. Cinema was used in Russia in the late-Imperial and early Soviet eras as an active tool of entertainment, propaganda, art, education, and intellectual discussion. Studying its intersectional nature illuminates areas obscured by purely political or artistic perspectives, which tell either opposite or mutually emboldening tales. This thesis argues on behalf of both …

Theorizing Folk Cinema, Cora M M Lewis

Media and Cultural Studies Honors Projects

This honors project theorizes the concept of folk cinema. The project grapples with the complex history of the study of folklore and cinema’s historic inaccessibility as a medium in order to position folk cinema as a revolutionary project capable of reimagining both cinema and folklore. Avoiding concrete definitions or the urge to label any specific films as folk cinema, the project explores folk cinema theoretically through the experimental Spanish short film Aguaespejo Granadino, the films of the Bolivian Third Cinema filmmaking collective the Ukamau Group, and finally my own creative intervention via the creation of a short diary film.

Coming Out Of The Coffin: The History And Present Of Queerness In The Vampire Genre., Bailey Drummond

Honors Projects

This essay delves into the captivating and lasting influence of vampires on popular culture since their creation. The fascination with vampires can be traced back to literary works such as John Polidori's "The Vampyre" and Bram Stoker's classic "Dracula," which have served as foundations for vampire mythology across different media platforms. Despite the evolution of media and cultural contexts, certain themes surrounding vampires have persisted throughout history. Notably, vampires have been portrayed as symbols of sexuality and queerness, reflecting societal fears and desires from past eras to the present day. These themes have been critically analyzed and dissected in various …

Hell On His Mind: Dean Winchester’S Journey To Hell And Back, Anna Caterino

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Season three of Supernatural (2005-2020) closes with a shot of Dean Winchester (Jensen Ackles) in Hell. The place has no discernible features and resembles neither the long waiting line nor the gothic castle of later seasons. What is does resemble is a brain, with a labyrinth of ropes reminiscent of neurons, suggesting Hell is a place that exists first and foremost in Dean’s head. The lack of establishing shots and the abstract terms used to discuss Hell, damnation, and Dean’s experience present the viewer with a physical place into which all of Dean’s fears and trauma converge. This essay analyzes …

The Evolution Of Palestinian Narrative: ‘Mo' As An Illustration, Ihsan Abualrob, Ayman Talal Yousef

An-Najah University Journal for Research - B (Humanities)

The article aims to explore the present-day challenges facing the Palestinian narrative. It delves into the ways in which the narrative has been shaped by historical events namely the Nakba, the Naksa, and the Oslo Accords, and how these events have left a lasting impact on the Palestinian identity. The article then examines the potential for the development of a new form of cultural resistance utilizing personal stories; as demonstrated by the Netflix show ‘Mo’. The show proffers a novel approach incorporating Palestinain political messages onto comedy and drama, and therefore has the potential to reach a wider audience. In …

Bác Hồ In The Business Lounge: The Curious Case Of Vietnam's Neoliberal Socialists, Huong Nguyen

Media and Cultural Studies Honors Projects

This project examines how neoliberal economic policies and socialist signifiers have co-existed in Vietnam since the 1980s market reforms. Focusing on Vietnam’s national airline, Vietnam Airlines, I draw on the ideas of Michel Foucault to show how neoliberal governmentality subsumes socialism to shape better citizens, workers, consumers, and human capital. Through an autoethnographic thick description of a flight from Ho Chi Minh City to San Francisco, I capture neoliberal governmentality's intimate interactions with the subject. With Aihwa Ong's theory of “neoliberalism as exception” as a guide, I analyze how the selective deployment of socialist signifiers in the spaces, practices, and …

Ang Mapanglasong Dagta Ng Homophobia: Pagsusuri Ng Kasarian At Pagnanasa Sa "Nagmahal Ako [Ng Bakla]" Ng Dagtang Lason (The Toxic Sap Of Homophobia: An Analysis Of Kabaklaan, Masculinity, And Desire In Dagtang Lason’S "Nagmahal Ako [Ng Bakla]"), Johann Vladimir Espiritu

Akda: The Asian Journal of Literature, Culture, Performance

Gamit ang malapitang pagbabasa, sinusuri ng artikulong ito ang kantang “Nagmahal Ako [ng Bakla]” ng Dagtang Lason (2009) upang tunghayan ang pagkakahulugan nito sa kabaklaan. Isang seksyon ito ng higit na malawakang pag-aaral sa kabaklaan bilang karakter na nilalaman ng kantang bakla—o mga awit na nagmumula sa [personang] bakla, patungo sa [hantungang] bakla, o may pinatutungkulang [kuwento ng] bakla—nitong huling apat na dekada. Ang pagbasa/panunuri ay nakaangkla sa teoryang queer na kombinasyon ng samutsaring kritikang kapwa kanluranin at lokal, at nakatutok sa tatlong pangunahing salik: ang titik [o teksto, lyrics ng kanta], ang tinig [na kinakatawan ng literal na …

