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Unveiling The Monster: Memory And Film In Post-Dictatorial Spain, Juan Pablo Pacheco Bejarano

Self-Designed Majors Honors Papers

In 2007, the Spanish congress approved the Law of Historical Memory, recognizing a collective desire to exorcize the ghosts and monsters from its abject and repressed traumatic past. Spanish contemporary identities are still heavily impacted by the traumatic Civil War (1939) and the nearly forty-year long dictatorship (1939-1975) that marked most of its twentieth century’s history. This research focuses on a close reading of three films located within the aesthetic tradition of the Grotesque and the Gothic, and situated within the aftermath of the Civil War: El Espíritu de la Colmena (The Spirit of the Beehive) (1973) by Victor Erice, …

Feminine Purity And Masculine Revenge-Seeking In Taken (2008), Casey R. Kelly

Scholarship and Professional Work - Communication

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women's “purity” against the purportedly violent and sexual impulses of third world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system …

Autotraduction, Traduction Interculturelle Et Intersémiotique Dans La Quarta Via De Kaha Mohamed Aden, Simone Brioni

Department of English Faculty Publications

No abstract provided.

Veronica Mars Kickstarter And Crowd Funding, Bertha Chin, Bethan Jones, Myles Mcnutt, Luke Pebler

Communication & Theatre Arts Faculty Publications

This conversation among Bertha Chin, Bethan Jones, Myles McNutt, and Luke Pebler about the Veronica Mars (2004–7) Kickstarter campaign to fund a film assesses the implications of crowd sourcing and fan labor.

Tasha: A Practice-Based Problematisation Of Australian Comedy Cinema’S Representation Of Gender, Family And Nationhood, Vanessa Barnett

Theses: Doctorates and Masters

Between 2007 and 2012, 140 fictional feature films were financed with the assistance of Australian film funding bodies. Of these 140 films, only 31 featured female protagonists and of these 31 films, only 8 were comedies (see Appendix B). These figures show statistically, Tasha, the creative film component of this research project, is not a typical Australian comedy film; it is the story of Tasha, an unemployed girl from Girrawheen in her early twenties, who has lost her sense of identity. As Australian films such as Little Fish¸ Candy, Jedda and Muriel’s Wedding would suggest, this is certainly …

Subscribing To Governmental Rationality: Hbo And The Aids Epidemic, Shayne Pepper

Communication, Media and Theatre Faculty Publications

Between 1987 and 2013, HBO produced or distributed over twenty HIV/AIDS programs. These films trace a cultural shift from an early focus on AIDS as a public health issue to be dealt with through individual “safe-sex” practices and ethical citizenship to a later focus on AIDS as a global pandemic where the explicit strategy becomes a reliance on non-state actors to combat AIDS. This article argues that HBO's HIV/AIDS films are embedded within a cultural approach to AIDS that relies on governmental logics and neoliberal solutions – not direct action, but directing action.

Staying Alive: Dynamic Equivalence Theory And Film Adaptation, Sarah Welch

Honors Projects

Translation is a task that must be done every day in order for the world to function. A perfect translation is impossible, because there is no way to provide exact equivalents of meaning in different languages. However, methods such as dynamic equivalence focus on conveying the message of a text in terms that a new recipient audience can understand. Dynamic equivalence could apply to all textual translations, not just Bible translation. If this is the case, then dynamic equivalence may be applied to adaptations of different types of text, such as book to film adaptations. Film adaptations are popular, largely …

Louisiana-Style Naturalism? Science, Fiction, And Commerce In Duck Dynasty And Swamp People, Elizabeth Emery

Department of World Languages and Cultures Faculty Scholarship and Creative Works

No abstract provided.

