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The Museum Of Love, Sara Will

Allusions

No abstract provided.

O’Neill’S Long Day’S Journey Into Night In Action, Darcie Billena, Hoaka Hashimoto

Suffolk University Archives OERs and Assignments

This student essay was completed as part of Professor Quentin Miller's course, ENG 120: From Ireland to America (and Back Again). Students researched and wrote about themes related to Eugene O'Neill's Long Day's Journey Into Night and Boston's school desegregation crisis using collections from Suffolk University's Moakley Archive.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Fun With Palamon And Arcite: Rationale And Strategies For Teaching The Two Noble Kinsmen As The Culmination Of The Shakespearean Canon, Joanne E. Gates

Presentations, Proceedings & Performances

Hardly noticed in the reception of Harold Bloom's Shakespeare: The Invention of the Human several years ago was his hint that not The Tempest but The Two Noble Kinsmen makes an appropriate final accomplishment. On one level, the play is merely a stage adaptation of Chaucer's The Knight's Tale, with a rather crude couple of subplots thrown in, perhaps to please the commoners. In an undergraduate forum, I am less inclined to evaluate Fletcher's contribution as distinct from Shakespeare, but I do think the play important for how it is representative of many of the co-authored English Renaissance plays …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Patriarchal Colonization Of The Female Body In Machinal And Clit Notes, Saide Harb-Ranero

The Graduate Review

Machinal written by Sophie Treadwell in 1928 and Clit Notes written by Holly Hughes in 1996 are two plays half a century apart yet bring forth the female body upstage and center. I see Machinal bringing attention to the societal machine that takes control of the focal character, Helen, from the first act. Clit Notes shows how a woman’s body could be removed from its first society, her parental home, simply for existing in a body that refuses to fit in a patriarchal box that is designed according to its perception of what that body should be doing. Regarding the …

Men Who Conquered & The Women Who Mov'd Them, Nikita Chinamanthur

Scripps Senior Theses

Considering John Dryden’s Aureng-Zebe and Christopher Marlowe’s Tamburlaine the Great, this thesis examines how drama shaped popular ideas of the Indian subcontinent in Renaissance England. This thesis engages in a comparative analysis of formal choices such as doubling, tripling, and etymology to assess the efficacy of two incomplete portrayals of South Asia configured as women.

The 1950 Anta Production Of The Tower Beyond Tragedy, A Facsimile Edition: Part I, Introduction, James Karman

Jeffers Studies

The introduction to this two-part study provides an account of the 1950 staging of The Tower Beyond Tragedy, starring Judith Anderson. It contains information about the friendship between Jeffers and Anderson that occasioned the production, a description of the script used for the ANTA Playhouse performance in New York, and a summary of the critical response.

Part II of this study contains a photographic reproduction of the final script used for the 1950 production of The Tower Beyond Tragedy. As the only surviving record of that failed production, the facsimile reveals the changes made by Anderson and others to …

The 1950 Anta Production Of The Tower Beyond Tragedy, A Facsimile Edition: Part Ii, Facsimile, Robinson Jeffers

Jeffers Studies

The introduction to this two-part study provides an account of the 1950 staging of The Tower Beyond Tragedy, starring Judith Anderson. It contains information about the friendship between Jeffers and Anderson that occasioned the production, a description of the script used for the ANTA Playhouse performance in New York, and a summary of the critical response.

Part II of this study contains a photographic reproduction of the final script used for the 1950 production of The Tower Beyond Tragedy. As the only surviving record of that failed production, the facsimile reveals the changes made by Anderson and others to …

"She Had A Bok To Print, And It Was Her Own Case": Elizabeth Cellier's Malice Defeated As A Critical Contribution To 17th-Century Political Discourse And Postwar Pamphlet Culture, Serena Desai

Honors Theses

Born in London, England during the 1640s-- the peak of the English Civil War-- Elizabeth Cellier was no stranger to political and religious conflict. Rumors flooded the seventeenth-century newsstands: not only was King Charles II a Catholic-apologist who favored the tiny "Jesuitical" faction over the Protestant majority, but he refused to allow Parliament to check his monarchical power. By 1680, the legislature was actively attempting to disrupt his line of succession by preventing the heir presumptive, the Duke of York, from ascending the throne. Ignited by this Exclusion Crisis, several known Protestant "tricksters"--Thomas Dangerfield, William Bedloe, and Israel Tonge, and …

Toward A Decolonial Creative Writing Workshop: Mbari As A Case Study In Examining Intercultural Models For Arts Education, James W. Ryan, Steve Westbrook

