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Desire, Violence, And The Passion In Fragment Vii Of "The Canterbury Tales": A Girardian Reading, Curtis Gruenler

Faculty Publications

Part of a special issue on René Girard. The tales of fragment 7 of Chaucer's Canterbury Tales collectively address the problem of human violence and the potential of literature to perpetuate or remedy this problem. The narrative that links the two middles tales of fragment 7 provides a critique of violence that goes beyond mere opposition to war. In this narrative, Chaucer alludes to Christ's crucifixion and death in order to speak as a witness to suffering. In the first three tales of fragment 7—The Shipman's Tale, The Prioress's Tale, and Sir Thopas,—Chaucer depicts the tendencies to mythologize violence in …

Eng 2601-003: Backgrounds Of Western Literature, Bonnie Irwin

Spring 1999

No abstract provided.

Ordinary Children Extraordinary Legacies: Childhood During The American Civil War, Deborah S. Holder

Theses, Dissertations and Capstones

War heroes do not have to wear uniforms, display meritorious medals for bravery and sacrifice, or voluntarily fight for their country in military regiments. The real heroes are all people touched by conflict. The strategy of war positions the powerful against the powerless, thereby creating an absurd imbalance within society. Hence, ordinary citizens become heroes not by decision but by circumstance; had they a choice, they most certainly would not choose to participate in war. Joseph Heller once said about his war novel: "Catch-22 says that people in power have a right to do to us anything we can't stop …

Short Story, Volume 7, Number 1, Spring 1999 [Download Entire Issue]

Short Story

No abstract provided.

Patterns To Male Balding, Tamas Dobozy

Short Story

No abstract provided.

Verboden: The Private Letters Of Ed Edson: An American Pioneer In A Dutch Community 1880-1944, Mollie Edson

All Graduate Projects

This is a senior project in History, English, and Political Science about the letters and correspondence of Ed Edson from 1880-1944. It includes letters, photos and scans of correspondence.

Reading The Wound: Wollstonecraft’S The Wrongs Of Woman, Or Maria And Trauma Theory, Diane Hoeveler

English Faculty Research and Publications

Discusses the theory of trauma presented in Mary Wollstonecraft's novel 'Wrongs of Woman, Or Maria.' How the novel was both personally therapeutic for the author and historically significant for what it reveals about women's lives under patriarchy; The repeated dissection of Wollstonecraft's wounds which stem from sexual betrayal; The character of Maria as a representation of the psychological and sexual abuses that wound all women.

Enterface: A Novella, Hubert Calip Mcleod

Retrospective Theses and Dissertations

A computer screen places each of us in an interface and virtual reality provides a totally simulated environment, a virtual world that we can enter. Enterface is a novella that examines the question first posed by Michael Heim: How far can we enter cyberspace and still remain human? It also explores the power and the limitation of language and the role of stories to shape reality in human life. Its themes are death, technology, ethics, and love. It is informed by Wittgensteinian philosophy, Norse mythology, and the "metaphysics of virtual reality."

The plot involves Moses Mackinow, a former Air Force …

Maidenheids And Moudiewarks: Scotland And The Bawdy Song Tradition, Sheila Douglas

Studies in Scottish Literature

No abstract provided.

Eng 2601-001: Backgrounds Of Western Literature, Bonnie Irwin

Fall 1998

No abstract provided.

The History Never Written: Bards, Druids, And The Problem Of Antiquarianism In Poly Olbion, John E. Curran Jr.

English Faculty Research and Publications

The rise of antiquarianism in late Elizabethan/early Jacobean England posed a threat to the common and traditional notion of continuity through time of British institutions and culture, including the transmission of historical texts. This threat was a major preoccupation for the poet Michael Drayton, and his response to it can be examined in his depictions of bards and druids in Poly Olbion. Conservatives in the historiographical debate put forth these ancient British poet/priests as an explanation for how ancient British history could have been transmitted through the centuries. But while Drayton in the Poly Olbion certainly uses bards and …

"They Always Leave Us’: Lord Jim, Colonialist Discourse, And Conrad's Magic Naturalism, Richard Ruppel

English Faculty Articles and Research

"Today, this information about Jewel's origins and her great fear that Jim will desert her because he is white and she is not must be gleaned rather painstakingly from the novel. But Conrad's contemporary readers would have understood her situation and her fear immediately, for the instability of white/non-white romances is a very common trope of late-nineteenth century colonialist fiction. In colonialist stories, the white man always leaves, and the non-white woman often knows that he will."

Professionalizing Gender: The Female Gothic, Beating Fantasies And The Civilizing Process, Diane L. Hoeveler

English Faculty Research and Publications

No abstract provided.