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …

Financial Markets And Online Advertising: Reevaluating The Dotcom Investment Bubble, Matthew Crain

Publications and Research

While the dotcom period is often dismissed as a false start in the history of the web’s commercial development, it is better conceived of as highly generative of modern structures of online advertising. Soaring investment markets and the developing online advertising sector entered into a pattern of mutual reinforcement that began in 1995 and intensified until the bubble collapsed in 2000, transforming the character of the web in the process. This article sketches the contours of this generative capacity, focusing on the production of demand for online advertising services. Taking the approach of critical political economy, this narrative is contextualized …

World Literatures In Secondary School Curricula In Iran, Massih Zekavat

CLCWeb: Comparative Literature and Culture

In his article "World Literatures in Secondary School Curricula in Iran" Massih Zekavat argues that the inclusion and teaching of works of world literature is significant at the secondary school level because it introduces students to a dialogic and polyphonic world where difference is appreciated. Further, Zekavat posits that the pedagogical use of reading world literatures would be the case in particular in countries and cultures where essentialist and homogenizing objectives and practices of culture prevail. Zekavat's argumentation is based on the recent revival of Goethe's concept of Weltliteratur in the U.S. as a pedagogical tool and practice of reading …

Comparative Literature In Chinese: A Survey Of Books Published 2000-2013, Miaomiao Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Variation Theory And Comparative Literature: A Book Review Article About Cao's Work, Ning Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Comparative Literature, (Comparative) Cultural Studies, Aesthetic Education, And The Humanities, Sonja Stojmenska-Elzeser

CLCWeb: Comparative Literature and Culture

In her article "Comparative Literature, (Comparative) Cultural Studies, Aesthetic Education, and the Humanities" Sonja Stojmenska-Elzeser discusses comparative literature in the context of cultural studies and aesthetic education. Her starting point is the complexity of comparative literature as an academic discipline propelled by intellectual curiosity for what lies across the barriers which stand in the way of understanding and enjoying creative acts of all kinds everywhere and at all times. Literary and artistic investigations which focus on aesthetic values lead us towards general aesthetics, analyses which situate the arts and literature in context with little regard for aesthetic criteria take us …

European Comparative Literature As Humanism, Bernard Franco

CLCWeb: Comparative Literature and Culture

In his article "European Comparative Literature as Humanism" Bernard Franco presents an epistemological reflection on comparative literature in the context of the evolution of the relationships between different forms of knowledge. Franco argues that in the late nineteenth century the notion of the "humanities" replaced that of the "human sciences," but that we have recently returned to a humanist concept of knowledge linked to ethics. Franco focuses on the origins of this critical reflection about the nature of knowledge and on the debate in the Romantic period between rational and non-rational forms of knowledge. The idéologues (Cabanis, Destutt de Tracy, …

Literary Aspects In New Media Art Works, Narvika Bovcon

CLCWeb: Comparative Literature and Culture

In her article "Literary Aspects in New Media Art Works" Narvika Bovcon discusses examples of new media literature in the works of new media artists Jaka Železnikar and Srečo Dragan. While Železnikar is primarily a net artist who authors new media poetry and online linguistic interventions, the literary segments in Dragan's work are based in conceptual art and video art and he uses them to initiate a happening. Bovcon argues that studies of new media literature — of those works which require a readerly perception — should take time and attempt to capture the general flavor of such works which …

Artaud, Barney, And The Total Work Of Art From Avant-Garde To The Posthuman, Matteo Colombi, Massimo Fusillo

CLCWeb: Comparative Literature and Culture

In their article "Artaud, Barney, and the Total Work of Art from Avant-Garde to the Posthuman" Matteo Colombi and Massimo Fusillo discuss the aesthetics of Matthew Barney's video-performance art and the theater of Antonin Artaud. Colombi and Fusillo highlight the characteristics of the posthuman: the rejection of Western anthropocentrism and its subversion through hybridization with human, animal, and mechanical elements, the incorporation of Dionysian imagery of the body, and a commitment to the idea of the total work of art in its blending of different artistic mediums, and indeed, of art and life. Using examples from Artaud's writings on theater, …

On World Literatures, Comparative Literature, And (Comparative) Cultural Studies, Ning Wang

