Digital Commons Network^™

Hbo And The Story Of Hiv/Aids, Shayne Pepper

Communication, Media and Theatre Faculty Publications

Just last month, HBO presented an adaptation of Larry Kramer’s award-winning play about the AIDS crisis, The Normal Heart. You might be surprised to learn that HBO’s long-standing commitment to creating HIV/AIDS programming has provided audiences with more than 25 films in the past three decades. The history of these films is largely unwritten, but when viewed together they tell us a great deal about how we’ve come to understand and combat HIV/AIDS. Beyond just writing a history of these programs, my article demonstrates that these films echo our cultural response to the AIDS epidemic in the United States in …

Defining The Audience: Redefining Public Service, Ann-Marie Murray

Books/Book chapters

No abstract provided.

From Superhero To Human: A Genealogical Criticism Of Depictions Of Police Officers In Media From The 1970s To The Present, Samantha Wendy Ann Neher

Communication Studies

This senior project suggests that media depictions of law enforcement encourage viewers to adopt certain viewpoints towards police officers. In addition, the more realistic and humanizing that these presentations become, the more positive that the general public’s perceptions of police officers become. By utilizing a genealogical criticism of eight different law enforcement movies, and with support from public opinion polls and the communication theory of Cultivation, this paper will exemplify how the above statement is true.

Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak

CLCWeb: Comparative Literature and Culture

In her article "Roth's Graveyards, Narrative Desire, and 'Professional Competition with Death'" Debra Shostak analyzes Philip Roth's 1954 short story "The Day It Snowed" and surveys a range of his books. Shostak offers a reading of Sabbath's Theater and Everyman to explore Roth's fictional forms and his conception of storytelling, elucidates how the traumatic knowledge of death at graveside initiates the psychoanalytic process of repression, repetition, remembering, and telling, and uncovers several motifs or formal strategies that appear when Roth deploys cemetery scenes: the linear plotting toward death is often embraced within circular narrative structures; the voice of the mother, …

Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio

CLCWeb: Comparative Literature and Culture

In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …

Roth’S Humorous Art Of Ghost Writing, Paule Levy

CLCWeb: Comparative Literature and Culture

In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …

Jewish History, Us-American Fictions, And "Soul-Battering" In Roth's "Conversion Of The Jews", Sandor Goodhart

CLCWeb: Comparative Literature and Culture

In his article "Jewish History, US-American Fictions, and 'Soul-Battering' in Roth's 'Conversion of the Jews'" Sandor Goodhart discusses Philip Roth's story in which an innocent question raised in a Hebrew school discussion in the early 1950s gets wildly out of control. It leads the student into a screaming fight with his Rabbi, which propels the child into a confrontation with his mother, which in turn leads to a second violent confrontation with the Rabbi (who ends up slapping the child), and the episode culminates in a rooftop exchange over the synagogue where the boy’s thought of escape is suddenly converted …

European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.

Roth's Contribution To The Narrativization Of Illness, Miriam Jaffe-Foger

CLCWeb: Comparative Literature and Culture

In her article "Roth's Contribution to the Narrativization of Illness" Miriam Jaffe-Foger argues that Philipp Roth's fiction represents him as an empath, a writer who prescribes for modern medicine a dose of humanity in listening to the pain of others. Using Roth's The Anatomy Lesson, The Dying Animal, and Exit Ghost as primary source material in combination with theories from medical anthropology, Jaffe-Foger suggests that Roth is an inspiration for the field of narrative medicine. Jaffe-Foger examines the art in organizing narratives to tell these stories. Jaffe-Foger also argues against misogynist views of Roth as he represents woman's …

Roth's Fiction From Nemesis To Nemesis, Emily Budick

CLCWeb: Comparative Literature and Culture

In her article "Roth's Fiction from Nemesis to Nemesis" Emily Budick discusses Philip Roth's novel Nemesis as the culminating work of a career in which one nemesis or another has afflicted almost all of the author's protagonists. During the bulk of Roth's career, the hero's nemesis was generally, as in the ordinary, literary usage of the term, the protagonist's enemy, whether Judge Wapter in The Ghost Writer or the alter-Roth in The Counterlife. In Nemesis Roth restores the word nemesis to its classical meaning: Nemesis, as the goddess of revenge and cosmic balance. The nemesis in Roth's novel, therefore, …

Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe

CLCWeb: Comparative Literature and Culture

In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …

Bibliography For The Study Of Phillip Roth's Works, Gustavo Sánchez-Canales, Victoria Aarons

CLCWeb: Comparative Literature and Culture

No abstract provided.

A Working Paper On Genderphobia In Southeast Asian Cinema = 東南亞電影中的性別恐懼初探, Mikee Inton

《新自由主義下的新道德》研討會 NEO-MORALISM UNDER NEOLIBERALISM INTERNATIONAL CONFERENCE

In this paper, I intend to look at the cinematic portrayals of male-bodied queerness in gay-themed films from the Philippines, Thailand, and Indonesia. All three contexts have a similar long history of gender-bending and gender-crossing traditions, which still exist in contemporary forms today: the bakla from the Philippines, the kathoey of Thailand, and the waria of Indonesia. The paper will attempt to inter-reference these gender performances with each other, as well as articulate how concepts of genderphobia and homophobia operate within cinematic discourses from across this region.