Moses And Machiavellism, Steven Marx

English

No abstract provided.

Wole Soyinka's "Dawn" And The Cults Of Ogun, Yaw Adu-Gyamfi

Faculty Publications and Presentations

No abstract provided.

South Of Nothing, West Of No One: The Prospect For American Studies Of Centered Southwest, Willard Gingerich

Department of English Faculty Scholarship and Creative Works

No abstract provided.

Inner-Cultural Imperialism, Government, And The System Of Domination, Brian J. White

disClosure: A Journal of Social Theory

No abstract provided.

What Pierre Cooked For Paul, Claudia Waszkis

Short Story

No abstract provided.

British Women Poets Of The Romantic Era: An Anthology, Paula R. Feldman

Faculty Publications

No abstract provided.

Shaw For The Utopians, Capek For The Anti-Utopians, Julie A. Sparks

Faculty Publications, English and Comparative Literature

No abstract provided.

Early British Espionage Fiction And The Differentiation Of Clandestine Realities: A Study In The Paradox Of The Protagonist’S Motivation In Erskine Childer’S The Riddle Of The Sands, Joseph Conrad’S The Secret Agent, John Buchan’S The Thirty-Nine Steps, And Arthur Conan-Doyle’S The Last Bow, Hans-Jörg Grohmann

Dissertations and Theses @ UNI

This thesis offers a phenomenological approach to four examples of early British espionage fiction; by discussing the experiences of four protagonists with their perceptions of reality, the study also gives a reconsideration to the literary essence of the figure of the spy of early British espionage stories. In attempting the combination of phenomenology and espionage fiction, the thesis first of all reviews the canon of criticism on British espionage fiction in general. This review criticizes the dilemma of preceding scholarly contributions, focusing on their general ignorance of the early phase of espionage fiction, which was due to the comparison between …

Tolkien As A Post-War Writer, Tom Shippey

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The Lord of the Rings, though unique in many ways, is only one of a series of fantasies published by English authors before, during, and just after World War II, works united in their deep concern with the nature of evil and their authors’ belief that politics had given them a novel understanding of this ancient concept. This paper sets Tolkien in this contemporary context and considers what has been unique in his understanding of the modern world.

Power In Arda: Sources, Uses And Misuses, Edith L. Crowe

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Power and renunciation of power has long been recognised as an important theme in the works of J.R.R. Tolkien. This paper will examine the issue of power with particular attention to Riane Eisler's dominator/partnership model of power relations and the power within/power over dichotomy. It will consider the sources of power: spiritual, political, physical; and how these are wielded by the various peoples and individuals of Middle-earth.

Tolkien And Englishness, Chris Hopkins

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper discusses ways in which Tolkien draws upon various ideas of Englishness in order to construct his epic fictional world. In particular, Tolkien's combinations of different periods and traditions of Englishness - Anglo-Saxon, nineteenth-century - are explored.

“Way Back In Papua”: Representing Society And Change In The Publications Of The London Missionary Society In New Guinea, 1871-1932, John Barker

Pacific Studies

No abstract provided.

An Inklings Bibliography (56), Joe R. Christopher, Wayne G. Hammond

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Entries 42–59 in this series are written by Hammond (Tolkien material) and Christopher (Lewis and other material). See Hammond, Wayne G., for one later entry in this series.

Lord Byron's Heroines, Cathy Douglas Rodreguez

English Theses & Dissertations

Byron as a poet, aristocrat, and Romantic, began as all the other poets of his time, in a traditional fashion. But unlike the other poets, Byron began to develop a heroine who would become a voice for the realities of society. Despite the fact that Byron had many love affairs, he also respected women, believing in their right of autonomy within society. He considered them his equal, relishing lively debates with them on many topics. Byron's heroines embodied sentimentalism, integrity, morality and intelligence, which in turn subtlety influenced society to respect a woman's desire to openly express her emotions. What …

An "Earthly Paradise": William Morris's Later Prose Romances, Carolyn Adele Gardner

English Theses & Dissertations

William Norris, prominent Pre-Raphaelite poet and early Socialist thinker, devoted the final six years of his life not to poetry or Socialism, but to the creation of a new literary genre, the prose romance. Following the initial publication of the later prose romances between 1890-1896, few critics have attempted to analyze Norris's last works; moreover, those who have done so, have generally either dismissed the romances as escapist fantasies or twisted the narratives of these romances in an attempt to demonstrate the presence of Marxist allegories thought to accord with Norris's Socialism. Yet Norris's later prose romances, uniting his philosophies …

Tobias Smollett: The Scot In England, Jerry C. Beasley

Studies in Scottish Literature

No abstract provided.

Holy War In Henry Fifth, Steven Marx

English

No abstract provided.