Zeros And Ones: Digital Video Aesthetics And Geopolitical Economy In Blackhat, Everett Barnett

USF Tampa Graduate Theses and Dissertations

Film and media theory has been fundamentally altered by the advent of digital technology, both in terms of film production and broader aesthetic overtures but also in terms of greater digital mediation. Blackhat (Michael Mann, 2015), although not a commercial or critical success, articulates many of the exact circumstances and broader consequences of digital technology in relation to its digital video aesthetics but also its narratives content involving global telecommunication and data systems. As a wholly digital film, Blackhat is uniquely situated to speak not only developments in digital filmmaking but also, by way of its plot line involving stateless …

The Rust Belt Gothic: Charting The Affective Politics Of Deindustrialization And The Emergence Of A Great Lakes Horror Genre In Film, Micheal B. Raines

USF Tampa Graduate Theses and Dissertations

Within the past decade, a string of notable horror films set within the Steel Belt has emerged. These works collectively invoke the specter of the ‘Rust Belt’ in their narratives: the industrial Midwest’s derelict urban and suburban sprawls in the wake of the economic decline and white flight of the USA’s once-mighty manufacturing sector. Scholarship has commented upon the subtext of these works individually but fails to observe their collective nature as an emergent subgenre in horror fiction, centered upon directly confronting the Steel Belt’s twentieth-century history of stagnation. In this paper, I examine films which share clear aesthetic and …

Unveiling Estrangement: The Ambivalence Of Iranian Cultural Identity In Documentary Films, Vahid Valikhani

USF Tampa Graduate Theses and Dissertations

This paper examines estrangement within Iranian society as depicted in Iranian documentaries, which, I argue, regularly suppress the complexities of Iranian cultural identity. While Iranian narrative cinema has been studied in this context, documentaries have received less scholarly attention, despite their potential to illuminate the shortcomings of conceiving Iranian cultural identity. I examine three documentaries: Tehran Today (Ahmad Faroughi Ghajar, 1962), Newcomers (Kianoush Ayari, 1979) and Tehran Without Permission (Sepideh Farsi, 2009). Through this analysis, I uncover various forms of estrangement, including those induced by westernization, gender oppression, and the political control of what Hamid Naficy calls “mediawork.” Drawing on …

"We Are Bad Feminists!": Understanding Genre And Rhetoric In (Post)Feminist Dramedy Television, Cailin Rolph

All HCAS Student Capstones, Theses, and Dissertations

Centered on Lena Dunham’s Girls (2012) and Phoebe Waller-Bridge’s Fleabag (2016) this thesis examines the use of genre conventions in dramedy to facilitate feminist critiques of postfeminist ideals. In conducting a case study of feminist rhetoric present in the shows Girls and Fleabag, this thesis addresses a gap in genre studies concerning the social and political potency of the dramedy genre. The thesis utilizes rhetorical critique, through generic methods, to identify the specific techniques used by Dunham and Waller-Bridge. Through its analyses, this thesis argues that dramedy can uniquely operate as a work of social action and critique, using …

From Displacement To Intersubjectivity: A Phenomenology Of Sound In Classic Film Noir, Thomas Goodchild

USF Tampa Graduate Theses and Dissertations

This paper analyzes the use of sounds displaced from their sources in classic filmsnoir. Noir is often understood as a dark and solipsistic moment in American cinema. Interpretations of noir frequently emphasize isolated individuals who are physically, psychologically, and socially displaced from their environments. Although scholarship on noir has examined this alienation through various sonic motifs such as music and voice-over, I investigate how several noirs draw attention to the act of listening through acousmatic sound—that is, sound heard without a visible source. Far from being an ephemeral auditory experience, I argue that the separation between sound and image invites …

The Boundaries Of Melodramatic Film Music: Redefining Home Through The Score Of Douglas Sirk’S All That Heaven Allows, Meredith Donovan

USF Tampa Graduate Theses and Dissertations

In this project, I analyze the relationship between music and narrative in Douglas Sirk’s 1950 film All That Heaven Allows. Sirk’s melodramas are held in high regard by film scholarship, but their scores, especially those composed by Frank Skinner, are often dismissed as lazy or mere atmospheric mood assistance. I argue, however, that the score of Sirk’s All That Heaven Allows builds protagonist Cary both a home—and a “home key”—through its tonal structure, rejecting a rigid boundary between diegetic and non-diegetic music as a whole by offering a fluid musical space to express the conflict between Cary’s emotional home and …

Trust Me: Film + Q&A; (February 22, 2024, 5:30 Pm, Sheldon Museum Of Art) [Poster], Sheldon Museum Of Art, University Of Nebraska-Lincoln

Sheldon Museum of Art: Catalogs and Publications

Poster for Trust Me: Film + Q&A held February 22, 2024 at 5:30 PM at the Sheldon Museum of Art (University of Nebraska-Lincoln, Lincoln, Nebraska, United States).