本文將分析菲律賓、泰國及印尼以男同志為題材的電影中，在男性身上體現的酷兒特質。菲律賓、泰國及印尼這三個國家均有悠長的性別跨越傳統，而這些傳統亦隨著歷史演變，在現代社會以獨特的形態呈現：菲律賓的bakla、泰國的kathoey、及印尼的waria族群。透過三地例子的相互對照，本文嘗試探討不同的性別操演策略及性別體現，以及勾勒出性別恐懼及恐同意識如何透過電影影響該地區的主流性別論述。

Hollywood’S Invention Of The Native American, And The Myth Of The Cowboy As A History, Kathleen Labbe

All Theses And Dissertations

A major institution in perpetuating beliefs of Native Americans as the “other” during the Twentieth Century was the Hollywood Western. This highly popular genre perpetuated the myth of Native Americans as the “other,” an animal like savage that could be saved only with the intervention and assimilation of White ideals and society. This paper focuses on the following questions. Firstly, why and how has the Native American been continuingly labeled, invented, and accepted as the other both in American academia and the cultural consciousness? Lastly, how has the myth of the good, white, rugged pioneer cowboy versus the savage Native …

Masculinity, After The Apocalypse: Gendered Heroics In Modern Survivalist Cinema, Sean Michael Swenson

USF Tampa Graduate Theses and Dissertations

Emerging out of a tradition of dystopic and apocalyptic cinema, the survivalist film has arisen as a new subgenre owing to a collision of several divergent modes of cinema. While the scholarly discourse has been preoccupied largely with the task of setting up the parameters of this new cinematic line little attention has been paid to unraveling what the new modes of masculine performance within the films mean in the post-9/11 moment in which they have emerged. This paper looks at the ways in which the gendered heroics on the screen are indebted to the slasher and zombie subgenres in …

Tapestry Of Space: Domestic Architecture And Underground Communities In Margaret Morton’S Photography Of A Forgotten New York, Irina Nersessova

disClosure: A Journal of Social Theory

This article addresses the impact urban space has on individuals through the use of Situationist International theory and psychogeography. Representations of homelessness in New York in Margaret Morton's photography are used to demonstrate the interconnectedness among space, people, and social issues. Social issues manifest themselves in urban decay, and the inhabitants react to this phenomenon emotionally and artistically. Some inhabitants demonstrate their relationship with space by responding with material production of housing and art, which they accomplish by building without exploiting the environment the way the manufacturing of commodities often does.

The Lifestyle Of The "Urban Tribe", Nichelle D. Mcnabb, Rachel Friedman

Communications Faculty Scholarship

It was once the norm for people to get married in their early twenties,

perhaps right after college or maybe during college. Once married, there was

the need to start a family as soon as possible. However, nowadays, people

appear to be substituting (at least for this period of time after college) the

traditional family structure with a new one – the “urban tribe.” This paper

takes a critical approach to examining portrayals of rituals in “urban tribes”

in two television shows – Will & Grace and Friends in which we argue that

the progressive elements of these shows counter …

Filming Reconciliation: Affect And Nostalgia In The Tree Of Life, M. Gail Hamner

Journal of Religion & Film

This paper uses the affect theory of Gilles Deleuze, Raymond Williams, and Lauren Berlant, and the phenomenology of Merleau-Ponty to examine how affect constellates to film Christian reconciliation in Terrence Malick’s 2011 release, The Tree of Life. As a working shorthand, we can understand affect as the fungible set of bodily processes that affirm, sear, or reshape a body’s and society’s relational structures. I contend that the film’s fluid montage—analyzed with Deleuzian film theory—generates a non-reactionary nostalgia that binds Christian theological hope to the persistent melancholy of loss through the blurring of perception, memory, dream, and fantasy. Such blurring …

On Ashkenazi’S Weimar Film And Modern Jewish Identity, Kerry Wallach

German Studies Faculty Publications

Every scholar of modern Jewish history is familiar with the poet Judah Leib Gordon’s 1862 exhortation to European Jewry: “Be a man in the street and a Jew at home” (as quoted in Ashkenazi, xv, 48). This motto takes on new relevance in the work of historian Ofer Ashkenazi, for whom public and private behaviors play out in the spatial terms of Weimar cinematic representation. Within the world of the street, Jews display only authentic bourgeois mannerisms and appearances; in private, the masquerade ceases to be necessary. According to Ashkenazi, we see this duality reflected in films made by Jewish …

Fallen Sports Heroes, Media, & Celebrity Culture, Lawrence A. Wenner

Faculty Pub Night

No abstract provided.