The Journal of the Assembly for Expanded Perspectives on Learning

The creative writing workshop has been the subject of sustained critique for its tendency to reproduce dominant cultural norms, especially in spaces where admissions to the workshop do not reflect local ethnic and cultural diversity. In an effort to aid the search for alternate models/foundations for creative writing instructions, the authors turn to the history of mbari, a cultural practice among the Owerri Igbo of Nigeria, which was briefly adapted into the pedagogical foundation for a visual arts workshop conducted between the time of Nigeria’s independence and the onset of its civil war. In its original form, mbari was a …

Contributors To Jaepl, Vol. 27, Wendy Ryden

The Journal of the Assembly for Expanded Perspectives on Learning

Contributors

18th Century Theater And The Legitimacy Of The Lower Classes, Nina Masin-Moyer

The Criterion

18th century theater developed alongside the expanding role of the lower and middle classes. George Lillo’s working-class tragedy The London Merchant and John Gay’s comedic satire The Beggar’s Opera exemplify how both drama and comedy can bring awareness and legitimacy to the struggles of working-class people. The London Merchant uses cultural references and religious language to elevate the struggles of its titular merchant’s apprentice whereas The Beggar’s Opera uses language of honor and nobility to draw parallels between the criminal underground and high society, both in service of using the medium of theater to acknowledge the middle and lower classes’ …

Femme Ex Machina: Sex Robots, Embodiment, And Posthuman Subjectivity, Julia A. Empey

Theses and Dissertations (Comprehensive)

Andrea Dworkin warned in her 1974 book Woman Hating that men would soon develop the technology to “create the sex objects that will gratify them” (199). This dissertation investigates one of those technologies: sex robots, as mediated through science fiction film and literature. While the sex robot is still an emerging technology, its embodiment, particularly when female-rendered, has been imagined and negotiated for centuries. Men creating women in a specific, desired image is not new, but the sex robot is currently being transformed from imagined representation to embodied subject. This dissertation traces a pattern of representation that has allowed us …

Disablist Propaganda: Evil On One Hand, And A Hook For The Other, Lauren Reitz, Richard Murphy

University of South Carolina Upstate Student Research Journal

Despite its publication by J.M. Barrie in 1904, Peter and Wendy has attracted very little critical attention. Perhaps the story is so beloved for its adventure-packed plot, and sweet message about a boy who never grows old, that even scholars have trouble criticizing it—despite its obvious calls for analysis as film and literary adaptations continue to appear.

However, most concerning is an apparent gap in the analysis of the story’s disabled villain, Captain Hook, through a modern Disability Studies lens. The following textual analysis of Captain Hook will serve to call attention to the way his disability plays into his …

Criterion, Volume 40, 2022, Loyola Marymount University English Department

Criterion

Faculty Advisor: Sarah Maclay

Co-Editor-in-Chiefs: Alexandra Paradzick and Comer Wadzeck

Owning Your Story: Agency, Power, And Freedom In Greta Gerwig’S Faithful And Radical Little Women Adaptation, Siobhan Cooney

Honors Program Theses

Louisa May Alcott’s Little Women (1868) has an extensive lineage of film adaptations. The classic novel’s most recent film adaptation was written for the screen and directed by Greta Gerwig (2019). This thesis employs adaptation theory as well as visual and verbal close reading and critical analysis of the film, source novel, and popular film reviews. Gerwig’s adaptation looks, sounds, and feels like the Little Women that has been cherished for decades. The director fulfills these aesthetic expectations to subvert our understandings of sentimentalism, domesticity, individuality, and the relinquishment of childhood. An examination of art’s imitation of life, the epistolary …

Music: Modernist Remediation And Technologies Of Listening, Josh Epstein

English Faculty Publications and Presentations

Excerpt:
Ludwig van Beethoven, if not exactly a modernist, offers ample fodder for modern artists looking to defend – or expand – their turf. While producing City Lights (1928), Charlie Chaplin responded to the newly popular ‘talkies’ by proclaiming that ‘Moving pictures need sound as much as Beethoven symphonies need lyrics’ (qtd. in Crafton 1999: 296).

Fleshcrawl, Shanita Jackson

Theses and Dissertations--English

I am fascinated with the spiritual, physical, and psychological experiences that occur when one’s flesh crawls. The experiences, akin to inverted goosebumps, result from provocations of the senses or of the mind. James Blake’s latest album, for example, triggers my flesh to crawl. The art on the album cover depicts a decaying body turned into a canyon-like labyrinth. In undergrad, attempts to conceptualize slave-deck diagrams disturbed my flesh to crawl. I am intrigued by how anxiety, epigenetics, and superstition all factor into the subjective intensities of this collective experience. As it seems, circumstance heightens the severity and frequency of the …