Poster blurb:

In today's information landscape, how do you know whom--and what--you can trust? Watch the award-winning, feature-length documentary Trust Me, which explores how media technology is influencing society and what we can do about it.

A Q&A with Rosemary Smith, filmmaker and managing director of the non-partisan Getting Better Foundation, follows.

More information about the screening is available at https://news.unl.edu/newsrooms/today/article/trust-me-documentary-to-screen-at-sheldon/.

More information about the film is available at https://www.trustmedocumentary.com/ …

#Hotgirlsemestersyllabus, Katrina Marie Overby, Gheni Platenburg, Niya Pickett Miller

Feminist Pedagogy

No abstract provided.

Without Us There Is No Britain: Black British Photography And Film Networks, 1950-1989, Maria T. Quinata

Dissertations, Theses, and Capstone Projects

This dissertation tracks three moments from 1950 to 1989, when images were put to work by Black photographers and filmmakers to stake individual and communal claims to Britain and Britishness: first, through the emergence of photographic portraiture taken in domestic living spaces during the 1950s to 1970s; second, through the Black Panther Movement and their use of photography in the late 1960s to mid 1970s, and last, with the efflorescence of Black film and video collectives in the 1980s. At each of these moments, I attend to the simultaneous production, negotiation, and co-mingling of new social identities that were diasporic, …

Chinese Cinema Under Censorship: The Evolving Identities Of China, Siyuan Liu

Dartmouth College Master’s Theses

This thesis examines a selection of the most notable Chinese films that interacted with Chinese censorship regulations. Contemporary Chinese cinema has found itself in one of the most interesting situations in the present day. After the glorious1990s and 1980s New Wave movement Chinese cinema has diminished in terms of influence, style, and international recognition. And it is due to the strict censorship enforced since the beginning of the century. In this project, the author analyzes some of the most notable names in Chinese cinema: Jia Zhangke, Jiang Wen, Lou Ye, etc., most of whom were victims of the Chinese Film …

Unnatural Issue: Gendered Adaptations Of “Peau D’Âne” In Contemporary French And English Texts, Amy M. Martin

Dissertations, Theses, and Capstone Projects

Unnatural Issue: Gendered Adaptations of “Peau d’Âne” in Contemporary French and English Texts explores trans-genre and transmedia adaptations of Charles Perrault’s seventeenth-century fairy tale using feminist and narratological theories to examine gendered aspects of storytelling and the treatment of father-daughter incest and blame in the work of selected French, British, and American creators. Texts are read comparatively, with analyses of the adaptations’ plots, motifs, characterizations, and modifications, both in relation to Perrault and to the other adaptations. This dissertation features prose and poetry texts by female authors—including Christine Angot, Catherine Cusset, and Emma Donoghue—in the first two chapters. Reading these …

Algorithmic Love: Twenty-First Century Organizations Of The Romantic, Sandra Moyano Ariza

Dissertations, Theses, and Capstone Projects

This dissertation investigates the highly computed and accelerated experiences of digital love as well as their cultural and artistic representations in order to shed light on the human and more-than-human entanglements producing the algorithmic love experience. The recent turn to love in critical theory and cultural studies examines how love circulates in neoliberal societies and in the subjective processes of the users, foregrounding the control of populations and the very much lamented “end of love” (Illouz 2019). My study of love supplements the neoliberalist critique of algorithmic love with a posthuman and media theory approach that attends to the material …

Ideology Of Disaster Education Trauma Handling Post-Earthquake In Picture Stories Book: Critical Discourse Analysis, Silvia Damayanti, I Nyoman Suarka, Maria Matildis Banda, Ketut Widya Purnawati

International Review of Humanities Studies

This research analyzes the ideology that the author intends to instill in picture storybooks for children in Japan. The study aims to explore how the author conveys the ideology of handling trauma in children after earthquake disasters. The objects of the study are two picture storybooks titled "Yuzuchan" and "Yappari Ouchi Ga Ii Na." The research was conducted qualitatively using the documentary data search method. The analysis was carried out with van Dijk's CDA theory and Peirce's Semiotics Theory. The results of the analysis reveal that "Yuzuchan" and "Yappari Ouchi Ga Ii Na" are picture storybooks produced to help children …

Prosumer Behavior Of The Army Fandom Of Bts In Indonesia As A Form Of New Consumerist Society, Larassatti Dharma Nanda, Joesana Tjahjani