"Die Mauer Im Kopf": Aesthetic Resistance Against West-German Take-Over, Arwen Puteri

USF Tampa Graduate Theses and Dissertations

Even 24 years after the Fall of the Berlin Wall, modern day Germans are still preoccupied with the contentious dynamics of the post-Wall unification process. Concern with geo-political fractiousness is deeply rooted in German history and the reason for Germany's desire to become a unified nation. The Fall of the Wall, and the subsequent rejection of socialism, was a chance to recover and unify what was perceived to be an "incomplete" nation. Yet, despite these actions, social unity between East and West Germans has never occurred and the Wall still persists as a metaphorical barrier in the minds of German …

Rave Culture- A Tale Of Two Scenes, Christopher Mohr

Faculty Curated Undergraduate Works

This article compares two iterations of rave culture through the perspective on scenes as outlined by Geoff Stahl in his essay "'It's Like Canada Reduced': Setting the Scene in Montreal." By applying both communication and sociopolitical theory to the comparison of the original rave scene to that of today's, a vivid understanding of how scenes and subcultures construct themselves- both within and around the cultural environments from which they are born- will become apparent.

Intertextuality In Beckett's And Ağaoğlu's Work, Elmas Şahín

CLCWeb: Comparative Literature and Culture

In her article "Intertextuality in Beckett's and Ağaoğlu's Work" Elmas Şahín discusses Adalet Ağaoğlu's 1973 novel Ölmeye Yatmak (Lying Down to Die) and Samuel Beckett's 1950 Malone Dies in terms of intertextuality. Şahín employs tenets of comparative literature in order to analyze the two texts with regard to form and content and focuses on the on protagonists' worlds. In Şahín's interpretation, Ağaoğlu's protagonist Aysel is narrated in postmodern intertextuality as an individual of our days alienated from society, searching for her self/selves as she cannot succeed in dying. Both Beckett's and Ağaoğlu's protagonists attempt to "escape" from their selves and …

Subjectivity In 'Attār's Shaykh Of San'Ān Story In The Conference Of The Birds, Claudia Yaghoobi

CLCWeb: Comparative Literature and Culture

In her article "Subjectivity in 'Attār’s Shaykh of San'ān Story in The Conference of the Birds" Claudia Yaghoobi discusses intersections of transgression, law, inclusion and exclusion, self and Other in Farīd al-Dīn 'Attār's (1142?-ca.1220) treatment of religion with regard to Shaykh San'ān and the Christian girl's love story in The Conference of the Birds. San'ān is an ascetic master who has never transgressed any of the Islamic laws until he embarks on a journey from Mecca to Rome after a dream only to fall in love with a Christian girl, convert to Christianity, and begin drinking wine and …

History And Identity In Post-Totalitarian Memoir Writing In Romanian, Nicoleta D. Ifrim

CLCWeb: Comparative Literature and Culture

In her article "History and Identity in Post-Totalitarian Memoir Writing in Romanian" Nicoleta D. Ifrim analyzes Virgil Tănase's confessional and ego-graphic writing in his 2011 Leapșa pe murite (Playing Fetch with Death). Tănase's text is about the individual caught in history and re-writes it post-traumatically from a double perspective: that of the collective memory of totalitarianism and the personal thus functioning as a filtering mechanism for the creation of meta-historical identity. For Tănase, the experience of exile and post-exile, as well as the confrontation with the West legitimizes identity dilemmas and the construction of the individual. The book is representative …

Electronic Journals, Prestige, And The Economics Of Academic Journal Publishing, Steven Tötösy De Zepetnek, Joshua Jia

CLCWeb: Comparative Literature and Culture

In their article "Electronic Journals, Prestige, and the Economics of Academic Journal Publishing" Steven Tötösy de Zepetnek and Joshua Jia discuss the current state of the academic journal publishing industry. The current state of the industry is an oligopoly based on a double appropriation model where academics produce work for at no cost only to have publishers earn significant profit margins by selling the work back to academics. Publishers are able to do this given the price inelasticity and weak bargaining power of its main consumer, university libraries. Publishers' ability to increase prices is also supported by what the authors …

Art And Politics In Latin America: A Book Review Article Of New Work By Van Delden And Grenier, Sánchez, And Cohn, Nicole L. Sparling

CLCWeb: Comparative Literature and Culture

No abstract provided.

Researching The Avant-Garde: A Book Review Article Of New Work By Bohn And Sell, Blaž Zabel

CLCWeb: Comparative Literature and Culture

No abstract provided.

Unruly Girls, Unrepentant Mothers: Redefining Feminism On Screen By Kathleen Rowe Karlyn; African American Actresses: The Struggle For Visibility, 1900-1960 By Charlene Regester; Unsettling Sights: The Fourth World On Film By Corinn Columpar: A Review By Mantra Roy, Mantra Roy

Faculty and Staff Publications

No abstract provided.

A Prison For Others—A Burden To One's Self, Anne Collins Smith, Owen M. Smith

Faculty Publications

Women have come a long way since the mid-1960's, both in the real world and in the world of philosophy. Given the advances in society and the developments within feminism that took place between that decade and the first decade of the 21st century, we might reasonably expect the new Prisonerseries to present a more contemporary perspective on women than the original. Such is most emphatically not the case. If we compare the original Village to the new one, it looks as if those pennyfarthing wheels are spinning backwards instead of forwards.