CLCWeb: Comparative Literature and Culture

In his article "On World Literatures, Comparative Literature, and (Comparative) Cultural Studies" Ning Wang argues that cultural studies is characterized by being opposed to (elite) literary studies not only because it points to popular or non-elite literature, but also because it challenges the discipline of comparative literature. On the other hand, (comparative) cultural studies complements literary studies in that it contributes a great deal to the reconstruction of a sort of new comparative literature. Wang illustrates how some of the representative Anglo-American comparatists are now doing cultural criticism while still engaging in comparative literature and they paved the way for …

Interculturality And World Literary System(S), Jola Škulj

CLCWeb: Comparative Literature and Culture

In her article "Interculturality and World Literary System(s)" Jola Škulj proposes a new framework for studying planetary exchanges of literatures, one that subverts the systemic distinction between centers and peripheries. She advocates a model that can yield the analytical conceptualization and hermeneutic understanding of literary phenomena and their historical reality in the complexity of semiotic traces, in actual distinctiveness of formal and textual deposits, and in interconnections of poetological impacts. She argues that literary facts seen in such intricate networks of mutual intertextual phenomenology and reaccentuations attest to their character of permanent mobility, evident instability, and constant inventive reformulation of …

Positive Uncertainty And The Ethos Of Comparative Literature, Brigitte Le Juez

CLCWeb: Comparative Literature and Culture

In her article "Positive Uncertainty and the Ethos of Comparative Literature" Brigitte Le Juez examines the continuous difficulty comparatists have with the lack of definition of the discipline and explores possible new avenues for tackling the problem. Le Juez argues that "uncertainty" recognized as a tenet of comparative literature should not be unheeded, but embraced in order to shift the focus from the idea that comparative objects and methods are the defining elements of the discipline and envisage them as the aims and results of an ethos. Le Juez posits that when "indiscipline" and "serendipity" are added to the notion …

World Literature(S) And Comparative Literature: A Book Review Article Of Books Published In English And German 2011-2013, Elke Sturm-Trigonakis

CLCWeb: Comparative Literature and Culture

No abstract provided.

Comparativist Imagology And The Phenomenon Of Strangeness, Małgorzata Świderska

CLCWeb: Comparative Literature and Culture

In her article "Comparativist Imagology and the Phenomenon of Strangeness" Małgorzata Świderska presents an imagological-hermeneutic conception of the interpretation of national, ethnic, and/or (inter)cultural strangeness in literary works. Świderska develops her concept of comparativist imagology from the work of Paul Ricoeur's concept of multiple étrangeté and from the work of Jean-Marc Moura. Świderska applies her conceptualization of comparativist imagology to Heimito von Doderer's "Divertimento No I" and Das letzte Abenteuer. Ein Ritter-Roman.

Periodization, Comparative Literature, And Italian Modernism, Donata Meneghelli

CLCWeb: Comparative Literature and Culture

In her article "Periodization, Comparative Literature, and Italian Modernism" Donata Meneghelli discusses why periodization is one of the most problematic issues in literary studies. Following a discussion of literary history and comparative literature, Meneghelli focuses on the notion of Italian modernism which has recently begun to circulate in literary studies referring to Italian literature of the beginning of the twentieth century. Meneghelli argues that Italian modernism is a paradoxical and contradictory notion which calls into question the relationships between literary history, geography (literary, cultural, political), and comparative literature while at the same time challenging the new framework of world literature(s) …

Desai's Hullabaloo In The Guava Orchard As Global Literature, Erin M. Fehskens

CLCWeb: Comparative Literature and Culture

In her article "Desai's Hullabaloo in the Guava Orchard as Global Literature" Erin M. Fehskens argues that scholars readily recognize Kiran Desai's Booker Prize winning second novel The Inheritance of Loss as world literature following David Damrosch's and Franco Moretti's notions. However, Desai's first novel Hullabaloo in the Guava Orchard is often overlooked. Although Hullabaloo's focus is narrow and local, its allegorical implications encode the processes of globalization and resistance to it into the novel. Thus, the novel can be read as an example of global literature, which uses the discontinuous nature of allegory to critique the de-differentiating practices …