International Review of Humanities Studies

One of the most influential K-pop groups in the world is Bangtan Sonyeondan, abbreviated as BTS. BTS' success can also be determined by their extensive community of fans who create a fandom culture worldwide, including in Indonesia. This paper investigates the BTS fandom consumerism behavior, which is called ARMY, and its relation to Indonesia's participatory fan culture. This research focuses on how BTS's managing company creates a fandom image and how Indonesian fans react. This article is qualitative research using a literature review as the method. Analysis of this paper uses the consumerist society theory by Jean Baudrillard (1986) to …

Cultural Diplomacy And Global Challenges In G20 Indonesia 2022, Poppy Setiawati Nurisnaeny, Hendra Kaprisma, Suwedi Suwedi

International Review of Humanities Studies

Indonesia has been chosen to host the G20 summit in Bali in November 2022. Indonesia has prepared many agendas ahead of the execution of this summit. This preparation concerns the technical implementation of multilateral relations, which have undergone significant changes due to the COVID-19 pandemic. Furthermore, Indonesia needs help hosting the G20 due to the fractured multilateral relations of several G20 member countries caused by the Russia-Ukraine conflict in early 2022. As a result, Indonesia must mediate between the disputing parties to resolve this issue by selecting appropriate communication methods. Cultural diplomacy is one approach. Cultural diplomacy is a non-coercive …

Construction Of Femininity In Media Spectacle: The Phenomenon Of Indonesian Tiktoker Cross Gender Performances, Jiang Xue, Ade Solihat

International Review of Humanities Studies

In the development of the short video industry in Southeast Asia in recent years, cross gender performances by male bloggers have become a special cultural phenomenon that is rapidly emerging. It has become a new self media trend for male bloggers to imitate female images and construct femininity. This article uses media spectacle theory as a perspective to interpret the reasons for the rise, presentation methods and meaning construction of cross gender performances by Indone sian male bloggers. This article uses qualitative research methods, combining media spectacle theory and gender studies theory to research and analyze six Indonesian male bloggers. …

A Study On Biography Of Things: Posbloc Public Creative Spaces, Vherendio Novtha Varidy, Irmawati Marwoto

International Review of Humanities Studies

This paper discusses the journey of Pasar Baru Post Office using The Biography of Things study in which observes the building from time to time. Pasar Baru Post Office is used as the main source in this paper. Amidst the changes since The Netherland-Colonial era, the building remains still and that became the reason this study was conducted through The Biography of Things study. The research method used in this article is the research framework of Sharer and Ashmore which consists of data collection, processing, and interpretation. The results of the study show that there are some changes in the …

V.Y. Mudimbe Et La Recherche D’Une Parole Pour-Soi : L’Essai Philosophique Aux Prises Avec L’Autobiographie : Vivre Et Écrire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This article aims at two closely linked objectives : on the one hand, to show how the philosophical essays of V. Y. Mudimbe carry autobiographical sequences which complete or explain certain passages of his intellectual autobiography (The glorious bodies of words and beings) and, on the other hand, to question the stakes of such a rather singular practice in African philosophy. The basic hypothesis is that this practice is to be understood from an important moment in his intellectual development, namely May 68 and what has been called “La pensée 68” within which two antagonistic tendencies oppose each …

Naive Literary Tourism In Dracula And The Hound Of The Baskervilles, James Krasner

Journal of Dracula Studies

No abstract provided.

From The Inside Out: Excavating The Performing Arts Society Of Los Angeles, Wilfred Joseph Doucet Iii

CGU Theses & Dissertations

This work examines the Performing Arts Society of Los Angeles (PASLA), one of several cultural arts responses to the 1965 Watts Rebellion. Fundamentally, this work seeks to restore to memory and discourse the work of the Performing Arts Society of Los Angeles, its founder Motojicho Vantile Whitfield, and the PASLA Community Players. The Performing Arts Society of Los Angeles demonstrated a dynamic praxis in the South Central Los Angeles community, expressed through the organization’s motto, “social growth through the performing arts.” The Performing Arts Society of Los Angeles offered workshops in the literary, performance and technical aspects of drama and …

The Power Of Polish: Exploring The Impact Of Nail Adornments On Perceptions Of Attraction, Sara Demichele

Honors Theses

Understanding the significance of nail adornments in shaping perceptions of attractiveness and mate value provides insights into human behavior and preferences. In the current investigation, participants rated human nail length and color on physical attractiveness and partner desirability measures. Results revealed significant effects of nail length and color across different demographic groups. Medium-length nails consistently received higher ratings for physical attractiveness, cuteness, and partner desirability compared to short and long nails. White-colored nails were generally rated most attractive, while blue and black nails received the lowest ratings. Additionally, participants reported a moderate association between having manicured nails and feelings of …