Samuel Beckett's Theory Of Repetition, Kennedy Carpenter

Online Theses and Dissertations

The thesis explores playwright, Samuel Beckett, and his use of repetition within four of his plays. The way in which repetition is discussed and shown in his plays displays Beckett’s own theories about repetition such as the futility and meaningless of life that repetition brings about, how repetition causes stagnation, repetition is something people are both trapped in and willing go towards for comfort, and the only way to break out of repetition is by involving others in one’s life. After literary analysis of repetition in Beckett’s works, his theories are then applied to Beckett’s personal life as a director …

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …

Amplifying Agency And Presence Of Native American Women In 21st Century Literature, Rachel Mitchell

Dissertations and Theses

This project analyzes Native American women's voices and agency through their presence in a variety of 21st-century literary genres. The texts illuminate a clear presence of Native American authors who actively write Native American female characters that are powerful and take agency over their bodies and stories. The examples of Native American female characters allow readers to see more realistic and relatable figures within literature. Chapter one focuses on the empowering Native American female protagonists in Larissa FastHorse’s What Would Crazy Horse Do? (2019) and Mary Kathryn Nagle’s Sovereignty (2020). The playwrights offer crucial insight into more empowering and complex …

“What We Ought To Say”: Debating The Morality Of Dishonesty And Equivocation In King Lear, Markelle Jensen

Criterion: A Journal of Literary Criticism

King Lear does not reveal the nature of honesty but provides a stage on which the morality of honesty can be debated. The play questions whether honesty is inherently moral at all, or if there are ways in which honesty can be considered harmful and even immoral. Other scholars have noted this as well in characters such as Edgar and Kent, but missing from the critical conversation are the ways in which Cordelia is the pillar of moral goodness in the play, and how her own paradoxical honesty and dishonesty were what enabled Lear to “see better” and ultimately, to …

Editor's Note (Volume 22), Jim Baird

Jeffers Studies

No abstract provided.

Review Of Female Desire In Chaucer’S “Legend Of Good Women” And Middle English Romance, Elizaveta Strakhov

English Faculty Research and Publications

No abstract provided.

How Do We Use Creative And Personal Memories For Creative Communication?, Tyler Robert Montgomery

Dissertations and Theses @ UNI

Inspired by the author’s memories, KeyBoard Memories and You have the Right to Forget are two short stage plays exploring topics of identity, time, and justice. This thesis uses personal and creative memories to develop stories in the form of scripts. The thesis begins with an example of creative writing inspired by the author’s personal and creative memories and describes the purpose of the project before moving into a review of literature that explains what memories are, how they work, and the different types of memories. Then the method section describes the methods of journaling and scripting writing, and then …

Walter Scott At 250, Alison Lumsden, Kirsty Archer-Thompson

Studies in Scottish Literature

This essay marking the 250th anniversary of Walter Scott's birth reflects on the current state of Scott studies, the scholarly directions in which it might develop, and ways in which the relevance of Scott’s work may be re-discovered and re-invigorated for contemporary audiences. In particular, it examines scholarly and critical attitudes to Scott's work over the past 50 years through papers given at the triennial international Scott conferences initiated in Edinburgh in 1971, alongside developments in public engagement at Abbotsford House and elsewhere during the 250th anniversary year.

Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith

Studies in Scottish Literature

This article traces the changing history of how the Scottish poet Robert Burns has been portrayed on stage, both in Scotland and elsewhere, discussing the the issues playwrights have faced and some of the approaches they have used, and provides an annotated chronological bibliography of ninety plays about Burns's life written or first staged between 1842 and 2019, with information on first known performance and on any published versions or known manuscript or typescript, and with brief notes where information is available on the style of the play and critical reaction.

'We'll Ne'er Forget The People': The Roy Manuscript Of Burns's 'The Dumfries Volunteers', Patrick Scott

Studies in Scottish Literature

A brief illustrated report on an early manuscript of Burns's song "The Dumfries Volunteers ("Does haughty Gaul invasion threat"), now in the Roy Collection, University of South Carolina Libraries, originally sent by Burns to the editor of the Dumfries Journal, and published there on May 5, 1795, but unavailable to Kinsley and other recent editors.

Disrupters:Three Women Of Color Tell Their Stories, Dulce María Gray, Denise A. Harrison, Yuko Kurahashi

The Seneca Falls Dialogues Journal

This essay is an amplified version of the presentation we made at the 7th Biennial Seneca Falls Dialogues. Our aim is to story back into the world our first experiences and motivations for investing in suffrage and democratic activism. We are three American professors of disciplines in the humanities, who for decades have taught and lived across the United States and have traveled the world. Yuko Kurahashi’s essay tells the story of how Raichō Hiratsuka and Fusae Ichikawa, Japanese activists in their suffrage and peace movements, helped shape her personal and professional life. Denise Harrison talks about the first wave …