The Paradox Of Testimony And First-Person Plural Narration In Jensen's We, The Drowned, Divya Dwivedi, Henrik Skov Nielsen

CLCWeb: Comparative Literature and Culture

In their article "The Paradox of Testimony and First-Person Plural Narration in Jensen's We, the Drowned" Divya Dwivedi and Henrik Skov Nielsen posit that the analysis of narratives of limit-experiences provides insight into literature's relation with the formation of community and subjectivity. Testimonies such as Primo Levi's If This Is a Man and other narratives of survivors of concentration camps, especially the Muselmänner, focus on aspects of community. Dwivedi and Nielsen discuss how in Carsten Jensen's novel We, the Drowned group identity, intersubjectivity, and the possibility for and mode of testimony about traumatic events are narrated. Although Jensen's …

Translation And Self-Translation In Today's (Im)Migration Literature, Anastasija Gjurčinova

CLCWeb: Comparative Literature and Culture

In her article "Translation and Self-Translation in Today's (Im)migration Literature" Anastasija Gjurčinova discusses contemporary (im)migration literature in Europe as a phenomenon that offers new opportunities for comparative literary research especially as related to the issue of the translation and reception of literary works. Gjurčinova considers (im)migrant authors who write in their native tongue and then translate their works — or have them translated — into the adopted language and others who prefer writing their literary works directly in the latter language. Through references to the work of relevant scholars of comparative and world literature Gjurčinova elaborates on these issues by …

Poetry And The Ethics Of Global Citizenship, Monique-Adelle Callahan

CLCWeb: Comparative Literature and Culture

In her article "Poetry and the Ethics of Global Citizenship" Monique-Adelle Callahan argues that the recent work of poets Jorie Graham and Yusef Komunyakaa suggests the emergence of an archetypal poet who transgresses boundaries of place and time through measured wandering amongst cultures and histories. Graham and Komunyakaa offer a poetic discourse on the relationship between poetry and citizenship in an increasingly global world. Through a close reading of excerpts from Graham's 2012 Place and Komunyakaa's 2011 The Chameleon Couch, Callahan uses the paradigm of the poet-as-prophet to articulate the position of the poet vis-à-vis the geopolitical spaces she …

World Literatures And Romanian Literary Criticism, Caius Dobrescu

CLCWeb: Comparative Literature and Culture

In his article "World Literatures and Romanian Literary Criticism" Caius Dobrescu argues that the notion Weltliteratur of Goethe posits the concept of world literature as the conveyor of universal (i.e., cosmopolitan) skills of socio-cultural adaptation. The influence of this form of Weltliteratur on Romanian literary criticism is traceable from Westernization in the nineteenth century to the cultural dissent of the post-Stalinist era. Based on Norbert Elias's diffusionist theory of the civilizing process, Dobrescu contends that one of the role models of the Romanian literary scholar and critic in his/her capacity of intercultural mediator was the eighteenth-century philosophe in the tradition …

Introduction To World Literatures From The Nineteenth To The Twenty-First Century, Marko Juvan

CLCWeb: Comparative Literature and Culture

No abstract provided.

Greek, Latin, And The Origins Of "World Literature", Alexander Beecroft

CLCWeb: Comparative Literature and Culture

In his article "Greek, Latin, and the Origins of 'World Literature'" Alexander Beecroft argues that while it is hardly new that the models of contemporary comparative and world literature(s) are Eurocentric in their origins and structures, the precise nature of Eurocentrism is less discussed. Beecroft argues that far from representing (as Goethe had wished) the end of national literature, the era of comparative and world literatures has, from its beginnings, been structured specifically around the notion of "national literatures." Beecroft explores the national basis for the study of comparative and world literatures in the nineteenth century with particular attention to …